Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good , Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority. -- "Modern Language Quarterly"

Beyond the Cold War represents the first-ever attempt by media scholars and journalists to dissect the Cold War by examining mutual media images in the United States and the former Soviet Union. The result of a bilateral conference in Moscow in 1989, this volume offers an original journalistic assessment of the Cold War and its aftermath as a communications phenomenon. Discussions include the past and present state of Cold War rhetoric, the portrayal of Russians and Americans on television in the two countries, and images of self and other as portrayed by the two media.

"In 1926, Harvard athletic director Bill Bingham chose former Crimson All-American Arnold Horween as coach of the university's moribund football team. The pair instilled a fresh culture, one based on merit rather than social status, and in the virtues of honor and courage over mere winning. Yet their success challenged entrenched ideas about who belonged at Harvard and, by extension, who deserved to lay claim to the American dream. Zev Eleff tells the story of two immigrants' sons shaped by a vision of an America that rewarded any person of virtue. As a player, the Chicago-born Horween had led Harvard to its 1920 Rose Bowl victory. As a coach, he faced intractable opposition from powerful East Coast alumni because of his values and midwestern, Jewish background. Eleff traces Bingham and Horween's careers as student-athletes and their campaign to wrest control of the football program from alumni. He also looks at how Horween undermined stereotypes of Jewish masculinity and dealt with the resurgent antisemitism of the 1920s"--

Based on American, German and Soviet sources, this book provides an in-depth study of the Romanian administration in Odessa and Transnistria. It draws a sharp contrast between the relatively more successful occupation policies of the Romanian administration in Odessa and Transnistria and those of the Germans in occupied areas of the Soviet Union. Alexander Dallin, formerly president of the American Association for the Advancement of Slavic Studies, presents an essential text for anyone interested in the occupation of Soviet Territory during World War II and its consequences

"Who is the greatest living essayist writing in English? Joseph Epstein would surely be at the top of anybody's list. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. Gallimaufry: A Collection of Essays, Reviews, Bits contains 58 essays on a wide variety of subjects, each a pure pleasure to read"--

In a wide-ranging and compelling account of the life of metrical and free verse in the twentieth century, poet and critic Jon Silkin deepens our understanding of the way poetry works on us. He begins from the premiss that two modes of verse, free and metrical, engage the creative energies of poetry now, creating a rich, fertile environment capable of yielding work valuable to poetry itself and to the society which has given it life. With a practitioner's empathy Silkin reads the poetry of Whitman, Hopkins, Eliot, Pound, Lawrence, Dylan Thomas, Bunting and eight British poets from the post-second World War period to illustrate how free and metrical verse create, separately or together, a poetic harmony. Additionally, he includes crucial statements on modern poetry from poets themselves, concluding with a fine memoir of Basil Bunting by Connie Pickard, published in book-form for the first time.

These strikingly lucid and accessible essays, ranging over nearly a century of Jewish communal life, examine the ways in which immigrant Jews grappled with issues of group survival in an open and accepting American society. Ten case studies focus on Jewish strategies for maintaining a collective identity while participating fully in American society and public life. Readers will find that these essays provide a fresh, provocative, and compelling look at the fundamental question facing American Jewry at the end of the 20th century, as at its start: how to assure Jewish survival in the benign conditions of American freedom.

A collection of new California Indian poems. The flavor is provided in "We Exist," by Janice Gould: "Our writers try to counteract the history/ that says we are a conquered People."

Must poetic form be, as Yeats demanded, "full, sphere-like, single", or can it accommodate the "impurities" Yeats and his Modernist generation found so problematic? Sixty years later, these are still open questions, questions to which Marjorie Perloff addresses herself in the essays collected here. The first group of essays deals with Pound's own poetics as that poetics related to two of his great contemporaries, Stevens and Joyce, as well as to the visual arts of his day. The second group deals with the more technical aspects of verse and prose. In the last four essays, Perloff takes up broader issues, including the current pessimism about the state of poetry, and the work of experimental poets and conceptual poets.

Jean Baudrillard meets Cookie Mueller in this gathering of French theory and new American fiction. Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.

This volume recasts and reintroduces Riesman by presenting newly discovered and unpublished manuscripts of his work, including excerpts from a previously unpublished critical biography of Freud that Riesman began with this assistant at the time, Philip Rieff, an interview in which Riesman describes in detail his early biography and his route into the social sciences, and other research notes and memoranda. With additional chapters analyzing the unpublished works, as well as discussions of Riesman as a public intellectual, his multi-disciplinary method of understanding society and his connections with figures such as Goffman and Fromm, this book will appeal to scholars of sociology, social theory and the history of American social science.

This is Volume I. Oral History Testimonies of American Liberators from the Archives of the Center for Holocaust Studies.

In 1981, after several years of disappointment and reconceptualization, an exhibit called "Volumen I" featuring eleven young Cuban artists opened at the Centro de Arte Internacional in Havana. It was to be the symbolic and much mythologized birth of the new art in Cuba - although critics, not realizing that this was the first generation of artists shaped completely by the Cuban revolution, complained that the artists had abandoned their national identity and had been seduced by cosmopolitan ideals. Luis Camnitzer begins with this event in the first comprehensive look at the work of forty young Cuban artists, all working and educated after the 1959 revolution. He also examines the relationship among Cuban artists, the art world at large, and the Cuban government. Surprisingly, he finds that rather than being controlled by their relationship with the government, these artists produce works that both criticize and praise Castro and the revolution and provoke fierce social debate. Enriched by some 200 black-and-white illustrations of works never before seen in the United States, New Art of Cuba is a must for students of modern art, art history, and Cuban and Latin American studies.

This book argues that the American conservative movement, as it now exists, does not have deep roots. It began in the 1950s as the invention of journalists and men of letters reacting to the early Cold War and trying to construct a rallying point for likeminded opponents of international Communism. The resulting movement has exaggerated the permanence of its values; while its militant anti-Communism, instilled in its followers, and periodic suppression of dissent have weakened its capacity for internal debate. Their movement came to power at least partly by burying an older anti-welfare state Right, one that in fact had enjoyed a social following that was concentrated in a small-town America. The newcomers played down the merits of those they had replaced; and in the 1980's the neoconservatives, who took over the postwar conservative movement from an earlier generation, belittled their predecessors in a similar way. Among the movement's major accomplishments has been to recreate its own past. The success of this revised history lies in the fact that even the movement's critics are now inclined to accept it.

Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process for the readers. Reading this kind of writing, however, may not come easily in a culture where poetry is treated as property of a special class. It is this barrier that Bob Perelman seeks to break down in this fascinating and comprehensive account of the language writing movement. A leading language writer himself, Perelman offers insights into the history of the movement and discusses the political and theoretical implications of the writing. He provides detailed readings of work by Lyn Hejinian, Ron Silliman, and Charles Bernstein, among many others, and compares it to a wide range of other contemporary and modern American poetry. A variety of issues are addressed in the following chapters: "The Marginalization of Poetry," "Language Writing and Literary History," "Here and Now on Paper," "Parataxis and Narrative: The New Sentence in Theory and Practice," "Write the Power," "Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center)," "This Page Is My Page, This Page Is Your Page: Gender and Mapping," "An Alphabet of Literary Criticism," and "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia."

This first full-length study of Susan Howe illuminates the historical, autobiographical, and theoretical influences that underlie the work of this enigmatic and important contemporary American poet. In Led by Language , poet and scholar Rachel Tzvia Back offers a close and detailed reading of Susan Howe's provocative and powerful poetry. Howe's work is dense, often difficult, but always distinctive, and Back's volume explains a number of features crucial to understanding her poems. In this complete survey of Howe's major work, from 1978's Secret History of the Dividing Line to 1999's Pierce-Arrow , Back highlights the key strategies underlying Howe's work: linguistic experimentation, historical motifs, autobiographical references, and visual experimentation with types, fonts, and images. One of the book's most compelling arguments is Back's case for reading Howe's work autobiographically. An obsession with history characterizes Howe's poetry--historical figures from Mary Magdalene to Melville haunt her work--and Back deftly demonstrates the intensely personal nature of much of the historical terrain Howe traverses. This study debunks the myth of Howe's impenetrability, making her work accessible to a wide range of readers. Back has created a thorough guide to reading and understanding this important poet, and her book will be welcomed by students and scholars of contemporary poetry, American literature, literary theory, and cultural studies.

“It is frightening to think the [Jon Wiener] teaches history at a university ... ”—Jacques Derrida “Wiener takes the modern university as his beat, and covers it like a police reporter ... Wiener’s mean streets are the think tank, the scholarly symposium, and the faculty lounge. And when he’s had enough of this academic low life, he listens to Elvis, Springsteen and the Beatles. He even listens to Frank Sinatra.”—John Leonard “In this book, Jon Wiener demonstrates his great skill as guerrilla sharpshooter in the forty-year war that the National Security State has been conducting against the American people. These reports from the field—the resistance—illuminate Nixon and Watergate as never before, reveal in fascinating detail the turbulence within Academe, invoke pity if not awe for that unexpected victim of state, Frank Sinatra.”—Gore Vidal “Wiener is good at spotting, and blasting, paranoid fantasy and incompetence in high (and low) places and his range of targets is impressively wide ... [his] surveys are lucid, trenchant and brief.”— Observer