When the Beatles touched down in New York on February 7, 1964 for their first visit to America, they brought with them a sound that hadn't been heard before. By the time they returned to England two weeks later, major changes in music, fashion, the record industry, and the image of an entire generation had been set into motion. Coming less than three months after the assassination of President Kennedy, the Beatles' visit helped rouse the country out of mourning. A breathless and condescending media concentrated on the band's hairstyles and their adoring fans, but their enduring importance lay in their music, their wit, and style, a disconnect that signaled the beginning of the generation gap. In this intriguing cultural history, Martin Goldsmith examines how and why the Beatles struck such a lasting chord.

""Amy Goodman has taken investigative journalism to new heights of exciting, informative, and probing analysis."-Noam Chomsky Amy Goodman and Denis Moynihan began writing a weekly column, "Breaking the Sound Barrier," for King Features Syndicate in 2006. This timely new sequel to Goodman's New York Times bestseller of the same name gives voice to the many ordinary people standing up to corporate and government power-and refusing to be silent. The Silenced Majority pulls back the veil of corporate media reporting to dig deep into the politics of "climate apartheid," the implications of the Fukushima nuclear disaster, the movement to halt the execution of Troy Anthony Davis, and the globalization of dissent "From Tahrir Square to Liberty Plaza." Throughout Goodman and Moynihan show the power of ordinary people to change their media-and change the world. Amy Goodman is a multiple New York Times best-selling author and the host and executive producer of Democracy Now! a daily independent news program airing on more than one thousand television and radio stations. Time named Democracy Now! its "Pick of the Podcasts," along with NBC's Meet the Press. Goodman is the first journalist to receive the Right Livelihood Award, widely known as the "Alternative Nobel Prize." Denis Moynihan, since helping co-found Democracy Now! as an independent production company in 2002, has participated in the organization's growth, focusing primarily on distribution, infrastructure development, and coordinating complex live broadcasts from all continents (save Antarctica). He lives in Denver, Colorado. "--

"Bad News is a response to Thomas Frank's 2004 book "What's the Matter with Kansas." I ask the same question he asked about the right, but about the left: Why is the media obsessed with racism, even though it's getting objectively better by every measure we have? I argue that the liberal media is mainstreaming a woke culture war based on ideas that were relegated to the academic fringe as recently as a decade ago because it's in their economic interests to do so. It explores how digital media and social media supplied journalists, now part of the American elite, with an alternative way to feel like heroes while further consolidating power and wealth in the hands of the few rather than the many. The book then explores the larger context of the great American class divide, and how journalism has been both a product and accelerator of inequality"--

"A moving call to recommit to the great project of our common life." ( Wall Street Journal ) Americans are living through a social crisis. Our politics are polarized and bitterly divided. Culture wars rage on campuses, social media, and sometimes in the streets and public squares. And for too many Americans, alienation can descend into despair, weakening families and communities. Left and right alike have responded with anger at our institutions, and use only metaphors of destruction to describe the path forward: cancelling, defunding, draining the swamp. But, as Yuval Levin argues, this is a misguided prescription, rooted in a defective diagnosis. The social crisis we confront is defined not by an oppressive presence but by a debilitating absence of the forces that unite us and militate against alienation. In A Time to Build , now updated with a new epilogue, Levin argues that today is not a time to tear down, but rather to build and rebuild by committing ourselves to the institutions around us. From the military to churches, from families to schools, these institutions provide the forms and structures we need to be free. By taking concrete steps to help them be more trustworthy, we can renew the ties that bind Americans to one another.

"Hailed as an "indispensable" guide (Forbes), How to Make It in the New Music Business returns in this extensively revised and expanded edition. When How to Make It in the New Music Business hit shelves in 2016, it instantly became the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by music schools everywhere and considered "the best how- to book of its kind" (Music Connection), it inspired thousands to stop waiting around for that "big break." Now trusted as the leading expert for "do it yourself" artists, Ari Herstand returns with this second edition, maintaining that a stable career can be built by taking advantage of the many tools at our fi ngertips: conquering social media, mastering the art of merchandising, embracing authentic fan connection, and simply learning how to persevere. Comprehensively updated to include the latest online trends and developments, it offers inspiring success stories across media such as Spotify and Instagram. The result is a must- have for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music industry"--

"The origin story of the Age of Disinformation: the candid inside tale of two online media rivals, Jonah Peretti of HuffPost and Buzzfeed and Nick Denton of Gawker Media, whose delirious pursuit of attention at scale in the first two decades of the 21st century helped release the dark forces that would overtake the internet and American society. If attention is the new oil, Ben Smith's Traffic is the story of the time between the first gusher and the impact of climate change. The curtain opens in Soho in the early 2000's, in that brief moment after the first dotcom crash and before Google, Apple, and Facebook exploded, when it seemed that New York City rather than Silicon Valley might become tech's center of gravity. There, within a few square blocks, Nick Denton's merry band of nihilists at his growing Gawker empire and Jonah Peretti's sunnier crew at HuffPost and Buzzfeed were building the foundations of click-bait media. It was tech's age of innocence: the old establishment might have been discredited by the Iraq War, but digital news would facilitate the spread of truth. Progressive activists were first to the scene, and for a while it seemed they were the scene. After all, didn't they get Barack Obama elected? Ben Smith, who would go on to earn a controversial reputation as Buzzfeed's editor-in-chief, was either there or talked to everyone who was, and in his trademark fashion, he chronicles it all with marvelous lucidity scored with dark wit, sparing no one--and certainly not himself. Denton and Gawker were seen at the time as the black hats, but in Smith's hands the story is much more nuanced: yes, Denton's ideology of radical transparency was problematic, but at least he had an ideology. Jonah Peretti survived long after Denton's Gawker perished because his focus on clicks was relentlessly content-agnostic. But as with the proverbial sorcerer's apprentice, unintended consequences began to gain momentum. At the heart of Traffic is one of the great ironies of our time: the internet, which was going to help the left remake the world in its image, has become the motive force of right populism. As Smith and his colleagues and rivals thought they were inventing digital media, other figures, flickering around the margins of their story, had different designs. People like Steve Bannon and Andrew Breitbart and Gavin McInnes and Chris Poole, the creator of 4chan, all seemed like minor characters in the narrative in which Nick and Jonah and crew were the stars. By 2020, any reasonable observer might wonder if the opposite wasn't the case. To understand how we got here, Traffic is essential and enthralling reading"--

With a new section on the Internet and the violence debate this new edition offers an integrated approach to media studies and explores the impact of the various media on gender, race and class in modern societies.

Why does our popular culture seem so consistently hostile to the values that most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbate every serious social problem we face, from teenage pregnancies to violence in the streets. Michael Medved powerfully argues that the entertainment business follows its own dark obsessions, rather than giving the public what it wants: In fact, the audience for feature films and network television has demonstrated its profound disillusionment in recent years, with disastrous consequences for many entertainment companies.^

A witty and penetrating look at the celluloid culture of the 1960s by the Village Voice 's celebrated film critic. In The Dream Life , Village Voice film critic J. Hoberman turns his attention to the 1960s, the era when politics and culture became one. With wildly entertaining reinterpretations of key Hollywood movies (such as Dr. Strangelove, Bonnie and Clyde, The Wild Bunch , and Shampoo ), Hoberman reconstructs the hidden political history of 1960s cinema. Meanwhile, against the pageantry of four national elections1960 to 1972he describes the formation of America's spectacular, image-laden political culture. In the era when the missile gap, the sexual revolution, and the Vietnam War became inseparable from the triumph of television, the development of political image-making, and the advent of Pop Art, American politics, mass media, and publicity became the new social spectacle. Through meditations on the personas of Che Guevara, John Wayne, Patty Hearst, Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman moves deftly between the political backgrounds of movies and the fantastic dimensions of politics, producing a brilliant and comic cultural history of the rise of our mass-mediated politics.

The hilarious and controversial host of HBO’s Real Time with Bill Maher has written his funniest, most opinionated, and most necessary book ever—a brilliantly astute and acerbically funny vivisection of American life, politics, and culture. Some of the smartest commentary about what’s happening in America is coming from a comedian—this comedian being Bill Maher. If you want to understand what’s wrong with this country, it turns out that one of the best informed and most thought-provoking analysts is this very funny pothead. The book was inspired by the “editorial” Bill delivers at the end of each episode of Real Time. These editorials are direct-to-camera sermons about culture, politics, and what’s happening in the world. To put this book together, Maher reviewed more than a decade of his editorials, rewriting, reimagining, and updating them, and adding new material to speak exactly to the moment we’re in. Free speech, cops, drugs, race, religion, the generations, cancel culture, the parties, the media, show biz, romance, health—Maher covers it all. The result is a hugely entertaining work of commentary about American culture in the tradition of Mark Twain, Will Rogers, and H. L. Mencken.

What does it mean to be an American today? What does it mean to be middle class? Public opinion polls tell us that the nation is deeply divided between the Right, which is religious, traditional, as well as distressed by the belief that the nation has gone seriously downhill, and the Left, which is pro-choice, pro-welfare, as well as sympathetic to multiculturalism and gay rights. After spending two years speaking with middle-class Americans of many religious and ethnic backgrounds in eight different communities around the country, leading sociologist Alan Wolfe comes to the surprising conclusion that we are in fact one nation, after all. In this work, Wolfe presents a new picture of who the typical middle-class American is, and what he or she thinks about the most important issues of our day, including religion, family, work, immigration, welfare, racism, and our ability to trust one another. What One Nation, After All shows is that Americans really are in the center. Wolfe also shows us that we have become the nation our founding fathers said we ought to be, that the greatest political experiment in the world has not only succeeded, but succeeded brilliantly. And yet our politicians have no idea what Americans think, and the media polls and social critics are consistently off the mark, raising disturbing questions about the future of our country.

Charles Sykes's ProfScam sparked a furious debate over the mission and the failure of our universities. Now he turns his attention to an even more controversial subject. A Nation of Victims is the first book on the startling decay of the American backbone and the disease that is causing it. The spread of victimism has been widely noted in the media; indeed, its symptoms have produced best-selling books, fueled television ratings, spawned hundreds of support groups, and enriched tens of thousands of lawyers across the country. The plaint of the victim - Its not my fault - has become the loudest and most influential voice in America, an instrument of personal and lasting political change. In this incisive, pugnacious, frequently hilarious book, Charles Sykes reveals a society that is tribalizing, where individuals and groups define themselves not by shared culture, but by their status as victims. Victims of parents, of families, of men, of women, of the workplace, of sex, of stress, of drugs, of food, of college reading lists, of personal physical characteristics - these and a host of other groups are engaged in an ever-escalating fight for attention, sympathy, money, and legal or governmental protection. What's going on and how did we get to this point? Sykes traces the inexorable rise of the therapeutic culture and the decline of American self-reliance. With example after example, he shows how victimism has co-opted the genuine victories of the civil-rights movement for less worthy goals. And he offers hope: the prospect of a culture of renewed character, where society lends compassion to those who truly need it. Like Shelby Steele, Charles Murray, and Dinesh D'Souza, Charles Sykes defines the ground of what will be a significant national debate.

"The United States is in the grip of a crisis of bad history. Inaccurate interpretations and outright misrepresentations of the past-cultivated within and promoted by the conservative movement and right-wing media over the last several decades-hold sway among large numbers of Americans, damaging our public discourse. In Myth America, historians Kevin Kruse and Julian Zelizer have assembled an all-star team of historians to provide textured analysis that explains what we get wrong about the past. Drawing on their immense knowledge of scholarship and their own primary research, these contributors provide correctives to the ways conservatives distort history to serve the needs of their anti-democratic agenda. For instance: Erika Lee shows how, far from posing a relentless threat to America, immigrants have long been recruited and even coerced to come to the United States. Joshua Zeitz traces how the welfare programs of the Great Society, criticized by the right as wasteful failures, have provided millions of Americans with food security, health care, and education. Carol Anderson uncovers how racism and anxiety over the nation's changing demographics, not voter fraud, are motivating Republicans' assault on voting rights. Elizabeth Hinton reveals that, rather than curbing crime, patrolling low-income communities with outside police forces has historically intensified violence and made everyone less safe. Taken together, the essays unveil how corporate interests and right-wing politicians use bad history to fan the flames of white resentment and unravel America's social safety net. Replacing myths with research and reality, Myth America is essential reading amid today's heated debates about our nation's past"--

""Sparing neither family nor self he considers how the deck has always been stacked in his and other white people's favor. His candor is invigorating."-Publishers Weekly" One of the most brilliant, articulate and courageous critics of white privilege in the nation."-Michael Eric Dyson The old notion that "being white means never having to think about it" is being challenged on all fronts as whites are increasingly having to wrestle with what it means to be part of a fast-changing, culturally diverse nation. In Dear White America Tim Wise directly addresses white people's growing concerns about political, cultural, and community-level shifts displacing their power and privilege. Wise examines the perfect storm of events fueling white anxiety: the election of a black president, economic insecurity at a level unseen by whites as a group in seventy-five years, a popular culture that reflects the nation's growing multicultural reality, and demographic shifts that make it increasingly difficult for whites-who have long been able to see themselves as the prototypical American-to continue to view themselves as the norm. Through stories, anecdotes, and analysis, Wise taps current trends and addresses how to move forward as a unified, diverse, and vibrant democracy.Tim Wise is one of the most prominent antiracist essayists, educators, and activists in the United States. He is regularly interviewed by A-list media, including CNN, C-SPAN, The Tavis Smiley Show, The Tom Joyner Morning Show, Michael Eric Dyson's radio program, and many more. His most recent books include Colorblind and Between Barack and a Hard Place"--

"This furious, trenchant, and audacious series of interrelated dialogues and letters takes a searing look at not only the legacy of psychotherapy, but also practically every aspect of contemporary living--from sexuality to politics, media, the environment, and life in the city. James Hillman--controversial renegade Jungian psychologist, the man Robert Bly has called "the most lively and original psychologist we've had in America since William James"--joins with Michael Ventura--cutting-edge columnist for the L.A. Weekly--to shatter many of our current beliefs about our lives, the psyche, and society. Unrestrained, freewheeling, and brilliant, these two intellectual wild men take chances, break rules, and run red lights to strike at the very core of our shibboleths and perceptions."--Publisher description.

In his most provocative and caustically funny book yet, Greg Palast, author of the national bestseller The Best Democracy Money Can Buy, once again gives us the straight scoop on the stories that Big Media won?t report. Digging up reams of documents marked ?secret? and ?confidential,? Palast provides the latest lowdown on Bush?s secret plans to seize Iraq?s oil, the fix planned for the 2008 election, who drowned New Orleans, and the horror and the humor of the War on Terror. With diligent detective work, moral outrage, and a keen sense of the absurd, Palast takes on the ?armed and dangerous clowns that rule us? as only he can.

"Known for his network of conservative Web sites ... the love-hate relationship between Breitbart and the media has turned him into one of the most polarizing figures of our time"--Page 4 of cover.

"If you want to understand not only what happened in 2016, but what's going to happen tomorrow, this book is essential reading. Susan Bordo brings a scholar's rigor and a lioness' heart to this important work." --Paul Begala "Among the best books I've read on the 2016 election . . . the perfect companion to Clinton's What Happened ." --Peter Daou The Destruction of Hillary Clinton is an answer to the question many have been asking: How did an extraordinarily well-qualified, experienced, and admired candidate--whose victory would have been as historic as Barack Obama's--come to be seen as a tool of the establishment, a chronic liar, and a talentless politician? In this masterful narrative of the 2016 campaign year and the events that led up to it, Susan Bordo unpacks the Rights' assault on Clinton and her reputation, the way the left provoked suspicion and indifference among the youth vote, the inescapable presence of James Comey, questions about Russian influence, and the media's malpractice in covering the candidate. Urgent, insightful, and engrossing, The Destruction of Hillary Clinton is an essential guide to understanding the most controversial presidential election in American history.

"Today's top stand-up comedians sell out arenas, generate millions of dollars, tour the world, and help shape our social discourse. So, how did this all happen? The History of Stand-Up chronicles the evolution of this American art form - from its earliest pre-vaudeville practitioners like Artemus Ward and Mark Twain to present-day comedians of HBO and Netflix. Drawing on his acclaimed History of Stand-up podcast and popular university lectures, veteran comedian and adjunct USC professor Wayne Federman guides us on this fascinating journey. The story has a connective tissue - humans standing on stage, alone, trying to get laughs. That experience connects all stand-ups through time, whether it's at the Palace, the Copacabana, the Apollo, Mister Kelly's, the hungry i, Grossinger's, the Comedy Cellar, the Improv, the Comedy Store, Madison Square Garden, UCB, or at an open mic in a backyard." -- Amazon.com