In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn't satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today. Trying to break open the family myths, rationalizations, and self-deceptions, A Mother's Tale is about family members who love each other but who can't seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her--using logic, of all things--that he really does love her, but is only partially successful, of course. A Mother's Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.

"Whenever women are honest about their struggles, they give other women a gift. Mia delivers." Elizabeth GilbertThis book is for every woman who's been told success is as simple as Lean In, Say Yes, Live Your Best Life, Beat Your Fear, Follow Your Dream... and then feel #soblessed.It's for guilty friends, bad mums, crap wives, imperfect feminists, rebellious daughters and any girl with a big mouth and at least one foot in it. It's for any woman who's ever asked: 'Am I the only one who isn't quite coping?'Here is Mia Freedman's low road to the top - a fearless, hilarious, inspiring and surprising collection of modern misadventures to read, relate to and rejoice in, then share with all the women in your life.MORE PRAISE FOR MIA FREEDMAN"Funny, raw, fierce and - at heart - profoundly generous." Annabel Crabb"There are few writers in Australia who care as much about what makes women tick as Mia Freedman and who reveal so much of themselves." Leigh Sales"Mia Freedman is one of the most inspirational, informative and accessible voices among contemporary Australian writers ... She is dedicated to improving the lives of other women. Hers is an important unique voice in our national conversation." Cate McGregor

Emmy-winning journalist, congresswoman, and the first single American to adopt internationally, Marjorie Margolies masterfully blends her personal narrative with national history and politics in this call-to-action memoir. Filled with the wisdom Marjorie Margolies gained as an athlete, educator, TV reporter, congressperson, world traveler, adoption advocate, parent, and grandparent, this memoir provides readers with an abundance of upbeat, prescriptive advice and inspiration with Marjorie's trademark self-effacing humor . Today, the world talks a lot about female empowerment, but when Marjorie was breaking through professional glass ceilings, she was unknowingly paving the way for the generations that followed in several different industries. After more than 25 years with NBC, she ran for U.S. Congress in 1991-as a registered Democrat in a historically Republican district of suburban Philadelphia-and she shocked the state and the country by winning by just over 1000 votes. She was the first woman elected in her own right in the state of Pennsylvania, but during her short tenure, Marjorie became the main target of Republicans taunts after she cast the deciding vote to approve President Clinton's budget. And How Are the Children? explores the life of a woman who was hardwired to shift paradigms and break down historic boundaries while managing a busy household and later dealing with heartbreaking tragedies including divorce and the death of a child. Her intention is for women of every generation to recognize themselves in her story and learn how to nurture themselves and the life decisions they have made.

Kim Chernin is renowned for her prolific writing -- including fiction and memoir -- on issues affecting women's lives, ranging from eating disorders and sex to relationships. In The Woman Who Gave Birth to Her Mother, she offers readers a culmination of that work -- a fully integrated vision that will help women resolve their lifelong struggles with their mothers and become fully independent, capable people. Exploring six compelling case histories of women who have resolved these issues in unique and creative ways, Chernin offers her own insights based on years of working with women in therapy, and on her own problematic relationship with her daughter. A tour de force of analysis, compassion, and erudition, this exciting, important work is further evidence that Chernin is "blessed with the eloquence of a poet and the gifts of a born therapist" (San Francisco Chronicle).

This diary of acclaimed psychologist and radical feminist icon Phyllis Chesler was a pioneering work when it was first published in 1979. A look into the second wave of feminism and the era's changing attitudes toward motherhood and pregnancy, With Child--now with an updated preface from her son--remains relevant for mothers today.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.