A multi-textual memoir chronicling the life of one of our most potent pop iconsGroundbreaking rock musician. Award-winning actress. Perceptive songwriter and author. Mother. Wife of a rock god. Fashionista and trendsetter. Provocateur. In each and every one of these roles Courtney Love has demonstrated a wholehearted commitment to her art, and an intense drive and a lust for life that have made her a star and a celebrity icon—but have also led her into some unwise, uncharted, and even dangerous territory. Simultaneously candid and enigmatic, Love has a mordant wit and vivid intelligence matched in intensity only by the extraordinary life she has led, from a bleak early childhood through great fame and terrible heartbreak to the present day. By turns exhilarating and unsettling, this is a story told for the first time in Dirty Blonde . Composed of an astonishing and eclectic collection of deeply personal artifacts including personal letters, childhood records, poetry, diary entries, song lyrics, fanzines, show flyers, other original writings, and never-before-seen photographs, Dirty Blonde leads us through the unimaginable highs and the despairing lows of one of the most compelling and creative figures in the world of popular culture. Through these diaries we see Love’s accomplishments, her mistakes, her history, and her bright future in a whole new light. From her upbringing in Oregon through her years living in Japan, New Zealand, and London, from her career highs with Hole and as a Hollywood leading lady to her personal heartbreak and struggle, Dirty Blonde is Love laid bare—a wholly fascinating portrait of a fierce and insightful woman with an unblinking worldview and a determination to express herself no matter the cost.

Poems and photographs take readers up close to observe the daily life of the extraordinary Great Egret. A Great Egret rarely rests. This majestic bird, with its big feet, even bigger beak, and breathtaking lacy wings, is a treat to watch. With his camera, photographer Jason Stemple takes us close to these magnificent creatures to witness their physical—and quirky—beauty as well as their daily habits and behavior—soaring, hunting, preening, nesting—which most of us never get a chance to see. Meanwhile, celebrated poet Jane Yolen offers her keen observations in carefully-crafted poetry that is at once whimsical, thoughtful, and thought provoking. Interesting facts about the bird accompany each poem in this National Outdoor Book Awards Honor Book.

Personally selected by Allen Ginsberg, Selected Poems 1947-1995 is the definitive collection of the best works of one of the most influential and revolutionary poets of the twentieth century. Allen Ginsberg, famous for helping catalyze the Beat Generation, wrote poetry for over fifty years. His innovative verse and provocative attitudes of spiritual, political, and sexual liberation inspired countless poets and musicians, visual and performance artists worldwide, and helped shape several generations' views of the world. Selected Poems 1947-1995 commemorated Ginsberg's brilliant career as one of America's most distinguished poets. Here are well-known masterpieces such as the lyric "Howl" and the narrative "Kaddish"--classic works of American literature--as well as more recent gems, the long dream poem "White Shroud," the visionary "After Lalon," and the political rock lyric "The Ballad of the Skeletons," a song he recorded in 1996 with a stellar band that included Philip Glass, Lenny Kaye, and Paul McCartney.

Fifteen poems portray three familiar bears and their friend Goldie engaged in such activities as taking a walk, eating porridge, and having a birthday party.

One of America's Greatest Wits! Published in 1926 Enough Rope was Parker's first collection of poetry. The collection sold very well and garnered impressive reviews. The Nation described it as "caked with a salty humor rough with splinters of disillusion and tarred with a bright black authenticity." The New York Times referred to it as "flapper verse " Enough Rope affirm Parker's reputation for sparkling wit

The poems in Raised by Humans are about surviving childhood and colonization. Childhood did not agree with Deborah Miranda, mostly because the adult humans in charge of her life were not prepared to manage their own lives, let alone the life of a human-in-training. Humans raised Deborah, but it wasn't a humane childhood. This poetry collection is also about how indigenous people survive civilization and become readers and writers of the same alphabet that colonized their culture. The complexity of being forced to find her way into relationship with the very people or cultures that have hurt/raised Miranda is a paradox at the heart of her poetry, which pushes language past what Miranda calls the "alphabet of walls."

Philip Levine's new collection of poems (his first since The Simple Truth was awarded the Pulitzer Prize) is a book of journeys: the necessary ones that each of us takes from innocence to experience, from youth to age, from confusion to clarity, from sanity to madness and back again, from life to death, and occasionally from defeat to triumph.

Stevie Smith was one of the few modern poets to reach a wide general audience. Bizarre, witty, sad, sometimes caustic, her poems impart a zest for life, and reveal her unique eye for the marvels of the ordinary and her deep sensibility to the paradoxical nature of all human emotions.

Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

Text: English, Hebrew (translation)

Product Description Majipoor, an immense planet populated by a wide variety of exotic races, first appeared in Robert Silverberg's 1980 novel, Lord Valentine's Castle, a book that has since acquired the status of a modern classic. In subsequent decades, Silverberg has revisited Majipoor on numerous occasions, and it has become one of this gifted and prolific author's signature creations.The latest offering in the cycle, Tales of Majipoor, is both a superb literary accomplishment and a gift to Silverberg's legion of devoted fans. This generous volume contains seven long stories, each of which explores a different aspect of life on Majipoor. Together, they encompass several thousand years of colorful, dramatic history. The opening tale, 'The End of the Line,' tells the story of Lord Stiamot and his rise to the role of Coranol, a position second only to Pontifex in Majipoor's complex hierarchy. The final entry, 'The Seventh Shrine,' circles back to the very beginning of the series, giving us a murder mystery set during the reign of Lord Valentine. In between are stories that involve magic ('The Sorcerer s Apprentice'), religion ('The Way They Wove the Spells in Sippulgar'), and even poetry ('The Book of Changes'). Supplementing all this is a brief but crucial historical prologue and a series of detailed maps that add richness and depth to these singular--and endlessly absorbing--narratives. Beautifully written and thoroughly imagined on every level, Tales of Majipoor combines irresistible storytelling with the sort of meticulously detailed world building that only the finest imaginative literature can provide. It is a book that only Robert Silverberg, a true Grand Master, could have written. From the Inside Flap Majipoor, an immense planet populated by a wide variety of exotic races, first appeared in Robert Silverberg's 1980 novel, Lord Valentine's Castle, a book that has since acquired the status of a modern classic. In subsequent decades, Silverberg has revisited Majipoor on numerous occasions, and it has become one of this gifted and prolific author's signature creations.The latest offering in the cycle, Tales of Majipoor, is both a superb literary accomplishment and a gift to Silverberg's legion of devoted fans. This generous volume contains seven long stories, each of which explores a different aspect of life on Majipoor. Together, they encompass several thousand years of colorful, dramatic history. The opening tale, “The End of the Line,” tells the story of Lord Stiamot and his rise to the role of Coranol, a position second only to Pontifex in Majipoor's complex hierarchy. The final entry, “The Seventh Shrine,” circles back to the very beginning of the series, giving us a murder mystery set during the reign of Lord Valentine. In between are stories that involve magic (“The Sorcerer's Apprentice”), religion (“The Way They Wove the Spells in Sippulgar”), and even poetry (“The Book of Changes”). Supplementing all this is a brief but crucial historical prologue and a series of detailed maps that add richness and depth to these singular—and endlessly absorbing—narratives. Beautifully written and thoroughly imagined on every level, Tales of Majipoor combines irresistible storytelling with the sort of meticulously detailed world building that only the finest imaginative literature can provide. It is a book that only Robert Silverberg, a true Grand Master, could have written.

\x26#34;Magnificent poetry; dark, severe, even harsh yet pulsating with life.\x26#34; \-John Ashbery \x26#34;A poem has to be heard before it is written. Paul Auster hears with his marvelous exactness the tone and modulations of that voice.\x26#34; \-William Bronk

This volume presents an introduction to surrealism. The lively young artists of the Surrealist Movement shocked Paris in the 1920s with the first strong statement of many tendencies that still drive the avant-garde today. They centered art in the artist's identity while including spectators in the act of creation; denied distinctions between life and art, sense and nonsense; and conceived not only drama and film, but also painting, poetry, and music as theatrical performance. Surrealist works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact. Surrealist theater depicts the subconscious experience, moody tone and disjointed structure, sometimes imposing a unifying idea.

When Max the dog finally sells his book of poetry, he is able to fulfill his lifelong dream of traveling to Paris.

The Spiritual Canticle is one of St John's greatest works. Using the simple metaphor of the spouse and the bride, he sketches a series of dialogues between God and the soul, rihc in natural imagery. The fragrant vineyards, fruitful valleys and green hills, flocks of sheep and clear streams all speak of the Object of mystical love. The images of the basic Spiritual Canticle are so beautiful and its music so captivating that many who first heard it begged St John to write a commentary, together with its profound reflections on the relations of the soul to God, has become one of the world's richest sources of meditation. The commentary and the sublime poetry that inspired them form what is presented here as the complete Spiritual Canticle.

Surveys a decade of the attempt to reconstruct and understand the meaning and value of butch-femme relations for the contemporary lesbian, drawing on oral history, fiction, poetry, and fantasy. -- From the Amazon

The Letters of Denise Levertov and William Carlos Williams is the most engaging and lively of literary correspondences - at once a portrait of two geniuses the testimony of their remarkable friendship, and a seedbed of ideas about American poetry. With a 1951 fan letter, the young British poet introduced herself to Williams, and by 1959, Williams is congratulating Levertov on her growth: "this book challenge[s] me so that I am glad I am not younger.... You have not always written so excellently.... I am going to read these first half-dozen poems - maybe more - until as an old man I have penetrated to where your secret is hid." The letters also chronicle their search (individually and together) for a set of formal poetic principles, a search which culminated for Levertov in 1965, when she coined the term "organic form." The warmth, the directness, the flavorsome individuality of the letters - 34 from Levertov and 42 from Williams - increased with their growing intimacy and mutual regard. Always intriguing, their independent-minded letters, which end with the elder poet's death in 1962, have great piquancy and charm. Denise Levertov herself initiated this project, and was then, in the year before her death, "fascinated to read the exchange." This edition also includes the correspondence between Levertov and Williams's widow Florence. Professor Christopher MacGowan, the noted Williams scholar, contributes a superb introduction and informative annotations throughout.

“Brilliant . . . The dean of American comic writers showcases his varied talents mocking the public and private lives of politicians, average citizens and himself.”— The Star-Ledger Calvin Trillin has committed blatant acts of funniness all over the place—in The New Yorker, in one-man off-Broadway shows, in his “deadline poetry” for The Nation, in comic novels, and in what USA Today called “simply the funniest regular column in journalism.” Now Trillin selects the best of his funny stuff and organizes it into topics like high finance (“My long-term investment strategy has been criticized as being entirely too dependent on Publishers Clearing House sweepstakes”) and the literary life (“The average shelf life of a book is somewhere between milk and yogurt”). He addresses the horrors of witnessing a voodoo economics ceremony and the mystery of how his mother managed for thirty years to feed her family nothing but leftovers (“We have a team of anthropologists in there now looking for the original meal”). He even skewers deserving political figures in poetry. In this, the definitive collection of his humor, Calvin Trillin is prescient, insightful, and invariably hilarious. “A literary treasure . . . There is only one Calvin Trillin, and if he didn’t exist we would have to invent him.”— The Washington Times “Funny is to Trillin what drinking is to Uncle Jed in Annie Get Your Gun —it’s what he does ‘natur’lly.’ He’s also a lot more than funny. Quite Enough of Calvin Trillin is the twenty-eighth book he’s published over not far short of a half-century, and their range of subjects is remarkable.”—Jonathan Yardley, The Washington Post “Trillin made his reputation over four decades as the author of ‘U.S. Journal’ in the New Yorker [but he] is incapable of resisting the temptation of comedy. The jokes kept on welling up and Mr. Trillin made a parallel reputation as a writer of funny stuff.”— The Economist “Wry, whip-smart, understated, and entertaining.”— The Miami Herald

Prison Memoirs of an Anarchist is Alexander Berkman's account of his experience in prison in Western Penitentiary of Pennsylvania, in Pittsburgh, from 1892 to 1906. First published in 1912 by Emma Goldman's Mother Earth press, it has become a classic in autobiographical literature. Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.