Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

It opens with a card game. Played between Jordan's mother and grandmother, the game is called The Mao, and, like the adult world in which he is prematurely thrust, the rules seem arbitrary and the stakes staggeringly high -- whoever wins the game wins custody of him. So begins this 15-year-old child actor's odyssey through the temptations of Hollywood and the emotional minefield of his family's life. As the story unfolds, we learn that Jordan's father has molested him throughout his childhood and that his mother, a narcissistic woman immersed in her acting career, has little interest in him. The only stable force in his life is his grandmother, a remarkable woman with whom Jordan shares everything from dances to drugs to his innermost confidences; a woman who is slowly dying. Heart-wrenching and highly cinematic, The Mao Game sheds light on both the fragile vulnerability and the remarkable resilience of the human spirit. An unmistakably modern coming-of-age story, it marks the triumphant debut of an important new voice in the next generation of American novelists.

"This Darkness Will Never End, the first short story collection by the Hungarian-born author Edith Bruck, was published to acclaim in Italy in 1962. After World War II, Bruck, a Holocaust survivor, settled in Rome where she wrote her fable-like stories, recounting the lives of poor Jewish families in Europe before, during, and immediately following the war. In the title story, believed by some film scholars to have inspired the Oscar-winning movie Life Is Beautiful, a young girl shepherds her blind, sickly brother as they are deported. In "Matzoh Bread," a child gets a painful glimpse of anti-Semitism when a friend tells her a legend about the unleavened bread Jews eat at Passover. In one of the more colorful stories, a hapless father whose business partners swindle him over a horse only tells the truth when he's talking in his sleep. Beautifully translated from the Italian by Jeanne Bonner, these stories offer a glimpse into a bygone world. They testify to the resilience of survivors like Bruck, whom Italian critics initially compared to Anne Frank, deeming her the writer Anne would have become had she survived." -- Back cover.