In Ariosto's epic 16th-century poem Orlando Furioso, the beautiful Angelica, chained, naked, to a rock and menaced by a sea monster is rescued by the valiant Ruggiero, riding a 'hippogriff', the offspring of a griffin and a mare - an entirely imaginary winged creature (as readers of Harry Potter know). Volatore, as this hippogriff calls himself, has escaped the poem in which he has been confined for centuries and is determined to find his Angelica, even if it takes him to the 21st century and involves some shape-shifting. He lands in contemporary San Francisco and the first person he sets eyes on is Angelica Greenberg, the Jewish owner of a San Franciscan art gallery, who has just dumped her fiance. Volatore rises to her window and they hit it off big-time. But no sooner have they met and fallen in love than events conspire to separate the two so that Volatore must not only seek Angelica but also find the perfect form in which to consummate his undying love. The first is too masculine, the second not enough so, but will the third be just right, and how will Angelica reconcile the imaginary and the real in the perfect lover?

James and Katherine are at a wedding in London. They spend a while watching and waiting. Speak. Exchange phone numbers. Meet up the following week... From then on not everything goes to plan. It is the 1990s, the end of the money-for-nothing years. James is a man with a varied past - entrepreneur, gambler, film producer, former dot com millionaire - now living alone in Bloomsbury. Katherine is married, but separated, working at an interim job in a city hotel. The relationship is beset with difficulties from the beginning, both external and of their own making. They are distracted- James with the latest in a long line of schemes, drawing him into the world of gambling and horse racing, Katherine by her husband, a photographer and paparazzo, who has suddenly reappeared. Narrated from different perspectives and at different times by both James and Katherine, and by a series of peripheral characters, March is a kaleidoscopic and complex portrait of a relationship, of contemporary England, and of the ebb and flow of money.Instantly recognisable and unbearably real, it is a love story unlike any you will have read.

American cancer specialist Dr. Alex Cousins is on a covert mission to the USSR. His task: to save the life of Soviet Politburo Chief Viktor Moiseyevich Dimitrov. But the tenuous alliance between the two crumbles one night. Alex stumbles upon Dimitrov's sinister plans for a nuclear strike on China. The Russians dispatch Alex on a six-thousand-mile journey aboard the infamous Trans-Siberian Express - thus ensuring he won't get home in time to warn the US of the imminent attack.As the train lumbers east across snow-cloaked mountains, watchful eyes rest on the American doctor. Surrounding him are people beaten and broken by life, each drawn to this emperor of trains in search of a brighter future. But most curious is Anna Petrovna Valentinova, the hauntingly beautiful history professor.The Trans-Siberian Express roars onward through a cavern of hopes and memories. A train attendant yearns for love, a persecuted Jewish couple runs to a new home, and a passionate romance transcending political barriers unfolds under KGB surveillance.

In Menachem's Seed , Carl Djerassi , world-renowned scientist and inventor of the birth-control pill, brings us a new novel that explores the human--and passionate--side of science. Melanie Laidlaw and Menachem Dvir meet at a series of international conferences where jet-setting scientists come together to discuss the global implications of their discoveries. Melanie runs a foundation that awards grants for innovations in reproductive technology; Menachem is an infertile nuclear engineer and a married man. Naturally, they fall in love. What follows is a story of sexual steam, stolen seed, and religious conversion--a very modern romance that hinges on a cutting-edge scientific breakthrough. As Melanie and Menachem discover, what science makes possible, only two hearts can make right.

"Completed in the last year of his life, From Bondage is perhaps Roth's most profound work, for like Tolstoy in The Death of Ivan Ilyich, Roth examines his own imminent passing in the most plaintive of ways, telling the story of the old man, Ira Stigman, who, in spite of his physical frailties, finds solace in re-creating the lost love affair of his youth. Capturing the bohemian downtown world of Manhattan in the 1920s, Roth has set the stage for one of the most memorable of literary romances." "At its heart, From Bondage is the mesmerizing love triangle involving young Ira, an impressionable neophyte from Jewish Harlem, and Edith Welles, a sophisticated professor of English, a muse to starving poets and lovelorn men, who sweeps Ira into her world of soigne parties and literary debaucheries. Edith, as the old man Ira relays the story, is still physically involved with her former student Larry Gordon when she finds herself attracted to Ira, who is Larry's best friend. To complicate the matter even more, Edith is also carrying on a simultaneous affair with Lewlyn, the separated husband of the aspiring anthropologist Marcia Meede." "Fictionalizing the lives of the celebrities of the 1920s, including such burgeoning literary figures as Hart Crane, Louise Bogan, Leonie Adams, and Margaret Mead, Roth creates an unforgettable portrait of New York where "the lights of Manhattan twisted toward him across the rippling water like a gimlet." Perhaps the last witness to this age, Roth paints a gentile and genteel world that contrasts so vividly with the seemingly coarse, abject slums of the Pushcart District from which he had sprung. Ira, then a young man, is the observant witness to the spectacle that unfolds, seeking desperately to ingratiate himself into this world of sophisticates, yet hopelessly tethered to the tenement roots he cannot escape."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The sweeping new saga of strong heroines and family secrets from the bestselling author of The Paris Model. While searching for her lost sister, art historian Wren Summers takes on the glittering world of New York's auction houses. A missing girl, a hidden masterpiece, and the search for the truth 1965: After escaping from anti-war turmoil and the suffocating weight of family expectations, a beautiful young couple embrace a life free of materialism and tradition by a sapphire lake in Italy. But the past does not always let go so easily ... 1987: When talented art historian Wren Summers lands her dream job at the Sydney Art Museum, it seems she can finally leave her wildly unconventional background behind - until a treacherous act threatens everything she has strived for. The revelation of a monstrous family secret sees Wren head to New York, compelled to find the missing girl who holds the key to this shocking mystery - and to make a fresh start in the glittering realm of international art auctions. As she struggles to fulfil her quest, can she navigate this new, high-stakes world of swirling temptation, romance and deceit, danger and betrayal, while staying true to what she knows is right? Praise for Alexandra Joel: 'A mesmerising storyteller' The Australian 'Exceptional research and great storytelling ... She has that rare flair for drawing the reader into sumptuous worlds from glamorous bygone eras' Better Reading

Grace Sorentino has never known the good life: from childhood hardships, to a marriage that began with lofty dreams and ended with all hopes shattered. Dealt bad hand after bad hand. Grace and Jackie, her rebellious teenage daughter, are now stuck in Florida, on the verge of poverty. Grace is underpaid and under appreciated cosmetician at Saks Fifth Avenue, and Jackie-when she is not spending her time with questionable boys-balances school and two jobs. Just when Grace things couldn't get any worse, Grace is fired after accidentally insulting a snobby customer. However, it is a blessing in disguise. As she walks out the door, her boss offers her an invaluable piece of advice: don't look for a new job, but a vulnerable old rich widower who has just lost his wife; comfort him, and once his guard is down, seduce him. The keys to success and fortune are not a name tag and uniform, but a new last name and a ring on your finger. Marriage should be the number-one priority. At first Grace is appalled by the idea, but as rent, car payments, and credit card bills pile up, her despair turns to desperation. She begins looking through the obituaries for her last chance at a good life-after all, isn't that something everyone deserves?

A disgraced woman. A faraway land. A forbidden love... An unforgettable tale set in Victorian London and 1840s China from a shining, young historical talent.

NATIONAL BESTSELLER From #1 internationally bestselling author Santa Montefiore comes a gripping new novel of enduring love and devastating secrets, sweeping across England during WWII to Australia five decades later, based on a true story. Rupert promised he was going to come back. All Florence had to do was wait. Cornwall, 1944 When Rupert Dash is declared missing, presumed dead during the Battle of Arnhem, his wife, Florence, is devastated. She can’t accept that he has gone from her life forever, and so when she finds a poem called ‘Wait for Me’ hidden in an old book, she believes it’s a sign from her husband. A promise that he will return to her. London, 1988 Since childhood Max has suffered from a recurring nightmare. Surrounded by the horrific chaos of war, he has an urgent mission he knows he must complete. But time after time, the dream ends with him awaking in terror, his heart pounding from the horror of the battlefield. Desperate to understand why he is haunted by such terrible visions, Max embarks on a journey that leads him to Cornwall and a man named Rupert Dash. Melbourne, 1995 Florence receives a letter from someone she has never met, who lives on the other side of the world. This stranger says he remembers a life that belonged to another before him. Could this be the one person Florence has waited fifty-one years to meet again?

Tolstoy famously wrote, "Happy families are all alike; every unhappy family is unhappy in its own way." To Tracy Farber, thirty-three, happily single, headed for tenure at a major university, and content to build a life around friends and work, this celebrated maxim is questionable at best. Because if Tolstoy is to be taken at his word, only unhappiness is interesting; happiness must be as placid and unmemorable as a daisy in a field of a thousand daisies. Having decided to reject the petty indignities of dating, Tracy focuses instead on her secret project: to determine whether happiness can be interesting, in literature and in life, or whether it can be--must be--a plant with thorns and gnarled roots. It's an unfashionable proposition, and a potential threat to her job security. But Tracy is her own best example of a happy and interesting life. Little does she know, however, that her best proof will come when she falls for George, who will challenge all of her old assumptions, as love proves to be even more complicated than she had imagined. Can this young feminist scholar, who posits that "a woman's independence is a hothouse flower--improbable, rare, requiring vigilance," find happiness in a way that fulfills both her head and her heart? Love may be the ultimate cliché, but in Rachel Kadish's hands, it is also a morally serious question, deserving of our sober attention as well as our delighted laughter.

Satirical comedy / 24 m. 14 f. (doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

In a fashionable restaurant two gangsterish brothers formerly from the East End but now 'strategy consultants who enforce the peace' are celebrating a wedding anniversary with their wives who are sisters. At the next table a banker is dining with his wife formerly his secretary. Violent wildly funny this play displays a vivid zest for life. Diners and the staff at an elegant restaurant treat audiences to some unusually entertaining fare in this recent London hit by one of the major voices of modern theatre.

One of the most popular Broadway successes. A delightful satirical comedy about a seemingly simple country boy who came to New York and broke into the play producing game. But the young "butter-and-egg man" is somewhat more astute than he looks and in the end is instrumental in turning a "flop" into what is known in the game as a "wow." The plot rises to the heights of satirical comedy in the second act where the production is discussed by the cast and backers. The play starts out with a tremendous stride and continues right up to the fall of the last curtain. A sparkling comedy.

From a small, bogside cabin in rural New England, 38-year-old Aimee Slater unravels the story of her life, attempting to make sense of the tangled thread that leads from her mother's house-a short, unbridgeable distance away-to the world she now inhabits. It is soon after the Civil War; Aimee lives alone, but is graced with visits from two friends, a crippled man and a troubled eleven-year-old girl. She is perpetually caught between the sensual world she so desires and the divine retribution passed down to her by her mother's scorn. How Aimee ultimately creates a life for herself and bridges that distance makes for a moving story of love and loss. Told in a voice of spare New England lyricism, Unravelling is a remarkably haunting account of the power of redemption.

We first meet Lucy Appelbaum, the heroine of Paradise, New York , n 1970, when she is a nine year old girl enjoying her family's Catskills hotel, the Garden of Eden. Ten years later, having found nothing else at which she can distinguish herself, she tries to save the Eden by capitalizing on a wave of nostalgia for the Borscht Belt, running the hotel as a sort of living museum of Yiddish culture. In the course of that season, Lucy comes to realize her love for the hotel's black handyman, Mr. Jefferson -- and the difficulties she faces in overcoming the barriers between them. She battles her grandmother's not-so-subtle attempts to sabotage her success, her parents' superstitious fear of anything that attracts attention to the Jews, and her brother's contention that what Lucy is doing is more a matter of ego than authentic religious feeling. On top of all this, Lucy must contend with the Hasid who buys the chicken farm next door, a cell of ancient Jewish Communist who foment a strike among Eden's overworked young staff, and a gay chef and a gay baker who want to prove to the world that kosher cuisine can satisfy the most sophisticated gourmet. Among the novel's characters are Shirley and Nat Feidel, who barely survived the Holocaust but refuse to allow bitterness to rule their lives; Mami Goshgarian, the Eden's tumeler ; and Jimmy Kilcoin, and Irish Catholic insurance adjustor who has earned a reputation as "the Don Juan of the Catskills" and is determined to seduce Lucy before summer's end.

Sol Harkens has it all. A new best seller, a gorgeous model girlfriend, immense success. He's the Mohammad Ali of outspoken atheist celebrities. But not everything is perfect in Sol Harkens' life. After losing his son to cancer he dedicated himself to denying God and parlayed his attacks on Christianity into a lucrative business. But Sol is empty inside. His party lifestyle has isolated him from his ex-wife, Katy, and their two sons. He resents their unrelenting faith and Katy's prayers for his soul. When Sol's self-destructive habits end in a serious car crash, he wakes up to learn he was clinically dead for four minutes. Being dead isn't what bothers him. It's the voice. Five simple words that refuse to let him go: "Daddy, let there be light."

When Maggie's grandmother passes away, she inherits her house and a mysterious family secret hidden in her prized daisy garden. As she uncovers the truth, Maggie discovers unexpected connections with her past and finds the courage to open her heart to love again. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Soviet theater troupe dares to put on Shakespeare's King Lear, but shortly before the performance, the actor playing the title role falls ill. The prop manager, a lumbering, largely silent bear of a man — completely inappropriate for the part, according to common perception — finds himself literally thrust into the spotlight. His performance becomes the talk of Moscow, and he falls under the direct scrutiny of Joseph Stalin, who controls whether the show will proceed and the actors will live to give another performance. An audacious winter's tale, The Green Lantern is an exploration of Shakespeare, the Soviet Union, and what it is to "perform," by one of the great American writers.