"Whether we start from the pandemic, climate change, the inequality engendered by capitalism, the violence of racism and sexism, or any of a number of global crises, it is apparent that we are far from any idea of a common world, a world that is a site of belonging. Such a world would require a fundamental transformation of how we understand value--that everyone's life has value beyond market value and that the world is structured to facilitate everyone's flourishing. Such a world requires, too, the upending and reorientation of everyone's epistemic field, one's very sense of the limit and structure of the world, in order to apprehend the worlds of others and to find connection. Judith Butler draws, surprisingly, on Wittgenstein's sense that the world can be revealed as different than it was-precisely what the pandemic brought about. But what kind of world is it? Phenomenologist Max Scheler would say that it is a world that exhibits itself through its very breath as tragic. And how are we to live in this world? Critically, it must be inhabitable, and here is found the limit of personal freedom, which carried to its extreme makes the world unlivable both for others and for oneself. The world must also be tangible. As Merleau-Ponty describes it, touch is a characteristic of the world rather than a power that we have. We are bodies within a field of interrelated bodies--which has ethical and political consequences, moving beyond an ontology of individuals to an ontology of the world around us. We are asked to accept a vision of an interconnected world in which our breath is shared with others. Can we reimagine what we mean by social equality and inequality in the context of bodily interdependency? We have seen how the natural world begins to restore itself during the restrictions implemented during the pandemic; we have also seen the differential health results due to environmental racism. Together, they suggest that we have an obligation to reorder the world on principles of radical equality. Finally, an inhabitable world is a world where everyone desires to live. To want to live in such a world is to take up the struggle against the conditions that make it impossible for so many. "None of us can accept a world in which some people are protected while others are not," as WHO director Tedros Adhanom Ghebreyesus puts it. Intersubjectivity enmeshes us in the power relations of race, gender, class, and sexuality as they are reproduced, naturalized, and contested in bodies within the complementary crises of pandemic, climate, and systemic racism and sexism. Ultimately, what movements like Black Lives Matter and Ni Una Menos stand for is that all lives are worthy of care and all lives are equally grievable"--

A narrative of the great figures who have created our cultural heritage, from the pyramid builders to Picasso, enriching our world with architecture, painting, sculpture, music, drama, dance, and literature.

Toffler argues that while headlines focus on shifts of power at the global level, equally significant shifts are taking place in our everyday world--supermarkets, hospitals, banks, television, and politics. As old antagonisms fade, Toffler identifies where the next, far more important world division will arise . . . between the "fast" and the "slow". "Thought-provoking on every page".--Newsday.

In this major work, Blumenberg takes issue with Karl Löwith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the world from outside. Instead, Blumenberg argues, the idea of progress always implies a process at work within history, operating through an internal logic that ultimately expresses human choices and is legitimized by human self-assertion, by man's responsibility for his own fate.

"Following the catastrophes of the twenty-first century--the pandemics, the environmental disaster, the end of oil, the ensuing chaos--people are doing whatever they can to get by and pursuing a simpler and sometimes happier existence. In little Union Grove, the townspeople are preparing for Christmas. Without the consumerist shopping frenzy that dogged the holidays of the previous age, the season has become a time to focus on family and loved ones. It is a stormy Christmas Eve when Robert Earle's son Daniel arrives back from his two years of sojourning throughout what is left of the United States. He collapses from exhaustion and illness, but as he recovers tells the story of the break-up of the nation into three uneasy independent regions and his journey into the dark heart of the New Foxfire Republic centered in Tennessee and led by the female evangelical despot, Loving Morrow. In the background, Union Grove has been shocked by the Christmas Eve double murder by a young mother, in the throes of illness, of her husband and infant son. Town magistrate Stephen Bullock is in a hanging mood"--

This is the second volume of Friedell's monumental A Cultural History of the Modern Age . A key figure in the flowering of Viennese culture between the two world wars, this three volume work is considered his masterpiece. The centuries covered in this second volume mark the victory of the scientifi c mind: in nature-research, language-research, politics, economics, war, even morality, poetry, and religion. All systems of thought produced in this century, either begin with the scientifi c outlook as their foundation or regard it as their highest and fi nal goal. Friedell claims three main streams pervade the eighteenth century: Enlightenment, Revolution, and Classicism. In ordinary use, by "Enlightenment" we mean an extreme rationalistic tendency of which preliminary stages were noted in the seventeenth century. Th e term "Classicism", is well understood. Under the term "Revolution" Friedell includes all movements directed against what has been dominant and traditional. Th e aims of such movements were remodeling the state and society, banning all esthetic canons, and dethronement of reason by sentiment, all in the name of the "Return to Nature." Th e Enlightenment tendency might be seen as laying the ground for an age of revolution. Th is second volume continues Friedell's dramatic history of the driving forces of the twentieth century.

Reviewing the major events, trends, and personalities of world history from 8000 BC to the present, the authors offer forecasts about what lies ahead in the next millennium

In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Val+1⁄4ry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Hans Blumenberg is Professor of Philosophy at the University of M++nster. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history. Featuring contributions from thirty-eight international scholars, the book takes a thematic approach to a period which saw the defeat of the Spanish Armada, the explorations of Francis Drake and Walter Ralegh, the establishment of the Protestant Church, the flourishing of commercial theatre and the works of Edmund Spencer, Philip Sidney and William Shakespeare. Encompassing social, political, cultural, religious and economic history, and crossing several disciplines, The Elizabethan World depicts a time of transformation, and a world order in transition. Topics covered include central and local government; political ideas; censorship and propaganda; parliament, the Protestant Church, the Catholic community; social hierarchies; women; the family and household; popular culture, commerce and consumption; urban and rural economies; theatre; art; architecture; intellectual developments ; exploration and imperialism; Ireland, and the Elizabethan wars. The volume conveys a vivid picture of how politics, religion, popular culture, the world of work and social practices fit together in an exciting world of change, and will be invaluable reading for all students and scholars of the Elizabethan period.

This volume collects thirty essays by Shaye J.D. Cohen. First published between 1980 and 2006, these essays deal with a wide variety of themes and texts: Jewish Hellenism; Josephus; the Synagogue; Conversion to Judaism; Blood and Impurity; the boundary between Judaism and Christianity. What unites them is their philological orientation. Many of these essays are close studies of obscure passages in Jewish and Christian texts. The essays are united too by their common assumption that the ancient world was a single cultural continuum; that ancient Judaism, in all its expressions and varieties, was a Hellenism; and that texts written in Hebrew share a world of discourse with those written in Greek. Many of these essays are well-known and have been much discussed in contemporary scholarship. Among these are: The Significance of Yavneh (the title essay), Patriarchs and Scholarchs, Masada: Literary Tradition, Archaeological Remains, and the Credibility of Josephus, Epigraphical Rabbis, The Conversion of Antoninus, Menstruants and the Sacred in Judaism and Christianity, and A Brief History of Jewish Circumcision Blood.

Emerging from a collection of city states 150 years ago, no other country has had as turbulent a history as Germany or enjoyed so much prosperity in such a short time frame. Today, as much of the world succumbs to authoritarianism and democracy is undermined from its heart, Germany stands as a bulwark for decency and stability. Mixing personal journey and anecdote with compelling empirical evidence, this is a critical and entertaining exploration of the country many in the West still love to hate. Raising important questions for our post-Brexit landscape, Kampfner asks why, despite its faults, Germany has become a model for others to emulate, while Britain fails to tackle contemporary challenges. Part memoir, part history, part travelogue, Why the Germans Do It Better is a rich and witty portrait of an eternally fascinating country.

"We have always believed that Queen Victoria defined the mores of the nineteenth century. Yet Peter Gay, one of our most eminent cultural historians, asserts in this radical work that it is the sexually emboldened Viennese playwright Arthur Schnitzler (1862-1931), the most influential Austrian writer of his time, who provides a better symbol for the age." "In a set of nine closely linked chapters, each focusing on major topics of bourgeois life, Gay synthesizes three decades of far-ranging research, presenting a lucid reinterpretation of the nineteenth-century middle class - its passions, politics, religion, and anxieties - that we can only think we know well. Extending his examination back to 1815, at the close of the age of Napoleon, Gay chronicles a hundred-year period that witnessed not only the emergence of the middle class but also the birth of a culture that remains vital today. Throughout Schnitzler's Century, he does justice to the complexity of the era, showing that there was superstition as well as science, cruelty as well as humanity, anxiety as well as Eros. But digging deep into bourgeois life all the way from Philadelphia to Moscow, London to Rome, he has recognized a general Victorian style through the Western world, however colored each country was by characteristic local habits." "Schnitzler's Century is not revision for its own sake, but for the sake of the truth about the past. With the daring Viennese playwright Arthur Schnitzler as his companion, Gay provides startling perspectives on once-familiar subjects. Schnitzler's Century provides astonishing insights into an age that made us largely what we are today."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.

Join Flavia, Jonathan, Nubia, and Lupus as they explore fascinating facets of life in ancient Rome. Evocative text and vivid full-color illustrations bring to life the themes, settings, and personalities in the bestselling series. Topics covered include Flavia on the class system in Roman society, favorite myths and legends, and holidays and celebrations; Jonathan discovering the world of Roman sport and leisure and the different religions; Nubia on animals in Roman times; and Lupus on childhood in Roman times, plus ancient cultures' fascination with number and alphabet puzzles and games.A timeline of key events in Roman history and a map of the Roman Empire are included."

"Origins" is the first fully comprehensive study of the debt owed by modern western culture to Ancient Near Eastern civilization - a debt touched upon by standard histories of the Ancient Near East but never as systematically investigated as here by William W. Hallo. The author, who has devoted a lifetime to the study of the Ancient Near East, places the emphasis on the way the Ancient Near East continues to shape our Western world. He takes an in-depth look at the ancient origins of many institutions that are most essential to contemporary life - and most often taken for granted. In the exploration of the "first half of history," Hallo shows that modern ideas of urbanism and the formation of capital were first developed between 3000-500 BC and that aspects of 20th-century agriculture, manufacturing and trade go back to ancient Mesopotamia, Egypt and Israel. Special attention is given to the role played by women, arguing that this was an often non-traditional one; for example, women are shown to have been among the first authors in history who are actually known by their names. The scope of the work is vast: Hallo methodically examines a wide range of topics, from the order of the alphabet to the coronation of kings, and from schooling to the calendar. An intriguing touch is provided by sections on games and on the world's oldest cookbooks. This ground-breaking study leaves the reader with a full appreciation of the legacy of the Ancient Near East to modern Western society, in all its aspects. It will be essential reading for researchers and general readers alike who are interested in the cultural history of the West as well as the history of the Ancient Near East.

"'Socrates' is a witty and endlessly fascinating drama about a complicated man who changed how the Western world thought. This powerful play is an intellectual thrill ride from the philosopher's growing prominence in democratic Athens through the military and social upheavals that led to one of the most infamous executions in Western history. 'Socrates' is a passionate tribute to the man who continues to inspire us to question authority and defend freedom of belief."--publisher description.

Through personal essays and poetry, short fiction and painting, book reviews, interviews, performance pieces, and hybrid creations of text and image, Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time. For more than thirty-five years U.S.-Cuban relations have been couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remain in their homeland. Bridges to Cuba/Puentes a Cuba celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. The participants are earnest, angry, witty, and hopeful. They are sometimes visionaries, but they are not deluded about Cuban or North American realities. Their voices offer testimony to the continuing efforts of Cubans and Cuban-Americans to look beyond the animosities and failings of their respective societies and find possibilities for personal and international reconciliation, dialogue, and renewal. "Ruth Behar, as editor of Bridges to Cuba/Puentes a Cuba, leaps across conventional intellectual boundaries in an effort to show the complexity of nationhood, exile, and revolution in the Cuban experience of the last thirty years. An important book about the possibility and impossibility of building cultural and political bridges."--Arcadio Díaz-Quiñones, Princeton University "Behar narrows the straits of Florida with a richly textured dialogue of voices in and out of Cuba. Bridges to Cuba is sure to make history."--Liz Balmaseda, Miami Herald "A vital and interesting anthology about contemporary Cuba."--Oscar Hijuelos, author of The Mambo Kings Play Songs of Love " Bridges to Cuba is the first U.S. anthology that looks at Cuban creativity from an integrated perspective, refusing to kneel before the painful and often arbitrary divisions that have split the voices of this passionate culture into forever separate bands. The results are magnificent. Read this book and get a long overdue understanding of contemporary Cuban literature and art."--Margaret Randall, author of Women in Cuba: Twenty Years Later "In order for memory to be recovered, there must be a community that remembers and tells the story. . . . Bridges to Cuba displays a wealth of insights that leave the reader with a sense of having experienced first hand the intricate web of thought and feeling that is Cuban life."--Latino Review of Books "Ruth Behar's anthology represents one of the most important and moving bridges yet published on contemporary Cuba and its condition as the island that is still absent from the Western world. Bridges to Cuba is an extraordinary example of the faith and ability of Latin American intellectuals to cross true bridges, bridges of solidarity."--Marjorie Agosín, Wellesley College Ruth Behar is author of Translated Woman: Crossing the Border with Esperanza's Story and coeditor, with Deborah Gordon, of Women Writing Culture. She has been the recipient of awards from the MacArthur and Guggenheim foundations.

The papers in this book represent a unique integration of Jewish history and classics. They tackle from different angles the extent to which Jews in the Graeco-Roman period differed from other peoples in the Mediterranean region, and how much Jewish evidence can be used for the history of the wider classical world. The authors make extensive use not only of types of evidence familiar to classicists, such as inscriptions and the writings of Josephus, but also Jewish religious literature, including Rabbinic texts. The various studies demonstrate that, although Jews lived to some extent apart from others with distinctive customs, in many ways their history also highlights the cultural presuppositions and preoccupations of their non-Jewish contemporaries. The book aims to encourage wider use of the Jewish evidence by classicists and will be important for all students of the classical world.

More than ever before, our conflict-ridden, drifting planet needs the qualities that Europe, unique among the continents, has developed in more than two millennia of history: its self-criticism, its urge to self-transcendence, exploration and experiment, its conviction that alternative and better forms of human togetherness can be achieved, as well as its dedication to the cause of seeking and promoting this improvement in practice. But today Europe is unsure of itself and its place in a fast-changing world; it is devoid of vision, limited in resources and lacking the will to pursue its vocation. It is also struggling with the consequences of a one-sided process of globalization which is divorcing power from politics, inciting the shift from the social state to security-focused governance and piling up the casualties of uncontrolled market expansion and the ethically blind commercialization of human life. Bauman argues that despite the odds Europe still has much to offer in dealing with the great challenges that face us in the twenty-first century. Through sharing its own hard-won historical lessons, Europe can play a vital role in moving from the Hobbesian-like world in which we find ourselves today towards the kind of peaceful unification of humanity that was once envisioned by Kant.

This new study of Tudor international relations is the first in nearly thirty years. Adopting a fresh approach to the subject, this lively collection presents the work of a team of established and younger scholars who discuss how the Tudor monarchs made sense of the world beyond England's shores. Taking account of recent developments in cultural, gender and institutional history, the contributors analyse the important changes and continuities in England's foreign policy during the Tudor age. Tudor England and its Neighbours addresses key questions such as: - Did Henry VII break with the past by pursuing peace with France? - What was the impact of the break with Rome and the introduction of Protestantism on England's relations with other countries? - Was war between Elizabethan England and Spain inevitable? Using new evidence and reinterpreting traditional narratives, these essays illuminate the complexities and the sometimes surprising subtleties of England's international relations between 1485 and 1603.