THIS is the story of a gallant, beautiful and glamorous American woman. For more than thirty years, Margaret Bourke-White had made photographic history as the first photographer to see the artistic and storytelling possibilities in American industry, as the first to write social criticism with a lens, and as the most distinguished and venturesome foreign correspondent-with-a camera to report wars, politics and social and political revolution on three continents. In the world of pictures, of magazines, of books, she won fame and fortune. Here are the tales of her struggles to master her art and craft, of photographing Stalin, Gandhi and many other notables, of being torpedoed off North Africa while reporting World War II, of flying combat missions, of photographing the dread murder camps of Nazi Germany, of touring Tobacco Road to produce the book You Have Seen Their Faces with Erskine Caldwell (whom she later married), of adventures and wonderful picture-taking in the mines of South Africa, in the frozen North, in war-torn Korea. And then, tragically, this beautiful and indomitably vigorous woman was stricken by Parkinson's disease. This story of Miss Bourke-White's winning battle with Parkinsons was the subject first of a long report in Life Magazine and then of a thrilling documentary television film which was seen throughout the nation.

“It gives me a secret pleasure to observe the fair character our family has in the place by Jews & Christians,“Abigail Levy Franks wrote to her son from New York City in 1733. Abigail was part of a tiny community of Jews living in the new world. In the centuries that followed, as that community swelled to several millions, women came to occupy diverse and changing roles. American Jewish Women’s History , an anthology covering colonial times to the present, illuminates that historical diversity. It shows women shaping Judaism and their American Jewish communities as they engaged in volunteer activities and political crusades, battled stereotypes, and constructed relationships with their Christian neighbors. It ranges from Rebecca Gratz’s development of the Jewish Sunday School in Philadelphia in 1838 to protest the rising prices of kosher meat at the turn of the century, to the shaping of southern Jewish women's cultural identity through food. There is currently no other reader conveying the breadth of the historical experiences of American Jewish women available. The reader is divided into four sections complete with detailed introductions. The contributors include: Joyce Antler, Joan Jacobs Brumberg, Alice Kessler-Harris, Paula E. Hyman, Riv-Ellen Prell, and Jonathan D. Sarna.

From the Hardcover "We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic's diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us." In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl's attempt to i¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor. Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Royadescribes her discovery of a swastika--"a plus sign gone awry, a dark reptile with four hungry claws"--painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, "pen in hand, I led my own chorus of words, with a melody of my own making." And she discovers the craft that would ultimately enable her to find her own voice and become her own person. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

"The untold story of the movement that came close to keeping the United States out of the First World War. This book is about the Americans who tried to stop their nation from fighting in one of history's most destructive wars and then were hounded by the government when they refused to back down. In the riveting War Against War, Michael Kazin brings us into the ranks of the largest, most diverse, and most sophisticated peace coalition up to that point in US history. They came from a variety of backgrounds: wealthy and middle and working class, urban and rural, white and black, Christian and Jewish and atheist. They mounted street demonstrations and popular exhibitions, attracted prominent leaders from the labor and suffrage movements, ran peace candidates for local and federal office, and founded new organizations that endured beyond the cause. For almost three years, they helped prevent Congress from authorizing a massive increase in the size of the US army--a step advocated by ex-president Theodore Roosevelt. Soon after the end of the Great War, most Americans believed it had not been worth fighting. And when its bitter legacy led to the next world war, the warnings of these peace activists turned into a tragic prophecy--and the beginning of a surveillance state that still endures today. War Against War is a dramatic account of a major turning point in the history of the United States and the world"--

In this timely book, Natasha Walter does not shy away from the challenges facing women in an age of misogyny, conflict and climate breakdown. But with clarity and courage she finds a thread of real hope in the dark.[Bokinfo]

New York Times bestselling author Belva Plain beguiles us once again with a novel that explores the bonds that sustain families—and the lies that can shatter them forever. Sweeping through the pivotal events of twentieth-century America, The Sight of the Stars chronicles four generations of one remarkable family as they journey through years of love, loss, sacrifice, and unimaginable betrayal. Dressed in a brand-new suit, with one hundred and fifty dollars in his pocket, Adam Arnring says good-bye to his family and boards a train for the fabled West. The year is 1907. Adam is nineteen years old, a young man with stars in his eyes who has always dreamed of a future in the great open spaces of America. Now, far from his New Jersey home, he takes the first step toward attaining that dream, landing a job in a small department store in a booming Texas town. Here he meets a woman who excites him beyond all measure. The exquisite, untouchable Emma Rothirsch lives in a world whose doors are firmly closed to him. But Adam is a man willing to take great risks to get what he wants. One is Emma. The other is to build a lasting business enterprise that will live on through his children and grandchildren. But just when Adam’s dreams are within reach, fate intervenes. Tragedy strikes from the trenches of World War I, setting in motion a series of events that echo down through the years. The owner of a prospering department store and the head of a growing family, Adam succumbs to a moment of weakness that culminates in an unforgivable act of betrayal. And now, as another generation prepares to take its rightful place in the family’s legendary empire, the tenuous threads of the Arnrings’ past begin to unravel, revealing a shattering secret that reaches back nearly a century. Across a teeming canvas of history, through world wars and the close of a century, The Sight of the Stars tells a deeply affecting story of family and forgiveness, guilt and redemption. Brimming with the emotional depth and moral complexity we have come to expect from this incomparable storyteller, The Sight of the Stars is about what happens when we dare to dream, and the moments that can change families forever.

A pioneer in women's studies and long-term activist for women's issues, and a past president of the Organization of American Historians, Gerda Lerner is one of the founders and foremost scholars of Women's History. The Creation of Patriarchy, the first book in her two-volume magnum opus Women and History (1986) received wide review attention and much acclaim, winning the prestigious Joan Kelly Prize of the American Historical Association for the best work on Women's History that year. Ms hailed the book for providing "a grand historical framework that was impossible even to imagine before the enlightenment about women's place in the world provided by her earlier work and that of other feminist scholars." New Directions for Women said it "may well be the most important work in feminist theory to appear in our generation." Patriarchy traced the development of the ideas, symbols, and metaphors by which men institutionalized their domination of women. Now, in The Creation of Feminist Consciousness, the eagerly awaited concluding volume of Women and History, Lerner documents the twelve-hundred-year struggle of women to free their minds from patriarchal thought, to create Women's History, and to achieve a feminist consciousness. In a richly documented narrative filled with inspiring portraits of women, Lerner ranges from the Middle Ages to the late 19th century, tracing several important ways by which women strove for autonomy and equality. One of the most remarkable sections examines over twelve hundred years of feminist Bible criticism. Since objections to women's thinking, teaching, and speaking in public were based on biblical authority--most notably, passages from Genesis and the writings of St. Paul--women returned again and again to these texts, in an attempt to subvert patriarchal dominance and establish their equality with men. This survey of biblical criticism allows Lerner to illustrate her most important insight--the discontinuity of women's history. She describes how women's history was not passed on from generation to generation, forcing women in effect to reinvent the wheel over and over again. In a series of fascinating portraits of individual women who resisted patriarchal indoctrination, Lerner discusses women mystics such as Hildegard of Bingen, Julian of Norwich and later Protestant mystics, and brings to life the many women of great literary talent, from Christine de Pisan to Louise Labe to Emily Dickinson, who simply bypassed patriarchal thought and created alternate worlds for themselves. Documenting the 1,200 year struggle of women to free their minds from patriarchal thought, create a women's history, and achieve a feminist consciousness, this brilliant work charts new ground for feminist theory, the history of ideas, and the development of women's place in our intellectual tradition.

Fragile, raw, daring, brilliant...Sandra Bernhard rocks. The actress, philospher, comedian, and cult goddess is definitely back -- and feeling fabulous -- with a labor of love that'll knock her followers off their feet and draw new ones to her like a magnet. Stage, film, music, television -- in every performance, Bernhard has shocked and amused, titillated and broken every rule. With her first two books, Confessions of a Pretty Lady and Love, Love, and Love Bernhard's electrifying talent took to the page and burned it up with flashes of true brillance -- the kind of writing that separates the powerful from the good. And now, in this new book, Sandra returns with a deeply personal collection of spicy tales, fiercely witty riffs, and sweet doses of wisdom. Here is Sandy as we know and love her -- and as we've never quite seen her before: heartrenderingly honest, with the mouth of a diva, the soul of a fighter, and the insight of a girl who has lived life big. Like a whisper in your ear, Sandy opens up her world: from her friendship with her loyal housepainter to her imagined history as as one of Jack Kennedy's lovers; from the sensual streets of Mogador to the comfort of her pristine L.A. bungalow; from her own poetry of romantic yearning and reflective prayer to dead-on truths brought to light in the heartbreaking and hilarious glow of fashion, celebrity, rock and spirituality. There is nothing Sandra Bernhard offers that doesn't deliver a pungent snap of truth and the surprise of unexpected emotion in this, her most revealing and entertaining book yet.

Illustrated with Nelly's original watercolors, this powerful memoir tells the true story of how a little girl's imagination helped her survive World War II. The Nazis come to Poland when Nelly is six. By the time she turns eight, the events of World War II have taken almost everyone she loves. Scared, lonely, and running from the Nazis, Nelly hides in the bedroom of a Gentile couple in Lwow, Poland. For over a year, she lives in fear of discovery, writing in her diary and painting pictures of a fantasy world filled with open skies and happy families. For 13 months during World War II, the author and her mother were hidden from the Nazis. Like Anne Frank, Nelly kept a diary and through that outlet transformed her grim reality into an enchanting fantasy world. "Without emphasizing horror and loss, Toll conveys the effects of human evil and human folly, summoning up the forces of tragedy and courage." -- Publishers Weekly "In Toll's remembrance, art equals hope: her happy family pictures, painted in the secret room where she and her mother hid from the Nazis and the Poles, show extraordinary preteen talent as well as the will to survive." -- Kirkus Reviews

Overview: A lively, richly informed argument for the natural superiority of women from the acclaimed author of The Tangled Wing. There is a human genetic fluke that is surprisingly common, due to a change in a key pair of chromosomes. In the normal condition the two look the same, but in this disorder one is malformed and shrunken beyond recognition. The result is a shortened life span, higher mortality at all ages, an inability to reproduce, premature hair loss, and brain defects variously resulting in attention deficit, hyperactivity, conduct disorder, hypersexuality, and an enormous excess of both outward and self-directed aggression. It is called maleness. In Women After All, Melvin Konner traces the arc of evolution to explain the relationships between women and men. With patience and wit he explores the knotty question of whether men are necessary in the biological destiny of the human race. He draws on multiple, colorful examples from the natural world-such as the mating habits of the octopus, black widow, angler fish, and jacana-and argues that maleness in humans is hardly necessary to the survival of the species. In characteristically humorous and engaging prose, Konner sheds light on our biologically different identities, while noting the poignant exceptions that challenge the male/female divide. We meet hunter-gatherers such as those in Botswana, whose culture gave women a prominent place, invented the working mother, and respected women's voices around the fire. Recent human history has upset this balance, as a dense world of war fostered extreme male dominance. But our species has been recovering over the past two centuries, and an unstoppable move toward equality is afoot. It will not be the end of men, but it will be the end of male supremacy and a better, wiser world for women and men alike. Provocative and richly informed, Women After All is bound to be controversial across the sexes

The role, status, and treatment of women is one of the major issues confronting the military today. This volume provides a range of perspectives on the magnitude of concerns, the sources of problems, how issues might best be addressed, and the future for women in the armed services. It is based on a special issue of the journal Gender Issues , supplemented with additional contributions from leading scholars. Historical and theoretical perspectives are provided by Lorry M. Fenner and Jean Bethke Elshtain. Fenner focuses on the role of women in the military since 1940, and argues for broader inclusion of women as well as other groups that have previously been restricted from full participation. Elshtain analyzes the extraordinary ability of war to draw both women and men into civic life, and observes how it calls forth and establishes a sense of particular identity for both men and women. Critical views are provided by other scholars. Laura L. Miller examines the feminist movement's insistence on full participation in combat units. Former Army chaplain Marie deYoung provides qualitative and quantitative data on military readiness and unit cohesion in mixed gender units. Leading military scholars (Mady W. Segal, David R. Segal, Jerald G. Bachman, Peter Freedman-Doan, and Patrick M. O'Malley) review national surveys comparing male and female high school seniors' responses to surveys conducted on questions about their propensity to enlist. Male-female differences are also addressed by Judith Hicks Steihm, who looks at the opinions each group has about the capabilities and performance of women. She finds differences by rank on questions as to how hard female soldiers work as compared to male soldiers and whether women are ready for combat duty. Historically, the military has provided minorities equal opportunity. Brenda L. Moore and Schulyler C. Webb examine whether or not this is still perceived to be the case in today's Navy. They focus on different perceptions by women and men, and by African American women in particular. Finally, William O'Neill examines whether the post-cold war downsized military will find women soldiers more or less important. Drawing upon social science research, historical data, and contemporary opinion surveys, Women in the Military is a cutting-edge assessment of a major gender issue in the United States. It will be valuable to researchers in women's studies, as well as those teaching courses in sociology, history, and military studies. Rita James Simon is University Professor in the School of Public Affairs and the Washington College of Law at American University. She is the editor of Gender Issues and author of The American Jury, the Insanity Defense: A Critical Assessment of Law and Policy in the Post-Hinkley Era (with David Aaronson), Adoption, Race and Identity (with Howard Alstein), In the Golden Land: A Century of Russian and Soviet Jewish Immigration, Social Science Data and Supreme Court Decisions (with Rosemary Erickson), and Abortion: Statutes, Policies, and Public Attitudes the World Over.

"Following the great success of Pioneers of the Possible, Angella Nazarian returns with an extraordinary sequel, Visionary Women. Featuring a foreword by Melanne Verveer, the director of the Georgetown Institute for Women, Peace and Security, this new title highlights twenty more innovative and forward-thinking women. From Malala Yousafzai as the youngest Nobel Prize laureate and Carmen Amaya beginning her remarkable dance career at age four to swimmer Diana Nyad breaking a world record at sixty-four and Doris Lessing still penning stories into her nineties, this inspiring volume will compel readers to reconnect with their own dreams and envision new goals to challenge themselves at any stage of life"--Publisher's description.

While women's experience encompasses all that is human, while women have participated in history and the making of history through all time, until very recently they have been largely excluded from the writing of that history. Most of what we know of the past experience of women comes to us largely through the distorting lens of men's reflections and observations. In the now classic The Female Experience, Gerda Lerner describes history as seen by women, as colored by their values. What she creates is fascinating narrative of the lives and history of ordinary women, a book that provides a new framework for the study of their past experience. If women's history is now a healthy and ever-growing discipline, we have in a large part this award-winning author to thank. Avoiding the traditional chronological periods by which U.S. history is most often studied, Lerner groups her sources--many taken from manuscripts previously unknown, and others only available in research libraries--according to the lifecycle of women, their roles in a male-defined society, in the workplace, in politics, and finally in the contemporary world where feminism is creating an altogether new consciousness. From "runaway wives" in eighteenth-century America, through an anonymous account of a mother's death during childbirth, to appeals in our century for freedom of sexual preference, The Female Experience recounts history from the woman's point of view, and goes a long way toward reconstructing a female past and analyzing it with appropriate concepts. In the general introduction and chapter essays Lerner offers commentary that not only knits these disparate primary sources together, but also interprets them in an innovative way. Now brought up to date with a new preface, The Female Experience is a book that pulses with life, a stunning testament not only to the long-ignored role of women in society, but a pioneering effort to reinvent the way we look at history.

A finalist for the 2017 George Freedley Memorial Award "A compelling, absolutely unputdownable story . . . And, in case you're wondering, yes, the book is funny. In places, very funny. A remarkable story, magnificently told." -- Booklist In this richly reported, scene-driven narrative, Sam Wasson charts the meteoric rise of improv from its unlikely beginnings in McCarthy-era Chicago. We witness the chance meeting between Mike Nichols and Elaine May, hang out at the after-hours bar where Dan Aykroyd hosted friends like John Belushi, Bill Murray, and Gilda Radner, and go behind the scenes of cultural landmarks from The Graduate to The Colbert Report . Along the way, we befriend pioneers such as Harold Ramis, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. Wasson shows why improv deserves to be considered the great American art form of the last half century. " One of the most important stories in American popular culture . . . Wasson may be the first author to explain [improv's] entire history . . . For that reason alone, it's a valuable book . " -- New York Times Book Review "A compelling history . . . It holds the element of surprise--true to the spirit of its subject." -- Entertainment Weekly

On August 10, 1938, Lucy S. Dawidowicz set sail from New York to Vilna, Poland, to study at the Yiddish Scientific Institute (YIVO). For a year, while she studied the Jewish past, she immersed herself in Vilna's present, getting to know the Jewish rich and poor, witnessing Poland's brutal anti-Semitism. Then she was forced to flee Vilna, just a week before German tanks and troops rumbled into Poland and eventually destroyed this citadel of East European Jewish culture forever. After the war Lucy Dawidowicz again sailed to Europe -- this time to work with Jewish survivors and to identify the remnants of the precious YIVO library of Vilna.

All human beings are practicing historians," writes Gerda Lerner. "We live our lives; we tell our stories. It is as natural as breathing." It is as important as breathing, too. History shapes our self-definition and our relationship to community; it locates us in time and place and helps to give meaning to our lives. History can be the vital thread that holds a nation together, as demonstrated most strikingly in the case of Jewish history. Conversely, for women, who have lived in a world in which they apparently had no history, its absence can be devastating. In Why History Matters, Lerner brings together her thinking and research of the last sixteen years, combining personal reminiscences with innovative theory that illuminate the importance of history and the vital role women have played in it.Why History Matters contains some of the most significant thinking and writing on history that Lerner has done in her entire career--a summation of her life and work. The chapters are divided into three sections, each widely different from the others, each revelatory of Lerner as a woman and a feminist. We read first of Lerner's coming to consciousness as a Jewish woman. There are moving accounts of her early life as a refugee in America, her return to Austria fifty years after fleeing the Nazis (to discover a nation remarkable both for the absence of Jews and for the anti-Semitism just below the surface), her slow assimilation into American life, and her decision to be a historian. If the first section is personal, the second focuses on more professional concerns. Included here is a fascinating essay on nonviolent resistance, tracing the idea from the Quakers (such as Mary Dyer), to abolitionists such as Theodore Dwight Weld (the "most mobbed man" in America), to Thoreau's essay Civil Disobedience, then across the sea to Tolstoy and Gandhi, before finally returning to America during the civil rights movement of the 1950s. There are insightful essays on "American Values" and on the tremendous advances women have made in the twentieth century, as well as Lerner's presidential address to the Organization of American Historians, which outlines the contributions of women to the field of history and the growing importance of women as a subject of history. The highlight of the final section of the book is Lerner's bold and innovative look at the issues of class and race as they relate to women, an essay that distills her thinking on these difficult subjects and offers a coherent conceptual framework that will prove of lasting interest to historians and intellectuals.A major figure in women's studies and long-term activist for women's issues, a founding member of NOW and a past president of the Organization of American Historians, Gerda Lerner is a pioneer in the field of Women's History and one of its leading practitioners. Why History Matters is the summation of the work and thinking of this distinguished historian.

Boys aren't the only ones who read comics—girls do too! From Betty and Veronica to Slutburger and Art Babe, Girls to Grrrlz explores the amazing but true history of girl comics. Pop culture fans will delight in author Trina Robbinss chronological commentary (with attitude) on the authors, artists, trends, and sassy, brassy characters featured in comic books for the last half-century. Meet the bubble-headed bombshells of the '40s, the lovelorn ladies of the '50s, the wimmin libbers of the '70s, and the grrrowling grrrlz of today. Her commentary is paired with a ton of rare comic book art pulled from the best girl comics published since World War II. Bridging the gap between Ms. and Sassy , between Miss America and Naomi Wolf, From Girls to Grrrlz reminds us how comic book characters humorously—and critically—reflect our changing culture.

The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy ) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.

The oboist looks back at her twenty-five year career, offering a glimpse into the world of classical music and providing details of substance abuse and the practice of trading sexual favors for jobs.

This book was first published in 1909 and was written by a truly remarkable woman. It was a time in history where it was more of a "man's" world and she dared to be different. Cars were starting to come into common use (by men); women were driven around by chauffeurs or their husbands. One car manufacturing company sent her to France to learn how to drive. This was different from today because driving a car also meant working on the car! She learned how to drive alright but also taught other women to drive, including royalty!Being the woman she was, she also entered some auto races and won! This just wouldn't do, beating the male drivers, so they passed new rules banning women from entering some of the races! She kept racing in the ones that allowed her, and started racing boats!In this book you'll see where she suggests holding up a mirror to see what's behind you - it's the first mention anywhere of use of the rear view mirror. She was ahead of her time, I believe one of the first true feminists. She believed very strongly that women who wanted to should be able to drive. She wrote this book to help them learn - since she couldn't be everywhere.In her own words about this book:"A chatty little handbook for all women who motor or who want to motor"“I am writing this little book not so much for those women who have already taken up motoring, but for those who would like to, but either dare not because of nervousness, or who imagine it is too difficult to understand the many necessary details.”“Motoring is a pastime for women: young, middle-aged, and—if there are any—old. There may be pleasure in being whirled around the country by your friends and relatives, or in a car driven by your chauffeur; but the real, the intense pleasure, the actual realisation of the pastime comes only when you drive your own car.”“I will endeavour to explain everything in the simplest possible manner, without lapsing into confusing technicalities.”