Jason Epstein has led arguably the most creative career in book publishing during the past-century. In 1952 he created Anchor Books, which launched the so-called quality paperback revolution and established the trade paperback format. In the following decade he was co-founder of the New York Review of Books. In the 1980s he created The Library of America and The Reader's Catalog, the precursor of on-line bookselling. In this short book, based on his W. W. Norton Lectures given at the New York Public Library in October 1999, he discusses the severe crisis facing the book business today -- a crisis that affects writers and readers as well as publisher -- and looks ahead to the radically transformed industry that will revolutionize the idea of the book as profoundly as the introduction of movable type did five centuries ago.

The High Fidelity Art of Jim Flora is the definitive anthology of the maestro’s visual compositions, reflecting jazz, classical, and Latin music. Regarding his jam-packed canvases Flora once said he “couldn’t stand a static space.” There’s nothing static about the images in The High Fidelity Art: they wail, dance, bounce, and swing from the chandeliers. Flora had a knack for grooving with a paintbrush, making art to which you can tap your toes and snap your fingers.

"The 1990s was a decade of extreme change. Shifts in culture, politics, and technology radically altered the way Americans did business, expressed themselves, and thought about their role in the world. At the center of it all was Bill Clinton, the charismatic and flawed baby boomer president, along with his polarizing but increasingly popular wife, Hillary. Although it was in many ways a Democratic Gilded Age, the 1990s was also a time of great anxiety. The Cold War was over. America was stable and prosperous. Yet Americans felt more unmoored and isolated. This was the era of glitz and grunge, when we relished living in the Republic of Everything even as we feared it might degenerate into the Republic of Nothing. Bill Clinton dominated this era, but his complex legacy has yet to be clearly defined. Historian Gil Troy examines Clinton's presidency alongside the decade's cultural changes. Taking the '90s year by year, Troy shows how the culture of the day shaped the Clintons even as the Clintons shaped it, offering answers to two enduring questions about Bill Clinton's legacy: How did such a talented politician leave Americans thinking he accomplished so little when he actually accomplished so much? And to what extent was Clinton responsible for the catastrophes of the following decade, specifically 9/11 and the collapse of the housing market? Even more relevant as we head toward the 2016 election, The Age of Clinton will appeal to readers on both sides of the aisle as it chronicles the wild, transformative decade and the president at its center"--

The photographer Richard Avedon and the writer Doon Arbus began collaborating on this book thirty years ago. The photographs and interviews they did then remain faithful to what was, like the contents of a time capsule. Meeting somebody and balling them means something, but it doesn't mean near as much as it used to. --Janis Joplin, September 1969 In a society where there is institutionalized oppression, the thing is to catch government and business in the grass--actually humping. --Florynce Kennedy, August 1969 I was so afraid of being bad and being caught at it. --Dr. Benjamin Spock, September 1969 The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the structuring of this book, with its own peculiar version of a beginning, a middle, and an end.

A political biography of Haj Amin al-Husaini (1895-1974), the Palestinian Arab nationalist leader and one-time Mufti of Jerusalem. Husaini adopted aggressive antisemitism in his youth, while studying in Cairo. He bears responsibility for the bloody anti-Jewish riots in the Land of Israel in 1920, 1921, and 1929, and was an instigator of the Arab revolt of 1936-39 in the country. In the 1930s he was close with Nazi leaders, with whom he shared extreme antisemitism and the goal of annihilation of the Jews. In the 1940s Husaini was instrumental in the establishment of pro-Nazi Muslim military formations in Europe, among them the Bosnian SS division "Handschar", which killed 12,600 Bosnian Jews. Argues that Husaini's legacy is alive in the modern Muslim world. He was the link between World War II antisemitism and the modern Islamic one, as well as a founding father of radical Islamic antisemitism. Dwells on the latter, which adopted from the West belief in the "Protocols of the Elders of Zion", blood libels, Holocaust denial, etc.

Kidnapping, attempted assassination, espionage âe¦ not the answers youâe(tm)d expect to the question âe~what happens when you become a linguist?âe(tm) But now, reflecting on a long and hugely successful career at the forefront of the field of English Language and Linguistics, David Crystal answers this question and offers us a special look behind the scenes at the adventures, rewards, challenges and pitfalls of his life in language. Both an autobiography and a highly accessible introduction to the field of linguistics, Just a Phrase Iâe(tm)m Going Through illuminates and entertains us with its many insights into the ever-fascinating subject of language. David Crystal is synonymous with language, both as a great populariser and linguistic pioneer, and his contribution to the field is unparalleled. This is a book not just for students and teachers but for all lovers of language. For more about David Crystal at Routledge, visit: www.routledge.com/textbooks/9780415485746.

As Reagan's solicitor general, Fried selected and argued cases involving some of the most important legal battles in our time: abortion, flag burning, civil rights, and capital punishment. In this provocative and lively memoir, he gives an inside look at how these controversial cases were part of the larger Reagan judicial revolution.

Biography of the inventor of the birth control pill.

(Applause Books). Here is the original story of a true original, the celebrated and internationally renowned director, playwright and screenwriter Arthur Laurents, whose creative genius continues to energize American stage and screen today. Say his name, and images of West Side Story , Gypsy, Anastasia, The Turning Point , and The Way We Were appear. Laurents' highly praised memoir is a dazzling portrait of his life as he recounts the great moments, the trials and the joys of his incredible career. He takes us into his world, peopled with the creative artists, directors, actors and personalities who came of age in the theatre and in Hollywood after WWII. Later, back in New York, he writes about jump-starting Barbra Streisand's career by casting her in I Can Get It for You Wholesale . He writes about the creation of Gypsy with Jule Styne and Stephen Sondheim. And he writes about coming together in a complex, fraught collaboration with his three old pals, Jerome Robbins, Leonard Bernstein and Sondheim for West Side Story . Throughout, Laurents is funny, fierce, and frank a life recounted as richly as it was lived. "This is a historic work. A 'must' for show biz mavens." LIZ SMITH, Newsday & Syndicated

An elegant, masterful portrait of Andy Warhol's life, character, and lasting influence by an eminent art critic. "Danto . . . sums up the Pop master's evolution as both artist and persona. . . . It is, in essence, everything you need to dive deeper into Brillo boxes and Empire ."--Rachel Wolff, The Daily Beast (Best Art and Photography Books of 2009) In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol's personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol's time and shows us Warhol as an endlessly multidimensional figure--artist, political activist, filmmaker, writer, philosopher--who retains permanent residence in our national imagination. Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination. Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

Tired of the same old fantasy? Here are nineteen much-needed antidotes to clichéd tales of swords and sorcery. Fantasy is back, and it's better than ever!

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man's-land between traditional religion and modern secular culture.Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka's sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka's: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin's vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem, it hung in the living room of Scholem's home on Abarbanel Streetin Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter's focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past. --

"A rare eyewitness account by an important author of fleeing the Nazis' march on Paris in 1940, featuring a never-before-published introduction by Antoine de Saint-Exupery. In June of 1940, Leon Werth and his wife fled Paris before the advancing Nazis Army. 33 Days is his eyewitness account of that experience, one of the largest civilian dispacements in history. Encouraged to write 33 Days by his dear friend, Antoine de Saint-Exupery, author of The Little Prince, Werth finished the manuscript while in hiding in the Jura mountains. Saint-Exupery smuggled the manuscript out of Nazi-occupied France, wrote an introduction to the work and arranged for its publication in the United States by Brentanos. But the publication never came to pass, and Werth's manuscript would disappear for more than fifty years until the first French edition, in 1992. It has since become required reading in French schools. This, the first-ever English language translation of 33 Days, includes Saint-Exupery's original introduction for the book, long thought to be lost. It is presented it here for the first time in any language. After more than seventy years, 33 Days appears--complete and as it was fully intended"--

Kenneth M. Pollack, formerly a Persian Gulf military analyst at the CIA and Director for Persian Gulf Affairs at the National Security Council, describes and analyzes theømilitary history of the six key Arab states?Egypt, Iraq, Jordan, Libya, Saudi Arabia, and Syria?during the post?World War II era. He shows in detail how each Arab military grew and learned from its own experiences in response to the specific objectives set for it and within often constrained political, economic, and social circumstances. This first-ever overview of the modern Arab approach to warfare provides a better understanding of the capabilities and limitations of the Arab militaries, some of which are the United States? most likely adversaries, and some of which are our most important allies.

A literary investigation of how the modern metropolis--intoxicating, disturbing, powerful--changed perceptions and irrevocably altered the Western imagination. Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent--a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses--and writers were compelled to create new methods for conveying the experience of the city. In interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination.--From publisher description.

"This is the fifth edition of 'Music Since 1900', first published in 1937 and most recently updated in 1971. In the introduction to the first edition, Nicolas Slonimsky stated that the book, "is intended to be a sort of newsreel reflecting the 'inner headlines' of musical events" containing "elements of evolutionary power that subtly but surely influence the entire future of music." 'Music Since 1900' is just such a newsreel, following both stylistic trends in music and bringing to life the human element missing in so many biographical references. The book is divided into three parts. the Descriptive Chronology, 1900-1991, lists the dates, names, and places of the important musical events of the century. This section covers a great variety of subjects: exact dates of world premières of hundreds of operas, discussions on developments in popular music, entries that reveal the "passing sights and sounds of the general musicorama of the period." The second section, Letters and Documents, contains fascinating new material first published in a supplement to the book in 1986. Slonimsky searched for evidence connecting musical practices with political events. For example, he found a document previously classified by the Department of the Army that discusses the methods used to influence the policies of the Soviet Union by broadcasting Western music. This section also includes a reply to a query addressed to George Bernard Shaw, a radio broadcast by Alban Berg, manifestos of the Italian futurists issued early in the century, and a remarkable collection of letters from Charles Ives. The third section, a Dictionary of Terms, has been enlarged to include a detailed analysis of modern musical techniques. Written by one of the foremost musical authorities of our time, 'Music Since 1900' is a unique compilation that not only gives readers the facts, but also illustrates the styles, tastes, and epoch-making ideas that have marked this century's musical departure from the past."--

"A collection of interviews with one of America's most influential authors, music journalists, and cultural critics. In this book, the author has explored the connections among figures, sounds, and events in culture, relating unrelated points of departure, mapping alternate histories and surprising correspondences." -- Blackwells

Sure to make major headlines, this is a hard-hitting inside look at the internal power plays surrounding military policy-making in the '80s, by President Reagan's Secretary of Defense. 16-page photo insert.