In 1755 on a mission of revenge, and in the guise of English businessman Sebastian Foxx, exiled Sebastião Raposa returns to Lisbon, stalking the ruthless Inquisitor priest Pedro Azinheiro who imprisoned his parents ten years earlier. When a twist of fate turns his carefully laid plans to chaos, he will be forced to choose between surrendering to bloodlust or serving the cause of mercy.

Not long ago, everyone knew that Judaism came before Christianity. More recently, scholars have begun to recognize that the historical picture is quite a bit more complicated than that. In the Jewish world of the first century, many sects competed for the name of the true Israel and the true interpreter of the Torah—the Talmud itself speaks of seventy—and the form of Judaism that was to be the seedbed of what eventually became the Christian Church was but one of these many sects. Scholars have come to realize that we can and need to speak of a twin birth of Christianity and Judaism, not a genealogy in which one is parent to the other. In this book, the author develops a revised understanding of the interactions between nascent Christianity and nascent Judaism in late antiquity, interpreting the two "new" religions as intensely and complexly intertwined throughout this period. Although the "officials" of the eventual winners in both communities—the Rabbis in Judaism and the orthodox leaders in Christianity—sought to deny it, until the end of late antiquity many people remained both Christians and Jews. This resulted, among other things, in much shared religious innovation that affected the respective orthodoxies as well. Dying for God aims to establish this model as a realistic one through close and comparative readings of contemporary Christian texts and Talmudic narratives that thematize the connections and differences between Christians and Jews as these emerged around the issue of martyrdom. The author argues that, in the end, the developing discourse of martyrology involved the circulation and exchange of cultural and religious innovations between the two communities as they moved toward sharper self-definition.

No longer controlled by a handful of institutional leaders based in remote headquarters and rabbinical seminaries, American Judaism is being transformed by the individual spiritual decisions of tens of thousands of Jews living in all corners of the United States. A pulpit rabbi and American Jew, Kaplan follows this religious individualism from its postwar suburban roots to the hippie revolution of the 1960s and the multiple postmodern identities of today. From Hebrew tattooing to Jewish Buddhist meditation, his book describes the remaking of historical tradition in ways that channel multiple ethnic and national identities.

First in a brand new historical adventure series from million copy selling Caroline Lawrence, set in Roman Britain during the reign of the evil Emperor Domitian. The year is AD 94. The place is Roman Britain. Three siblings arrive in Londinium on a ship from Rome. Pursued by three henchmen working for the evil Emperor, they are hoping to find refuge. Meanwhile, a mysterious Jewish boy has also disembarked, on a quest of his own. Strangers in a strange land, they gratefully team up with a British girl who will be their guide in this new world. But things do not turn out quite as they hoped...Brand new Roman series from the bestselling author of THE ROMAN MYSTERIES, perfect for children studying at Key Stage 2.

An unsparing, incisive, yet ultimately hopeful look at how we can shed the American obsession with self-reliance that has made us less healthy, less secure, and less fulfilled The promise that you can "pull yourself up by your bootstraps" is central to the story of the American Dream. It's the belief that if you work hard and rely on your own resources, you will eventually succeed. However, time and again we have seen how this foundational myth, with its emphasis on individual determination, brittle self-sufficiency, and personal accomplishment, does not help us. Instead, as income inequality rises around us, we are left with shame and self-blame for our condition. Acclaimed journalist Alissa Quart argues that at the heart of our suffering is a do-it-yourself ethos, the misplaced belief in our own independence and the conviction that we must rely on ourselves alone. Looking at a range of delusions and half solutions--from "grit" to the false Horatio Alger story to the rise of GoFundMe--Quart reveals how we have been steered away from robust social programs that would address the root causes of our problems. Meanwhile, the responsibility for survival has been shifted onto the backs of ordinary people, burdening generations with debt instead of providing the social safety net we so desperately need. Insightful, sharply argued, and characterized by Quart's lively writing and deep reporting, and for fans of Evicted and Nickel and Dimed, Bootstrapped is a powerful examination of what ails us at a societal level and a plan for how we can free ourselves from these self-defeating narratives.

Barack Obama swept into office in 2008, capitalizing on his fresh and compelling political persona, the appeal of his "Hope and Change" campaign, the pre-election financial crisis, and a wave of popular discontent with his predecessor. The nation's first African-American president stirred unusually high expectations, and his first term saw the passage of a substantial economic stimulus package, a large-scale expansion of financial regulation, a drawdown in Iraq, and his signature health care reform. But a stagnant economy persisted. His personal popularity had no effect on the persistent disapproval of his program. The Democrats suffered a severe electoral setback in the 2010 Congressional election. But Obama's exceptional campaign organization, his strong personal appeal, and a weak Republican opponent won him a second term in 2012. Now his presidency is in its final stage. In Obama's Time, eminent historian Morton Keller has written the first historical assessment of Barack Obama's presidency. Drawing on a lifetime of scholarship on American history and politics, Keller examines Obama's presidential persona and governing style, his domestic and foreign policies, and his place in the broader history of American politics. Obama is deeply committed to active federal government, in the tradition of FDR's New Deal and LBJ's Great Society. But his ambitions have been tempered by the heavy weight of existing institutions and past precedents, strong Republican opposition, and unforeseen events. Keller concludes that this is a time when the centralized bureaucratic state faces a deep crisis of legitimacy. He ascribes the intense party polarization to a political culture in which the media, advocacy groups, and ideologically-driven donors have outsize influence. Historians will continue to debate the Obama presidency for decades to come. Keller's account of how Obama governed, the larger political context in which he functioned, and why he was unable to close the gap between expectations and reality, will be invaluable to that debate.

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

A cogent historical examination and critique of the unpredictable political situation in the Middle East focuses primarily on the last fifty years and includes a complete analysis of the part the United States plays in that volatile situation. 10,000 first printing.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich

"With a revised foreword by Brookings President Strobe Talbott and a new introduction by Berlin's editor, Henry Hardy. George Kennan, the architect of US policy toward the Soviet Union, called Isaiah Berlin 'the patron saint among the commentators of the Russian scene.' In The Soviet Mind, Berlin proves himself fully worthy of that accolade. Although the essays in this book were originally written to explore the tensions between Soviet communism and Russian culture, the thinking about the Russian mind that emerges is as relevant today under Putin's post-communist Russia as it was when this book first appeared more than a decade ago. This Brookings Classic brings together Berlin's writings about the Soviet Union. Among the highlights are accounts of Berlin's meetings with the Russian writers in the aftermath of the war; a celebrated memorandum he wrote for the British Foreign Office in 1945 about the state of the arts under Stalin; Berlin's account of Stalin's manipulative 'artificial dialectic'; portraits of Pasternak and poet Osip Mandel'shtam; Berlin's survey of Russian culture based on a visit in 1956; and a postscript reflecting on the fall of the Berlin Wall and other events in 1989. Henry Hardy prepared the essays for publication; his introductory discussions describe their history. In his foreword, revised for this new edition, Brookings's Strobe Talbott, a long-time expert on Russia and the Soviet Union, relates the essays to Berlin's other work. The essays and other pieces in The Soviet Mind-which includes a new essay, 'Marxist versus Non-Marxist Ideas in Soviet Policy, ' and a summary of a talk on communism-represent Berlin at his most brilliant, and are invaluable for policy-makers, students and anyone interested in Russian politics and thought-past, present and future" ...

Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.

Peter Pan, Jacqueline Rose contends, forces us to question what it is we are doing in the endless production and dissemination of children's fiction. In a preface, written for this edition, Rose considers some of Peter Pan's new guises and their implications. From Spielberg's Hook, to the lesbian production of the play at the London Drill Hall in 1991, to debates in the English House of Lords, to a newly claimed status as the icon of transvestite culture, Peter Pan continues to demonstrate its bizarre renewability as a cultural fetish of our times.

Originally published in 1980, this now classic work of literary theory explores the wilderness of positions that grew out of the collision between Anglo-American practical criticism and Continental philosophic criticism. This second edition includes a new preface by the author as well as a foreword by Hayden White. ?A key text for understanding ?the fate of reading' in the Anglophone world over the last fifty years.”?Hayden White, from the Foreword ? Criticism in the Wilderness may be the best, most brilliant, most broadly useful book yet written by an American about the sudden swerve from the safety of established decorum toward bravely theoretical, mainly European forms of literary criticism.”?Terrence Des Pres, Nation ?A polemical survey that reaffirms the value of the Continental tradition of philosophical literary criticism.”?Notable Books of the Year, New York Times Book Review

An assessment of the works of Franz Kafka aimed at a definiton of the basic components of his style

The renowned economist discusses the impending global economic crisis and the eight-step program that America can begin in order to head it off

Love, Poverty and War: Journeys and Essays showcases the Hitchens' rejection of consensus and cliché, whether he's reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.