Ten Stories by one of America's top ten all with the nuance of city detail, the magical spirit of the present.

From the author of the acclaimed novel Living Dead Girl , a finalist for the Los Angeles Times Book Prize, come twelve haunting stories about people caught somewhere between love and madness. Simplify mines the often surreal terrain of people on the margins of life: from the man with a photo of Elvis bleeding on his wall in "Comeback Special," to the profoundly troubled boy genius of the title story "Simplify," to the family that must traverse "The Distance Between Us" to finally get to the truth about their son the murderer, each story hums with sharp drama, mystery, wonder, and startling humor. Simplify, the first collection of short fiction by Tod Goldberg, portrays a world where redemption, hope, and violence are never too far apart. "A keen voice, profound insight...Tod Goldberg's fine ear for dialogue and for the spoken nuances of social microstrata enable him to dispense with reams of descriptive background and cut straight to the heart of the matter. If sometimes his overwhelmed characters fail to fully engage emotionally, their deadpan delivery of jolting ironies reaches to laugh-out-loud heights of insight. Even the collection's title has a sardonic ring. While hardly simple, "Simplify" is devilishly entertaining." --Los Angeles Times "Tod Goldberg's collection, "Simplify," contradicts its title: Goldberg complicates things, in brilliant and moving ways, in stories that live along the border between the mundane and the surreal." --Chicago Tribune "Simplify by Tod Goldberg is lovely and odd." --New York Journal-News Everybody dies at the end of a Tod Goldberg story. Well, almost. The ones who don’t die — violently, through hangings, shots to the heart, slit wrists, drownings, murders — are left to deal with the emotional and psychological fallout. They are the mothers, fathers, younger brothers and sisters in Goldberg’s creepy, strangely sardonic, definitely disturbing version of Middle America...And that, of course, is where the fun begins." --LA Weekly "Goldberg's work is an eclectic collection of realist and surrealist storytelling...startling and shuddersome." --TimeOut Chicago "It’s rare to find a book that can evoke such strong emotions within a single collection, however, Tod Goldberg’s Simplify is a force to be reckoned with." --Bookslut.com "The stories on the whole are powerful, provocative and a pleasure to read. The title entry, in particular, is a minor masterpiece." --Crime Fiction Dossier "The stories in this collection hum with speed and ferocity and a raw energy that exposes your nerve endings, wakes up places inside of you that you had happily lulled to sleep. The sharp-edged, hard-luck boys that populate these pages know exactly how you feel at two in the morning and are telling the truth about it. Simplify is ruthless and tender, truthful, full of heart and scary in all the right ways." --Pam Houston, author of Cowboys Are My Weakness; Sight Hound "Energized, engaging, highly readable-- each one of Tod Goldberg's stories is a nugget of originality. I started each new story with fresh interest, wondering where he would take me next-- to bleeding Elvis, or the Salton Sea, or through the strange way childhood cruelty rearranges adulthood. A terrific collection." --Aimee Bender, author of The Girl in the Flammable Skirt; Willful Creatures "With Simplify Tod Goldberg places himself in the company of such modern masters of short fiction as Dan Chaon, Rick De Marinis and Thom Jones, demonstrating a broad range of styles and moods that he manages to coalesce into a single and frankly, pretty disturbing whole." --Scott Phillips, author of The Walkaway; The Ice Harvest "Tod Goldberg is an amazing true original who plunges deep into the scary heart of our American life. Hilarious and unnerving, charming and creepy, dusted with a strange, ineffable melancholy, these stories made the hair on my head stand up and my eyes fall out. I recommend Simplify to everyone, everywhere. Read it right now!" --Dan Chaon, aut

Of all the characters in modern Jewish fiction, the most beloved is Tevye, the compassionate, irrepressible, Bible-quoting dairyman from Anatevka, who has been immortalized in the writings of Sholem Aleichem and in acclaimed and award-winning theatrical and film adaptations. And no Yiddish writer was more beloved than Tevye’s creator, Sholem Rabinovich (1859–1916), the “Jewish Mark Twain,” who wrote under the pen name of Sholem Aleichem. Beautifully translated by Hillel Halkin, here is Sholem Aleichem’s heartwarming and poignant account of Tevye and his daughters, together with the “Railroad Stories,” twenty-one tales that examine human nature and modernity as they are perceived by men and women riding the trains from shtetl to shtetl.

With her characteristic brilliance, Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. An earthquake offers tragedy and opportunity in the title story, exposing both an ocean bed strewn with treasure and the avarice of the town's survivors. ?Mission Statement? is the story of a bureaucrat's idealism, the ghosts of colonial history, and a love affair with a government minister that ends astoundingly. And in ?Karma, ? Gordimer's inventiveness knows no bounds: in five returns to earthly life, a disembodied narrator, taking on different ages and genders, testifies to unfinished business and questions the nature of existence. Revelatory and powerful, these are stories that challenge our deepest convictions even as they dazzle us with their artful lyricism.

When asked to describe her short stories, Edith Pearlman replied that they are stories about people in peculiar circumstances aching to Do The Right Thing. She elaborated with the same wit and intimacy that make her stories a delight to read: “Before I was a writer I was a reader; and reading remains a necessary activity, occupying several joyous hours of every day. I like novels, essays, and biographies; but most of all I like the short story: narrative at its most confiding. “My own work, and particularly the stories in Vaquita , aims at a similar intimacy between writer and reader. My imagined reader wants to know who loves whom, who drinks what, and, mostly, who answers to what summons. Thank Heavens for Spike Lee! Before his movies writers and critics had to natter about moral stances; now I can say with a more tripping tongue that my characters are people in peculiar circumstances, aching to Do The Right Thing if only they can figure out what The Right Thing is. If not, they’ll at least Do Their Own Right Thing Right. “And I’m drawn to heat: sweltering Central American cities; a steamy soup kitchen; Jerusalem in midsummer; the rekindled passion of an old historian; the steady fire of terminal pain. I like solitaires, oddities, charlatans, and children. My characters are secretive; in almost every story somebody harbors a hidden love, dread, regret, or the memory of an insult awaiting revenge. “When I stop writing stories I plan to write letters, short and then shorter. My mother could put three sentences onto a postcard and make the recipient think he’d read a novel. I’m working towards a similar compression.”

One of America’s premier writers, the bestselling author of Ragtime, Billy Bathgate, The Book of Daniel, and World’s Fair turns his astonishing narrative powers to the short story in five dazzling explorations of who we are as a people and how we live. Ranging over the American continent from Alaska to Washington, D.C., these superb short works are crafted with all the weight and resonance of the novels for which E. L. Doctorow is famous. You will find yourself set down in a mysterious redbrick townhouse in rural Illinois (“A House on the Plains”), working things out with a baby-kidnapping couple in California (“Baby Wilson”), living on a religious-cult commune in Kansas (“Walter John Harmon”), and sharing the heartrending cross-country journey of a young woman navigating her way through three bad marriages to a kind of bruised but resolute independence (“Jolene: A Life”). And in the stunning “Child, Dead, in the Rose Garden,” you will witness a special agent of the FBI finding himself at a personal crossroads while investigating a grave breach of White House security. Two of these stories have already won awards as the best fiction of the year published in American periodicals, and two have been chosen for annual best-story anthologies. Composed in a variety of moods and voices, these remarkable portrayals of the American spiritual landscape show a modern master at the height of his powers.

Andrea Levy, author of the Man Booker shortlisted novel THE LONG SONG and the prize-winning, million-copy bestseller SMALL ISLAND, draws together a remarkable collection of short stories from across her writing career, which began twenty years ago with the publication of her first novel, the semi-autobiographical EVERY LIGHT IN THE HOUSE BURNIN'. "None of my books is just about race," Levy has said. "They're about people and history." Her novels have triumphantly given voice to the people and stories that might have slipped through the cracks in history. From Jamaican slave society in the nineteenth century, through post-war immigration into Britain, to the children of migrants growing up in '60s London, her books are acclaimed for skilful storytelling and vivid characters. And her unique voice, unflinching but filled with humour, compassion and wisdom, has made her one of the most significant and exciting contemporary authors. This collection opens with an essay about how writing has helped Andrea Levy to explore and understand her heritage. She explains the context of each piece within the chronology of her career and finishes with a new story, written to mark the centenary of the outbreak of the Great War in 1914. As with her novels, these stories are at once moving and honest, deft and humane, filled with insight, anger at injustice and her trademark lightness of touch

How I Became a Holy Mother

How is a woman in her thirties, HIV-positive and fresh out of rehab, supposed to find love and work in contemporary, urban America? Emily Carter's critically acclaimed debut traces Glory's journey from her addictions to heroin and alcohol in New York to her rebirth in Minnesota's recovery community. Glory Goes and Gets Some is a streetwise and sardonic look at sex, HIV, addiction, and recovery.

A New York Times Notable Book of the Year, Grey Area demonstrates Will Self's razor-sharp wit in nine new stories that delve into the modern psyche with unsettling and darkly satiric results. "Inclusion(R)" tells the story of a doctor who is illegally testing a new antidepressant made from bee excrement. "A Short History of the English Novel" brings us face to face with a pompous publisher who is greeted at every turn by countless rejected authors. In "The End of the Relationship" a woman who has been left by her boyfriend provokes -- "like some emotional Typhoid Mary" -- that same reaction among all the couples she goes to for comfort. The narrator of "Between the Conceits" declares without hesitation that London is controlled by only eight individuals, and, thankfully, he is one of them.

Projecting a near-future United States in which justice is blind in at least one eye and the ranks of the disenchanted have swollen to dangerous levels, Mosely offers nine interconnected stories whose characters appear and reappear in each others' lives. For all its denizens, from technocrats to terrorists, celebs to crooks, "Futureland" is an all-American nightmare just waiting to happen.

In the field of mad science, women have for too long been ignored, their triumphs misattributed to mere men. Society has seen the laboratory as the province of men. Jacob's Ladder electric arcs, death rays, even test tubes have phallic connotations, subliminally reinforcing the patriarchy. The mother of Mary Shelley, author of Frankenstein, advocated that women appear more masculine to earn respect. If Marie Curie had been allowed to develop her Atomic Gendarmerie for the Institut du radium, surely she would have been awarded her third Nobel Prize, for Peace. Thankfully, the women working to dangerous and/or questionable ends in the pages of Daughters of Frankenstein are unafraid of the patriarchy--indeed, as lesbian mad scientists, they prefer the company and comforts of their own gender. Androids? Pfeh, the gynoid is superior. Etheric dynamos have a more pleasing design, one that is vulvar, than Tesla coils. Eighteen imaginative, if not insane, women; eighteen stories told by some of the finest writers working in queer speculative fiction: Traci Castleberry, Sean Eads, Gemma Files, Amy Griswold, and Melissa Scott.

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

A middle-aged novelist devoid of inspiration alights on material in the form of an obsessive pet-shop worker from Cincinnati. A pregnant mother of two finds herself increasingly in thrall to her help, Nat. For Joad, the discovery of a haunting type-written document in an old desk in need of restoration is overwhelming. And when Roxanne rescues her sister from an institution, she comes to realise how vulnerable they both are.Each of the seven stories in Total is a full world, painted with vivid strokes. From the comforting mundanities of motherhood to a technologically infected near future that mirrors our present with dark prescience, each life captured in this collection is unforgettable.Deftly navigating the fault lines of relationships - new, established or remembered - Total is a powerful collection of brilliantly imaginative stories, and eloquent proof of Rebecca Miller's writing prowess.

Moonstone Books is proud to present Tales of Zorro , a brand-new anthology featuring 18 tales of the fox -- the first collection of original Zorro short fiction ever published! This landmark compilation, edited by Richard Dean Starr ( Hellboy, Kolchak: The Night Stalker ), includes all-new stories and essays by some of today's top writers in film and literature.

Fake ID is a collection of short essays in urban settings. Stuck in coffee shops, bad jobs, SUV's and the United States of America, Tamaki's characters explore and resist social constructions, while seeking sanity and some form of definition. In the tradition of her earlier work, Tamaki mixes social commentary with dry wit, poking fun, not simply at racial, cultural, and sexual prejudice, but also at the ridiculous way these stereotypes play out in everyday life. In Fake ID, identity is not a welcome social construct, but an ugly sweater society gives you for your birthday that doesn't fit and clashes with everything you own.