From the beginning, myths have told of women who lived apart from men -- the Sirens who sang on the Aegean rocks, the Amazons of the Brazilian jungle, the self-reproducing women on islands in Polynesia, to mention only a few. As this theme emerged in her own fiction, Batya Weinbaum became intrigued by its persistence across time and cultures and began tracing it in literature and mythology, as well as in actual locales that are or were said to be islands of women. In this fascinating, interdisciplinary book, she explores how the myth of Amazons has served varying psychological needs in different cultures over time. Weinbaum first analyzes various historical interpretations and uses of the Amazon archetype, some designed to empower women, others created by men to disempower them. She next turns to the original Greek context, in Homer's epics and other aspects of Greek culture, and then traces how Amazons eventually evolved into negative representations of paganism. Moving from Rodriguez de Montalvo's fifteenth-century Sergas de Esplandian, which imagined an island of women in the New World, Weinbaum concludes with revealing fieldwork she conducted on Isla Mujeres (Island of Women) off the Yucatan Peninsula, which included giving birth with the participation of a native Maya midwife. Batya Weinbaum is Assistant Professor of English at Cleveland State University. She founded and edits the journal Femspec.

A Few Good Voices in My Occasional Pieces on Writing, Editing, and Reading My Contemporaries by Ted Solotaroff

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By the Book is Ramona Koval's love letter to books and writing, a tribute to the stories that have changed and enriched her life Ramona Koval is one of Australia's best-loved broadcasters, having spent sixteen years presenting 'The Book Show' on Radio National An internationally respected literary journalist, Ramona has interviewed the best writers in Australia and overseas Born to Yiddish-speaking survivors of the Holocaust and brought up in Melbourne, books were Ramona's lifeline from a young age Her mother famously never censored Ramona's reading, even buying her ten-year-old daughter a copy of the Kama Sutra when asked to In 1995, Ramona won the Order of Australia Media Award for her work on Radio National This gorgeous paperback edition is the perfect gift for anyone who loves books Ramona has legions of dedicated fans across Australia Author lives in St Kilda, Melbourne

Works of Rabbi Hayyim of Volozhin and His Contemporaries (Sources and Studies in Kabbalah, Hasidism,)

The topic of this book is 'creation'. It breaks down into discussions of two distinct, but interrelated, questions: what does the universe look like, and what is its origin? The opinions about creation considered by Norbert Samuelson come from the Hebrew scriptures, Greek philosophy, Jewish philosophy, and contemporary physics. His perspective is Jewish, liberal, and philosophical. It is 'Jewish' because the foundation of the discussion is biblical texts interpreted in the light of traditional rabbinic texts. It is 'philosophical' because the subject matter is important in both past and present philosophical texts, and to Jewish philosophy in particular. Finally, it is 'liberal' because the authorities consulted include heterodox as well as orthodox Jewish sources. The ensuing discussion leads to original conclusions about a diversity of topics, including the limits of human reason and religious faith, and the relevance of scientific models to religious doctrine.

A pioneering study of the theatre's treatment of homosexuals and homosexuality from the 1920s to the present day. Only in the 60s did theatres confront heterosexual prejudice and in the wake of AIDS, the issue is once again highly charged.

In Differentials, Perloff explores and defends her belief in the power of close reading, a strategy often maligned as reactionary in today's critical climate but which, when construed differentially, is vital, she believes, to any true understanding of a literary or poetic work, irrespective of how traditional or experimental it is. Perloff also examines key issues in modernism, from Eliot's conservative poetics and Pound's nominalism to translation theory (Wittgenstein, Eugene Jolas, Haroldo de Campos), and the contemporary avant garde, as represented by writers like Susan Howe, Tom Raworth, Rae Armantrout, Ron Silliman, Ronald Johnson, Caroline Bergvall, and Kenneth Goldsmith. Ultimately, Perloff's most important offerings in Differentials are her remarkably original reflections on the aesthetic process: on how poetry works, and what it means, in and for our time. --Publisher description

Book by Symons, Julian

This book is the first volume in Jacob Neusner's ground-breaking trilogy, "The Foundations of Judaism: Method, Teleology, Doctrine." This Part One - "Method" - offers the first systematic explanation of why the midrash collections - that is, books of rabbinical exegeses of Scripture - were written. Neusner investigates the circumstances in which the earliest midrash collections were organized around the Pentateuch, and explains both the purpose of the work and its historical context.

The book describes in detail the ritual purity system of the Hebrew Bible, and its development into the system of the rabbis. Certain human conditions require purification before contact is made with holy foods or areas. Recent scholarly theories (Milgrom, Neusner, Douglas) are discussed, and new theories are proposed for the origin of the Red Cow and Scapegoat rites. It is argued that the impurities concerned all derive from the human cycle of generation, birth and death, from which the Sanctuary is to be guarded; not because it needs protection from demonic powers (as in other ancient purity systems), but because of the reverence due to the divine presence. While the priestly code of holiness displays traces of earlier conceptions, its ritual has lost urgent salvific force, and has become a protocol for the Temple and a dedicatory code for a priestly people; the sources distinguish it from universal morality.

The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

Discusses the role Greek, Elizabethan, and later tragedy played in society, as well as society's effect on the drama, with regard to tribal belief, kingship, the dead, women, and social order

In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works.