From a Pulitzer Prize-winning reporter, the powerful story of how a prominent white supremacist changed his heart and mind. This is a book to help us understand the American moment and to help us better understand one another. "The story of Derek Black is the human being at his gutsy, self-reflecting, revolutionary best, told by one of America's best storytellers at his very best. Rising Out of Hatred proclaims if the successor to the white nationalist movement can forsake his ideological upbringing, can rebirth himself in antiracism, then we can too no matter the personal cost. This book is an inspiration." --Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning: The Definitive History of Racist Ideas in America Derek Black grew up at the epicenter of white nationalism. His father founded Stormfront, the largest racist community on the Internet. His godfather, David Duke, was a KKK Grand Wizard. By the time Derek turned nineteen, he had become an elected politician with his own daily radio show--already regarded as the the leading light of the burgeoning white nationalist movement. We can infiltrate, Derek once told a crowd of white nationalists. We can take the country back. Then he went to college. At New College of Florida, he continued to broadcast his radio show in secret each morning, living a double life until a classmate uncovered his identity and sent an email to the entire school. Derek Black ... white supremacist, radio host ... New College student The ensuing uproar overtook one of the most liberal colleges in the country. Some students protested Derek's presence on campus, forcing him to reconcile for the first time with the ugliness of his beliefs. Other students found the courage to reach out to him, including an Orthodox Jew who invited Derek to attend weekly Shabbat dinners. It was because of those dinners--and the wide-ranging relationships formed at that table--that Derek started to question the science, history, and prejudices behind his worldview. As white nationalism infiltrated the political mainstream, Derek decided to confront the damage he had done. Rising Out of Hatred tells the story of how white-supremacist ideas migrated from the far-right fringe to the White House through the intensely personal saga of one man who eventually disavowed everything he was taught to believe, at tremendous personal cost. With great empathy and narrative verve, Eli Saslow asks what Derek Black's story can tell us about America's increasingly divided nature.

Anthropologist David Graeber undertakes the first detailed ethnographic study of the global justice movement. The case study at the center of Direct Action is the organizing and events that led to the one of the most dramatic and militant mass protests in recent years -- against the Summit of the Americas in Quebec City. Written in a clear, accessible style (with a minimum of academic jargon), this study brings readers behind the scenes of a movement that has changed the terms of debate about world power relations. From informal conversations in coffee shops to large "spokescouncil" planning meetings and tear gas-drenched street actions, Graeber paints a vivid and fascinating picture. Along the way, he addresses matters of deep interest to anthropologists: meeting structure and process, language, symbolism and representation, the specific rituals of activist culture, and much more. Starting from the assumption that, when dealing with possibilities of global transformation and emerging political forms, a disinterested, "objective" perspective is impossible, Graeber writes as both scholar and activist. At the same time, his experiment in the application of ethnographic methods to important ongoing political events is a serious and unique contribution to the field of anthropology, as well as an inquiry into anthropologyʹs political implications.

"At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life. Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn't she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she'd endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I'm Jewish, but not that Jewish . . . I'm just a cultural Jew . . . I'm just like everyone else but with a fun ethnic twist-a dash of neurosis, a touch of gallows humor-a little different, but not in a way that would make anyone uncomfortable. Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world's psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she'd thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe. In As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz's defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary"-- Provided by publisher.

The author of the classic Keep the River on Your Right here tells the remarkable story of his four years among the Asmat of New Guinea, a jungle-dwelling people rumored to have killed Michael Rockefeller. Instead of ferocious cannibals, Schneebaum found a regal, loving, gentle people who freely accepted him and initiated him into a way of life no outsider had ever seen before. Adopted into an Asmat family in the village whose people were said to have killed Rockefeller, he crossed the boundaries into another culture and another age, learning secrets no other outsider had been allowed to see before. But it wasn't until Schneebaum met Akatpitsjin, a handsome married man with five children, that he entered the erotic world of the Asmat, when the two became "exchange friends' and lovers, a practice basic to the sexual life of the village. Schneebaum's encounter with the Asmat ultimately became something more intimate and liberating for him than the mere discovery of tribal secrets. He confronted himself. His odyssey is as much the record of a journey into himself as it is a unique and sensitively observed account of a vanishing society, written with a shimmering sensuality that has no equal in the literature of anthropology or self-confession.

About 80 millennia ago, out of one major exodus by migratory human ancestors from Africa—from Eritrea to Yemen (then to India and Australia, and eventually to Europe)—was the entire non-African world in all its racial and cultural diversity ultimately peopled; and to one prehistoric woman in Africa 150,000 years ago, all the peoples of the world can trace their genetic origin. So argues Stephen Oppenheimer in a groundbreaking volume that has stirred heated controversy among authorities in geology, linguistics, archaeology, and anthropology. Thoroughly researched and meticulously reasoned, with dramatic evidence garnered from recent advances in the field of genetics through DNA analysis, The Real Eve traces the evolution of modern humankind out of a common African ancestry—for again and again, Oppenheimer's extensive genealogical research, based on our gender-specific so-called Adam and Eve genes, has led him straight back to Africa. His conclusions have placed him in direct opposition to multiregionalists, who maintain that archaic human populations evolved locally, and have unsettled many long-established anthropological assumptions and cultural prejudices to provide a fresh perspective on the nature of the human destiny that all of us on planet Earth share. Color photographs are featured in this fascinating story of our human beginnings.

Jean-Paul Sartre and the Jewish Question examines the image of "the Jew" in Sartre's work to rethink not only his oeuvre but also the role of the intellectual in France and the politics and ethics of existentialism. It explores more broadly how French identity is defined through the abstraction and allegorization of "the Jew" and examines the role anti-antisemitic intellectuals play in this process. Jonathan Judaken reconsiders the origins of the intellectual in France in the context of the Dreyfus affair and Sartre's interventions in the parallel Franco-French conflicts in the 1930s and during the Vichy regime. He considers what it was possible to say on behalf of Jews and Judaism during the German occupation, Sartre's contribution after the war to the Vichy syndrome, his positions on the Arab-Israeli conflict, and the ways Sartre's reflections on the Jewish Question served as a template for his shift toward Marxism, his resistance to colonialism, and for the defining of debates about Jews and Judaism in postwar France by both Jewish and non-Jewish intellectuals. Judaken analyzes the texts that Sartre devoted to these issues and argues that "the Jew" constituted a foil Sartre consistently referenced in reflecting on politics in general and on the role of the intellectual in particular.

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"In recent and ongoing uprisings all around the world, from Santiago to Hong Kong, many of the protesters' aims have been consistent: justice, an end to political corruption, and a return to principles of collective good. Yet there are also specific and diverse struggles such as demands for direct democracy (as in France), the rejection of ethnic or sectarian identities (Iraq and Lebanon), and the fate of the planet itself. Uprisings provides one way to find a common thread in all this by examining the similarities and differences among a full range of rebellions in the past, from slave revolts in ancient Egypt to the fall of the Berlin Wall to the the women's revolution in Rojava, northern Syria. Bridging historical analysis and relevant contemporary art, Uprisings offers tools for visualizing history that offer a vivid point of entry to the information. Whereas existing narratives of radical social change have debated the virtues and vices of individual heroes (Jesus, Mandela, Gandhi), Uprisings follows in the footsteps of Howard Zinn, viewing major events as the product of a confluence of efforts by multiple actors, usually from vastly different backgrounds that have tended to be marginalized, their perspectives written out of official history.In recent and ongoing uprisings all around the world, from Santiago to Hong Kong, many of the protesters' aims have been consistent: justice, an end to political corruption, and a return to principles of collective good. Yet there are also specific and diverse struggles such as demands for direct democracy (as in France), the rejection of ethnic or sectarian identities (Iraq and Lebanon), and the fate of the planet itself. Uprisings provides one way to find a common thread in all this by examining the similarities and differences among a full range of rebellions in the past, from slave revolts in ancient Egypt to the fall of the Berlin Wall to the the women's revolution in Rojava, northern Syria. Bridging historical analysis and relevant contemporary art, Uprisings offers tools for visualizing history that offer a vivid point of entry to the information. Whereas existing narratives of radical social change have debated the virtues and vices of individual heroes (Jesus, Mandela, Gandhi), Uprisings follows in the footsteps of Howard Zinn, viewing major events as the product of a confluence of efforts by multiple actors, usually from vastly different backgrounds that have tended to be marginalized, their perspectives written out of official history"--

A leading authority's panoramic history compares the experiences of immigrant-ethnic groups, African-Americans, and Native Americans to each other and in relation to the national political culture. Winner of the John Hope Franklin Prize (1991) Winner of the Theodore Saloutos Award from the Immigration History Society (1993) Do recent changes in American law and politics mean that our national motto — e pluribus unum — is at last becoming a reality? Lawrence H. Fuchs searches for answers to this question by examining the historical patterns of American ethnicity and the ways in which a national political culture has evolved to accommodate ethnic diversity. Fuchs looks first at white European immigrants, showing how most of them and especially their children became part of a unifying political culture. He also describes the ways in which systems of coercive pluralism kept persons of color from fully participating in the civic culture. He documents the dismantling of those systems and the emergence of a more inclusive and stronger civic culture in which voluntary pluralism flourishes. In comparing past patterns of ethnicity in America with those of today, Fuchs finds reasons for optimism. Diversity itself has become a unifying principle, and Americans now celebrate ethnicity. One encouraging result is the acculturation of recent immigrants from Third World countries. But Fuchs also examines the tough issues of racial and ethnic conflict and the problems of the ethno-underclass, the new outsiders. The American Kaleidoscope ends with a searching analysis of public policies that protect individual rights and enable ethnic diversity to prosper. Because of his lifelong involvement with issues of race relations and ethnicity, Lawrence H. Fuchs is singularly qualified to write on a grand scale about the interdependence in the United States of the unum and the pluribus. His book helps to clarify some difficult issues that policymakers will surely face in the future, such as those dealing with immigration, language, and affirmative action.

This volume is a collection of the most important essays written by Franz Boas on the science of anthropology. "Franz Boas is the father of American anthropology and one of the founders of the field of modern anthropology. The book, Race, Language, and Culture , is a collection of some of his most important essays."—David Schneider, University of Chicago "An exceptional book. Exceptional because it brings into one volume sixty-two papers written by the most influential figure in American anthropology. . . . Exceptional in that it exhibits the wide range of interests and scientific exactness which made it possible for one man to exert such a profound influence on the growing science of anthropology. . . . This is a volume every student of anthropology will wish to possess; it will also have a wide distribution among other students of the social sciences, and all interested in the problems of race."—Fay-Cooper Cole, American Anthropologist

本书精选了从古希腊到今天的科学文章, 这些文章全都出自伟大科学家和著名学者之手, 给出了一个生动鲜活的"解".让读者了解"什么是科学."

This edited collection examines the role that language has played in forming modern European nations. With language an omnipresent issue within the European Union, the importance languages have played within the histories and present situations of member nations is a crucial topic. Drawing on an international cast of contributors, the book explores the issues of monolingualism vs. plurilingualism within individual nations, the revival of languages in nations such as former soviet republics, and concludes with a look at language in the electronic age.

Okay, who was the first flatterer? If you guessed Satan, you'd be close, but according to You're Too Kind, flattery began with chimpanzees, who groom each other all day long. In fact, flattery is an adaptive behavior that has helped us survive since prehistoric times. Our flattery is strategic praise, and to illustrate its myriad forms, Richard Stengel takes us on a witty, idiosyncratic tour, from chimps to the God of the Old Testament to the troubadour poets of the Middle Ages, all the way through Dale Carnegie and Monica Lewinsky's adoring love letters to her "Big Creep." Flattery thrives in hierarchical settings like royal courts or Fortune 500 boardrooms, and it flows both upward and downward. Downward is usually easier, but studies show it works best on those who already have high opinions of themselves. Stengel sees public flattery as an epidemic in our society, and private praise as being all too scarce. Most often, though, flattery these days is just a harmless deception, a victimless crime that often ends up making both the giver and the receiver feel a little better. In short, flattery works.

Lisa Fittko's Escape through the Pyrenees (Northwestern, 1991) told the extraordinary true tale of her life as an "enemy alien" in France before and after the Nazi invasion of 1940, when she and her husband smuggled small groups of refugees to safety along a tortuous route through the mountains. Solidarity and Treason: Resistance and Exile, 1933-1940 is Fittko's equally gripping memoir of the preceding years in the underground and exile. The volume opens with Hitler's.

"Marshall Sahlins centers these essays on islands--Hawaii, Fiji, New Zealand--whose histories have intersected with European history. But he is also concerned with the insular thinking in Western scholarship that creates false dichotomies between past and present, between structure and event, between the individual and society. Sahlins's provocative reflections form a powerful critique of Western history and anthropology"--

As Norman G. Finkelstein sets out in this concise, paradigm-shifting new book, a closer examination of Israel’s motives reveals a state whose repeated recourse to savage war is far from irrational. Rather, Israel’s attacks have been designed to sabotage the possibility of a compromise peace with the Palestinians, even on terms that are favorable to it. Looking also at machinations around the 2009 UN sponsored Goldstone report and Turkey’s forlorn attempt to seek redress in the UN for the killing of its citizens in the 2010 attack on the Gaza freedom flotilla, Finkelstein documents how Israel has repeatedly eluded accountability for what are now widely recognized as war crimes. Further, he shows that, though neither side can claim clear victory in these conflicts, the ensuing stalemate remains much more tolerable for Israelis than for the beleaguered citizens of Gaza. A strategy of mass non-violent protest might, he contends, hold more promise for a Palestinian victory than military resistance, however brave.

These candid portraits of ordinary citizens of the Soviet Union in the 1980's provide more insight into common life behind the iron curtain - especially that of the youth - than any university library full of massive tomes of sociology. Dozens of haunting and provocative full-page black & white photos. Printed in small numbers over 40 years ago, this title has become a highly sought-after collectors' item.