The town needs to get 300 coffins ready. Heads Up! The priest better be ready to work overtime. --flier from Colombian paramilitaries announcing their arrival In January 2003, U.S. troops were sent to Colombia to train army units engaged in a bloody civil war, deepening a multibillion-dollar American commitment that makes that country the third-largest recipient of U.S. foreign aid. Despite the potential for disaster embodied in the U.S.'s looming entanglement with another jungle war, America's role in Colombia has received little critical media attention. The interlacing of terror, drugs and oil with endemic political instability makes the country a likely international flashpoint in the near future. In this stunning account of Colombian violence and disorder, acclaimed anthropologist Michael Taussig recounts two weeks in a village under siege by paramilitaries. Routinely visited by autodefensas brandishing weapons and a laptop containing a list of names, victims are rounded up, tortured, and killed, their bodies left on display as a warning to others. In his diary of the limpieza (the "cleaning"), Taussig offers unusual insight into the nature of Colombia's present peril and a nuanced account of the human consequences of a disintegrating state.

In September 1940, Walter Benjamin committed suicide in Port Bou on the Spanish-French border when it appeared that he and his travelling partners would be denied passage into Spain in their attempt to escape the Nazis. In 2002, one of anthropology’s—and indeed today’s—most distinctive writers, Michael Taussig, visited Benjamin’s grave in Port Bou. The result is “Walter Benjamin’s Grave,” a moving essay about the cemetery, eyewitness accounts of Benjamin’s border travails, and the circumstances of his demise. It is the most recent of eight revelatory essays collected in this volume of the same name. “Looking over these essays written over the past decade,” writes Taussig, “I think what they share is a love of muted and defective storytelling as a form of analysis. Strange love indeed; love of the wound, love of the last gasp.” Although thematically these essays run the gamut—covering the monument and graveyard at Port Bou, discussions of peasant poetry in Colombia, a pact with the devil, the peculiarities of a shaman’s body, transgression, the disappearance of the sea, New York City cops, and the relationship between flowers and violence—each shares Taussig’s highly individual brand of storytelling, one that depends on a deep appreciation of objects and things as a way to retrieve even deeper philosophical and anthropological meanings. Whether he finds himself in Australia, Colombia, Manhattan, or Spain, in the midst of a book or a beach, whether talking to friends or staring at a monument, Taussig makes clear through these marvelous essays that materialist knowledge offers a crucial alternative to the increasingly abstract, globalized, homogenized, and digitized world we inhabit. Pursuing an adventure that is part ethnography, part autobiography, and part cultural criticism refracted through the object that is Walter Benjamin’s grave, Taussig, with this collection, provides his own literary memorial to the twentieth century’s greatest cultural critic.

Maintaining that the trial and public execution of Louis XVI was an absolutely essential part of the French Revolution, Walzer discusses two types of regicide: the first, committed by would-be kings or their agents, left the monarchy's mystique and divine right intact, while the second was a revolutionary act intended to destroy it completely. Walzer defends the trial and execution of Louis XVI as necessary, since it not only tried to destroy the monarchy's mystique and divine right, but also required the deputies to fully explain their guiding philosophies and applied the rules of judicial process to establish equality before the law. New to this edition is an appendix containing "Revolutionary Justice," Ferenc Feher's classic rebuttal to Walzer's thesis, and Walzer's response, "The King's Trial and the Political Culture of the Revolution."

This is the first book fully to document the multiple career of Ella Kazan. In the 1930s Kazan worked as actor and director in the Group Theatre and other left-wing groups, and he was later a highly successful Broadway director. In 1947 he co-founded the Actors' Studio and directed A Streetcar Named Desire, the beginning of a sustained association with the work of Tennessee Williams. In Hollywood he directed A Tree Grows in Brooklyn, the first of several films for Fox. In the Fifties and Sixties came his major work in the cinema — On the Waterfront, East of Eden, Baby Doll, Wild River, Splendor in the Grass, The Arrangement. These films, some of them neglected by critics at the time, have since emerged as masterworks of the American cinema. In the Sixties, increasingly disenchanted with Hollywood and the studios, Kazan began writing novels, with America America, The Arrangement, and more recently The Assassins. In these extensive interviews with the French critic Michel Ciment, Kazan talks about his work and his life, his difficult relationship with American society and politics, and his concern for personal creativity.

Two young women who shared a flat at university meet again six years later. As they renew acquaintance with each other, their past comes flooding back, and in the course of a weekend they come face-to-face with the inadequacy of their lives and the diminishment of their dreams.

Paperback. The method of the QCD sum rules was and still is one of the most productive tools in a wide range of problems associated with the hadronic phenomenology. Many heuristic ideas, computational devices, specific formulae which are useful to theorists working not only in hadronic physics, have been accumulated in this method. Some of the results and approaches which have originally been developed in connection with the QCD sum rules can be and are successfully applied in related fields, such as supersymmetric gauge theories, nontraditional schemes of quarks and leptons etc. The amount of literature on these and other more basic problems in hadronic physics has grown enormously in recent years. This volume presents a collection of papers which provide an overview of all basic elements of the sum rule approach and priority has been given to those works which seemed most useful from a pedagogical point of view.

This book explores the major paradoxes of Russian literature as a manifestation of both tragic and ironic contradictions of human nature and national character. Russian literature, from Pushkin and Gogol to Chekhov, Nabokov and to postmodernist writers, is studied as a holistic text that plays on the reversal of such opposites as being and nothingness, reality and simulation, and rationality and absurdity. The glorification of Mother Russia exposes her character as a witch; a little man is transformed into a Christ figure; consistent rationality betrays its inherent madness, and extreme verbosity produces the effect of silence. The greatest Russian writers were masters of spiritual self-denial and artistic self-destruction, which explains many paradoxes and unpredictable twists of Russian history up to our time.

"Field Theory II begins with the path integral formulation of quantum field theory. Perturbation theory is generalized beyond tree level, to include radiative corrections (loops). The renormalization procedure and Wilsonean renormalization group are discussed, asymptotic freedom of non-Abelian gauge theories derived, and some applications in Quantum Chromodynamics (QCD) considered, with a brief digression into the Standard Model (SM). Sample higher order corrections are worked out. The SM case requires a study of the spontaneous breaking of the gauge symmetry, a phenomenon which would be more appropriate to call "Higgsing of the gauge bosons"--

For many years the term fin de siècle has been used to imply a state of decadence which was thought to have pervaded 'civilised' European society in the years around 1900. This volume of essays, which draw on a very wide range of disciplines, argues that the period was in fact one of dramatic change, essentially positive and forward-looking in character. This was the period of the rise of the giant corporation, of mass production and mass consumption, and of the development of the generation and distribution of electrical energy. Novel social features such as mass politics, mass media, and mass sport involved the body of ordinary people and in the arts, complex reactions to contemporary social reality were aroused and expressed. This was also the period which gave birth to the study of quantum mechanics, relativity physics, mental processes and genetics. This volume forms part of a sequence of collections of essays which began with The Enlightenment in National Context (1981) and has continued with Romanticism in National Context (1988). They bring together comparative, national and interdisciplinary approaches to the history of great movements in the development of human thought and actions.

Introduced by an historical essay, Is Diss a System? presents some of the most outstanding and hilarious examples of Jewish dialect humor drawn from the five books Gross published between 1926 and 1928 Nize Baby, De Night in de Front from Chreesmas, Hiawatta, Dunt Esk, and Famous Fimmales providing a fresh opportunity to look, read, and laugh at this nearly forgotten forefather of American Jewish humor.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is A thoughtful meditation on the values of Judaism and the ideals of the Declaration of Independence. As he makes clear, there is such a thing as the American-Hebraic idea, which is manifested in the ideals of human dignity, the Rule of Law, the democratic ideal, the rights of conscience, and the pursuit of happiness. It is certain to appeal to American Jews who are seeking identity as Americans and as Jews, and to any reader interesting in understanding why Jews feel rooted in modern America -- from AbeBooks website.