"It is [a] belief in diversity and pluralism and the uniqueness of each person that underlies all my writings . . . " -from the Preface. Regarded as the most influential and widely read thinker on modern organizations and their management, Peter Drucker has also established himself as an unorthodox and independent analyst of politics, the economy, and society. A man of impressive scope and expertise, he has paved significant inroads in a number of key areas, sharing his knowledge and keen insight on everything from the plight of the employee and the effects of technology to the vicissitudes of the markets and the future of the new world order. Adventures of a Bystander is Drucker's rich collection of autobiographical stories and vignettes, in which this legendary figure paints a portrait of his remarkable life, and of the larger historical realities of his time. In a style that is both unique and engaging, Drucker conveys his life story -from his early teen years in Vienna through the interwar years in Europe, the New Deal era, World War II, and the postwar period in America-through intimate profiles of a host of fascinating people he's known through the years. Their personal histories are, as Drucker tells us, the beads for which his own life serves as the string. A colorful group, these diverse, often unpredictable, always multidimensional individuals were chosen "because each of them, in his or her own highly personal way, reflects and refracts the thirty crucial years from the end of World War I to the first post-World War II decade-the thirty years that largely formed the world in which we now live." An amazing pageant of characters, both famous and otherwise, springs from these pages, illuminating and defining one of the most tumultuous periods in world history. Along with bankers and courtesans, artists, aristocrats, prophets, and empire-builders, we meet members of Drucker's own family and close circle of friends, among them such prominent figures as Sigmund Freud, Henry Luce, Alfred Sloan, John Lewis, and Buckminster Fuller. Playing to perfection their roles as those who "reflect and refract" the customs, beliefs, and attitudes of the times, these singular personalities lend Adventures of a Bystander a striking "you-are-there" feel. A brief encounter with Freud becomes the catalyst for an absorbing, multidimensional description of the economics, politics, and social psychology of pre-World War II Europe. Drucker introduces us to Fritz Kraemer, a brilliant, monocle-wearing eccentric who became an influential mentor to the young Henry Kissinger. His personal memoir of Henry Luce documents the development of modern journalism, while in "The Indian Summer of Innocence," he rescues and preserves the very heart of the American experience during the last New Deal years before World War II. Shedding light on a turbulent and important era, Adventures of a Bystander also reflects Peter Drucker himself as a man of imaginative sympathy and enormous interest in people, ideas, and history. These enthralling stories complement and complete the groundbreaking analytical writing for which he is so revered. Luminous autobiographical stories by one of the greatest thinkers of our time "The cast of characters among whom Drucker moves is superbly rich, and the informed glimpse he provides of a vanished social and political universe is an education in itself. Adventures of a Bystander is better than a novel, more lively than an essay, and as thoughtful as both at their best." -The Harvard Business Review. "Adventures of a Bystander is a virtuoso performance in which Drucker displays a dazzling diversity of personal interests and knowledge, an awesome power of recall, and a crisp, highly readable writing style." -BusinessWeek. "Adventures of a Bystander appears in a stroke to have restored the art of the memoir and of the essay. It will doubtless be a while before its like comes round again." -The Washington Post.

Examines the first episode in which American power and good intentions came face-to-face with a powerful Asian revolutionary movement, and challenges familiar assumptions about the origins of modern Sino-American relations. As 1945 opened, America was on surprisingly congenial terms with China's Communist rebels--their soldiers treated their American counterparts as heroes, rescuing airmen shot down over enemy territory. Chinese leaders talked of a future in which American money and technology would help lift China out of poverty. Mao Zedong himself held friendly meetings with U.S. emissaries, vowing to them his intention of establishing an American-style democracy in China. By year's end, however, cordiality had been replaced by chilly hostility and distrust. Chinese Communist soldiers were setting ambushes for American marines in north China; Communist newspapers were portraying the United States as an implacable imperialist enemy; civil war in China was erupting. The pattern was set for a quarter century of almost total Sino-American mistrust, with the devastating wars in Korea and Vietnam among the consequences. Richard Bernstein here tells the incredible story of that year's sea change, brilliantly analyzing its many components, from ferocious infighting among U.S. diplomats, military leaders, and opinion makers to the complex relations between Mao and his patron, Stalin.--From publisher description

We've all sung it a thousand times, and most of us know at least the first verse by heart. "America the Beautiful" has been called a hymn, a prayer, even the "national heartbeat set to music." Numerous proposals and half a dozen bills in Congress have tried to replace our national anthem, "The Star-Spangled Banner," with this more lyrical, less militaristic song. But who knows the story behind the song? In America the Beautiful, Lynn Sherr tells the story of Katharine Lee Bates, a poet and pioneering young English professor at the newly established Wellesley College, who penned "America the Beautiful" at age 33, as she gazed over the glorious panorama from the top of Pike's Peak, Colorado. The poem, published two years later on July 4, 1895, struck a chord. Americans embraced it and immediately set it to music, trying out at least 74 different melodies. There were even Mexican, Canadian, and Australian versions. Analyzing the lyrics of "America the Beautiful" and the story of Katharine Lee Bates's unusual life, Lynn Sherr opens a window onto the shifting world of late 19th century America. She explores the lingering impact of the Civil War and the dramatic developments in commerce and technology, which shaped the American Century and the popularity of one brilliant, stirring song.

Developed by French physicist Auguste Piccard and his son Jacques, the bathyscaph Trieste was a scientific marvel that allowed unprecedented scientific, technical, and military feats in the ocean depths. France and the United States both acquired and subsequently developed variants of the original bathyscaph. While both France and the United States employed the bathyscaph as a tool for scientific investigation of the deepest ocean depths, the U.S. Navy developed and employed the Trieste for military missions as well. From its earliest years, participants in the Trieste program realized that they were making history, blazing a trail into previously unexplored and unexploited depths, developing new capabilities and opening a new frontier. Comparisons with developments in space and the space-race between the United States and the Soviet Union often were made concerning the Trieste program and contemporary developments in undersea technologies and capabilities. The Trieste opened the entire oceans to exploration, exploitation, and operations. The bathyscaph was a first-generation system, a Model-T that spawned an entirely new industry and encouraged new concepts for deep-ocean naval operations. Advances in deep-sea technologies lacked the gee-whiz factor of the concurrent space race, but were highly significant in the development of new technology, new knowledge, and new military capabilities. Opening the Great Depths is the story of the three Trieste deep-ocean vehicles, their officers and enlisted men, and the civilians, often told in their own words, documenting for the first time the earliest years of humanity's probing into Earth's final frontier.

"Two former spy chief rivals reveal how Russia stole America's nuclear technology, assassinated its President, and killed dozens of foreign political leaders"--

Focusing on the design and implementation of computer-based automatic machine tools, David F. Noble challenges the idea that technology has a life of its own. Technology has been both a convenient scapegoat and a universal solution, serving to disarm critics, divert attention, depoliticize debate, and dismiss discussion of the fundamental antagonisms and inequalities that continue to beset America. This provocative study of the postwar automation of the American metal-working industry—the heart of a modern industrial economy—explains how dominant institutions like the great corporations, the universities, and the military, along with the ideology of modern engineering shape, the development of technology. Noble shows how the system of "numerical control," perfected at the Massachusetts Institute of Technology (MIT) and put into general industrial use, was chosen over competing systems for reasons other than the technical and economic superiority typically advanced by its promoters. Numerical control took shape at an MIT laboratory rather than in a manufacturing setting, and a market for the new technology was created, not by cost-minded producers, but instead by the U. S. Air Force. Competing methods, equally promising, were rejected because they left control of production in the hands of skilled workers, rather than in those of management or programmers. Noble demonstrates that engineering design is influenced by political, economic, managerial, and sociological considerations, while the deployment of equipment—illustrated by a detailed case history of a large General Electric plant in Massachusetts—can become entangled with such matters as labor classification, shop organization, managerial responsibility, and patterns of authority. In its examination of technology as a human, social process, Forces of Production is a path-breaking contribution to the understanding of this phenomenon in American society.

A gripping account of the worst coal mine fire in US history—the 1909 Cherry Mine Disaster that claimed the lives of 259 men. "Drawing on diaries, letters, written accounts of survivors and testimony from the coroner's inquest...Tintori's engaging prose keeps readers on the edge" ( Publishers Weekly ). Inspired by a refrain of her girlhood—"Your grandfather survived the Cherry Mine disaster"—Karen Tintori began a search for her family's role in the harrowing tragedy of 1909. She uncovered the stories of victims, survivors, widows, orphans, townspeople, firefighters, reporters, and mine owners, and wove them together to pen Trapped, a riveting account of the tragic day that would inspire America's first worker's compensation laws and hasten much-needed child labor reform. On a Saturday morning in November of 1909, four hundred and eighty men went down into the mines as they had countless times before. But a fire erupted in the mineshaft that day and soon burned out of control. By nightfall, more than half the men would either be dead or trapped as officials sealed the mine in an attempt to contain the blaze. Miraculously, twenty men would emerge one week later, but not before the Cherry Mine disaster went down in history as the worst ever coal mine fire in the US—and not before all the treachery and heroism of mankind were revealed.

THE MANUAL OF ARMS was the first step in the training of each individual soldier who enlisted either in the Union or Confederate army during the American Civil War, & gives detailed instructions for the new recruit in the use of his rifle or rifle musket. Each major position such as Shoulder Arms is closely described as well as the means of loading the piece in nine times & firing on command. Most importantly, the transitions between each position is also detailed, enabling soldiers standing elbow to elbow to use their weapons efficiently in a fire fight. This new illustrated reprint presents an exhaustive, painstakingly researched combination of the original step-by-step text & detailed drawings. Every illustration is meticulously cross referenced with the manuscript to provide both historical accuracy & ease of use. This is an excellent resource for the military historian or Civil War buff.

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing , Lolita , A Clockwork Orange , and The Shining and selected a wide variety of genres for his films -- black comedy ( Dr. Strangelove ), science fiction ( 2001: A Space Odyssey ), and war ( Paths of Glory and Full Metal Jacket ). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective. Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange . "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. " Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story. Gene D. Phillips, S.J., is a professor of English at Loyola University in Chicago, where he teaches fiction and the history of film. He is the author of many notable books on film and is a founding member of the editorial board of both Literature/Film Quarterly and The Tennessee Williams Journal . He was acquainted with Stanley Kubrick for twenty-five years.

From the depression of the 1890s through World War I, construction tradesman held an important place in San Francisco's economic, political, and social life. Michael Kazin's award-winning study delves into how the city’s Building Trades Council (BTC) created, accumulated, used, and lost their power. He traces the rise of the BTC into a force that helped govern San Francisco, controlled its potential progress, and articulated an ideology that made sense of the changes sweeping the West and the country. Believing themselves the equals of officeholders and corporate managers, these working and retired craftsmen pursued and protected their own power while challenging conservatives and urban elites for the right to govern. What emerges is a long-overdue look at building trades as a force in labor history within the dramatic story of how the city's 25,000 building workers exercised power on the job site and within the halls of government, until the forces of reaction all but destroyed the BTC.

Nadine Gordimer describes this collection of her non-fiction pieces as a reflection of how I've looked at this century I've lived in. The collection of essays, articles and addresses encompass Gordimer's own evidence of the inequities of apartheid as she saw them in 1956, her account of the bans on literature still in effect in the mid-1970s, through to South Africa's emergence in 1994 as a free country. Gordimer's canvas is global and her themes are wide-ranging. She examines the impact of technology on our expanding world-view, the convergence of the moral and the political in fiction and she reassess the role of the writer in the modern world.

Engagingly written and richly illustrated, Putting Meat on the American Table explains how America became a meat-eating nation -- from the colonial period to the present. It examines the relationships between consumer preference and meat processing -- looking closely at the production of beef, pork, chicken, and hot dogs. Roger Horowitz argues that a series of new technologies have transformed American meat. He draws on detailed consumption surveys that shed new light on America's eating preferences -- especially differences associated with income, rural versus urban areas, and race and ethnicity. Putting Meat on the American Table will captivate general readers and interest all students of the history of food, technology, business, and American culture.

Oxford University Press paperback. Includes bibliographical references and index. pt. 1: Technology as social production. The wedding of science to the useful arts--1: The rise of science-based industry. The wedding of science to the useful arts--2: The development of technical education. The wedding of science to the useful arts--3: The emergence of the professional engineer. Preservation through change: Corporate engineers and social reform -- pt. 2: Corporate reform as conscious social production. Laying the foundation: Scientific and industrial standardization. The corporation as inventor: Patent-law reform and patent monoply. Science for industry: The organization of industrial and university research. Technology as people: The industrial process of higher education --1. Technology as people: The industrial process of higher education--2. A technology of social production: Modern management and the expansion of engineering. * dss 20081210.

Based on a variety of classified military records, Lewy provides the first systematic analysis of the course of the Vietnam War, the reasons for the failure of American strategy and tactics, and the causes of the final collapse of South Vietnam.

"Alexander Nemerov is one of the greatest readers of American visual culture. This book has the revelatory power that only wide-ranging curiosity and true independence of mind can achieve." Richard H. Brodhead President of Duke University and author of Cultures of Letters: Scenes of Reading and Writing in Nineteenth-Century America ; "A benchmark in the writing of art history and in studies of the Civil War, Acting in the Night occupies a category unto itself. It uniquely immerses the reader in a holistic experience of the Civil War and shows Nemerov as a cosummate stylist in the field of American art history."Kathleen Pyne author of Modernism and the Feminine Voice ; "This is a work of criticism that borders on poetry, a brilliant and extremely original book that invites us to rethink to the artistic world we study."Julia Reinhard Lupton author of Thinking with Shakespeare: Essays on Politics and Life ; What can the performance of a single play on one night tell us about the world this event inhabited so briefly? Alexander Nemerov takes a performance of Macbeth in Washington, D.C., on October 17, 1863--with Abraham Lincoln in attendance--to explore this question and illuminate American art, politics, technology, and life as it was being lived. Nemerov's inspiration is Wallace Stevens and his poem "Anecdote of the Jar,"in which a single object organizes the wilderness around it. For Nemerov, that evening's performance of Macbeth reached across the tragedy of civil war to acknowledge the horrors and emptiness of a world it tried and ultimately failed to change. --Book Jacket

This first comprehensive story of logging, lumbering, and forest conservation in Texas records the industry's history from the earliest days of the Republic, when a few isolated operations provided for local needs, through the first four decades of the twentieth century. Supplemented by over one hundred photographs, many never before published, the text re-creates Texas' heyday as one of the nation's leading timber producers. At that time, the forested area equaled the state of Indiana. In the words of one visitor, the forest was "like a vast wave that has rolled in upon a level beach . . . creeping forward, thinning out, and finally disappearing, except where, along a river course, it pushes far inland." The industry's most significant growth occurred between the end of Reconstruction and the beginnings of World War II, when entrepreneurs from the North, the South, and the East ventured into the vast stands of virgin timber in the Texas Piney Woods. These pioneers, attracted by the great potential fortunes to be made, provided the capital, expertise, and energy that introduced large mills and railroads to Texas lumbering and developed markets for their products--not only in Houston, Dallas, and other Texas cities but also across the United States and throughout the world. Various lumber companies, logging and mill operations, company towns, and the genesis of forest conservation are all featured in the text and illustrations. This account will appeal to historians, conservationists, and general readers interested in the Texas lumber industry and in Texas economic history.

The pathbreaking essays in this collection explore the history of consumption by synthesizing discrete historical literatures on consumer culture, gender, and the history of technology. Luxury hotels and the chocolate industry are among the diverse array of topics these authors use to demonstrate that consumption is both a material and a cultural process. Production and consumption become equally inextricable under close analysis. Tools from both the history of technology and gender studies illuminate how these categories intersect. Although broad social and technological trends influence the outcome of these stories, the authors emphasize the agaency of particular groups, including consumers, workers, manufacturers, and the "mediators" who communicate between producers and consumers. This volume will be of interest to historians in a wide range of fields.

Boston's radio history begins with pioneering station 1XE/WGI, one of America's first radio stations, and includes the first station to receive a commercial license, WBZ; the first FM radio network, W1XOJ and W1XER; and one of the first news networks, the Yankee News Service. Nationally known bandleaders like Joe Rines and Jacques Renard were first heard on Boston radio, as was one of the first weathercasters, E. B. Rideout. The city has been home to a number of legendary announcers, such as Bob and Ray, Arnie Ginsburg, Dick Summer, Dale Dorman, and Charles Laquidara; talk show giants like Jerry Williams and David Brudnoy; and sports talkers like Eddie Andelman and Glenn Ordway. Many Boston radio personalities, such as Curt Gowdy, "Big Brother" Bob Emery, Don Kent, and Louise Morgan, found fame on television but first established themselves on Boston's airwaves. Since 1920, Boston radio has remained vibrant, proving that live and local stations are as important as ever--Publisher.

The Production And Distribution Of Knowledge In The United States is a comprehensive book written by Fritz Machlup that explores the ways in which knowledge is produced and disseminated in the United States. The book covers a wide range of topics related to knowledge production and distribution, including the role of universities, scientific research, and intellectual property rights. Machlup also examines the impact of technology on knowledge production and distribution, as well as the ways in which knowledge is used in various sectors of the economy. The book provides a detailed analysis of the complex processes involved in the creation and dissemination of knowledge, and offers insights into the challenges and opportunities facing knowledge-based industries in the United States. Overall, The Production And Distribution Of Knowledge In The United States is a valuable resource for anyone interested in understanding the dynamics of knowledge production and distribution in modern society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

By any measure, Hans Mark was a warrior of the Cold War. Born in Mannheim, Germany, in 1929, he spent his early childhood in Vienna before escaping the Nazi Anschluss in 1938 and eventually emigrating to the United States, settling in New York. He graduated from high school in 1947, went west to attend the University of California, Berkeley, and later earned a PhD in physics from MIT. His work in nuclear engineering soon set him on a path that would be shaped by aeronautics, space exploration, and national defense. It was through advanced technology that Mark believed the United States could win the Cold War. In An Anxious Peace , Mark recounts in detail his life as a twentieth-century “rocket man.” Here is the inside story of one who—in a career spanning more than six decades—was on the technological front line, from long-range bombers to the space shuttle. Along the way, Mark reveals many never-before-told stories from life at NASA and more. Readers will revel in learning the background behind the decision to place a plaque on Pioneer 10 , a space probe that the NASA Ames Research Center designed to fly past the asteroid belt, Jupiter, and Saturn to collect data and images. Mark tells how he, Carl Sagan, and NASA insider John Naugle kept secret the addition of the now iconic 6x9-inch aluminum “message from humanity” until the probe had been launched. To this day Mark is pushing for a manned mission to Mars. One thing is sure: Hans Mark has left a major impact on academic and scientific communities that will be felt for decades to come.