'Among the most moving documents I have read in years ... You will not forget it' Elie Wiesel From her small, sunny hometown between the beautiful Carpathian Mountains and the blue Danube River, Elli Friedmann was taken - at a time when most girls are growing up, having boyfriends and embarking upon the adventure of life - and thrown into the murderous hell of Hitler's Final Solution. When Elli emerged from Auschwitz and Dachau just over a year later, she was fourteen. She looked like a sixty year old. This account of horrifyingly brutal inhumanity - and dogged survival - is Elli's true story.

These are pages that one reads with almost physical pain ... all the way to its stoic conclusion.

Zsa Zsa Gabor: My Story is an autobiography written by the legendary Hollywood actress and socialite, Zsa Zsa Gabor. The book, co-authored by Gerold Frank, chronicles Gabor's life from her childhood in Hungary to her rise to fame as a Hollywood starlet. Gabor's story is one of glamour, scandal, and tragedy. She was married nine times to some of the most famous men in the world, including Conrad Hilton, George Sanders, and Jack Ryan. She also had affairs with numerous other high-profile figures, including Frank Sinatra and Richard Burton. The book delves into Gabor's personal life, including her relationships with her family, her struggles with health issues, and her experiences with aging. It also provides a behind-the-scenes look at the Hollywood of the 1950s and 1960s, including Gabor's interactions with other stars such as Marilyn Monroe and Elizabeth Taylor.Overall, Zsa Zsa Gabor: My Story is a captivating and entertaining read that offers a glimpse into the life of one of Hollywood's most iconic figures.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Book by Livia Bitton-Jackson

From the “master of historical narrative” ( Financial Times ), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.

This story of love and blighted hopes is set in Fascist Italy on the eve of World War II. It details the relationship of two young Jews in the provincial town of Ferrara. When the Fascist regime establish more restrictive racial laws, the narrator and young Micol Finzi-Contini are drawn together. Only through the filter of distance and time does he come to know all he loses.

Memoir of a Hungarian woman who was imprisoned for several years in the German concentration camp Auschwitz. This is the true, documented chronicle of a beautiful woman who survived the nightmare horror of the worst death camp of them all. Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. ""You have done a real service by letting the ones who are now silent and most forgotten speak.""-Albert Einstein "This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilization."-New York Herald-Tribune "It is a picture of utter hell."-Saturday Review of Literature

Speeches that Changed the World presents over 50 momentous and thought-provoking speeches from throughout history. Complete with a brief biography of each speaker, and telling the story of why each oration was significant and what happened as a result, this is a gripping history of the world told through its greatest and most impassioned speeches. Comprehensively updated with many new speeches including Earl Spencer's lament to "The extraordinary and irreplaceable Diana", Nikita Khrushchev's secret speech of 1956 signalling the beginning of the end of Stalinist Russia, Patrick Pearse's rousing funeral oration that fanned the flames of the Easter Rising, Kevin Rudd's historic apology to Australia's mistreated Aborigines and Barack Obama's momentous US election night victory speech. Alongside these are the finest war cries of Winston Churchill, Martin Luther King's prophetic "I have a dream" and "I've seen the promised land" speeches, the inspiring words of JFK and impassioned pleas from Nelson Mandela-the first at his trial in 1964 and the second on his election as president of South Africa in 1994. In addition are historic speeches from Elizabeth I, Charles I, Oliver Cromwell, George Washington, Napoleon Bonaparte, Abraham Lincoln, Emmeline Pankhurst, Mahatma Gandhi, Vladimir Lenin, Neville Chamberlain, Adolf Hitler, Joseph Stalin, Franklin D. Roosevelt, Charles de Gaulle, General George S. Patton, J Robert Oppenheimer, Mao Zedong, Malcolm X, Richard M. Nixon, Pope John Paul II, Vaclav Havel, Elie Wiesel, Mikhail Gorbachev and many other great historical figures.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes," about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes" shows us "why" Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time," the "New York Times, The Independent on Sunday," and "Nature," respectively. "From the Hardcover edition."

The Venona Secrets presents one of the last great, untold stories of World War II and the Cold War. In 1995, secret Soviet cable traffic from the 1940s that the United States intercepted and eventually decrypted finally became available to American historians. Now, after spending more than five years researching all the available evidence, espionage experts Herbert Romerstein and Eric Breindel reveal the full, shocking story of the days when Soviet spies ran their fingers through America's atomic-age secrets. Included in The Venona Secrets are the details of the spying activities that reached from Harry Hopkins in Franklin Roosevelt s White House to Alger Hiss in the State Department to Harry Dexter White in the Treasury. More than that, The Venona Secrets exposes: • Information that links Albert Einstein to Soviet intelligence and conclusive evidence showing that J. Robert Oppenheimer gave Moscow our atomic secrets. • How Soviet espionage reached its height when the United States and the Soviet Union were supposedly allies in World War II. • The previously unsuspected vast network of Soviet spies in America. • How the Venona documents confirm the controversial revelations made in the 1940s by former Soviet agents Whittaker Chambers and Elizabeth Bentley. • The role of the American Communist Party in supporting and directing Soviet agents. • How Stalin s paranoia had him target Jews (code-named Rats ) and Trotskyites even after Trotsky’s death. • How the Soviets penetrated America’s own intelligence services. The Venona Secrets is a masterful compendium of spy versus spy that puts the Venona transcripts in context with secret FBI reports, congressional investigations, and documents recently uncovered in the former Soviet archives. Romerstein and Breindel cast a spotlight on one of the most shadowy episodes in recent American history - a past when by our very own government officials, whether wittingly or unwittingly, shielded treason infected Washington and Soviet agents.

Over 50 momentous and thought-provoking speeches from throughout history. Includes a DVD with recordings of many of the featured speeches. With over a million copies already sold, this is the newly updated edition of the definitive collection of great speeches ancient and modern. From calls to arms to demands for peace, and from cries of freedom to words of inspiration, this stirring anthology captures the voices of prophets and politicians, rebels and tyrants,soldiers and statesman, placing them in historical context. This revised edition includes speeches that have shaped the modern world: from Aung San Suu Kyi on freedom to Al Gore on the environment and from Malala Yousafzai on the education of women to Pope Francis on peace. A biography of each speechmaker reveals how they came to stand at the crossroads of history,and each speech is accompanied by an introduction explaining its historical context and how it influenced the momentous events of the day - as well as those that followed. Moving and thought-provoking, this new edition will continue to inspire and enlighten readers, offering them a fascinating perspective on historical milestones through the power of the spoken word. Contents include: Nelson Mandela, Malala Yousafzai, Barack Obama, Pope Francis, Martin Luther King, Elizabeth I, Oliver Cromwell, George Washington,Napoleon Bonaparte, Abraham Lincoln, Emmeline Pankhurst, Mahatma Gandhi, Adolf Hitler, Joseph Stalin, Franklin D. Roosevelt, Charles de Gaulle, General George S. Patton, Mao Zedong, Malcolm X, Vaclav Havel, Mikhail Gorbachev, Indira Gandhi and Winston Churchill to name a few.

In the second of two volumes of this magnificently illustrated cultural history--the tie-in to the PBS and BBC series The Story of the Jews--Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain in the Inquisition across six hundred years to the present day. It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the centuries and the continents--from the Iberian Peninsula and the collapse of "the golden age" to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentraion camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychaiatrist forever changes the conception of the human mind. And a great story unfolds. Not--as often imagined--of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians, from the Soviets to America. Which makes the story of the Jews everyone's story, too.

Surviving Auschwitz, 18-year old Elli leaves behind painful memories to start fresh in America in 1951. She faces challenges of creating a new life in hectic New York City. A powerful glimpse of immigrant America through the eyes of this teenager.

No other pope of this century has aroused so much interest and universal affection throughout the world as has Pope John XXIII. Journal of a Soul is an inspiring reading experience that records this pope's thoughts and traces his spiritual development from adolescence to the seminary to a career as a priest, a European papal diplomat, Patriarch of Venice, and finally Pope John XXIII. This Image Books edition features a biographical portrait of Pope John by his personal secretary, Monsignor Loris Capovilla. It also includes several of his most moving prayers, sixty brief thoughts and aphorisms, his "Rules for the Ascetic Life," many of his letters, even his last will and testament. Christians everywhere will welcome the reissue of "one of the most original, interesting, and inspiring revelations of intimate personal experiences ever written," which "ranks well with the classic spiritual autobiographies" ( Critic ). Journal of a Soul , the first ever such work from a Roman pontiff, opens new windows onto the soul of the man himself.

This globe-spanning history of sugar is "an epic story on a broad canvas that never loses sight of individual moments of human drama; a historical methodology infused with political, intellectual, cultural, and social strands; a complex sequence of cause and effect; an illuminating synthesis of primary and secondary sources; and a thoughtful marriage of words, picture, and design." (Horn Book starred review) Here is the story of how one product allows us to see the grand currents of world history in new ways. Using songs, oral histories, maps, and over 80 archival illustrations, Marc Aronson and Marina Budhos put a human face on this vast pageant. Time line, source notes, bibliography, and index included. The history of sugar runs like a bright band from religious ceremonies in India to Europe's Middle Ages, then on to Columbus, who brought the first cane cuttings to the Americas. Sugar caused the loss of countless lives, but it also planted the seeds of revolution that led to freedom in the American colonies, Haiti, and France. Cane, not cotton or tobacco, drove the bloody Atlantic slave trade and took the lives of countless Africans who toiled on vast sugar plantations under cruel overseers. And yet the very popularity of sugar gave abolitionists in England the one tool that could finally end the slave trade. Sugar moved, murdered, and freed millions; sugar changed the world.

Magda Herzberger is a force of nature. To meet Magda is to encounter a bundle of energy whose indefatigable spirit and beauty both inside and out belies her being witness to one of the darkest chapters in human history. From her riveting autobiography "Survival" to the published collections of her captivating poetry, she has guided us into a world that seems almost unimaginable-its highs, its lows, its mysteries, its contradictions. And in the process she provides us with insights that make all us all richer. Now she takes those life experiences and provides us with a compelling blueprint, both spiritual and practical, in how to tackle life's unpredictable and at times tortuous challenges. In the stress of our twentieth century world, we face a drug culture that seeks escapism because the pain of reality is just too great or the high of a dangerous, temporary fix is too irresistible to pass up. Even among the more mainstream population, we have become accustomed to treatments and medications that promise to help us tackle physical and mental challenges and often a sense of hopelessness and being overwhelmed by the challenges of life. In America alone it is estimated that we spend close to half a trillion dollars each year to find ways to treat our psychological frailties. In "Surviving Hard Times," Magda shares with us the lessons of an extraordinary life that combines her story of hard grit and her relentless sense of purpose. The hard times she experienced are raw and unvarnished, and now she wants to pass on her insights to all of us.

NOW AN ACCLAIMED DOCUMENTARY, Winter Journey Set amid the growing tyranny of Germany's Third Reich, here is the riveting and emotional tale of Günther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances--and found themselves falling in love in a country bent on destroying them. In the spring of 1933, as the full weight of Germany's National Socialism was brought to bear against Germany's Jews, more than 8,000 Jewish musicians, actors, and other artists found themselves expelled from their positions with German orchestras, opera companies, and theater groups, and Jews were forbidden even to attend "Aryan" theaters. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created under the auspices of Joseph Goebbels's Ministry of Public Enlightenment and Propaganda. Providing for Jewish artists to perform for Jewish audiences, the Kulturbund, which included an orchestra, an opera company, and an acting troupe, became an unlikely haven for Jewish artists and offered much-needed spiritual enrichment for a besieged people--while at the same time providing the Nazis with a powerful propaganda tool for showing the rest of the world how well Jews were ostensibly being treated under the Third Reich. It was during this period that twenty-two-year-old flutist Günther Goldschmidt was expelled from music school because of his Jewish roots. While preparing to flee the ever-tightening grip of Nazi Germany for Sweden, Günther was invited to fill in for an ailing flutist with the Frankfurt Kulturbund Orchestra. It was there, during rehearsals, that he met the dazzling nineteen-year-old violist Rosemarie Gumpert--a woman who would change the course of his life. Despite their strong attraction, Günther eventually embarked for the safety of Sweden as planned, only to risk his life six months later returning to the woman he could not forget--and to the perilous country where hatred and brutality had begun to flourish. Here is Günther and Rosemarie's story, a deeply moving tale of love and the remarkable resilience of the human spirit in the face of terror and persecution. Beautifully and simply told by their son, National Public Radio commentator Martin Goldsmith, The Inextinguishable Symphony takes us from the cafés of Frankfurt, where Rosemarie and Günther fell in love, to the concert halls that offered solace and hope for the beleaguered Jews, to the United States, where the two made a new life for themselves that would nevertheless remain shadowed by the fate of their families. Along with the fate of Günther and Rosemarie's families, this rare memoir also illuminates the Kulturbund and the lives of other fascinating figures associated with it, including Kubu director Kurt Singer--a man so committed to the organization that he objected to his artists' plans for flight, fearing that his productions would suffer. The Kubu, which included some of the most prominent artists of the day and young performers who would gain international fame after the war, became the sole source of culture and entertainment for Germany's Jews. A poignant testament to the enduring vitality of music and love even in the harshest times, The Inextinguishable Symphony gives us a compelling look at an important piece of Holocaust history that has heretofore gone largely untold.

Dr. Peikoff identifies the cause of Nazism--and the ominous parallels between the intellectual history of Germany and of the United States. He demonstrates that there is a science which has been all but obliterated in the modern world. "Yet this science determines the destiny of nations and the course of history ...," he writes. "It is a science which has to be destroyed, if the catastrophes of our time were to become possible. The science is philosophy."

"You can't let people be treated in an inhuman way around you....Otherwise you start to become inhuman." So declares rescuer Hetty Voûte in this updated edition of THE HEART HAS REASONS, an acclaimed historical account that offers an in-depth look into the hearts and minds of the Holocaust rescuers and explores the meaning that their lives and deeds have for us today. Individually or in small "humanitarian cells," the ten Dutch people Klempner profiles saved the lives of thousands of Jewish children during the Nazi occupation of Holland. How did they do what they did--and why did they risk everything to do it? Although their tales of rescue vary greatly, the integrity of the rescuers does not. Thus these narratives provide a glimpse into their personalities and character while shedding light on their extraordinary acts of courage and kindness. Framed by Klempner's quest for meaning, the rescuers' words resonate across generations, providing timeless insight into how people of conscience can navigate morally and resist tyranny in a world where the old specters of prejudice and fascism are again ascendant.

Divided into five discrete sections, this book examines the issue of Holocaust denial, and in some cases "Holocaust inversion" in North America, Europe, and the Middle East and its relationship to the history of antisemitism before and since the Holocaust. It thus offers both a historical and contemporary perspective. This volume includes observations by leading scholars, delivering powerful, even controversial essays by scholars who are reporting from the ‘frontline.’ It offers a discussion on the relationship between Christianity and Islam, as well as the historical and contemporary issues of antisemitism in the USA, Europe, and the Middle East. This book explores how all of these issues contribute consciously or otherwise to contemporary antisemitism. The chapters of this volume do not necessarily provide a unity of argument – nor should they. Instead, they expose the plurality of positions within the academy and reflect the robust discussions that occur on the subject.