The thrilling sequel to Cloning Miranda and The Second Clone . When Miranda is accused of vandalism on school property, she's confident she can clear her name - until she's shown the security tapes. Even she can't tell that the girl on the tapes isn't her, or her cloned "twin" sister Ariel. Miranda must fight to clear her name or face being expelled, and possibly charged by the police. But one way or another, she knows she can't tell the truth to the authorities, or share her suspicions about the real culprit. Meanwhile, Dr. Mullen, her creator, has called a press conference to announce that he is the first scientist ever to create a living human clone. Could the girl on the security tape be yet another Mullen-made Miranda clone? Or could it be Eve, the dying third clone that Mullen kidnapped? No matter what, it looks like Miranda and Ariel are about to face the biggest challenge of their lives.

This collection of stories predicts a future where the human race no longer evolves--it upgrades. In this astonishing anthology, a host of the world's most expert dreamers take readers to a future of virtual humanity, where new technology will free humankind from the boundaries of the flesh. Contributors include Poul Anderson, Greg Egan, Robert Reed, and Stephan Baxter. Original.

From Hugo and Nebula Award-winning author Robert Silverberg comes, To Open The Sky. The Atom was their God-but there was something stronger... At the beginning of the 22nd century, Earth colonies were established on Mars and Venus. But the ultimate dream - to travel to the stars - was still an impossibility. Cults, fads, madnesses of various kinds swept the population. The maddest--and so far the most permanent--were the Vorst worshipers, the atom adorers, the believers in immortality through technology. Yet there were the Harmonists, who believed that technology could never do it. And the hatred between the two factions was too deep to be reconciled - until a conflict on Venus between a Vorster priest and his Harmonist opponent resulted in unexpected developments.

Collects twelve apocalyptic scenarios offering frightening glimpses into the end times, brought on by angry gods, technology, or nature.

"HARRY HARRISON IS ONE OF SCIENCE FICTION’S MOST PROLIFIC AND ACCOMPLISHED CRAFTSMEN." —The New York Times Book Review In the midst of Civil War, a stunned North and South join forces to combat a sudden attack of British troops. Though the Americans are victorious, three years later a new threat emerges. Her Majesty’s Army is massing for a possible attack through Texas. Into the gauntlet Lincoln sends his chosen angel of death, General Ulysses S. Grant—while his top soldiers, including Robert E. Lee and William Tecumseh Sherman, plan the most daring naval invasion ever launched: an assault on British soil itself. Stars and Stripes in Peril is the new masterwork from one of the world’s most provocative authors. Venturing beyond a fascinating question of what if? Harry Harrison brilliantly examines the people and passions that make up nations both great and small—and shows how technology and politics had the power to shape history’s first great World War . . . half a century before it began . . . "Lovers of novels of alternate history hold Harry Harrison in high regard and his latest book can only enhance that esteem." —Abilene Reporter News

Dr. Quantum- first introduced in the world wide hit film What The Bleep Do We Know?! is a series of adventures featuring the many-faceted fields of futuristic scientific thought. We follow Dr. Quantumand his UUSS (United Earth Science Services) team in the early 25th century in their endeavors to further the well being of the universes inhabiatnts through technology and science.

In the near future, humanity has experienced a great schism. The larger part is ruled by instinct and pleasure: they are ageless, beautiful yet wholly dependent on technology designed by previous generations to sustain them. Having no social structure or self-consciousness to speak of, to the minority they are simply known as the Others. But into this unmarked, timeless community walks Fred, the first visitor from a far-off land. His people are the N-Ps, governed by logic, revolted by the mindless, unfettered sollipsism of the Others. In all respects a model N-P, as Fred conducts his studies, he finds himself caught in an awkward relationship with his test subjects. Fred begins to feel for the childlike members of the Dwelling he observes. Embracing their gaudy, hyperreal life of screens and implants, Fred begins to be changed himself, even as he begins to affect the minds of these Others in ways that may not be to their benefit.

This cyber-erotic romantic thriller, written by two queer icons in the 1990s, has been "rebooted" for today's readers. In this rowdy cyber-romance originally written in the 1990s, two people meet online and fall in love in every guise they can manage. As Scratch and Winc go from anonymous lovers to accidental heroes and gender outlaws, they expose the shadowy Web stretched between technology and capitalist greed, nearly becoming roadkill on the internet superhighway. With a little help from their friends including a brave teenager and a mysterious hacker, these darling rebels fight government intervention and find chosen family in this eerily prescient tale. The 30th anniversary “reboot” edition includes an updated lens for today’s readers, as GenZ investigative journalist Drew uncovers what just might be the greatest queer love story of all time . Like Octavia Butler's PARABLE OF THE SOWER, Margaret Atwood's A HANDMAID'S TALE, and George Orwell's 1984, the return of NEARLY ROADKILL is right on time with urgent lessons for our contemporary landscape.

In a parallel-world 21st-century San Francisco where the Kaiser's Germany won World War One and went on to dominate the world, Paul Gomes and his father Lawrence are secret agents for our timeline, posing as traders from a foreign land. They run a storefront shop called Curious Notions, selling what is in our world routine consumer technology-record players, radios, cassette decks--all of which is better than anything in this world, but only by a bit. Their real job is to obtain raw materials for our timeline. Just as importantly, they must guard the secret of Crosstime Traffic--for of the millions of parallel timelines, this is one of the few advanced enough to use that secret against us. Now, however, the German occupation police are harrassing them. They want to know where they're getting their mysterious goods. Under pressure, Paul and Lawrence hint that their supplies comes from San Francisco's Chinese...setting in motion a chain of intrigues that will put the entire enterprise of Crosstime Traffic at deadly risk.

In a parallel-world 21st-century San Francisco where the Kaiser's Germany won World War One and went on to dominate the world, Paul Gomes and his father Lawrence are secret agents for our timeline, posing as traders from a foreign land. They run a storefront shop called Curious Notions, selling what is in our world routine consumer technology-record players, radios, cassette decks--all of which is better than anything in this world, but only by a bit. Their real job is to obtain raw materials for our timeline. Just as importantly, they must guard the secret of Crosstime Traffic--for of the millions of parallel timelines, this is one of the few advanced enough to use that secret against us. Now, however, the German occupation police are harassing them. They want to know where they're getting their mysterious goods. Under pressure, Paul and Lawrence hint that their supplies comes from San Francisco's Chinese...setting in motion a chain of intrigues that will put the entire enterprise of Crosstime Traffic at deadly risk. Curious Notions is the second book in Harry Turtledove's Crosstime Traffic series.

Left behind by a long-vanished civilisation, the mysterious portals known as the Gateways can enable spacefarers to reach the very furthest corners of the galaxy. Their discovery opens the door to a whole new era of exploration...and who knows what may be on the other side? More than 200,000 years have passed since the Iconians first created the network of interdimensional gateways across the stars. Known to those who came after them as 'the Demons of Air and Darkness', the Iconians vanished from time and space millennia ago -- or did they? Summoned to an emergency briefing at Starfleet Headquarters, Captain Jean-Luc Picard is stunned to discover that the legendary Iconians have returned at last, and are offering to sell the secrets of their long-lost technology to the Federation. To prove their sincerity, they have reactivated their dormant gateways...but the result has been conflict and chaos throughout the Alpha Quadrant. Warring Klingons and Romulans are among the hazards Picard and his crew must contend with as they seek to discover the sinister truth behind the Iconians' mysterious return.

Cyril M. Kornbluth's "Takeoff" is a masterful exploration of the interplay between technology and society, set against a backdrop of technological optimism and skepticism typical of mid-20th century speculative fiction. The narrative is punctuated by Kornbluth's characteristic wit and sharp social commentary, as he delves into the implications of a space-age future. Through a compelling storyline that examines human ambition, ethical dilemmas, and the consequences of technological advancement, Kornbluth captures the anxiety of an era teetering between hope and disillusionment, displaying a profound understanding of the zeitgeist of his time. Cyril M. Kornbluth (1923-1958) was a prominent figure in the science fiction realm, recognized for co-writing notable works with Fredric Brown and for his solo efforts that often critiqued contemporary society. His experiences during World War II and his keen insights into political and social issues deeply informed his writing. "Takeoff" reflects his fascination with the space race and the dynamics of progress, underscoring his ability to weave personal and historical narratives into universally resonant themes. I highly recommend "Takeoff" to readers who appreciate thought-provoking science fiction that challenges perceptions of technological advancement. Kornbluth's astute observations, combined with his engaging narrative style, ensure this work remains relevant today, prompting readers to contemplate the balance between innovation and ethical responsibility.

The year is 2040. Mark Chadwick is a brilliant psychiatrist who is on the verge of a major scientific breakthrough. By combining functional imaging of the brain with computer technology, he can not only predict intentions but also decode human thought processes. It is this discovery which immediately attracts the attention of Robert Dufresne, a senior officer in Home Security who is determined to use this novel technique in the fight against the enemies of the Surveillance State. As Mark is relentlessly pursued by Dufresne, the changing relationships with his family, friends and colleagues.

The Man Who Melted is a warning for the future. It is the Brave New World and 1984 for our time, for it gives us a glimpse into our own future — a future ruled by corporations that control deadly and powerful forms of mass manipulation. It is a prediction of what could happen...tomorrow. The Man Who Melted examines how technology affects us and changes our morality, and it questions how we might remain human in an inhuman world. Will the future disenfranchise or empower the individual? Here you'll find new forms of sexuality, new perversions, new epiphanies, and an entirely new form of consciousness. Would you pay to "go down" with the Titanic? In this dystopia the Titanic is brought back from the bottom of the sea and refurbished, only to be sunk again for those who want the ultimate decadent experience. Some passengers pay to commit suicide by "going under" with the ship. The Man Who Melted has been called "one of the greatest science fiction novels of all time" by Science Fiction Age and is considered a genre classic. It is the stunning odyssey of a man searching through the glittering, apocalyptic landscape of the next century for a woman lost to him in a worldwide outbreak of telepathic fear. Here is a terrifying future where people can gamble away their hearts (and other organs) and telepathically taste the last flickering thoughts of the dead.

This novel, like Jurassic Park , hinges on the real-world technology incorporated in the polymerase chain reaction (PCR), one of the most important breakthroughs in biomedical science. The 1993 Nobel Prize in chemistry recognized the immense significance of PCR, which is a process for quickly generating and then infinitely replicating fragments of genetic material. An impostor takes all of the credit in Carl Djerassi's fictionalized account of PCR's discovery and development. As the scientific community eventually discovers, Professor Diana Skordylis is not really one of their own, she is four of their own--three men and a woman--who publish their collaborative work under the Skordylis pseudonym. Two of them American, one Japanese, and one Austrian, they average around sixty-five years of age. Their archetype is a famous group of French mathematicians who actually have been publishing collectively for several decades under the nom de plume of Nicolas Bourbaki. Revenge is the Skordylis group's initial motivation. Victims of subtle age discrimination, they have all seen their research budgets and faculty privileges curtailed; two have been forcibly retired. Each Skordylis project they complete, each paper they publish under her name, is a satisfying poke at a scientific community that marginalized its senior members. But PCR is different. It is not only their best work, it is among the best work done by any scientist in recent memory. Professional jealousy soon threatens Diana Skordylis's life, as some group members struggle with the urge to claim their share of the fame and separately seek out PCR's most innovative applications. Djerassi writes engagingly--and from experience--about the collaborative nature at the heart of the scientific enterprise and the desire for personal recognition in the hearts of most scientists; about the graying of Western science; and about the human frailties and humanistic concerns of its practitioners.

Even before his birth, Johnny Baker's life is in danger. His mother breaks the law when she has her fertilized egg endowed with genes that will give her son the potential to become a visual artist. Born in 2038, John Firth Baker is the first genetically engineered artist. At the age of nineteen, at the threshold of his career, he is murdered. Now, ten years after his death, Baker has become famous. An art curator has organized a show of his work, and his biography-culled from journals, e-mails, and interviews with those who knew him best-is published. The Song of the Earth is this "biography." It presents a powerful and haunting portrait of an artist as a young man in the twenty-first century. Baker is born into a world transformed by technology: genetic profiles, space travel, and controlled housing communities are commonplace. Global warming has altered the environment. A planetary gender war is raging, familial structures are shattered, and new religions contend with the old. Yet human needs remain the same: the search for love, the desire for approval, the longing for fame, and the quest for knowledge. The Song of the Earth is a hypnotic novel about our desire to control our destinies, our yearning for immortality, and the very human impulse to create art. With prose, poetry, and images, Nissenson tells an original tale that brilliantly captures the experience of another time and place.

In this major survey of theoretical aspects and contemporary authors of science fiction, one of its foremost investigators argues for a radically new approach. For Darko Suvin, science fiction writings are neither prophecy nor the folklore of technology, but at their best parables for our times. Suvin lays the foundations for understanding their narrative logic and ideological horizons, and then examines a crucial group of modern authors. These comprise the diverging stances of Asimov, Le Guin, and Dick in the USA, Yefremov and the Strugatskys in the USSR, and Lem and the Brauns in Central Europe. The book culminates in a discussion of science fiction as metaphor, applied to a text by Cordwainer Smith as the bad conscience of Reaganism.