In humorous verse Plymouth Rock tells the story of itself, from glacial erratic to national icon--with historical asides and corrections by the fact checker.

In 1941, a treaty between England and Germany unravels--and so does a different World War II. In Harry Turtledove's mesmerizing alternate history of World War II, the choices of men and fate have changed history. Now it is the winter of 1941. As the Germans, with England and France on their side, slam deep into Russia, Stalin's terrible machine fights for its life. But the agreements of world leaders do not touch the hearts of soldiers. The war between Germany and Russia is rocked by men with the courage to aim their guns in a new direction. England is the first to be shaken. Following the suspicious death of Winston Churchill, with his staunch anti-Nazi views, a small cabal begins to imagine the unthinkable in a nation long famous for respecting the rule of law. With civil liberties hanging by a thread, a conspiracy forms against the powers that be. What will this daring plan mean for the European war as a whole? Meanwhile, in America, a woman who has met Hitler face-to-face urges her countrymen to wake up to his evil. For the time being, the United States is fighting only Japan--and the war is not going as well as Washington would like. Can Roosevelt keep his grip on the country's imagination? "Coup d'Etat" captures how war makes for the strangest of bedfellows. A freethinking Frenchman fights side by side with racist Nazis. A Czech finds himself on the dusty front lines of the Spanish Civil War, gunning for Germany's Nationalist allies. A German bomber pilot courts a half-Polish, half-Jewish beauty in Bialystock. And the Jews in Germany, though trapped under Hitler's fist, are as yet protected by his fear of looking bad before the world--and by an outspoken Catholic bishop. With his spectacular command of character, coincidence, and military and political strategies, Harry Turtledove continues a passionate, unmatched saga of a World War II composed of different enemies, different allies--and hurtling toward a horrific moment. For a diabolical new weapon is about to be unleashed, not by the United States, but by Japan, in a tactic that will shock the world. Praise for "Coup d'Etat" "Turtledove's masterful presentation of an alternate WWII reaches its fourth volume with its quality undiminished. . . . A tribute to [his] commanding skills."--"Booklist "(starred review) "For lovers of alternative history, and particularly the very popular Turtledove with his appealing weaponry, battle tactics, and setting details, this story will satisfy. It sets out to entertain . . . and that it does."--Historical Novels Review "The book's grand scope and Turtledove's impressive historical knowledge are admirable."--"Kirkus Reviews"

"History teacher Horace Edgecomb finds himself teaching the daughter of a leading "American Civil War denier" and must confront an organization determined to disprove the occurrence of the Civil War in this satire of historical revisionism"--Publisher.

An epic novel of Christians and Jews in the plague years -- the Black Death of 1349. The story takes place in the monastery of Bodmin, in the misty moors of Cornwall and on the continent where Will's wife, Miriam, goes in search of her Jewish ancestors. She is a female picaresque heroine through whose eyes the devastation of the Black Death on the continent is witnessed.

'This was the original game of thrones' George R.R. Martin The royal house of France has fallen. Charles IV is dead, fulfilling the curse of the Templars once and for all. This leaves the path to the throne open for Robert of Artois to place his cousin, Philippe of Valois, upon it. Having committed fraud, perjury and murder in the name of the new king, Robert expects to receive a title and his full reward. But the days of betrayal are far from over and Robert is banished to England. In the land of France's enemies vengeance sparks fresh conflict as King Edward III and his new ally prepare for war. As swords are sharpened the lion wakes and a pretender threatens France once more ...

Product Description Set in the magnificent culture of the Middle East more than four thousand years ago, Lilah is a rich and emotionally resonant story of faith, love, and courage. Living in exile, Lilah is in love with Antinoes, a Persian warrior. They have known each other since they were children, and Antinoes dearly wants to make Lilah his wife. Yet Lilah does not feel she can marry without the blessing of her brother, Ezra. She and Ezra are close, and Lilah knows her brother well—he does not want his sister to have a husband outside their faith. Ezra is a scholar of the laws of Moses, and Lilah believes it is her brother’s destiny to lead the Jewish people back to the Promised Land. While Antinoes pressures her to accept his proposal, Lilah realizes that before she can consider her own happiness, it is her duty to help her brother accomplish the seemingly impossible task that is before him. Putting herself in grave danger, and with the help of Antinoes, Lilah wins Ezra an audience with Artaxerxes II, the King of Kings, who grants permission to lead the exiles on their journey back to the Promised Land. After a hazardous trip across the desert, Lilah, Ezra, and the thousands who join them arrive in Jerusalem. But the hardship of rebuilding the Temple takes its toll, and the religious enthusiasm of some turns to extremism. Ezra, listening to the zealots, orders all non-Jewish wives and their children banished from Jerusalem. Lilah, whose love for Antinoes has never wavered, is horrified by this command. She knows she must now choose between her brother and her conscience, which tells her that the time has come to defy him. Lilah is a timeless story of one woman’s stand against intolerance; it will linger in the reader’s mind long after the last page has been turned. From Publishers Weekly In his final installment of the Canaan Trilogy ( Sarah; Zipporah), Halter ambitiously tackles portions of the complicated biblical book of Ezra, which centers on the rebuilding of the Jerusalem temple and calls Israel to ethnic and religious purity. In the Persian town of Susa, the beautiful Lilah dreams of marrying her Persian lover and childhood sweetheart, Antinoes. However, her beloved brother Ezra, who has immersed himself in studying the laws of God, refuses to approve of their union since Antinoes is not a Jew. As the story unfolds, with scenes full of rich detail, Lilah becomes the unlikely instrument of gaining royal approval for the Jewish people to return to Jerusalem and rebuild the holy city. However, once there, Ezra orders all non-Jewish wives and children driven away in what is surely one of the most heart-wrenching episodes directly from scripture. A horrified Lilah repudiates her brother and leaves with them. As the cast-off women wander unprotected outside the city, rape, murder and mayhem ensue. (It's confusing that Lilah narrates one violent scene, but readers are unsure how she survives it.) As in Sarah and Zipporah, there is plenty of highly charged sexuality and some imaginative storytelling. Unfortunately, as with its predecessors, the story trails off, and the ending is unsatisfactory. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From AudioFile Ellen Reilly brings the story of Lilah, sister of Ezra, the biblical prophet, to life. Perhaps not many are familiar with the story of Ezra, which takes place more than four thousand years ago during a sad time in Israel's history. Lilah is torn between her love for her brother, Ezra, and her love for a Persian warrior. She must choose, and her choice will bring far-reaching consequences. All the emotion and turmoil in the story are made real by the talented Ellen Reilly. One can easily feel the heartache, passion, and drama of this book. Fascinating and well worth a listen. N.L. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine About the Author Mar

"The film Casablanca opens with the words, "With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas." Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write"--

In the 1980s, former New York City police commissioner and mayor Isaac Sidel becomes president of the United States after the former president resigns due to corruption, but Sidel must evade assassins sent by a shady cabal of Swiss bankers.

Sent by his father to observe and evaluate his uncle's South Carolina rice plantation, New York Jew Nathaniel Pereira is horrified by his first brush with the brutal realities of slavery, especially the irony of how a people who themselves lived in bondage for so long could now own slaves. His moral dilemma becomes even more complex after he becomes captivated by Liza, a beautiful slave who harbors a shattering secret.

"Until someone tells you, you never know in whose dreams you appear..." - From the prologue of To Catch the Lightning What is the price of our dreams? Beginning in the late 1890s, Edward Sheriff Curtis undertook the seemingly overwhelming odyssey of capturing the past, of documenting and photographing the fading way of life of the American Indian. In To Catch the Lightning , Alan Cheuse has created a remarkable portrait of the man who would become a legend. Drawn on his epic journey by a series of female muses, Curtis turns his lens on a landscape of unparalleled beauty and tradition. Curtis@ desire to complete his destiny as foretold by Chief Joseph, to photograph all of the hundreds of western American Indian tribes, is a haunting tale of the struggle between ambition and duty. The architect of the finest lasting visual record of a culture close to extinction, Curtis stands as a testament to the power of the sacrifices we make for the dreams that compel us. With the ear of a poet and the eye of a historian, Cheuse has crafted a masterwork of American historical fiction. Lyrical, beautifully written, and impressively researched, To Catch the Lightning is a novel of the American spirit. PRAISE FOR TO CATCH THE LIGHTNING: "To Catch the Lightning is a story of loss - of choices made and prices paid, of the future coming fast and the past disappearing faster. Cheuse@s narrative is refracted through multiple voices, each distinct, but each containing its own poetic precision. A wonderful, wonderful book of quiet power and great beauty." - Karen Joy Fowler, author of Wit@s End and The Jane Austen Book Club "To Catch the Lightning tells Curtis@ story vividly and eloquently. It is a great American story, about a life spent preserving and honoring those elements of life which are most respected and beloved. Alan Cheuse is to be congratulated for this vivid novel." - William Kittredge, author of The Willow Field and The Next Rodeo "Bravo to Cheuse for this incarnation of a major and unfairly forgotten American artist, capturing an era so crucial in native American, and therefore American history. I found it immediate and innovative." - Diane Johnson, author of Le Divorce and Lulu in Marrakech "The photography and cinema of Edward Curtis exist at the intersection of art, history, anthropology, and technology. He was an essentially American kind of genius, and Alan Cheuse has transformed his life into compelling fiction that digs deep into the mystery and sacrifice and selfishness of creative vision." - Charles Frazier, author of Cold Mountain and Thirteen Moons "... the narrative brims with keen insight." - Publishers Weekly "Curtis devoted his life to creating the most significant and comprehensive retrospective of American Indian culture, which he viewed as @one of the great races of mankind.@ Curtis correctly predicted that the culture was near extinction ... and much of his work remains the only recorded history of a civilization even then becoming the stuff of legend." - ForeWord Magazine Catch Alan Cheuse in your town: Key West, FL: January - Key West Lit

Raoul Wallenberg, the Swedish diplomat who saved thousands of Budapest Jews in 1944-45, was arrested by the Soviets and taken to Moscow where he disappeared. Now, more than 70 years after these events, many mysteries about Wallenberg's life and fate persist. As both a literary detective story and historical investigation Alan Lelchuk uses a fictional investigation to explore what really happened.

Published for the first time in English, Panorama is a superb rediscovered novel of the Holocaust by a neglected modern master. One of a handful of death camp survivors to fictionalize his experiences in German, H. G. Adler is an essential author--referenced by W. G. Sebald in his classic novel Austerlitz , and a direct literary descendant of Kafka. When The Journey was discovered in a Harvard bookshop and translated by Peter Filkins, it began a major reassessment of the Prague-born H. G. Adler by literary critics and historians alike. Known for his monumental Theresienstadt 1941-1945 , a day-by-day account of his experiences in the Nazi slave-labor community before he was sent to Auschwitz, Adler also wrote six novels. The very depiction of the Holocaust in fiction caused furious debate and delays in their publication. Now Panorama , his first novel, written in 1948, is finally available to convey the kinds of truths that only fiction can. A brilliant epic, Panorama is a portrait of a place and people soon to be destroyed, as seen through the eyes of young Josef Kramer. Told in ten distinct scenes, it begins in pastoral Word War I-era Bohemia, where the boy passively witnesses the "wonders of the world" in a thrilling panorama display; follows him to a German boarding school full of creeping xenophobia and prejudice; and finds him in young adulthood sent to a labor camp and then to one of the infamous extermination camps, before he chooses exile abroad after the war. Josef's philosophical journey mirrors the author's own: from a stoic acceptance of events to a realization that "the viewer is also the participant" and that action must be taken in life, if only to make sure the dead are not forgotten. Achieving a stream-of-consciousness power reminiscent of James Joyce and Gertrude Stein, H. G. Adler is a modern artist with unique historical importance. Panorama is lasting evidence of both the torment of his life and the triumph of his gifts.

An exciting science fiction adventure from William Shatner—famous for his role as Captain Kirk on Star Trek —about the intrepid, eighty-year-old FBI deputy director Samuel Lord and his quest to stop the Chinese from using a weapon that (unknown to them) could destroy Earth. In the year 2050, the United States sends the FBI to govern its space station, the Empyrean. Under the command of former fighter pilot and FBI field agent Samuel Lord, the space-based “Zero-G” men are in charge of investigating terrorism, crime, corruption, and espionage beyond the Earth’s atmosphere and of keeping an eye on the rival Chinese and Russian stations. During the Zero-G team’s first days in space, a mysterious and beautiful scientist, Dr. May, shows up to the Empyrean claiming that important research has been stolen from her lab on the moon. Her arrival suspiciously coincides with timing of a tsunami that destroys part of the coast of Japan, and her unusual behavior makes Director Lord think that Dr. May might know more about the disaster than she’s letting on. Meanwhile, the Chinese space station has gone mysteriously silent. In this “tightly paced blend of police procedural, military SF, and space opera, set in an intriguing near-future world” ( Publishers Weekly ), Director Lord must connect the dots to discover who or what has caused the tsunami as well as subsequent disasters, and how Dr. May and the Chinese might be involved.

Marcel Schwob (18671905) was one of the key symbolist writers, standing in French literature alongside such names as Stphane Mallarm, Octave Mirbeau, Andr Gide, Lon Bloy, Jules Renard, Rmy de Gourmont, and Alfred Jarry. His best-known works are Double Heart (1891), The King In The Gold Mask (1892), and Imaginary Lives (1896). Imaginary Lives contains twenty-two mythopoeic literary portraits of figures from ancient history, art history, and the history of crime and punishment. From demi-gods, sorcerers, incendiaries, wantons and philosophers of the ancient world, to the "poet of hate" Cecco Angiolieri and the painter Paolo Uccello, through to the pirates William Kidd and Major Stede-Bonnet, and finally Burke and Hare, the serial killers; Schwob presents a vivid array of characters who display all that is macabre, deviant and magnificently terrifying in human beings and in life. In Imaginary Lives, Schwob has created a "secret" masterpiece that joins other biographical glossaries such as Jorge Luis Borges' A Universal History Of Infamy and Alfonso Reyes' Real And Imagined Portraits in the pantheon of classic speculative fiction, of which Schwob's book is the dark progenitor. Livid with decadent imagery, Imaginary Lives resonates loudly today with its themes of temporality, myth, violence and sexuality, and stands as a major work of the fin-de-si]cle. Solar Nocturnal presents classic literature and art by key forerunners of modernism.

The Brothers Ashkenazi by I.J. Singer is a multi-generational saga set in the tumultuous backdrop of nineteenth- and twentieth-century Poland. The novel follows the lives of two vastly different brothers, Meshulam and Asa Ashkenazi, as they navigate the complexities of family, business, and identity within the Jewish community. Meshulam, a shrewd and ambitious businessman, embraces modernity and capitalism to rise in society, even at the expense of his traditions. Asa, on the other hand, remains deeply rooted in his Jewish faith and studies, rejecting the pursuit of material success. The brothers' contrasting paths lead to a bitter rivalry that mirrors the social changes and political upheavals of their time, including World War I and the rise of antisemitism. Amidst personal struggles, power struggles, and shifting allegiances, the novel explores themes of assimilation, cultural transformation, and the enduring struggle to balance tradition with progress. Through intricate character development and vivid historical detail, Singer crafts a compelling narrative that illuminates the complexities of Jewish identity and the forces that shape a society in flux.

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville The Twenty-Third Precinct of the New York City Police Department includes within its boundaries exalted penthouses and reeking slums. The story concerns three men in blue, their loves, their ambitions, their contentions-the cruelty they encounter, the courage they offer, the pity and aid they are able to give. It speeds through the reader's consciousness like a patrol car wailing in midnight traffic. In 1948 the Acting Commissioner of Police, the late Tom Mulligan, authorized MacKinlay Kantor to proceed on all police activities, accompanying the patrolmen in their work. Kantor learned the life of a policeman through first-hand experience. Such privilege had never been granted to a civilian before. But this civilian happened to be the author of Long Remember, The Voice of Bugle Ann, and many other famous books, as well as the original story of the great motion picture, "The Best Years of Our Lives." Thunder of feet on sagging stairways; a yell from behind a locked door; tears and oaths and-worse- the stony agony of women who stare in silence... The radio voice of CB declares flatly: "Two-Three Precinct. The address...on the roof...proceed with caution..." Is it rape, suicide, assault? Or merely a kitten crying from its trap in a drainpipe? Or do we meet the glare of a razor, the stab of gunfire in a hall? Our fingers squeeze the siren button. This is a Signal Thirty-two... A novel by MacKinlay Kantor Author of Arouse and Beware and Glory for Me

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT

A profoundly unsettling collection of tales of Americans caught up in the ethnic, religious, social, economic, and political conflicts of modern day Israel, by an astonishing new voice. In a land where sudden death is an everyday fact of life, a boy dodges bullets and searches through rubble for news of his soldier father. An aging rabbi?s faith is tested by a crippling, seemingly supernatural affliction. A middle-aged man comforts his Holocaust-survivor mother as she faces senility, convinced that Nazis are conspiring against her. And the mysterious biblical red heifer makes a startling appearance in the midst of a decidedly contemporary struggle. In these unsettling tales, the remarkable Jon Papernick transports us to modern-day Israel, a country torn by war, strife, and controversy throughout the history of its statehood. Giving voice to striking characters--Israelis, Palestinians, and Americans; Arabs, Christians, and Jews--caught in the ethnic, religious, social, and political conflicts of a dangerous region, Papernick brings the images we glimpse from afar, in newspapers and on television, chillingly to life. By turns starkly realistic and allegorically fantastic, these tales chronicle the conflict from the inside and illuminate the suffering and anger experienced by those on all sides. In?An Unwelcome Guest,? a young Jewish settler from New York plays a deadly game of backgammon with a ghostly old Arab while his pregnant wife sleeps unaware. In?The King of the King of Falafel,? a restaurant rivalry ends in apocalyptic violence. In "Lucky Eighteen," two young Americans living in Jerusalem as the Oslo accords collapse juggle political activism and a devastating love triangle--under the dark specter of suicide bombings. And in the brilliant, horrifying title story, a lonely shepherd wanders a broken no-man's-land, carrying with him the burden of an unspeakable act. In these haunting and strangely beautiful stories, the tragic carnage of the Middle East is rendered in unforgettable form. Suffused with rage, violence, humor, magic, and religion, this gripping collection leaves a profound impact. Evenhanded yet passionate, shocking yet hopeful, The Ascent of Eli Israelheralds the arrival of a masterful storyteller. Please visit.

A fictional profile of the brilliant, prolific painter Camille Pissarro traces his colorful life, along with that of his remarkable wife, Julie, and his career at the center of the circle of the Impressionists

First published in the US in 1932, The Sleepwalkers is about three protagonists "sleepwalking", that is, living between vanishing and emerging ethical systems just as the somnambulist exists in a state between sleeping and waking. Together they present a panorama of German society and its progressive deterioration of values that culminated in defeat and collapse at the end of World War I. The novel explores what Broch described as "the loneliness of the I" in its three parts. The protagonists of the first two parts of the book are represented as holding to certain sets of values. Broch describes the struggles they undergo as their codes for living, or values, prove inadequate to the realities of the social environment they find themselves in. Joachim von Pasenow in the first part is "the romantic". In the second part, August Esch tries to live according to the motto "business is business". Eventually, in the third part, the amoral Huguenau's only standard for behavior is his personal profit. He follows this maxim in all his actions, swindling and murdering without remorse. Ultimately, he reaches a point of zero values without remorse and his dealings bring him finally to the zero point of values. Although Broch doesn't hold Huguenau up as someone to admire, he does present him as the inevitable harbinger of fascism. As one reviewer noted, "His characters are sleepwalkers because their own lives are shaped by the forces of the nightmare reality in which they live."