Why have recent presidents failed to create the change they promised? Should we blame the individual men, all flawed in their own ways? Or are there fundamental reasons why modern presidents fail to deliver, time and time again? In The Impossible Presidency, historian Jeremi Suri charts the long rise and quick fall of the world's most important job, from the 1790s to the present day. As he shows, early presidents greatly expanded the power of the office beyond the limited role envisioned by the founders. Suri argues that the immense accomplishments of Washington, Jackson, Lincoln and FDR left their successors with outsized and unrealistic expectations. John F. Kennedy, Lyndon B. Johnson and Ronald Reagan lost control of their agendas as they were buffeted by the onrush of events and threats their predecessors never had to face. Clinton and Obama were propelled to the presidency by their personal stories but hamstrung by prurient, partisan, and prejudiced criticisms of their leadership. Contemporary presidents must react to a truly globalized world and a rapid twenty-four-our news cycle. There is little room left for bold, strategic thinking. Suri traces our disenchantment with recent presidents to the current mismatch between presidential promises and the limitations of the office.

Many critics attack federal judges as anti-democratic elitists, activists out of step with the mainstream of American thought. But others argue that judges should stand alone as the ultimate guardians of American values, placing principle before the views of the people.In The Most Democratic Branch, Jeffrey Rosen disagrees with both assertions. Contrary to what interest groups may claim, he contends that, from the days of John Marshall right up to the present, the federal courts by and large have reflected the opinions of the mainstream. More important, he argues that the Supreme Court is most successful when it defers to the constitutional views of the American people, as represented most notably by Congress and the Presidency. And on the rare occasion when they departed from the consensus, the result has often been a disaster.To illustrate, Rosen provides a penetrating look at some of the most important Supreme Court cases in American history--cases involving racial equality, affirmative action, abortion, gay rights and gay marriage, the right to die, electoral disputes, and civil liberties in wartime. Rosen shows that the most notorious constitutional decisions in American history--the ones that have been most strenuously criticized, such as Dred Scott or Roe v. Wade--have gone against mainstream opinion. By contrast, the most successful decisions--from Marbury v. Madison to Brown v. Board of Education--have avoided imposing constitutional principles over the wishes of the people. Rosen concludes that the judiciary works best when it identifies the constitutional principles accepted by a majority of Americans, and enforces them unequivocally as fundamental law.Jeffrey Rosen is one of the most respected legal experts writing today, a regular contributor to The New York Times Magazine and the Legal Affairs Editor of The New Republic. The provocative arguments that he puts forth here are bound to fuel heated debate at a time when the federal judiciary is already the focus of fierce criticism.

A look at the confirmation process for Clarence Thomas' appointment to the Supreme Court.

How the Jews arrived and became part of American heritage.

American democracy is beset by a sense of crisis. Seismic shifts during a single generation have created a country of winners and losers, allowing unprecedented freedom while rending the social contract, driving the political system to the verge of breakdown, and setting citizens adrift to find new paths forward. In this book the author tells the story of the United States over the past three decades. The book journeys through the lives of several Americans, including Dean Price, the son of tobacco farmers, who becomes an evangelist for a new economy in the rural South; Tammy Thomas, a factory worker in the Rust Belt trying to survive the collapse of her city; Jeff Connaughton, a Washington insider oscillating between political idealism and the lure of organized money; and Peter Thiel, a Silicon Valley billionaire who questions the Internet's significance and arrives at a radical vision of the future. The author interweaves these intimate stories with biographical sketches of the era's leading public figures, from Newt Gingrich to Jay-Z, and collages made from newspaper headlines, advertising slogans, and song lyrics that capture the flow of events and their undercurrents. Through an examination of the lives of these Americans and leading public figures over the past three decades, the book portrays a superpower in danger of coming apart at the seams, its elites no longer elite, its institutions no longer working, its ordinary people left to improvise their own schemes for success and salvation.

Part contemporary detective story, part World War II historical narrative, No Surrender is the inspiring true story of Roddie Edmonds, a Knoxville-born enlistee who risked his life during the final days of World War II to save others from murderous Nazis, and the lasting effects his actions had on thousands of lives—then and now. Captured in the Battle of the Bulge, Master Sergeant Roddie Edmonds was the highest-ranking American soldier at Stalag IXA, a prisoner of war camp near Ziegenhain, Germany. A native of Knoxville, Tennessee, Roddie was a simple, soft-spoken man of deep inner strength and unwavering Christian faith. Though he was driven to the limits of endurance, Roddie refused to succumb to Nazi brutality toward the Jewish-American GIs with whom he was serving. Through his inspiring leadership and bravery Roddie saved the lives of hundreds of U.S. infantrymen in those perilous final days of the Second World War. His fearless actions continue to reverberate today. Growing up, Pastor Chris Edmonds knew little of his father’s actions in the war. To learn the truth, he followed a trail of clues, a journey that spanned seven decades and linked a sprawling cast of heroes, both known and unknown, from every corner of the country. In No Surrender, Pastor Chris, joined by New York Times bestselling co-author Douglas Century, chronicles his odyssey to tell the unforgettable story of his father and his remarkable valor. He also provides startling details (and vantage points) of some of the major events of World War II and United States Army initiatives that helped the Allies win the war, including the Battle of the Bulge, the massacre at Malmedy, and the now-little-known Army Specialized Training Program which prepared brilliant young “soldier-scholars”—or “Quiz Kids”—from across the nation to battle the Nazis. As compelling as the number-one New York Times bestsellers Unbroken, Boys on the Boat, Band of Brothers, and Schindler’s List, illustrated with photographs and historical documents throughout, No Surrender is an epic story of bravery, compassion, and faith, and an inspiring testament to man’s goodness. It is also a clarion call for our narcissistic age—a shining example of the transformative and redemptive power of moral courage.

A collection of the New Yorker's groundbreaking writing on race in America, including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more From the pages of the New Yorker comes a bold and telling portrait of Black life in America, with astonishing early work from Rebecca West's account of a lynching trial and James Baldwin's 'Letter from a Region in My Mind' (which later formed the basis of The Fire Next Time) to more recent writing by Toni Morrison, Ta-Nehisi Coates, Zadie Smith, Hilton Als, Jamaica Kincaid, Malcolm Gladwell, Elizabeth Alexander, Chimamanda Ngozi Adichie, Doreen St. Félix, Henry Louis Gates Jr., Kelefa Sanneh, and more. Reaching back across the last century, The Matter of Black Lives includes a wide array of material from the New Yorker archives ranging across essays, reported pieces, profiles, criticism, and historical pieces. This book addresses everything from the arts to civil rights, matters of justice, and politics, and brings us up to the present day with accounts of what Jelani Cobb calls "The American Spring." The result is a startling, nuanced and, ultimately, indelible portrait of America's complex relationship with race.

Philosophy professor Christina Sommers has exposed a disturbing development: how a group of zealots, claiming to speak for all women, are promoting a dangerous new agenda that threatens our most cherished ideals and sets women against men in all spheres of life. In case after case, Sommers shows how these extremists have propped up their arguments with highly questionable but well-funded research, presenting inflammatory and often inaccurate information and stifling any semblance of free and open scrutiny. Trumpeted as orthodoxy, the resulting "findings" on everything from rape to domestic abuse to economic bias to the supposed crisis in girls' self-esteem perpetuate a view of women as victims of the "patriarchy.".

The landmark exposé of the most powerful and secretive vice president in American history Barton Gellman shared the Pulitzer Prize in 2008 for a keen-edged reckoning with Dick Cheney's domestic agenda in The Washington Post . In Angler , Gellman goes far beyond that series to take on the full scope of Cheney's work and its consequences, including his hidden role in the Bush administration's most fateful choices in war: shifting focus from al Qaeda to Iraq, unleashing the National Security Agency to spy at home, and promoting cruel and inhumane methods of interrogation. Packed with fresh insights and untold stories, Gellman parts the curtains of secrecy to show how the vice president operated and what he wrought. An inspiration for the film Vice, starring Christian Bale, Amy Adams, and Steve Carrell.

"A work that compellingly draws back the curtain on the activity of finding, authenticating, purchasing, and selling to collectors some of the most significant historical documents and artifacts of the past"--

Singular Intimacies is the story of becoming a doctor by immersion at New York's Bellevue Hospital, the oldest public hospital in the country-and perhaps the most legendary. It is both the classic inner-city hospital and a unique amalgam of history, insanity, beauty, and intellect. When Danielle Ofri enters the doors of this 250-year-old institution as a tentative medical student, she is immediately plunged into the teeming world of urban medicine: mysterious illnesses, patients speaking any one of a dozen languages, overworked interns devising audacious strategies to cope with the feverish intensity of a big-city hospital. Yet the emphasis of Singular Intimacies is not so much on the arduous hours in medical training (which certainly exist here) but on the evolution of an instinct for healing.^

Friedman identifies an 80-year "institutional cycle" and a 50-year "socio-economic cycle" that has seen the formation of the industrial classes, baby boomers, and the middle classes. These two major cycles are converging on the late 2020s -- and the world will have to endure upheaval and possible conflict. He outlines upcoming challenges, shifts in corporate structures, and new trends resulting from longer life expectancy. As the role of the United States changes, will it lead to increased strength and stability, or critical crises?

As he did in the acclaimed Finishing the Hat, Sondheim richly annotates his lyrics with personal and theatre history, discussions of his collaborations, and exacting, charming dissections of his work - both the successes and the failures. Picking up where he left off in Finishing the Hat , he gives us all the lyrics, along with cutouts and early drafts, to the Pulitzer Prize-winning Sunday in the Park with George , as well as Into the Woods, Assassins , and Passion . Here too is an in-depth look at Wise Guys, subsequently transformed into Bounce, and eventually into Road Show. And we are treated to chapters on his work for television and film and his "orphan songs," culled from parodies and special occasions over the years. Filled with behind-the-scenes photographs and illustrations from original manuscripts, and with the same elegant design as the earlier book, Look, I Made A Hat will be devoured by Sondheim's passionate fans today and for years to come.

Product Description The question of culture has become central for a new generation of scholars raised in a world of television and mass production. At the same time debates about culture have become a point of reference for criticism of current trends in academia and society, variously defended or derided on the grounds of "multiculturalism," "canonicity," and political correctness." In his re-examination off these debates, Stanley Aronowitz traces the history of the cultural issue - in both its British and American manifestations - and relates it to the contemporary rethinking of the nature of knowledge and culture. Roll Over Beethoven analyzes topics as diverse as the history of American radicalism, the sociology if science, the impact of the Library of Congress on the organization of knowledge, and the institutionalization of film studies. Aronowitz's account of recent controversies over "political correctness" reveals that the current culture wars reflect profound differences among scholars over the proper role of the university and the character of legitimate intellectual knowledge. Within this broad reappraisal of the cultural question, which is embedded in the intellectual history of the 20th century, Aronowitz offers an "interpretive genealogy" of cultural studies that describes both the evolution of the field and the political and social contexts in which it developed. He argues that cultural studies exhibit a tendency toward transgression that is rarely explicit but always present and, at its best, not merely interdisciplinary but anti-disciplinary. From Publishers Weekly In this "interpretive genealogy of cultural studies," sociologist Aronowitz ( The Politics of Identity ) offers a history of this field with an eye toward examining how the nature of intellectual knowledge is defined. Though the book meanders from present-day politics to the historical debate over "high" and "low" culture to the role of the New Left in popular culture, Aronowitz's style is fairly accessible. Some arguments are undeveloped, as when he urges the Left to vigorously support the First Amendment but then suggests that "any community has a right to set limits on what it considers acceptable speech." In a chapter on the cultural politics of the Popular Front, Aronowitz offers an engaging memoir of his Bronx boyhood, recalling his rich encounters with classical and popular music and his study of political economy at a Communist Party school; he then analyzes novels and plays of the era, defending them against charges of populist oversimplification. After addressing current debates over the idea of an academic "canon," he notes that "virtually any significant educational innovation already has a history somewhere in the annals of the American academic system." Copyright 1993 Reed Business Information, Inc. From Library Journal Through his books on the labor movement, social theory, education theory, and the politics of science, Aronowitz has become one of the most interesting intellectuals on the contemporary scene. His latest work traces the emergence of "Cultural Studies" and emphasizes its invigorating impact on the humanities and social sciences. Written in an entertaining and informative style, Roll Over Beethoven could become the book that helps introduce large numbers of readers to the exciting new field of cultural interpretation. Individual chapters explore such topics as "high" versus "low" culture, culture and politics in the 1930s, the state of popular culture in contemporary America, and the relationship of cultural studies to the literary and philosophical canon. Along the way, Aronowitz offers a sophisticated critique of the revanchist critics of the modern university (Allan Bloom, William Bennett, et al.). This is a first-rate text that deserves the widest possible readership. - Kent Worcester, Social Science Research Council, New York Copyright 1993 Reed Business Information, Inc.

A brilliantly written and groundbreaking book about Dylan's music - now the recipient of the Nobel Prize for Literature 2016 - and its musical, political and cultural roots in early 20th-century America Growing up in Greenwich Village in the 1960s Sean Wilentz discovered the music of Bob Dylan as a young teenager. Almost half a century later, now a distinguished professor of American history, he revisits Dylan's work with the critical skills of a scholar and the passion of a fan. Drawing partly on his work as the current historian-in-residence on Dylan's official website, Sean Wilentz provides a unique blend of biography, memoir and analysis in a book which, much like its subject, shifts gears and changes shape as the occasion demands.

"A valuable primer on foreign policy: a primer that concerned citizens of all political persuasions--not to mention the president and his advisers--could benefit from reading." -- The New York Times An examination of a world increasingly defined by disorder and a United States unable to shape the world in its image, from the president of the Council on Foreign Relations Things fall apart; the center cannot hold. The rules, policies, and institutions that have guided the world since World War II have largely run their course. Respect for sovereignty alone cannot uphold order in an age defined by global challenges from terrorism and the spread of nuclear weapons to climate change and cyberspace. Meanwhile, great power rivalry is returning. Weak states pose problems just as confounding as strong ones. The United States remains the world's strongest country, but American foreign policy has at times made matters worse, both by what the U.S. has done and by what it has failed to do. The Middle East is in chaos, Asia is threatened by China's rise and a reckless North Korea, and Europe, for decades the world's most stable region, is now anything but. As Richard Haass explains, the election of Donald Trump and the unexpected vote for "Brexit" signals that many in modern democracies reject important aspects of globalization, including borders open to trade and immigrants. In A World in Disarray , Haass argues for an updated global operating system--call it world order 2.0--that reflects the reality that power is widely distributed and that borders count for less. One critical element of this adjustment will be adopting a new approach to sovereignty, one that embraces its obligations and responsibilities as well as its rights and protections. Haass also details how the U.S. should act towards China and Russia, as well as in Asia, Europe, and the Middle East. He suggests, too, what the country should do to address its dysfunctional politics, mounting debt, and the lack of agreement on the nature of its relationship with the world. A World in Disarray is a wise examination, one rich in history, of the current world, along with how we got here and what needs doing. Haass shows that the world cannot have stability or prosperity without the United States, but that the United States cannot be a force for global stability and prosperity without its politicians and citizens reaching a new understanding.

Winner of the 2012 Jewish Journal Book Prize After her father?s death, Nancy K. Miller discovered a minuscule family archive: a handful of photographs, an unexplained land deed, a postcard from Argentina, unidentified locks of hair. These items had been passed down again and again, but what did they mean? Miller follows their traces from one distant relative to another, across the country, and across an ocean. Her story, unlike the many family memoirs focused on the Holocaust, takes us back earlier in history to the world of pogroms and mass emigrations at the turn of the twentieth century. Searching for roots as a middle-aged orphan and an assimilated Jewish New Yorker, Miller finds herself asking unexpected questions: Why do I know so little about my family? How can I understand myself when I don?t know my past? The answers lead her to a carpenter in the Ukraine, a stationery peddler on the Lower East Side, and a gangster hanger-on in the Bronx. As a third-generation descendant of Eastern European Jews, Miller learns that the hidden lives of her ancestors reveal as much about the present as they do about the past. In the end, an odyssey to uncover the origins of her lost family becomes a memoir of renewal.

A leading authority in gender studies profiles American males between the ages of sixteen and twenty-six, offering insight into their belief systems, relationships, and preferences, in a report that also discusses the sources of violent and deviant behaviors. By the author of Manhood in America: A Cultural History.

"Brings to life a not too distant history of immigration to Ellis Island. When it's time for nine-year-old Gittel and her mother to leave their homeland behind and go to America for the promise of a new life, a health inspection stops any chance of Gittel's mother joining her daughter on the voyage. Knowing she may never see her mother again, Gittel must find the courage within herself to leave her family behind"--

As the best-selling author of Exodus, Mila 18, QB VII, and Trinity, Leon Uris blazed a path to celebrity with books that readers could not put down. Uris’s thirteen novels sold millions of copies, spent months on the best-seller lists, appeared in fifty languages, and have been adapted into equally popular movies and TV miniseries. Few other writers equaled Uris’s fame in the mid-twentieth century. His success fueled the rise of mass-market paperbacks, movie tie-ins, and celebrity author tours. Beloved by the public, Uris was, not surprisingly, dismissed by literary critics. Until now, his own life and work—as full of drama as his fiction—have never been the subject of a book. In Leon Uris: Life of a Best Seller, Ira Nadel traces Uris from his disruptive youth to his life-changing experiences as a marine in World War II. These experiences, coupled with Uris’s embrace of his Judaism and desire to write, led to his unprecedented success and the lavish excesses of a career as a best-selling author. Nadel reveals that Uris lived the adventures he described, including his war experiences in the Pacific (Battle Cry), life-threatening travels in Israel (Exodus), visit to Communist Poland (Mila 18), libel trial in Britain (QB VII), and dangerous sojourn in fractious Northern Ireland and the Irish Republic (Trinity). Nadel also demonstrates that Uris’s talent for writing action-packed, yet thoroughly researched, novels meshed perfectly with the public’s desire to revisit and understand the tumultuous events of recent history. This made him far more popular (and wealthy) than more literary authors, while paving the way for writers such as Irving Wallace and Tom Clancy.