From a gifted young writer, the story of his quest to reclaim his family's apartment building in Poland--and of the astonishing entanglement with Nazi treasure hunters that follows Menachem Kaiser's brilliantly told story, woven from improbable events and profound revelations, is set in motion when the author takes up his Holocaust-survivor grandfather's former battle to reclaim the family's apartment building in Sosnowiec, Poland. Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as "The Killer." A surprise discovery--that his grandfather's cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex--leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance--material, spiritual, familial, and emotional.

While there are people who actually embrace getting older (although we confess not to know any) most try to deny it. Rita Rudner is no exception. When she reached 50, she couldn't even bear to admit it: "It was more comfortable getting a laugh and telling people I was filthy than having to say the word fffiffffty," she writes. In her hysterically dead-on book I Still Have It...I Just Can't Remember Where I Put It , she relates her absurd adventures as a woman of a certain age navigating the strange and terrifyingly funny world of "near-sighted insights." In chapters such as "Artificially Hip"; "Older Than Springtime, Younger Than Angela Lansbury"; "I Won't Blog, Don't Ask Me"; and "The Advantage of Vintage," Rudner tackles body issues, style, and technology, and looks at the wonders and surprises of life on the dark side of 50. So put on your bifocals and get ready to laugh. Just don't blame Rita if your laugh lines become visibly deeper. "Sexy deadpan is comedian Rita Rudner's trademark style, never more in evidence than in I Still Have It ... I Just Can't Remember Where I Put It ... Pure vaudeville, a kick at any age."-- O, The Oprah Magazine

A timely and profound anthology from the national bestselling author of Black, White and Jewish, Representing a stunning range of essayists and novelists, both men and women, this groundbreaking anthology boldly confronts the complications, possibilities, uncertainties, and joys of being a man in the 21st century.

A deeply personal memoir about one woman's journey to finding her voice and rewriting her story by the creator and host of the award-winning podcast Moms Don't Have Time to Read Books (tm). Zibby Owens has become a well-known personality in the publishing world. Her infectious energy, tasteful authenticity, and smart, steadfast support of authors started in childhood, a precedent set by the profound effect books and libraries had on her own family. But after losing her closest friend on 9/11 and later becoming utterly stressed out and overwhelmed by motherhood, Zibby was forgetting what made her her . She turned to books and writing for help. Just when things seemed particularly bleak, Zibby unexpectedly fell in love with a tennis pro turned movie producer who showed her the path to happiness: away from type-A perfectionism and toward letting things unfold organically. What unfolded was a meaningful career, a great love, and finally, her voice, now heard by millions of listeners. An honest and moving story about relationships, love, food issues, the writing life, and finding one's true calling, Bookends will inspire and uplift.

A New York Times bestselling author takes a rollicking, personal deep dive into the ultracompetitive world of youth hockey. Rich Cohen, the author of The Chicago Cubs: Story of a Curse and Monsters: The 1985 Chicago Bears and the Wild Heart of Football , turns his attention to matters closer to home: his son’s elite Pee Wee hockey team and himself, a former player and a devoted hockey parent. In Pee Wees: Confessions of a Hockey Parent , Cohen takes us through a season of hard-fought competition in Fairfield County, Connecticut, an affluent suburb of New York City. Part memoir and part exploration of youth sports and the exploding popularity of American hockey, Pee Wees follows the ups and downs of the Ridgefield Bears, the twelve-year-old boys and girls on the team, and the parents watching, cheering, plotting, praying, and cursing in the stands. It is a book about the love of the game, the love of parents for their children, and the triumphs and struggles of both.

“Amy Webb found her true love after a search that's both charmingly romantic and relentlessly data-driven. Anyone who uses online dating sites must read her funny, fascinating book.”—Gretchen Rubin, #1 New York Times bestselling author of The Happiness Project After yet another disastrous date, Amy Webb was preparing to cancel her JDate membership when epiphany struck: her standards weren’t too high, she just wasn’t approaching the process the right way. Using her gift for data strategy, she found which keywords were digital-man magnets, analyzed photos, and then adjusted her (female) profile to make the most of that intel. Then began the deluge—dozens of men who actually met her own stringent requirements wanted to meet her. Among them: her future husband, now the father of her child.

One woman's misguided quest for love, sex, and as much airtime as possible Lisa G. baked cookies for men for all the wrong reasons, but she got it right in radio, eventually landing her dream job as a reporter on The Howard Stern Show. Recipe for Sex, Lies & Cookies 1 oz. dysfunctional Long Island Jewish childhood 3 tbsp. sheer determination 2 cups of double-Ds 1 spoonful of hip-hop A few pinches of sex and a dash of radio reporting Combine ingredients in a large bowl and mix well. Salt-n-Pepa to taste, and season with Flavor Flav. Yields: 1 unrated memoir 25+ delicious cookie recipes Lisa G.’s guide to planning the perfect cookie party

When Hamilton Jordan died of peritoneal mesothelioma in 2008, he left behind amostly finished memoir, a book on which he had been working for the last decade. Jordan's daughter, Kathleen-with the help of her brothers and mother-took up the task of editing and completing the book. A Boy from Georgia -the result of this posthumous father-daughter collaboration-chronicles Hamilton Jordan's childhood in Albany, Georgia, charting his moral and intellectual development as he gradually discovers the complicated legacies of racism, religious intolerance, and southern politics, and affords his readers an intimate view of the state's wheelers and dealers. Jordan's middle-class childhood was bucolic in some ways and traumatizing in others. As Georgia politicians battled civil rights leaders, a young Hamilton straddled the uncomfortable line between the southern establishment to which he belonged and the movement in which he believed. Fortunate enough to grow up in a family that had considerable political clout within Georgia, Jordan went into politics to put his ideals to work. Eventually he became a key aide to Jimmy Carter and was the architect of Carter's stunning victory in the presidential campaign of 1976; Jordan later served as Carter's chief of staff. Clear eyed about the triumphs and tragedies of Jordan's beloved home state and region, A Boy from Georgia tells the story of a remarkable life in a voice that is witty, vivid, and honest.

Young Fred Waitzkin is a Jewish boy stretched between the divergent values of parents who cannot tolerate one another. Fred's father, Abe, is a brilliantly talented salesman whose relentless will drives him to succeed-he literally brightens American cities with fluorescent lighting fixtures. Abe marries Stella, an abstract artist and daughter of a wealthy industrialist with whom Abe forges an alliance. When his parents' marriage disintegrates, Fred retreats into fishing, learning the trade from the master captains of Bimini. In scenes ranging from Long Island synagogues to evenings with famous painters to the boats of drug smugglers and the once marlin-rich waters of the Gulf Stream, Fred sinks boats and battles thousand-pounders believing that fishing is the only hope. Woven through this compelling narrative are moving insights about childhood, families, and a love of the sea.

The Ojibwa Woman is a book written by Ruth Landes that explores the life and culture of the Ojibwa people, specifically focusing on the experiences of Ojibwa women. The book is based on Landes' fieldwork among the Ojibwa people in the early 1930s, during which she lived among the tribe and conducted extensive interviews with women to gain a better understanding of their lives, beliefs, and customs.The book covers a wide range of topics related to Ojibwa women, including their roles in the community, their relationships with men and other women, their experiences of motherhood and childbirth, and their spiritual beliefs and practices. Landes also explores the impact of colonialism and Christianity on the Ojibwa people, and the ways in which these forces have affected the lives of Ojibwa women.Throughout the book, Landes presents a nuanced and empathetic portrait of the Ojibwa people and their culture, drawing on her own observations and the insights of the women she interviewed. The book is a valuable resource for anyone interested in the history and culture of indigenous peoples, as well as for those interested in the experiences of women in different cultures and societies.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIR FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTION An unforgettable memoir about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari's beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because--as in the Intifada--it was safer to keep going than to stand still. Soon the act of leaving--jobs, friends and relationships--came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood. Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home--both inherited and chosen.

Calvin Trillin, the celebrated New Yorker writer, offers a rich and engaging biography of his father, as well as a literate and entertaining fanfare for the common (and decent, and hard-working) man. Abe Trillin had the western Missouri accent of someone who had grown up in St. Joseph and the dreams of America of someone who had been born is Russia. In Kansas City, he was a grocer, at least until he swore off the grocery business. He was given to swearing off things—coffee, tobacco, alcohol, all neckties that were not yellow in color. Presumably he had also sworn off swearing, although he was a collector of curses, such as "May you have an injury that is not covered by workman's compensation." Although he had a strong vision of the sort of person he wanted his son to be, his explicit advice about how to behave didn't go beyond an almost lackadaisical "You might as well be a mensch." Somehow, though, Abe Trillin's messages got through clearly. The author's unerring sense of the American character is everywhere apparent in this quietly powerful memoir, Messages from My Father .

Leonard Wolf, a retired professor now in his early eighties, is the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. Leonard believes that inside everyone is an artist, and that happiness in life depends on valuing and acting upon one's creative impulse. In The Treehouse, her most personal book yet, Naomi Wolf outlines her father's lessons in creating lasting success and happiness, and offers inspiration for the artist in all of us. Drawn from Leonard's lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," and "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy" and "Mistakes Are Part of the Draft." This is a journey of self-discovery in which the creative endeavor is paramount. The Treehouse is a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and a unique instruction in the art of personal happiness.

Lauren Book, now 25, was 11 years old when her new nanny, Waldina Flores, joined the family. For the next six years Lauren endured daily sexual and physical abuse. "I was a people pleaser," she says. "I was beaten every day...Waldy was very smart, like all predators are. She hit me and bruised me where my parents wouldn't look. When you are 13 and 14 parents never look at their children's stomachs or lower backs or butts or upper thighs." Lauren is the oldest of three children; her father, Ron Book, is a prominent Florida attorney and lobbyist. In 2002, after being encouraged by her boyfriend, Lauren confessed to her therapist, who in turn called her parents. Her father fired Flores. She fled to Oklahoma and was arrested one month later while coaching a 10-year-old girls' soccer team. While in prison, Flores wrote love letters to Lauren asking for money and ultimately was sentenced to another 10 years on top of the initial 15 years. Since then, Lauren and her father have successfully mounted a legislative onslaught against predators; the many laws they are responsible for include the right to get 48-hour access to predators' HIV test results, a ban on molesters from ever contacting their victims or families, passed legislation to create a statewide network of sexual assault treatment centers, and the controversial act that barred predators from living 2500 feet from public places where children gather such as schools, parks, and playgrounds. Lauren's memoir is a book about hope in the face of extreme adversity. While it deals with a tremendously sensitive and "dark" subject, the hope that it delivers to readers carries an everlasting positive impact. Her story will empower readers to address abuse issues in their own lives and move them to understand the resulting deep emotional matrix that results from abuse and the incredible power of an individual's ability to recover and embrace life.

"Nearly every family has a skeleton in its closet, an ancestor who "sins" against custom and tradition and pays a double price. Karen Tintori refused to allow the truth to remain forgotten. This is a book for anyone who shares the conviction that all history, in the end, is family history."--Frank Viviano, author of Blood Washes Blood and Dispatches from the Pacific Century "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours."-- Comunes of Italy Magazine " Unto the Daughters reads like a nonfiction version of the film Godfather II--if it had been told from the point of view of a female Corleone."--Eleni N. Gage, author of North of Ithaka Karen Tintori thought she knew her family tree. Her grandmother Josie had immigrated from Sicily with her parents at the turn of the century. They settled in Detroit, and with Josie's eight siblings, worked to create a home for themselves away from the poverty and servitude of the old country. Their descendants were proud Italian-Americans. But Josie had a sister that nobody spoke of. Her name was Frances, and at age sixteen, she fell in love with a young barber. Her father wanted her to marry an older don in the neighborhood mafia--a marriage that would give his sons a leg up in the mob. But Frances eloped with her barber. And when she returned a married woman, her father and brothers killed her for it. Her family then erased her from its collective memory. Even 80 years and two generations later, Frances and her death were not spoken of, her name was erased from the family genealogy, her pictures burned, and her memory suppressed. Unto the Daughters is a historical mystery and family story that unwraps the many layers of family, honor, memory, and fear to find an honor killing in turn of the century Detroit. "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours. It's a must read for anyone researching their Italian ancestry."-- Comunes of Italy Magazine KAREN TINTORI is a writer and journalist who lives in Michigan with her family. Karen's books include Trapped, a 2002 Chicago Tribune favorite book, and The Book of Names (co-author), among others. Visit her website at: www. karentintori .com

In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn't satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today. Trying to break open the family myths, rationalizations, and self-deceptions, A Mother's Tale is about family members who love each other but who can't seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her--using logic, of all things--that he really does love her, but is only partially successful, of course. A Mother's Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

The classic memior of Betty Jean Lifton's search for her secret past that helped open the way for so many others. Betty Jean Lifton, acclaimed author of several books on the psychology of the adtoped that have helped open the field, tells her own story of growing up adtoped in the closed adoption system. Calling Twice Born both an autobiography and a psychological journey into the past, Lifton takes the reader with her as she describes the loneliness and islolation of an adopted child cut off from the knowledge of her heritage. She explores the ambivalence and guilt that she feels toward her adoptive parents when she awakens as an adult to her need to ask: Who am I? With the mounting suspense of a detective novel, Twice Born explores not only the difficulty of searching for one's past when one's records are sealed, but also the complexity of trying to reunite with the birth mother from whom one has been separated by social taboos--and by time. More than a vivid and poinant memior, Lifton has given hs a story of mothering and mother-loss attachment and bonding, secrets and lies, and the human need for origins. Important reading for anyone touched by these issues and by the experience of adoption--which is everyone.

The memoir of a South Asian immigrant to Canada, whose formative years in India were steeped in a reigning patriarchal culture of honour and shame, in which the burden of the family's good standing rests on the sexual purity of girls and women. The book traces the author's lonely, poignant, often risk-charged struggle to free herself from the oppressive code. As well, the book chronicles her courageous battle to help other South Asian girls and women in Canada step out of their kinsmen's ancient cultural cycle and claim their gender rights as fully equal Canadian citizens.

"Whenever women are honest about their struggles, they give other women a gift. Mia delivers." Elizabeth GilbertThis book is for every woman who's been told success is as simple as Lean In, Say Yes, Live Your Best Life, Beat Your Fear, Follow Your Dream... and then feel #soblessed.It's for guilty friends, bad mums, crap wives, imperfect feminists, rebellious daughters and any girl with a big mouth and at least one foot in it. It's for any woman who's ever asked: 'Am I the only one who isn't quite coping?'Here is Mia Freedman's low road to the top - a fearless, hilarious, inspiring and surprising collection of modern misadventures to read, relate to and rejoice in, then share with all the women in your life.MORE PRAISE FOR MIA FREEDMAN"Funny, raw, fierce and - at heart - profoundly generous." Annabel Crabb"There are few writers in Australia who care as much about what makes women tick as Mia Freedman and who reveal so much of themselves." Leigh Sales"Mia Freedman is one of the most inspirational, informative and accessible voices among contemporary Australian writers ... She is dedicated to improving the lives of other women. Hers is an important unique voice in our national conversation." Cate McGregor

A father and son travel across North America in a pick-up truck--talking, laughing, fighting, and bonding. After years of thinking he'd never have kids, Lee Gutkind became a father at forty-seven and, following his divorce, soon found himself taking over more and more of the primary care responsibilities for his son, Sam. As one of a growing number of "old new dads" (recent studies have shown that one in ten children are born to fathers over forty), Gutkind realized that he faced challenges-both mental and physical-not faced by younger dads, not the least of which was how to bond with a son who was so much younger than himself. For the past five years, Gutkind's approach to this challenge has been to spend several weeks of every summer "truckin'" with Sam, a term they define as a metaphor for spontaneity, a lack of restriction: "Truckin' means that you can what you want to do sometimes; you don't always need to do what's expected." What began as long, cross-country journeys in a pick-up truck, including one memorable trip up the Alaska-Canadian Highway en route to a writer's conference in Homer, Alaska, have in more recent years ranged farther afield, to Europe, Australia, and Tibet. Whether listening to rock and roll music, entertaining themselves with their secret jokes and code words, fishing for halibut, or fighting over tuna fish sandwiches and how best to butter one's toast, Lee and Sam have learned to respect one another. In the process of their travels and their adventures, Lee has also come to grips with the downside of middle age and the embarassment of "senior moments," while Sam has inevitably begun to assert himself and shape his own life. Interspersed with Sam's own observations and journal entries, Truckin' with Sam is an honest, moving, and often hilarious account of one father's determination to bond with his son, a spontaneous travelogue that will appeal to old dads, new dads, and women who want to know more about how dads (and sons) think and behave.