This is a new release of the original 1940 edition.

If the new generation is not told accurate information, then not only will the new generation and the generations that follow be misguided but, more importantly, the policy makers of the future will be making decisions based on mis-assessments. There are three areas in which the truth of the past has been tragically misrepresented: The actions of the President, the role of the media, and the buried legacy of the South Vietnamese, the Laotians, the Cambodians and, of course, the Americans who gave their lives for the liberty of others. There is no higher morality than dying for the well-being of a stranger, and that is what they did. Their enemies were not only on the battlefield: many of their enemies are still revising the history of those days, either to justify their past actions, or to cloak their consciences, or they simply don't know the truth because they have been bombarded by those who rejected it. Their recorded words and fictionalized images are, at best, what they think is true, and at worst, are meant to deceive you.

The Torch-Bearers tells the story of an itinerant Anarchist preacher who comes to the corrupt city of Geronta in the company of a fellow vagabond, where he begins preaching in parables, that being his preferred method of enlightenment. He hears a number of other story-tellers narrating their own parables, to which he opposes his own in order to expose their ideological flaws. Here, presented in English for the first time in a superb translation by Brian Stableford, is one of the most interesting novels of the Symbolist Movement--the elaborate fruit of author Bernard Lazare's wholehearted commitment to both Symbolist and Anarchist ideals. This striking literary experiment, testing the hypothesis that the raw materials of myth, legend and folklore, which had been redeployed and pastiched so successfully by the Movement, could be adapted to Anarchist purposes.

What would you do first if you were elected President of the United States? Hope is the story of Alexander Hope, a young American who comes back from Vietnam, falls in love with a bright, beautiful girl, and with her starts a pioneering computer business. Thirty years later he's a billionaire, and alone in life. He decides to leave behind everything he created to write books and teach history at a private college. A handful of admiring students half-jokingly enlist him as a candidate for a third party Presidential nomination. In an astonishing but plausible scenario, Hope wins the Presidency, and commences an ambitious program of enforcing the Constitution and Bill of Rights as they were written. Enemies arise from all sides aiming to obstruct, discredit, impeach, and even assassinate him. It's a story of one man's love for his country -- and for the principles that brought it into being -- for his family, for his friends, and especially for the lovely and brilliant young Internet reporter who believes in him. 440 pages.

Who is Matt Cvetic? Hero? Scoundrel? Mole? The man who loosely provided the inspiration for the B-Grade cult movie I Was a Communist for the FBI had a life that was marred by alcoholism, damaged expectations, and greed. Cvetic, at the request of the FBI, joined a Pittsburgh branch of the CPUSA in 1943. He became one of many plants in the Party during that decade and gained the nickname "Pennsylvania's most significant mole." However, because of his erratic behavior, the FBI fired him in 1950, at which time he surfaced and suddenly became a celebrity through his testimony before the HUAC hearing. Journalist Richard Rovere described Cvetic as a "kept witness," a term that fits those who "made a business of being witnesses," thereby "befouling due process." Cvetic was the subject of a multipart series in the Saturday Evening Post. The articles bordered on fiction, but they gave Cvetic the national exposure he needed to secure a screen deal. Warner Brothers bought the story, made the movie, and enhanced Cvetic's celebrity as pop icon. In the mid-1950s, Cvetic was discredited as a witness by the courts. His career ended and he found a new niche on the Radical Right, yet he died in 1962 after years of fighting to uphold his image with the media. Today Cvetic's image is dimly remembered as he continues to fight "the Red Menace" on late-night television. Leab juxtaposes Cvetic's real life with his reel life. He chronicles his fall from grace, yet admits that Cvetic's life offers fascinating and useful insights into the creation, merchandising, and distribution of a reckless professional witness. Leab also writes about Cvetic's life prior to his involvement with the FBI, his glory days, and shows that there is much to be learned from the story of an "anti-Communist icon."

The revelation that a long forgotten novel first published anonymously in 1834 is the work of Benjamin Disraeli and his sister Sarah is an exciting literary event. Newly discovered letters between brother and sister prove without doubt that it was written jointly by them. We do not have to look far for the reason for their secrecy. The vividly described election which forms the centrepiece of the story is clearly based on Disraeli's recent experiences as an unsuccessful candidate in two elections at High Wycombe. His political career had a long way to go and the last thing he wanted was to jeopardize it by revealing his motives in the past or his hopes for the future. The hero, Aubrey Bohun, has, like Disraeli, recently returned from mysterious travels in the East, but unlike him has his own castle and an income of £30,000 a year. Bohun obviously contains an element of wish fulfilment and allows the authors to incorporate in the novel elements of wish fulfilment and allows the authors to incorporate in the novel elements of a popular genre known in its day as 'silver fork' fiction – revelations of high life. Although there is much of this and of melodrama too, there is also some splendid social irony. Michael Foot says 'the volume is quite fit to takes its place in the true Disraeli canon and contains many gems which add fresh gleams to the portrait of Disraeli himself.' Two appendixes explain the literary detection that proved the book's authorship and the parallels between the politics of Aubrey Bohun and Disraeli.

This definitive new edition Includes poems never previously published, restores poems from RLS's notebooks mutilated by the Boston Bibliophile Society, and offers fully edited critical texts with scholarly apparatus. Included are A Child's Garden of Verses, Penny Whistles, Underwoods, Songs of Travel, Pieces in Lallan and Poems Written in America.

"A sophisticated challenge to mainstream international relations theory . . . defines the theoretical bases on which governing elites in the Third World, especially democratic elites, could sustain effective and development-oriented foreign policies."--Juan M. del Aguila, Emory University Carlos Escud� explains the rationale for dramatic changes in Argentina's foreign policy following the inauguration of President Carlos Menem in 1989. After decades of confrontation with the West, Argentina has abandoned an intermediate-range ballistic missile project, left the nonaligned movement, thrown in with the U.S. in the Gulf War, reestablished friendly relations with Britain, and undertaken a course of unilateral disarmament. Escud� argues that these changes reflect Argentina's recognition that citizens of poor and vulnerable nations are asked to pay the price of attempts to engage in power politics and that those attempts often endanger the nation's citizens and increase its subordination in world affairs. Moreover, he argues that mainstream international-relations theory tends to obscure such processes by dealing with states as if they were individuals whose ultimate priority is "survival," or political independence. The state-as-person fiction generalized in I-R discourse obscures the fact that in a democracy the citizens and not the state are paramount. Following this distinction to its logical consequences, Escud� undertakes a thorough deconstruction of I-R theory from a "citizen-centric" perspective--the perspective, he argues, that has inspired the Menem government's dovish foreign policies. This project was written under the auspices of the Center for International Affairs, Harvard University. Carlos Escud� is professor of international relations at Di Tella University and the Argentine Foreign Service Academy and was advisor to the foreign minister of Argentina on matters related to foreign policy strategy. His publications include Gran Breta�a, Estados Unidos y la Declinaci�n Argentina, 1942-1949; El Fracaso del Proyecto Argentino: Educaci�n y Desarrollo ; and Realismo Periferico .

This book analyzes seven important works in the field of Modern Hebrew fiction that were translated to English and adapted into films. The author presents a brief history of Modern Hebrew literature, and a brief survey of Israeli cinema and of the adaptation of Israeli prose fiction into films. The chapters include a presentation of the literary world of the author whose work is studied and an itemization of his literary works in English translations. At the end of each chapter there is a discussion of the cinematic adaptation of the literary work studied in that chapter followed by a bibliography.

2020 Reprint of the 1957 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Howard Fast (1914-2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style. In The Naked God the well-known author tells of his disillusionment with Communism and his subsequent break with the Party. The book is Howard Fast's public repudiation of the Communist Party, of which he was a devoted member for thirteen years until reading about the full scope of atrocities committed by the Soviet Union under Stalin. As the bestselling author of Spartacus and Citizen Tom Paine, Howard Fast lent his writing talents and celebrity to the communist cause as a steadfast advocate and public figure. However, he felt increasingly ill at ease with the superior manner Party leaders took with rank-and-file members and with rumors of Soviet anti-Semitism. In The Naked God, his first book after officially leaving the Party in 1956, Howard Fast explores the reasons he joined and his long inner struggle with a political movement in which he never felt he truly belonged.

Fragments Of Political Science On Nationalism And Internationalism has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This volume comprises papers presented at a conference marking the 50th anniversary of Joachim Wach's death, and the centennial of Mircea Eliade's birth. Its purpose is to reconsider both the problematic, separate legacies of these two major twentieth-century historians of religions, and the bearing of these two legacies upon each other. Shortly after Wach's death in 1955, Eliade succeeded him as the premiere historian of religions at the University of Chicago. As a result, the two have been associated with each other in many people's minds as the successive leaders of the so-called "Chicago School" in the history of religions. In fact, as this volume makes clear, there never was a monolithic Chicago School. Although Wach reportedly referred to Eliade as the most astute historian of religions of the day; the two never met, and their approaches to the study of religions differed significantly. Several dominant issues run through the essays collected here: the relationship between the two men's writings and their lives, and in Eliade's case, the relationship between his political commitments and his writings in fiction, history of religions, and autobiography. Both men's contributions to the field continue to provoke controversy and debate, and this volume sheds new light on these controversies and what they reveal about these two `scholars' legacies.

This book is a transcript of the debate between two notable figures, Samuel Gompers and Henry J. Allen, at Carnegie Hall in 1920. The debate covered a wide range of topics related to labor, including the value of unions, the role of the government in labor disputes, and the pros and cons of the closed shop system. The book provides a valuable insight into the historical labor debates and how they have shaped labor policies and practices today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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