Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

Israel Knohl offers a new perspective on the history and theology of the Priestly source of the Pentateuch. By means of an analysis of specific texts--for example, those that deal with the Sabbath and the Festivals--Knohl demonstrates the existence of two separate Priestly sources, loosely speaking, the two sources that we have referred to as P and the Holiness Code. The "Holiness School" is shown to have been active subsequent to the school that produced the Priestly Torah and, in fact, to have been responsible for the great enterprise of editing the Torah. Knohl examines the conceptions of divinity and ritual reflected in Priestly thought and legislation in ancient Israel and the changes revealed in these conceptions over time. The priesthood appears as an elite group that was closeted within the walls of the "Sanctuary of Silence," drawn toward the hidden, noble divinity ensconced within its shrine. The later stratum of Priestly writings expresses a desire to transcend the limits of the temple and go out into the broad avenues of the nation, even at the price of surrendering the loftiness of earlier faith and practice. The conclusion describes the changes that occurred in the priests' world view as an attempt to come to terms with the socioreligious crisis that had brought about a disjunction between ritual and ethics. In response to this crisis, the priests developed a wider conception of holiness, one that integrates ethics and ritual in one sphere. This is a reprint of the 1995 Fortress Press edition.

Do Old Testament poetry and narrative, wisdom-writing and prophecy work on us in the same way as do nonbiblical literary texts? Competent readers over the centuries have arrived at conflicting answers to this question. Some (from Longinus on) have maintained that biblical books offer examples of supreme literary art; others have passionately rejected this approach, insisting that beauty and pleasure are not the Bible's business. Poetry with a Purpose argues that, paradoxically, both views are right. Biblical poetics is marked by an unusual tension between aesthetic and nonaesthetic (even anti-aesthetic) modes of discourse. To understand this dialectic is to understand something quite fundamental about biblical texts and, more particularly, about the nature of the contract that governs their reading. The text summons the reader to respond to a familiar form but at the same instant undermines that response, deconstructs that form. The book of Ester, for example, displays the conventions of the Persian epic tradition, but its style is subtly challenged by the text itself. Similarly, the book of Job might seem to conform to the classical concept of tragedy but ultimately presents a uniquely biblical version of the form. While the prophets use the language of myth, they will often explode or "demythologize" their own language, affirming purposed at variance with the world of myth. Harold Fisch applies his remarkably fruitful thesis to a number of biblical texts and modes, among them biblical pastoral, the Song of Songs, Psalms, Hosea, and Ecclesiastes. Equally at home in biblical studies and in general literature and theory, the author has produced a highly original work of unusual range and scholarship.

What are the origin and meaning of the words "greed is idolatry" found in Ephesians 5:5 and Colossians 3:5? In what sense are the greedy guilty of idolatry? Many different answers have been given to this question throughout the history of interpretation. In fact, a consensus exists on only one score - that the expression serves to vilify greed. Brian Rosner takes on the challenge of interpretation by tackling the phrase as a metaphor, structuring his argument around an intriguing comparison to mountain climbing. From this vantage point, he offers a history of interpretation of the phrase, including a study of the origin of the concept of idolatrous greed in biblical and Jewish sources. Rosner concludes that the comparison of greed with idolatry teaches that to desire to acquire and keep for oneself more money and material things is an attack on God's exclusive right to human love, trust, and obedience. With this work comes an understanding of familiar terms - "greed," "idolatry," and even "God"--Challenging both the church as a whole and individual believers to consider the far-ranging implications of our materialistic world. --From publisher's description.

Contrary to the Christians, the Muslims did not consider the Bible as a holy text, therefore their polemics against the Jews took the form of Bible criticism. The main arguments used by Muslim thinkers against Judaism was that the Jews falsified God's word, or failed to transmit it properly, or misinterpreted the Bible, or that the Bible had been abrogated by God. The most prominent Muslim writers who developed these themes in the medieval period were Ibn Hazm and the Jewish apostate Samau'al al-Maghribi in the West of the Arab world, and Ibn Qayyim al-Djawziyya in the East. The first two considered, in particular, that it was Ezra ('Uzayr) who deliberately distorted the text of the Bible. Contends that the Muslim critics of the Bible based their arguments greatly on pre-Islamic sources (such as pagan, gnostic, Christian, and anti-Christian writings), and that they, in turn, were the source of early modern European Bible criticism.

From the destruction of the Second Temple in 70 A.D. to the creation of the State of Israel in 1948, the Jews were a conquered nation. Yet Jewish sages and holy works preached a doctrine of both interior and exterior virtue that allowed the Jewish people to feel and believe in the dignity and nobility of their earthly condition. Neusner's book explores the attitudes in Jewish canonical writings and asks how these virtues relate to the politics of the Jews as a vanquished people. Jacob Neusner, the author of over 166 books on Judaism and Jewish history, is a frequent lecturer both in America and throughout the world. He has been a Fulbright Fellow at the Hebrew University, and twice has been a Guggenheim Fellow.