The Vale of Cedars; Or, The Martyr, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

No one before or after Kurt Tucholsky has captured the horrors of the "Great War," as World War I was known, quite like he did. The famed Weimar writer, who would become one of Germany's best-known satirist and journalists, describes surviving in the trenches and fighting a losing battle, the arrogance of the officers and the desperation of the loved ones back home. His writing is similar to that of Heinrich Heine, his role model, in that it appears superficially simple but is replete with hidden meanings. His works are touching, stirring, and precisely to the point. He brings alive the war that still looms even into our own 21st century. This is the first bilingual anthology in German and in English of his works on World War I. The First World War was the "Great War". Everything that happened after this war, even into our own 21st century, is contingent on the years between 1914 and 1918. The Great War also shaped Kurt Tucholsky who emerged from the war.. His style is biting, satirical, and penetrating, full of Berlin gallows humor. This bilingual anthology contains English translation of his short stories as well as a rendition of his poetry about World War I, all representative of his style.

Leopold von Ranke (1795-1886), generally recognized as the founder of the school of modern critical historical scholarship, and Jacob Burckhardt (1818-1897), the great Swiss proponent of cultural interpretation, are fathers of modern history--giants of their time who continue to exert an immense influence in our own. They are usually seen as contrasts, Ranke as representative of political history and Burckhardt of cultural history. In five essays, each flowing gracefully into the next, the distinguished historian Felix Gilbert shows that such contrasts are oversimplifications. Despite their interest in different aspects of the past, Ranke's and Burckhardt's views arose from common elements in the first half of the nineteenth century, the time in which they grew up and in which their first masterworks attracted such wide attention. This concise volume clarifies the beginnings of history as an autonomous discipline, while forcing us to examine our views on basic questions in historical scholarship. In the case of Ranke, relating his work to his times counteracts the current tendency to disregard the difference between the historical concepts of the eighteenth and nineteenth centuries. By focusing on this difference, Gilbert emphasizes the originality and novelty of Ranke's ideas about history. Although Burckhardt is often portrayed as an intellectually lonely figure, this book reveals the importance of relating his thought to the intellectual trends of his time. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Book by Halevy, Elie

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Product Description (EN) Three centuries ago, David Nieto entrusted to the Sephardic community in London some of the secrets behind the Merkabah, a divine Chariot seen by the Hebrew Biblical prophets. In the oldest synagogue of the United Kingdom, Bevis Marks, Nieto addressed the congregation in Judeo-Spanish and revealed in a poetic sermon the meaning behind Ezekiel’s vision of the chariot and its mystical ascent into heaven. His glorification of poverty, according to Kabbalah, sparked great controversy with the materialistic mainstream thought of 18th-century England. Triumphs of Poverty was buried in time and the publication was never translated into English. This first unabridged bilingual edition has been expanded to include various sources omitted in the original transcript.David Nieto (Venice, 1654 – London, 1728) was the Haham of the Spanish and Portuguese Jewish Community in London. He was one of the most accomplished Jews of his time and was equally distinguished as philosopher, physician, poet, mathematician, astronomer, and theologian.Nieto published in 1704, "A Tractate about the Divine Providence, i.e. Universal Nature or Natura Naturante" (translated by the author); "The Triumph of Poverty" in 1709; "Matteh Dan" in 1714; "Esh Daat" (The Fire of Knowledge), in 1715; "Recondite Notice of the Inquisition of Spain and Portugal" 1728. He died in London and is buried in the Old Jewish Cemetery in Mile End Road. An inscription on his grave reads: "Sublime theologian, profound sage, a distinguished physician, a famous astronomer, sweet poet, elegant preacher, subtle logician, ingenious physician, fluent rhetorician, pleasant author, an expert in languages, learned in history."(ES) Hace 300 años David Nieto confió a la comunidad Sefardita en Londres algunos de los secretos de la Merkabá , la carroza divina vista por los profetas hebreos. En la sinagoga más antigua del Reino Unido, Bevis Marks, Nieto se dirigió a la congregación en Judeoespañol y reveló en un poético sermón el significado tras la visión de Ezequiel, la carroza y su místico ascenso al cielo. Su glorificación de la pobreza, según la Cábala, desencadenó gran controversia frente al pensamiento materialista dominante en la Inglaterra del siglo XVIII. Los Triunfos de la Pobreza fueron enterrados en el tiempo y su publicación nunca fue traducida al inglés. Esta primera traducción íntegra bilingüe ha sido ampliada para incluir varias fuentes omitidas en el facsímil original. About the Author David Nieto (Venice, 1654 – London, 1728) was the Haham of the Spanish and Portuguese Jewish Community in London. He was one of the most accomplished Jews of his time and was equally distinguished as philosopher, physician, poet, mathematician, astronomer, and theologian. Nieto published in 1704, "A Tractate about the Divine Providence, i.e. Universal Nature or Natura Naturante" (translated by the author); "The Triumph of Poverty" in 1709; "Matteh Dan" in 1714; "Esh Daat" (The Fire of Knowledge), in 1715; "Recondite Notice of the Inquisition of Spain and Portugal" 1728. He died in London and is buried in the Old Jewish Cemetery in Mile End Road. David Nieto (Venice, 1654 – London, 1728) was the Haham of the Spanish and Portuguese Jewish Community in London. He was one of the most accomplished Jews of his time and was equally distinguished as philosopher, physician, poet, mathematician, astronomer, and theologian. Nieto published in 1704, "A Tractate about the Divine Providence, i.e. Universal Nature or Natura Naturante" (translated by the author); "The Triumph of Poverty" in 1709; "Matteh Dan" in 1714; "Esh Daat" (The Fire of Knowledge), in 1715; "Recondite Notice of the Inquisition of Spain and Portugal" 1728. He died in London and is buried in the Old Jewish Cemetery in Mile End Road. An inscription on his grave reads: Sublime theologian, profound sage, a distinguished physician, a famous astronomer, sweet poet, elegant preacher, subtle logician, ingenious physician,

Ivan T. Berend is Distinguished Professor at the University of California Los Angeles, Director of the European Studies Program. He was one of the masterminds of regime change in Hungary. He made a career in Hungary as a university professor, Rector of the University of Economics (1973–79), and President of the Hungarian Academy of Sciences (1985–90). He was President of the International Committee of Historical Sciences (1995–2000), and Vice-President of the International Economic History Association (1986–1994). His research interests are the complex economic, social, ideological, and cultural history of Central and Eastern Europe in the 19th–20th century; economic modernization; problems of European backwardness; transition from state socialism to capitalism. He published and 26 books and more than 120 studies. Before he became a professor at UCLA, Ivan Berend had survived five regime changes and two revolutions in Hungary, had been in prison and German concentration camp in 1944–45. His memoir offers an interesting case study, a subjective addition to the "objective" historical works on Central and Eastern European state socialism. It describes the hard choices of intellectuals in a dictatorial state: 1. remain in isolation, concentrate on scholarly works, and exclude politics in your personal life; 2. be in opposition, criticize and unveil the regime, accept discrimination and exclusion; 3. remain within the establishment and work for reforming the country using legal possibilities to criticize the regime and to achieve changes from within. Berend’s book raises basic historical questions and debates, compares East European and American higher education systems, and presents an eyewitness’ insights on life in the United States.

"Kolberg: Historisches Schauspiel in FÃ1/4nf Akten" by Paul Heyse is a compelling historical drama presented with notes by R. H. Allpress. Set against the backdrop of the Siege of Kolberg in 1807, this play explores themes of patriotism, resistance, and the human spirit in times of war. Heyse, a Nobel laureate in Literature, masterfully crafts a narrative that brings to life the historical events and the characters who shaped them. This edition offers advanced text with detailed notes, making it an invaluable resource for students and scholars of German literature and history. The play's enduring themes and historical significance ensure its continued relevance and appeal. Discover the power of Heyse's dramatic storytelling in "Kolberg." This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In a time of massive social transformation in Eastern Europe and the Soviet Union, worldwide attention has been focused on the growth of independent peace movements in this region. In Search of Civil Society is the first comprehensive analysis of the progressive social movements that are proving vital to the expansion of grassroots civil societies. The volume presents case studies of Poland, Hungary, Czechoslovakia, Germany, and the Soviet Union. Written by some of the best-informed scholars in Eastern European studies, many of them dissidents and activists, these essays analyze the current status of civil societies. The contributors tackle a host of related issues and concerns: dissent, non-violence, intra- and anti-systemic opposition, post-Stalinism, conscientious objection, and human rights. Moving beyond the arena of politics, the volume also examines the various ways peace movements are affecting cultural and moral life in these societies. Through a combination of first-hand information and scholarly interpretations, these changes are examined in view of the movement of Communist society towards pluralism.

Wolfgang Paalen was a central figure in internationalist surrealist circles in the late 1930s. Artist and intellectual, he was a European whose fascination with archaic cultures led him finally to Mexico, where he founded the influential magazine DYN in 1941. In the bold texts from DYN that make up Form and Sense, we encounter a unique artistic mind and an oracular voice. Paalen’s book is an intellectual delight with essays on cubism, surrealism, the universality of forms in architecture, and the relationships that exist between art and science. He weaves together the new ideas and archaic inspirations in twentieth-century painting and sculpture. His nuanced and original considerations of some key figures—Mondrian, Kandinsky, Picasso—marked Paalen in turn as a significant thinker in the world of modern art. This painter’s book, illustrated with carefully chosen examples of the art he examines, makes us not only understand but also experience the rich interplay between idea and image that informs the art of our own time. A new introduction by the scholar Martica Sawin examines Paalen’s career, particularly his influential writing on surrealism and abstraction.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.