From the depression of the 1890s through World War I, construction tradesman held an important place in San Francisco's economic, political, and social life. Michael Kazin's award-winning study delves into how the city’s Building Trades Council (BTC) created, accumulated, used, and lost their power. He traces the rise of the BTC into a force that helped govern San Francisco, controlled its potential progress, and articulated an ideology that made sense of the changes sweeping the West and the country. Believing themselves the equals of officeholders and corporate managers, these working and retired craftsmen pursued and protected their own power while challenging conservatives and urban elites for the right to govern. What emerges is a long-overdue look at building trades as a force in labor history within the dramatic story of how the city's 25,000 building workers exercised power on the job site and within the halls of government, until the forces of reaction all but destroyed the BTC.

"A broad panorama in brilliant prose." -- American Historical Review In this groundbreaking work of labor history, Irving Bernstein uncovers a period when industrial trade unionism, working-class power, and socialism became the rallying cry for millions of workers in the fields, mills, mines, and factories of America. With an introduction by Frances Fox Piven.

"At what point did the British develop their mania for interiors, wallpaper, furniture and decoration? Why have the middle classes developed so passionate an attachment to the contents of their homes? This book offers surprising answers to these questions, uncovering the roots of today's consumer society and investigating the forces that shape consumer desires. Richly illustrated, Household Gods chronicles one hundred years of British interiors, focusing on class, choice, shopping and possessions. Exploring a wealth of unusual records and archives, Deborah Cohen locates the source of modern consumerism and materialism in early nineteenth-century religious fervour. Over the course of the Victorian era, consumerism shed the taint of sin to become the pre-eminent means of expressing individuality. The book ranges from musty antique shops to luxurious emporia, from suburban semi-detached houses to elegant city villas, from husbands fretting about mantelpieces to women appropriating home decoration as a feminist cause. It uncovers a society of consumers whose identities have become entwined with the things they put in their houses"--OCLC

Should America try to bring democracy to countries that are young or poor or that have cultures very different from our own? This book shows why the sophisticates have been wrong, why idealism offers the most sound basis for US policy. Since its small beginnings in 1776, America has served as the world's great engine of democracy. Our aid and trade, our overseas broadcasts and libraries, our cloak-and-dagger exploits, but above all else, the power of our example have been forces of moral good throughout the world. Foreseeing a Pax Americana in the next century resulting not from war or diplomacy but from the triumph of democratic ideals, the author argues that the effort to spread democracy further should form the core of US foreign policy.

Yokohama Burning is the story of the worst natural disaster of the twentieth century: the earthquakes, fires, and tsunamis of September 1923 that destroyed Yokohama and most of Tokyo and killed 140,000 people during two days of horror. With cinematic vividness and from multiple perspectives, acclaimed Newsweek correspondent Joshua Hammer re-creates harrowing scenes of death, escape, and rescue. He also places the tumultuous events in the context of history and demonstrates how they set Japan on a path to even greater tragedy. At two minutes to noon on Saturday, September 1, 1923, life in the two cities was humming along at its usual pace. An international merchant fleet, an early harbinger of globalization, floated in Yokohama harbor and loaded tea and silk on the docks. More than three thousand rickshaws worked the streets of the port. Diplomats, sailors, spies, traders, and other expatriates lunched at the Grand Hotel on Yokohama's Bund and prowled the dockside quarter known as Bloodtown. Eighteen miles north, in Tokyo, the young Prince Regent, Hirohito, was meeting in his palace with his advisers, and the noted American anthropologist Frederick Starr was hard at work in his hotel room on a book about Mount Fuji. Then, in a mighty shake of the earth, the world as they knew it ended. When the temblor struck, poorly constructed buildings fell instantly, crushing to death thousands of people or pinning them in the wreckage. Minutes later, a great wall of water washed over coastal resort towns, inundating people without warning. Chemicals exploded, charcoal braziers overturned, neighborhoods of flimsy wooden houses went up in flames. With water mains broken, fire brigades could only look on helplessly as the inferno spread. Joshua Hammer searched diaries, letters, and newspaper accounts and conducted interviews with nonagenarian survivors to piece together a minute-by-minute account of the catastrophe. But the author offers more than a disaster narrative. He details the emerging study of seismology, the nascent wireless communications network that alerted the world, and the massive, American-led relief effort that seemed to promise a bright new era in U.S.-Japanese relations. Hammer shows that the calamity led in fact to a hardening of racist attitudes in both Japan and the United States, and drove Japan, then a fledgling democracy, into the hands of radical militarists with imperial ambitions. He argues persuasively that the forces that ripped through the archipelago on September 1, 1923, would reverberate, traumatically, for decades to come. Yokohama Burning , a story of national tragedy and individual heroism, combines a dramatic narrative and historical perspective that will linger with the reader for a long time.

""Acclaimed author and feisty nonagenarian Hotchner's witty ruminations about the art of living well into old age...with brio and a touch of his trademark sass, Hotchner writes about rediscovering love after 75, finding joy in a scrappy African gray parrot he named after his longtime friend, Ernest Hemingway, and going on his very first safari at age 88." - Kirkus Reviews When youngsters in their seventies and eighties, nervously lurching toward the horizon of ninety, ask me, "What's the secret?" That's what I tell them: "O.J. in the morning, gin and tonic at night." You don't have to be in your seventies or eighties to enjoy A. E. Hotchner's elixir for aging happily, but after reading this charming collection of essays, you may wish you were. Nonagenarian, novelist, playwright, and biographer, Hotchner gives us heartfelt and laugh-out-loud anecdotes that describe his unique reflections on the aging process. His musings cover everything from the outlandish commercials that target the older generation (Viagra, Cialis, and Flomax) to suggestions on adapting the tennis game for seniors (he suggests lowering the net by two inches and moving all outer lines two feet inward) to the advantages of having a pet (his pet parrot often tells guests to "kiss my ass"). He can equally capture the headier side of aging, which is bittersweetly revealed in his piece about divorce. With his disarming, eloquent voice and dry sense of humor, Hotch illuminates life's wisdoms through his optimistic, witty, and romantic outlook, all the while maing you feel, well, not unhappy about growing older. O.J. in the Morning, G&T at Night is a book of courageous advice, humorous wisdom, and, above all, good strategies for how to stay young at heart"--

John B. Judis, one of our most insightful political commentators, most rational and careful thinkers, and most engaged witnesses in Washington, has taken on a challenge that even the most concerned American citizens shrink from: forecasting the American political climate at the turn of the century. The Paradox of American Democracy is a penetrating examination of our democracy that illuminates the forces and institutions that once enlivened it and now threaten to undermine it. It is the well-reasoned discussion we need in this era of unrestrained expert opinions and ideologically biased testimony. The disenchantment with our political system can be seen in decreasing voter turnout, political parties co-opted by consultants and large contributors, the corrupting influence of "soft money," and concern for national welfare subverted by lobbying organizations and special-interest groups. Judis revisits particular moments -- the Progressive Era, the New Deal, the 1960s -- to discover what makes democracy the most efficacious and, consequently, most inefficacious. What has worked in the past is a balancing act between groups of elites --- trade commissions, labor relations boards, policy groups -- whose mandates are to act in the national interest and whose actions are governed by a disinterested pursuit of the common good. Judis explains how the displacment of such elites by a new lobbying community in Whashington has given rise to the cynicism that corrodes the current political system. The Paradox of American Democracy goes straight to the heart of every political debate in this country.

BIOGRAPHY & AUTOBIOGRAPHY: FILM, TELEVISION, MUSIC, THEATRE. The Sayles might not have been the only Jewish atheist communist family in Liverpool, but Alexei knew from an early age that they were one of the more eccentric. Born on the day egg rationing came to an end, Alexei was the only child of Joe, an affable trade unionist who led the family on railway expeditions across eastern Europe, and Molly, a hot-tempered red-head who terrified teachers and insisted Alexei see the Red Army Choir instead of the Beatles. Perceptive and hilarious, this is a portrait of a family, a city, a country and a continent going through enormous changes.

When she died, in 2009, Anthony Thwaite described U.A. Fanthorpe as a 'smiling subversive with a voice like bird-song'. An encouraging example to all late developers, this particular bird's voice took its time: she didn't become a poet until she was 45. But these examples of her very earliest work show the latent mastery and the rapid development of the craft that would bring her wide critical acclaim and an affectionate general readership. The mysteries of the trade gradually reveal themselves as rooted in a wide and uncensored range of subject-matter, a life-time's love of words, and an intuitive grasp of the mechanics of form and voice. Recognising her role so late, she was a woman in a hurry; there wasn't time for self-consciousness or grandiose notions of 'vocation'. 'A poet, ' she said, 'is a smuggler. He imports things clandestinely which are not supposed to have got through the customs.' Poetry 'happened to me', she would say. Her job? To listen, to pass it on.

Otto Neurath’s famous "Modern Man in the Making", first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 onwards, Neurath and his team had worked on a new visual language termed "Isotype". At a time that saw the rise of new mass media making hitherto unthinkable amounts of information available, Neurath felt the need for a systematic visualization explaining facts, statistic data and comparative numbers in simple ways. The book can be seen as one of the most influential predecessors of today’s ever-present infographics. Its topics include diverse social issues of the time such as mortality, health, employment, trade, education, mobility, migration and demographics. "Modern Man in the Making" shows Neurath’s democratic endeavor to make knowledge intelligible and available to all. This pivotal historical picture-text book is made available again as a reprint of the original publication in the series XX The Century of Print. (publisher's information)

Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process for the readers. Reading this kind of writing, however, may not come easily in a culture where poetry is treated as property of a special class. It is this barrier that Bob Perelman seeks to break down in this fascinating and comprehensive account of the language writing movement. A leading language writer himself, Perelman offers insights into the history of the movement and discusses the political and theoretical implications of the writing. He provides detailed readings of work by Lyn Hejinian, Ron Silliman, and Charles Bernstein, among many others, and compares it to a wide range of other contemporary and modern American poetry. A variety of issues are addressed in the following chapters: "The Marginalization of Poetry," "Language Writing and Literary History," "Here and Now on Paper," "Parataxis and Narrative: The New Sentence in Theory and Practice," "Write the Power," "Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center)," "This Page Is My Page, This Page Is Your Page: Gender and Mapping," "An Alphabet of Literary Criticism," and "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia."

Canada’s legendary ambassador to the United States reveals his personal diaries from his time in Washington, from 1981 to 1989. Allan Gotlieb was ambassador to the United States during a high point in U.S.-Canada relations, the Reagan and Mulroney eras. One of our country’s most effective diplomats, he was renowned for forging inside connections to the capital’s key decision-makers, and as he has said, “In Washington, gossip is not gossip — gossip is intelligence.” Gotlieb kept a diary almost daily during his time in Washington, and its entries are filled with anecdotes about meetings and parties with the capital’s social, media, and political elite. Katharine Graham, Jesse Helms, and Sandra Day O’Connor are just a few who appear in its pages, as are such Canadian visitors as Jean Chrétien, Joe Clark, and even Wayne Gretzky. With frankness and self-deprecating wit, Gotlieb recounts the absurdities and pretensions of life in Washington and his fight to make Canada’s voice heard. His diaries chronicle not only the major international issues of the time — such as the forging of the Free Trade Agreement — but also his own growth from Washington outsider to sophisticated power-broker.

It is late 1903, and Rachel and her family are leaving Russia to escape the murderous riots against Jews. They travel cross country on the Trans-Siberian Railway to the coast and board a ship for Shanghai. China offers refuge, but life for them there is difficult and strange. The opportunity to write for a Jewish newspaper may help Rachel ensure her family's survival while not giving up her dreams for her future. Still in Russia, Rachel's friend Sergei leaves home for a factory job in St. Petersburg, soon joining the rebelling workers, but realizing he has traded one source of danger for another. Separated by so much, the two teenagers try to make their way in the turbulent political times of the early twentieth century--their only connection the letters they write, and their fierce hope for the future.

With the abolition of the slave trade in 1807 and the Emancipation Act of 1833, Britain seemed to wash its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates that Britain continued to contribute to the slave trade well after 1807, even into the twentieth century. Drawing on government documents and contemporary reports as well as published sources, she describes how slavery remained very much a part of British investment, commerce and empire, especially in funding and supplying goods for the trade in slaves and in the use of slave-grown produce. The nancial world of the City in London also depended on slavery, which - directly and indirectly - provided employment for millions of people. "After Abolition" also examines some of the causes and repercussions of continued British involvement in slavery and describes many of the apparently respectable villains, as well as the heroes, connected with the trade - at all levels of society. It contains important revelations about a darker side of British history, previously unexplored, which will provoke real questions about Britain's perceptions of its past

In July 1961, just before David Aaronovitch's seventh birthday, Yuri Gagarin came to London. The Russian spaceman was everything the Aaronovitch family wished for - a popular and handsome embodiment of modern communism, of the forward march of history. When Gagarin went to Highgate to visit the tomb of Karl Marx, the local communists came out to cheer, David's father, a full-time worker for the Communist Party, and his mother among them. But who were they, these ever hopeful, defiant and (had they but known it) historically doomed people? In a sense they were like a non-magical version of the wizards of J K Rowling's world, living part secretly with and parallel to the non-communist majority, sometimes persecuted, sometimes ignored, but carrying on their own ways and traditions. Where others went to church they went to Socialist Sunday School, where others watched the Black and White Minstrels they went to see the Red Army Choir (always providing that visas had been issued). Society's up was their down, its heroes were their villains and vice versa. Trade unions were never more noble than when militant, the blacks were right and the whites were wrong. Who wanted American TV when you could have Russian movies? A memoir of early life among communists and an exploration of the world that created that life, Party Animals first took David Aaronovitch back through his own memories of belief and action. But there was much more to it. He found himself studying the old secret service files, his mother's diaries and letters, uncovering the unspoken shame and fears that provided the unconscious background to his own existence as a party animal. Only then did he begin to understand what had come before - both the obstinate heroism and the monstrous cowardice. And the elements that shape our fondest beliefs

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

Theodor Adorno is one of this century’s most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical. Adorno’s insistence on the social character of aesthetic works will come as no surprise to those familiar with his writings, although many may be surprised by the volume’s somewhat colloquial tone. This colloquialism, in dialogue with Adorno’s unceasing rigor, stems from the occasional sources of many of the essays, mainly public lectures and radio addresses. As such, this volume represents an important and, for English-language readers, largely unfamiliar side to Adorno. His arguments move more quickly than in his more formal and extended musicological works, and the writing is much more accessible and generous than his usually dense and frequently opaque prose. This volume includes essays on prominent figures in music (Alban Berg, Anton von Webern, Arturo Toscanini), compositional technique (the prehistory of the twelve-tone row, the function of counterpoint in new music), and the larger questions of musical sociology for which Adorno is most famous, including the relation of interpretation to audience, the ideological function of opera, and the historical meaning of musical technique. The essay on the sociology of music, for example, represents an early statement of what would soon become trademark principles of his mode of musical analysis, serving as a catalyst for his famous study Introduction to the Sociology of Music. Some forty years after most of these essays were written, they remain fresh and relevant. In part, this is because Adorno’s method has only recently begun to make substantial inroads into Anglo-American musicology. And the interdisciplinary nature of his thought provides a precursor for today’s interdisciplinary studies.

A paradox of surface and depth pervades the field of aesthetics. How can art's surface meanings and qualities be properly appreciated without understanding the cultural context that shapes their creation and perception? But exploring such underlying cultural conditions challenges the perception of thosequalities and meanings of aesthetic surface that constitute the captivating power of art. If aesthetics deals with both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one philosophical vision? In his new book, Richard Shusterman explores the dialectics of surface and depth by examining key issues in the philosophy of art and culture?from the logic of interpretation and evaluation to the roots of taste and convention, from the meanings of aesthetic purity and immediacy to the role of nature, theory, and history in our experience and understanding of art. In treating these topics, Shusterman combines the methods of analytic philosophy, critical theory, and poststructualism to arrive at new positions, displaying the philosophical versatility, originality of vision, and graceful, accessible writing that have become his trademark. Surface and Depth is crowned by a new definition of art as dramatization.

A controversial new investigation in the 1984 Miners strike and how it changed Modern Britain. The Miners' strike was a dividing line in Modern British history. Before 1984, Britain was an industrial nation, reborn from the ashes of the Second World War by Clement Atlee's vision of a welfare state. Most of the great industries were nationalised and the trade unions was one of the major forces in the land. After the strike, which ended with humiliating defeat in March 1985, Thatcher's Britain was born. In March 1984, the leader of the Miners' Union, Arthur Scargill, led his members out of the pits without a ballot to protest at planned pit closures; they would spend the next 13 months facing the utmost deprivations as they fought to keep their jobs. On picket lines the miners faced harassment and the police, which culminated in the violent Battle of Orgreave. Meanwhile Thatcher's government feared that Britain was on the verge of a civil war. It was a struggle of attrition that neither side could dare lose. Twenty five years after the strike, the debate is still controversial. Marching to the Faultline tells the full story of the strike from confidential cabinet meetings at Downing Street to backroom negotiations, and life on the picket line. The book draws on previously unseen sources from interviews with the major figures, private archives and documents obtained under the Freedom of Information Act to set the record straight.

First printing, a trade paperback. In addition to his own poems, this includes translations of works by Montale, Pasternak and Rilke.