Klein, Richard G.

No detailed description available for "Letters from Sardis".

Schapiro, Meyer

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Elibron Classics title is a reprint of the original edition published by John Murray in London, 1899.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 Excerpt: ...other hand, you felt well, then residence in the cloister was less agreeable. Vincent did not give up hope by any means. He felt that he must fight against his illness and obey all the regulations carefully, but he did not feel the necessity for paying any particular attention to his doctor. Dr. Peyron, the manager, was very friendly and patient, but he seemed to derive little pleasure from his profession, which was hardly surprising. Vincent had above all to learn how to take care of himself. He regarded all disease as either a step to recovery or to destruction. As long as he felt hope he considered that he was in the right place and therefore must put up with petty annoyances. But once he gave up hope he would long for nothing but the grave. The asylum had the advantage of affording him an opportunity of observing others, with a view to finding clues to his own condition. His life-long habit of observing nature was of assistance to him. He found, for instance, that much talking about art harmed him. As his powers were limited he determined to use them only for what was essential, and he tried to acquire the slow pace and the solemn quietude of a man like Roulin. His illness was by no means chronic and at present, at any rate, it occurred without apparent provocation at intervals which he might learn to gauge. His chief aim was to recognize the causes of his fits and thus to avoid them. Perhaps he could learn to obviate the causes and to make his attacks less wild, but above all he wanted to be able to regularize them. He had heard of a Russian writer who used to calculate the occurrence of his epileptic fits quite calmly and arrange his work accordingly. He could, of course, form no picture as to the nature of his attacks, because his information depende...

This volume reports on Athenian pottery found in the Athenian Agora up to 1960 that can be dated from about the middle of the 8th century B.C., when the appearance of a painter of sufficient personal distinction to enliven the whole craft marks a real break from the earlier Geometric style, through the third quarter of the 7th century B.C. when Protoattic gives way to black-figure and black wares. A sampling of contemporary imported ware is included. The material is treated first by shape and then, more extensively, by painting styles. Some 650 characteristic pieces are selected for cataloguing. The introduction discusses the development of the various shapes and styles, characterizing the special techniques and innovations of the period. The topographical features of the Agora that are indicated by the places of discovery of deposits of late Geometric and Protoattic pottery are summarized under wells, houses, workshops, sanctuaries, cemeteries, and roads.