"This book brings together Vilém Flusser and intellectual Jewish history of the second half of the twentieth century. Flusser is viewed today by many scholars as the most original theoretician of media and photography in the second half of the twentieth century, and yet this is the first monograph about him in English. Combining elements of Flusser's biography with a rigorous study of his writing, this book shows that concepts of 'virtuality', 'medium', and 'embodiment' underpin not only Flusser's understanding of technological media, such as photography, but also his understanding of evolution and of real or imaginary biological organisms. This book argues that Flusser contended with Nazism in his writings on these biological and ecological themes. Two threads - and their relationship - are explored: the first bears on Nazism as undergirded by a biological perspective - an attempt to eradicate a population taken to be parasitic; in the second, Nazism is simply viewed as 'stupid'. Such a line of inquiry necessarily leads to and includes our dealing with the 'Nazi fantasy', because fantasy was fused into Nazism's own vision. This book will not only be an ideal resource for students and scholars of intellectual Jewish history but will interest anyone seeking an introduction to Flusser and the philosophy of science within the context of Nazism"--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a selection of essays written during the first decade of the twenty-first century, by a figure widely acknowledged as the conscience of European liberalism. In Walter Laqueur's lifetime, there have been more acutely dangerous situations, such as the coming of a world war or the seemingly unstoppable march to victory of totalitarian regimes, than in any other previous epoch. Such immediate dangers may not exist at the present time. But long-term trends are equally or even more threatening, as we now see in the ability of small groups of people, unprecedented in history, to inflict enormous damage. This is the underlying essence of Laqueur's thinking, as expressed in this new volume. As Laqueur observes, one learns from long experience that the worst does not always happen, and if it does, probably not in one's lifetime. Ideas and intellectual fashions emerging from the groves of academe, particularly in America can seem wrongheaded and often out of touch with the real world. This growing isolation causes growing bitterness, alienation, and a feeling of impotence on the part of intellectuals, which turns into greater radicalization and farfetched thinking. Laqueur fortunately does not fall into this trap. The articles and essays selected for this volume deal with a variety of topics. They do not entirely reflect Laqueur's interests, which during this period were more in the cultural field than in politics. However, politics intrude irrespective of the author's predilections. Laqueur deals with unpleasant truths in concrete geopolitical settings, but poignantly takes his stand with the men and women who strive to overcome self-censorship in the search for accurate judgment.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Die Europäische Triarchie Moses Hess Otto Wigand, 1841 History; Europe; Germany; Europe; Germany; History / Europe / Germany; History / General

This collection of letters from Kaiser Wilhelm II to Emperor Nicholas II of Russia illuminates a crucial period in European history. From the pre-war tensions that ultimately led to World War I to the personal relationship between the two powerful monarchs, this volume provides a fascinating look into the minds of two of Europe's most important leaders. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Few political figures of the twentieth century have aroused as much controversy as the Russian revolutionary Leon Trotsky. Trotsky’s extraordinary life and extensive writings have left an indelible mark on revolutionary conscience; and yet there was at one time a danger that his name would disappear altogether from history. Isaac Deutscher’s magisterial three-volume biography was the first major publication to counter the powerful Stalinist propaganda machine, and in this definitive work Trotsky emerges in his real stature, as the most heroic, and ultimately tragic, character of the Russian revolution. This first volume of the trilogy, originally published in 1954, traces Trotsky’s political development: his early activities, the formation and crystallization of his distinctive and motivating idea—the permanent revolution— his long feud and final reconciliation with Lenin and Bolshevism, and his role in the October insurrection of 1917. The volume ends in the year 1921, when Trotsky, then at the climax of his power, unwittingly sowed the seeds of his own defeat.

The German Opposition to Hitler: An Appraisal by Hans Rothfels is a comprehensive analysis of the various groups and individuals who opposed Adolf Hitler and the Nazi regime during the Third Reich. The book explores the motivations, strategies, and actions of these opposition forces, including the conservative and liberal elites, the socialist and communist parties, and the military resistance. Rothfels also examines the challenges and limitations faced by these groups, such as the lack of unity, the fear of repression, and the difficulty of coordinating their efforts. The book provides a nuanced and critical assessment of the German resistance, highlighting both their achievements and their failures in the face of Nazi tyranny. It is a valuable resource for anyone interested in the history of World War II, the Holocaust, and the struggle against fascism.The Humanist Library.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"Carlo Ginzburg's brilliant and timely new essay collection takes a bold stand against naive positivism and allegedly sophisticated neo-skepticism. It looks deeply into questions raised by decades of post-structuralism: What constitutes historical truth? How do we draw a boundary between truth and fiction? What is the relationship between history and memory? How do we grapple with the historical conventions that inform, in different ways, all written documents? In his answers, Ginzburg peels away layers of subsequent readings and interpretations that envelop every text to make a larger argument about history and fiction. Interwoven with compelling autobiographical references, Threads and Traces bears moving witness to Ginzburg's life as a European Jew, the abiding strength of his scholarship, and his deep engagement with the historian's craft"--Provided by publisher.

Personal narratives of a British officer on the Western front during World War I.

In this unconventionial and sharply written text, Hollander introduces the work of Smith, Ricardo, and Mill, and, on specific Malthus and Marx. He leads the student through the nuances of the arguments, making clear how he agrees with or challenges recieved ideas about their writings. Attention is given to the precursors of the classics, to their immediate successors, and to the Sraffian system.

First published in 1989, this is the second of three volumes exploring the changing notions of patriotism in British life from the thirteenth century to the late twentieth century and constitutes an attempt to come to terms with the power of the national idea through a historically informed critique. This volume examines how national identity has competed with alternative, more personal forms of belonging such as Roman Catholicism, Judaism and Nonconformism as well looking at femininity in relation to the state. Contemporary British society s capacity to create outsiders is discussed and the introductory essay shows how this may shape our misunderstanding of earlier phases of national development. "

They have a dream—a dream of a world where everything and everybody can be bought and sold, a world run efficiently by managers, a world where “freedom” means the free market. Maurice Glasman argues that this dream is an unrealizable utopia—or a nightmare if put into practice. He takes the tired old clichés of management-speak of the New Right and New Left alike and turns them on their heads: managers are not efficient, they are barriers to work and production. “Liberal democracy”—which now means the free market and the strong state—should be turned upside down, with democracy at the level of the economy and liberalism at the level of the state. Drawing on the work of Karl Polanyi, Glasman argues that there is no need to surrender solidarity and human rights to the march of the managers and the market. There is another tradition, represented by the labour movement and Catholic Church in postwar West Germany, and Solidarity in Poland before 1989, when statist communitarianism and the New Right took over. Unnecessary Suffering examines this tradition and issues a call that human beings and the environment cannot, should not, and will not be treated like commodities. For all workers drowning in a sea of dogma and management.memos, Unnecesary Suffering is necessary reading.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Berlin! Berlin! is a satirical selection from the "man with the acid pen and the perfect pitch for hypocrisy," as New York author and Tucholsky-expert Peter Wortsman writes. This book os a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or doing "bizness", more than one satirical biography of the author himself, and some of his most famed stories such as where the holes in the cheese come from, or about the lion who escaped the Berlin zoo. Herr Wendriner, the chatty Berlin businessman makes an appearance, as well as Lottchen, the flapper, modelled after one of Tucholsky's real-life gilrfriends. Also Tucholsky's long-term friends Karlchen and Jakopp are part of this book. In Weimar Germany, Tucholsky was big, the most brilliant, prolific and witty cultural journalist of his time. He poured scorn on the reactionary institutions of the old regime, the follies of the Weimar Republic, and the peculiarities of the German character. - William Grimes, The New York Times Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart. That's Tucholsky in a nutshell. - Anne Nelson, author of "The Red Orchestra" and "The Guys" Kurt Tucholsky was one of the most brilliant German-Jewish writers of his time. Today's Berliners adore him as one of their greatest sons. The world has yet to discover his genius. -Peter Schneider, author of "The Wall Jumper" and "Eduard's Homecoming" A selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. - Peter Wortsman, author of "Ghost Dance in Berlin" . . . a small, fat Berliner, who wanted to stop a catastrophe with his typewriter. -Erich Kästner, author of "Emil and the Detectives"