Kenny Fries explores love and its ramifications in the age of AIDS. Wit ha keen ear for what people say to one another, a sharp eye for the unerring detail, the just right angle of vision, he shows us a haunting world of risk and loss, tempered by dignity and affirmation. The Healing Notebooks deserve a wide audience - Colette Inez

Kenneth Goldsmith's Theory offers an unprecedented reading of the contemporary world: 500 texts – from poems and musings to short stories – printed on 500 pages assembled in the form of a ream of paper. Curated by the author-poet, this unique collection maps out the various issues and trends in contemporary literature in a world currently being shaken up by everything online and digital,and calls for the reinvention of creative forms.

Poetry. ELEGY FOR BOB KAUFMAN is poetry of elegance and feeling, a beautiful tribute to a "gone world." It speaks to the author's youthful memories of a great poet, Bob Kaufman--an enormously complex and difficult man. Cherkovski brings to life San Francisco's bohemian community in the late fifties and early sixties. "Neeli Cherkovski has written a magnificent tribute to the memory of Bob Kaufman. Neeli and Bob were close friends and true colleagues in the art of poetry. This gathering of poems is an expression of an era in San Francisco's North Beach literary community. I recommend it to all readers"--Eileen Kaufman.

Table of contents, list of illustrations, foreword by Siegfried Sassoon, sketch of Rosenberg's life, introduction, acknowledgments, editor's note. Color and monochrome plates. The works of a poet killed in World War I. xxxii, 320 pages. cloth, dust jacket. 8vo..

Erica Jong is a celebrated poet, novelist & essayist with over twenty-five published books that have been influential all over the world. Her most popular novel, Fear of Flying, celebrated its 40th anniversary in 2013. Never out of print, it has sold over thirty-five million copies translated into over forty-five languages including Chinese and Arabic. Erica?s latest novel, Fear of Dying, was published in 2015/2016 with many publishers all over the world. Her awards include the Fernanda Pivano Award for Literature in Italy (named for the critic who introduced Ernest Hemingway, Allen Ginsberg, and Erica Jong to the Italian public), the Sigmund Freud Award in Italy, the Deauville Literary Award in France, the United Nations Award for Excellence in Literature, and Poetry magazine?s Bess Hokin Prize (also won by Sylvia Plath and W.S. Merwin). Erica?s poetry has appeared in publications worldwide, including the New Yorker, the LA Times, the Paris Review, Haaretz, and many more. Erica lives in New York and Connecticut with her husband and two poodles.

Since 1941 Michael Hamburger has created a distinctive body of work. Collected Poems 1941-1994 reflects more than half a century's dedication to poetry and a consistent engagement with both the natural and the human world. Michael Hamburger was born in Berlin in 1924, and came to Britain as a child. He has taught widely in America and Britain and is the outstanding contemporary translator and critic of German literature. His awards include the German Federal Republic's Goethe Medal in 1986 for services to German literature. Anvil publishes his critical work The Truth of Poetry and several of his translations, including editions of Goethe , H�lderlin , Rilke and Poems of Paul Celan , which received the EC's European Translation Prize in 1990. His poem-sequence Late appeared in 1997.

We are honored to present this timeless collection, African Proverbs by Charlotte Leslau-an extraordinary work that preserves and uplifts the enduring brilliance of African oral tradition. These proverbs are more than words; they are echoes of Ancestors, distilled wisdom, and cultural affirmations carried through generations. In a world often quick to overlook or erase African contributions, this book stands as a powerful reminder of the intellect, wit, and deep philosophy embedded in everyday African speech. These proverbs offer guidance, laughter, clarity, and community-if only we stop and listen. STILL. WE. RISE. Through rhythm, metaphor, and truth-telling, the voices of the past reach out to shape the present. Let this work remind us that our stories, our languages, and our lessons are sacred. We are committed to sharing with all who are ready to receive them.

In 1967 the world of Milton studies was divided into two armed camps: one proclaiming (in the tradition of Blake and Shelley) that Milton was of the devil's party with or without knowing it, the other proclaiming (in the tradition of Addison and C. S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him. The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying. Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

Intense and deeply personal, this compilation of poetry, grapples with the reality of death, loss, and finding meaning in the face of life's finitude in contemporary times. For over three decades, Simcha Paull Raphael has written scholarly books on death and the afterlife, including his groundbreaking study Jewish Views of the Afterlife. In this collection of thirty-six poems, Raphael invites us into the inner sanctum of his own intimate wrestling with death and loss. As Rabbi Jill Hammer writes in the Foreword: "Raphael has done the brave work of exposing his own emotional life, the inner workings of his drive to address mortality and immortality. In a sense, he has let us know the behind-the-scenes of his academic and spiritual work." The poems herein reflect and wrestle with a spectrum of topics: the gamut of Jewish death rituals (funeral & shiva, Kaddish & Yizkor); personal tributes to the author's deceased parents; his journey of making meaning in the face of grief and loss; challenges of love and marriage; the vicissitudes of family life; and thoughtful poetic reflections on the state of the world today. As a book mirroring the universal journey of awakening to the reality of life's finality and eternity, Musings with the Angel of Death speaks to the heart and soul.

I have always been interested in the wild and nature. Ever since I was a small boy, play in the fields and woodlands near my home in England. I was attracted by the immense diversity of life, and awed by each plant, tree, insect, animal and bird. I saw back then a wonderful world, here we were blessed by the four seasons. How things change though, over the years; the climate, urbanisation, and fields make way for new projects to benefit us. So in this series of poems, I have tried to capture what things in nature I have seen and loved. I hope they are enjoyed by all who read them.

\"Jonas has long been my favorite poet writing in English. . . . No one is better than George Jonas at taking the world around us in its populous dimensions and allowing its facets to reveal unknown lights.\" - J. Michael Yates

My laughter came tearing out of me, child-eyed, leaping in front of your door, singing Day in the face of Night. Mildred Faintly gives power to female voices from around the world that have not received the literary recognition they deserved. With this stunning collection, Faintly presents us Styx - German-Jewish Else Lasker-Schüler's first poetry book, which in its entirety had not been published in English. Until now. The exquisite translation goes beyond a faithful line-by-line representation of the German text. It brings Lasker-Schüler to life in the nuanced and coruscating complexity that characterized her personality: irreverent, sensuous, courageous, loving, lonely, funny, facetious, earnest, while covering the wide thematic range of the only woman poet to play a major role in the Expressionist movement.

“… the shadows of death are the spices of love, and eternal life would be the school of absolute coldness. We love a being that the morrows threaten, and love her all the more as she is more threatened….” Albert Caraco was born in 1919 in Constantinople in a Jewish family established in Turkey for four centuries. He grew up in Prague, Berlin, and Paris, where he attended Janson-de-Sailly high school, and got his degree from the École des Hautes Études Commerciales. In 1939, he and his parents fled Europe to South America at the break of World War II, and settled in Montevideo after living in Brazil and Argentina, where his first books were published. Albert Caraco acquired Uruguayan citizenship and retained it for the rest of his life. Back in Paris in 1949, he started writing his immense body of work, part of which remains unpublished to this day. An ambiguous figure, Albert Caraco built nothing short of a baroque literary cathedral, rife with contradictions, yet rising from an uncompromisingly pessimistic foundation. In 1971, consistent with what he had announced recurrently in his semainiers (weekly diaries), he killed himself just a few hours after his father died. The death of his mother in 1963 was the occasion for a reckoning of his relationship with the woman he reproached for having given him birth, while praising her for forming his taste and character and uprooting the sheer possibility of consoling illusions in her only son. The result was Post Mortem, a bittersweet lament and a love poem in prose that offers a glimpse into his bleak worldview and an abstract of his works.

Poetry. "In the poems of CONTROLLING INTERESTS Bernstein continually reveals his desire for the concomitance of the individual and the world, of all language and experience . This book is one of the most original and imaginative in American lyric verse"--Douglas Messerli. "Bernstein presents the reader with a world in which the articulation of an individual language is all but prevented by the official discourses that bombard the consciousness from all sides . He [is] on to something important"--Marjorie Perloff. "It is writing of absolute necessity, demanding not to be appreciated, but understood"--Ron Silliman.

This book "" The Janitor's Boy, and Other Poems "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In praise of his poetry, The New York Times calls Andrei Codrescu "one of our most prodigiously talented and magical writers." Part genius, part tongue-in-cheek provocateur, Codrescu is an audacious and passionate poet. The heart of this first new collection in nearly a decade is a beautiful conceit containing the "recently discovered" correspondence between a warrior and a courtesan in fourteenth-century China. These tender, timeless verses contrast nicely with tough, funny -poems about modern life and millennial malaise. Andrei Codrescu is a celebrated poet, novelist, essayist, screenwriter, and commentator on National Public -Radio. A World Heavyweight Champion Poet, his many awards include the Literature Prize of the Romanian Cultural Foundation and the Peabody Award for his film Road Scholar. Born in Romania, Andrei Codrescu lives in New Orleans.

Poetry. Jewish Studies. RENDING THE GARMENT is a narrative tapestry encompassing persona poems, prose poems, flash fiction, imagined meetings with historical figures, ancestral appearances, and ephemera. This series of linked poems explores the life and times of one Jewish family. "RENDING THE GARMENT tells a familiar tale, the Jewish immigrant family romance, but with an important difference: using shifting points of views and narrative interruptions (biographical essays, scolding notes from school Principals, diary entries), not to mention a cast of characters as lively as a borscht belt revue, Willa Schneberg tells her story from the inside, where grief and love live side by side in bed, 'neither old, nor young' bodies outside of time. A fresh, original and moving addition to our literature." Philip Schultz "RENDING THE GARMENT draws us intimately into one family and through them into the world of immigrant Jews born almost a century ago and their lives in America. Willa Schneberg has a fine ear and her poems capture their voices, their cadences, the way they think, mixing Yiddish with English, the old and the new. The people of her poems come alive on the page: irreverant, beautiful, flawed, funny, sad, loving, opinionated, stubborn, real. They embody a wealth of contradictions, perfectly exemplified in these lines that her mother who smoked so glamorously and lost her voice to cancer writes in a notebook near the end of her life, 'I'm Jewish. / There is no God.' I recognize these people and I come to care for them deeply." Ellen Bass "In RENDING THE GARMENT, Willa Schneberg juxtaposes humor and heartbreak, Jewish Brooklyn's cultural/ linguistic referents and post-modernity. Readers hear the iconic, self-mocking conversation of familial bickering and the deep devotion of a daughter charged with helping her parents die 'good' deaths. 'Soon it will be as if language never knew him, ' says one speaker of her father. With precise, unsparing detail, Schneberg's language rewards our journey into the difficult, mortal territory we all share." Robin Becker "In one memorable episode in Willa Schneberg's RENDING THE GARMENT, the author's dying mother sits by the hospital bed of the Israeli poet Abba Kovner. 'Stars don't go out when we die, ' he writes on her notepad. 'Now you're talking, ' she writes in reply. This funny, poignant imagined moment is representative of the moments Schneberg has gathered to create her richly woven memoir in poetry of a loving, contentious Jewish family and the world they lived in of junk men, corset shops, and immigrant ambitions." Lee Sharkey"