America's current transformation from an industrial to a new information-based culture presents new challenges as well as new perspectives on old debates. This book offers a comprehensive survey of America's changing values. It examines notions of American exceptionalism and how the 'melting pot' is coping with race relations and changing demographics; it assesses the agenda of government, the domestic and global constraints, and how social exclusion can be tackled. Current changes in the US are likely to be a harbinger for other societies, and the authors examine new models of civic society, of learning and of reconfiguring social values for a fast-changing world.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A meditative narrative of Jewish Experience and man's relation to the world. The Book of Questions, of which volumes IV, V, VI are together published here, is a meditative narrative of Jewish Experience, and, more generally, man's relation to the world. In these volumes the word is personified in the woman Yaël, silence in her still-born child Elya. Even though words imply ambiguity and lies, they are the home of the exile. A book becomes the Book, fragments of the law that are in some way unified, where past and present, the visionary, and the common place, encounter each other. For Jabès every word is a question in the book of being. Man defines himself in the world against all that threatens his existence- death, the infinite, silence, that is, God, his primal opponent. How can one speak what cannot be spoken?

The Torch-Bearers tells the story of an itinerant Anarchist preacher who comes to the corrupt city of Geronta in the company of a fellow vagabond, where he begins preaching in parables, that being his preferred method of enlightenment. He hears a number of other story-tellers narrating their own parables, to which he opposes his own in order to expose their ideological flaws. Here, presented in English for the first time in a superb translation by Brian Stableford, is one of the most interesting novels of the Symbolist Movement--the elaborate fruit of author Bernard Lazare's wholehearted commitment to both Symbolist and Anarchist ideals. This striking literary experiment, testing the hypothesis that the raw materials of myth, legend and folklore, which had been redeployed and pastiched so successfully by the Movement, could be adapted to Anarchist purposes.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.

tr Rosmarie Waldrop, second of 2-vol set

The revelation that a long forgotten novel first published anonymously in 1834 is the work of Benjamin Disraeli and his sister Sarah is an exciting literary event. Newly discovered letters between brother and sister prove without doubt that it was written jointly by them. We do not have to look far for the reason for their secrecy. The vividly described election which forms the centrepiece of the story is clearly based on Disraeli's recent experiences as an unsuccessful candidate in two elections at High Wycombe. His political career had a long way to go and the last thing he wanted was to jeopardize it by revealing his motives in the past or his hopes for the future. The hero, Aubrey Bohun, has, like Disraeli, recently returned from mysterious travels in the East, but unlike him has his own castle and an income of £30,000 a year. Bohun obviously contains an element of wish fulfilment and allows the authors to incorporate in the novel elements of wish fulfilment and allows the authors to incorporate in the novel elements of a popular genre known in its day as 'silver fork' fiction – revelations of high life. Although there is much of this and of melodrama too, there is also some splendid social irony. Michael Foot says 'the volume is quite fit to takes its place in the true Disraeli canon and contains many gems which add fresh gleams to the portrait of Disraeli himself.' Two appendixes explain the literary detection that proved the book's authorship and the parallels between the politics of Aubrey Bohun and Disraeli.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book by Halevy, Elie

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Rare Book

Leopold von Ranke (1795-1886), generally recognized as the founder of the school of modern critical historical scholarship, and Jacob Burckhardt (1818-1897), the great Swiss proponent of cultural interpretation, are fathers of modern history--giants of their time who continue to exert an immense influence in our own. They are usually seen as contrasts, Ranke as representative of political history and Burckhardt of cultural history. In five essays, each flowing gracefully into the next, the distinguished historian Felix Gilbert shows that such contrasts are oversimplifications. Despite their interest in different aspects of the past, Ranke's and Burckhardt's views arose from common elements in the first half of the nineteenth century, the time in which they grew up and in which their first masterworks attracted such wide attention. This concise volume clarifies the beginnings of history as an autonomous discipline, while forcing us to examine our views on basic questions in historical scholarship. In the case of Ranke, relating his work to his times counteracts the current tendency to disregard the difference between the historical concepts of the eighteenth and nineteenth centuries. By focusing on this difference, Gilbert emphasizes the originality and novelty of Ranke's ideas about history. Although Burckhardt is often portrayed as an intellectually lonely figure, this book reveals the importance of relating his thought to the intellectual trends of his time. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Book of Questions, of which volumes IV, V, VI are together published here, is a meditative narrative of Jewish Experience, and, more generally, man's relation to the world. In these volumes the word is personified in the woman Yael, silence in her still-born child Elya. Even though words imply ambiguity and lies, they are the home of the exile. A book becomes the Book, fragments of the law that are in some way unified, where past and present, the visionary, and the common place, encounter each other. For Jabes every word is a question in the book of being. Man defines himself in the world against all that threatens his existence- death, the infinite, silence, that is, God, his primal opponent. How can one speak what cannot be spoken?

This definitive new edition Includes poems never previously published, restores poems from RLS's notebooks mutilated by the Boston Bibliophile Society, and offers fully edited critical texts with scholarly apparatus. Included are A Child's Garden of Verses, Penny Whistles, Underwoods, Songs of Travel, Pieces in Lallan and Poems Written in America.

"Pep: J. L. Wetcheek's American Song Book" is a brilliant collection of satirical verse by the renowned German novelist Lion Feuchtwanger, writing under the playful pseudonym J. L. Wetcheek. This work offers a sharp, outsider's perspective on the American landscape during the height of the 1920s. Through a series of rhythmic and biting poems, Feuchtwanger explores the themes of materialism, frantic energy, and the relentless pursuit of "pep"-the quintessential American quality of the era. The collection serves as a mirror to the Jazz Age, capturing the contradictions of a society defined by both its boundless optimism and its underlying spiritual hollows. From the urban hustle to the obsession with success, these poems dissect the cultural fabric of early 20th-century America with wit and irony. Written at a time when European intellectuals were both fascinated and repelled by American modernization, "Pep" remains a significant piece of social critique. It provides readers with an evocative look at how the American Dream was perceived from abroad, blending poetic craft with historical insight into the Roaring Twenties. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ivan T. Berend is Distinguished Professor at the University of California Los Angeles, Director of the European Studies Program. He was one of the masterminds of regime change in Hungary. He made a career in Hungary as a university professor, Rector of the University of Economics (1973–79), and President of the Hungarian Academy of Sciences (1985–90). He was President of the International Committee of Historical Sciences (1995–2000), and Vice-President of the International Economic History Association (1986–1994). His research interests are the complex economic, social, ideological, and cultural history of Central and Eastern Europe in the 19th–20th century; economic modernization; problems of European backwardness; transition from state socialism to capitalism. He published and 26 books and more than 120 studies. Before he became a professor at UCLA, Ivan Berend had survived five regime changes and two revolutions in Hungary, had been in prison and German concentration camp in 1944–45. His memoir offers an interesting case study, a subjective addition to the "objective" historical works on Central and Eastern European state socialism. It describes the hard choices of intellectuals in a dictatorial state: 1. remain in isolation, concentrate on scholarly works, and exclude politics in your personal life; 2. be in opposition, criticize and unveil the regime, accept discrimination and exclusion; 3. remain within the establishment and work for reforming the country using legal possibilities to criticize the regime and to achieve changes from within. Berend’s book raises basic historical questions and debates, compares East European and American higher education systems, and presents an eyewitness’ insights on life in the United States.

Carole Balin introduces us to dozens of Jewish women writers from late nineteenth- and early twentieth- century Tsarist Russia, focusing on five who were among the most prolific. Their extant literary remains include not only fiction, poetry, drama, translations, and essays, but also memoirs, autobiographies, diaries, and letters. Balin contextualizes the works of each within the culture in which she lived and wrote. Miriam Markel-Mosessohn (1839-1920) toiled to advance the goals of the Russian Haskalah (Enlightenment), translated German works into Hebrew, tried her hand at poetry, and became a foreign correspondent for a Hebrew newspaper at the age of 48. Hava Shapiro (1879-1943) published short stories and newspaper articles in Hebrew, earned a doctorate at the University of Berne, and was an active participant in the writing circle convened at the Warsaw home of Y. L. Peretz. Rashel Mironovna Khin (1861-1928) wrote numerous short stories and plays in Russian, two of which were staged at Moscow's Malyi Theater. Feiga Israilevna Kogan (1891-1974) composed books of Symbolist poetry in Russian while harboring a love of Hebrew, which she nurtured at the Society for Lovers of the Hebrew Language. Sofia Dubnova-Erlikh (1885-1986) was the daughter of historian Simon Dubnov, the wife of socialist Genrikh Erlikh, and an accomplished poet, essayist, biographer, and political activist in her own right. The life-like and touching portraits that emerge of these talented writers allow us a penetrating view of Jewish women within their Russian-Jewish milieu that is far more nuanced than the images of housewife and revolutionary currently held in collective Jewish memory. The lives and works of these women help to tell a larger story of Jewish cultural history in the Russian Empire.