Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia and in the music of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields the author has now selected his best work to make up a volume of exceptional breadth and fascination. The subjects range from the relationship of Slavonic music to the western world to detailed essays on figures such as Chopin, Dvorak, Rubinstein and Mussorgsky. There are two new unpulished essays. A study of realism in Janacek's operas contains a particularly fine analysis of 'From the House of the Dead' and there is an account of the fantastic 'erotic diary' for piano in which Fibich, one of the best, recorded the secrets of his love affair with Anezka Schulzova. This book is welcomed as much by specialists in the field as by the general reader.

Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia, and of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields Abrahams selected his best work to make up this volume (first published in 1968), one of exceptional breadth and fascination. The subjects range from the relationship of Slavonic music to the western world, to detailed essays on figures such as Chopin, Dvorak, Rubinstein and Mussorgsky. A study of realism in Janacek's operas contains a particularly fine analysis of From a House of the Dead and there is an account of the fantastic 'erotic diary' for piano in which Zdenek Fibich, one of the finest nineteenth-century Czech symphonists, recorded the secrets of his love affair with former student and librettist Aneka Schulzova. Gerald Abraham (1904-1988) was a distinguished musicologist, among his official posts those of Professor of Music at the University of Liverpool and Assistant Controller of Music at the BBC.

From the the Academy Award]-nominated screenwriter of "Breakfast at Tiffanys" and "The Manchurian Candidate" comes a story unavailable for almost 50 years. A New York literary agent in love with a Hollywood starlet risks his life to uncover the secret behind a Nobel Prize-winning authors lost final manuscript.

Product Description Marcus Brennan is a successful small-town lawyer on the verge of a breakdown. His wife, Schelle, thinks it’s post-traumatic stress disorder from his years as a POW in Vietnam. Planning the dedication of a memorial for Vietnam soldiers, she asks Marcus to say a few words at the ceremony, hoping the experience will help to exorcise his demons. But after agreeing to defend Estella Pritchett, a social worker accused of murdering her lover, Marcus begins a downward spiral into the murky depths of his own past–where sex is violent, where love means betrayal, and where his own memories have the power to destroy him. . . . From Publishers Weekly The author of Harry and Catherine and Absent Friends , among other distinguished literary works, Busch has reached a new level of achievement with this taut and gripping novel. Former Marine Phantom pilot Mark Brennan is a small-town attorney in upstate New York. He has a devoted wife who was active as an anti-war demonstrator, a high-school-age son who seems to be on the edge of big trouble, a daughter in New York who may have made a fatal romantic liaison, and his own demons--memories of Vietnam. Code-named Goblin, Brennan was shot down and captured by the Viet Cong. After several soul-crushing months enduring diabolical torture, he managed a bloody escape. Uncomfortable with his local-hero status and his wife's determination to perpetuate it, Brennan has an uneasy and distant relationship with his family; he lives inside his head most of the time, trying to suppress almost hallucinatory flashbacks to his desolate childhood and his later torments as a POW. But when he takes a pro bono murder case, defending a woman accused of killing her lover during rough sex, the past starts to intrude. Layer upon layer of lies and unbearable truths are peeled away as the trial progresses and Brennan succumbs to his own despair. In his disturbing, thrilling, imaginative exploration of some of the darkest sides of human experience, Busch has deftly transmuted rage and anguish into an extraordinary novel, one that packs a visceral wallop. Copyright 1991 Reed Business Information, Inc. From Library Journal Mark Brennan was a Marine pilot who became a prisoner of the Vietcong. Now a lawyer in upstate New York, he confronts a failing marriage, a troubled son, and a dangerously seductive client on trial for murdering her lover in a motel bed. Both attorney and client suffer a dark legacy of past violence, and in both cases post-traumatic stress disorder leads to further destruction. As first-person narrator, Brennan observes that "the best defense is a good story," and his carefully wrought closing argument becomes a moving apology for his own life. Although the subplot involving Brennan's daughter (whom we encounter only via long-distance telephone) is not entirely convincing, the central narrative remains powerful. Busch's two previous works are Harry and Catherine (LJ 3/1/90) and Absent Friends (LJ 4/1/89), a collection of short stories. - Al bert E. Wilhelm, Tennessee Technologi cal Univ., Cookeville Copyright 1991 Reed Business Information, Inc. From Kirkus Reviews ``The best defense is a good story,'' Vietnam vet/lawyer hero Mark Brennan obsessively tells himself. The disintegration of Brennan's own ``story'' through his involvement with a sex killing makes a painfully focused one for Busch (Harry and Catherine, 1990, etc.). Brennan's client, tiny Estella Pritchett, is accused of strangling almost-divorced radio-station owner Larry Ziegler during a bout of rough sex. Brennan plans to defend Estella by arguing that Ziegler's abusive behavior caused her to flash back to her abused childhood and strike out to defend herself. But he knows that Estella wasn't really defending herself: she'd already tied Ziegler to the bed at the Stone's Throw Motel--the same bed she's begun to use for her increasingly dangerous liaisons with Brennan. Drawn as he is to Estella, Brennan--already

Francisco Su rez (1548-1617) was the greatest metaphysician and moral theorist of sixteenth- and seventeenth-century scholasticism. Su rez is of particular importance as a theorist of natural law and of rights, for his work combines expertise in moral theory with a mastery of civil and ecclesiastical jurisprudence and a sophisticated theory of the human person. The bulk of the selections in this volume are from A Treatise on Laws and God the Lawgiver (1612), "one of the major works of scholastic moral and legal theory," writes volume editor Thomas Pink. In the Treatise, working within the framework originally elaborated by Thomas Aquinas, Su rez presented a systematic account of human moral activity in all its dimensions, synthesizing the entire scholastic heritage of thinking on this topic and identifying the key issues of debate and the key authors who had formulated the different positions most incisively. Then he went beyond this heritage of authorities to present a new account of human moral action and its relationship to the law. The second selection is from A Defence of the Catholic and Apostolic Faith (1613), a treatise on the errors of Anglicanism and, in particular, on the errors of King James I in relation to the power of the king in temporal matters and the power of the pope to intervene in the cause of religion. The selections in the final section, A Work on the Three Theological Virtues (1621), are taken from Su rez's accounts of faith and love, and they concern the conversion of unbelievers and the conditions of a just war. The translations in this volume were originally published by the Carnegie Endowment for International Peace. Now republished with a new introduction, revisions to some of the existing notes, and additional notes, these selections are again available in English for those interested in the ethical and metaphysical foundations of political authority and the right to liberty. The texts are of special interest to historians of religious liberty, toleration, and coercion as a classic account of the coercive authority in matters of faith and religious practice of the Catholic church. Thomas Pink is Professor of Philosophy at King's College London. Some of his publications include Free Will: A Very Short Introduction and The Will and Human Action: From Antiquity to the Present Day.

Filmmaker Eva Orner takes us on a personal, gripping and compelling journey to show us how she came to make her documentary about Australia's asylum seeker policies. ' My work as a filmmaker has taken me to some wild, dangerous places ... It's been a crazy, nomadic kind of life, taking me to conflict zones and desperately poor, chaotic, unstable countries. I've been sick, injured, scared and had too many close calls to mention. I spend a lot of time alone, in airports, lugging camera gear, gazing up at flickering departure boards.' But I love it. I love the feeling I get when I am heading into the unknown.' Angry and frustrated with Australia's asylum seeker and refugee policies, Eva Orner, Academy Award®-winning filmmaker, returned home after a decade living in the States to make the documentary Chasing Asylum about the issue. Embarking on a tumultuous eighteen months, Eva travelled to Indonesia, Cambodia, Lebanon, Afghanistan and Iran, spending time with and filming asylum seekers, as well as interviewing politicians, activists and commentators including David Marr and Malcolm Fraser. She smuggled a pen camera into an Indonesian jail to interview a convicted people smuggler, she talked to whistle blowers in Australia, and in Iran she met with the family of the man killed in the Manus Island riot. Chasing Asylum is a compelling insight into a filmmaker's journey, and a very personal story of the cost, risks and rewards of putting yourself on the line for a film and for a cause. The Guardian writes of the film Chasing Asylum: 'The full, muscular weight of the feature documentary format has finally tackled the subject with Chasing Asylum, a viscerally intense expose given gravitas by Academy and Emmy award-winning film-maker Eva Orner ... not just successful, but awfully and unforgettably effective: vital, evocative and gut-wrenching.' 'Eva Orner is no stranger to bravery ... she manifests this steadfastness in relating story after story where pain, violence and horror frame her narrative, interspersed by accounts of the daily life of a filmmaker ... Orner is brave not just emotionally, but also physically, risking imprisonment, illness and violence to uncover the stories of those who have sought refuge ... It is a story that must be told.' Sydney Morning Herald

This memoir, a young poet's tragicomic account of crossed loves and rebellions as he grows from boy to man under the vigilant eyes of the state in the Soviet Union between the 1950s and 1970s, can be approached as a bildungsroman. It is set in Tallinn, Riga and Moscow (with episodes in Uzbekistan, Moldavia, and the Ukraine) and, apart from this author's own story, deals with the experiences of young people of that period, their friendships and attempts to form erotic/romantic attachments, as well as their search for national--Baltic, Jewish, Russian--identity while being watched and sometimes interrogated by the secret police. It also includes some reconstruction of the author's family history: expulsion from Spain, the Magician of Prague, the renowned historian Simon Dubnov. The volume progresses from the demonstration of two seven-year-old boys' against Stalin and Lenin, in Tallinn, in the mid-1950s to a dramatic and doomed love affair with a woman married to an army colonel who attempts to shoot the author as the latter is about to make his final exit from the country, with the KGB on his tail, in the early 1970s. While raising a number of important historical and contemporary issues, the memoir is also an involving narrative, a visually descriptive story, varied and engrossing, involving philosophical, theological, and detective elements; popular and literary culture; countries and languages; high seriousness and undercutting irony.

The poet probes the sensual and spiritual world of today's woman as well as the meaning of love and death

Basil St. Cloud falls in love with a descendant of the royal line of deposed and magical kings, and finds himself caught up in a secret movement demanding a return to the rituals of the past.

How much did Aunt Addie know? How much did she feel? Aunt Addie better known to the world at large as Adelaide Granby, the fabulously successful author of 49 volumes of gushing, melodramatic Victorian romance. Upon her death in 1912, flowers and cards pour in, including one particularly lavish set "From Stanislaw", whom her independent-minded, suffragette niece Pamela decides was "darling Aunt Addie's Grande Passion." Pamela also inherits a stack of Aunt Addie's secret papers, including youthful diaries and her unintentionally hilarious unpublished first novel, written when she was only 16, entitled The Bastard of Pinsk (a "bastard", 16-year-old Adelaide was sure, being "A very noble Hero of Royal Blood.") As Pamela explores these documents and talks with those who knew her aunt when, seeking the real-life source of her romantic sensibility, the reader is drawn irresistibly into the intrigue. In a novel both sentimental and brutally honest, nostalgic for and horrified by the sentiments of the past, hilarious and poignant, all at once, the brilliant Eleanor Farjeon poses surprisingly powerful questions about what makes a love "real" and how much one really needs to know to experience it... This new edition features a superb introduction by twentieth-century women's historian Elizabeth Crawford. "Naughtiness of a definitely mauve tint." Beatrice Sherman, New York Times

This a story about decisions, and the difficulty making them, as Hitler's power spreads across Europe. It is told through linked diaries, letters, interviews and poems, which portrary the three main characters as they pursue their own love story to its end. Across their obsessions, the figure of Walter Benjamin, first in Paris, then at the Spanish border, adds a poignant dimension to their hopes and fears.

Fiction ... A sharp and tender portrait of a New York woman as she faces the end of love, the comoplexities of friend- ship, and her own mortality.

Nearly 14, Pauline has discovered that her life is far more interesting if she records it as a great work of fiction -- featuring, of course, herself as the tragic heroine. Pauline's hand-wringing accounts of misbehaving boyfriends, backstabbing friends, and general angst are intermingled with more serious issues like her parents' divorce and her beloved teacher's loss of a best friend to AIDS. Laced with the pop-culture references young readers love, Pauline's "novel" reveals the realities of today's teenage life.

As Denise Levertov comments in her brief foreword to The Life Around Us, she has "shared with most poets in every time and place an ardent love of what my eyes and other senses revealed to me in the world we call nature. Yet in this selection of sixty-two poems chosen by the author "celebration and fear of loss are necessarily conjoined." The Life Around Us shows us both the eternal renewal of the natural world and its imperilment: "In these last few decades of the 20th century it has become ever clearer to all thinking people that although we humans are a part of nature ourselves, we have become, in multifarious ways, an increasingly destructive element within it, shaking and breaking 'the great web'--perhaps irremediably."

Songwriters Speak gives a unique insight into the lives of some of the world's best-known songwriters. The first collection of in-depth interviews with the creative powerhouses hailing from Australian and New Zealand, the book was critically acclaimed on its release in 2005. It became a sought-after reference work for other music writers and serious fans wanting to go deep into the stories of how artists worked, thought and felt. For several years Songwriters Speak was out of print, yet still in demand, until Sydney-based boutique publishing label Bouley Bay Books partnered with author Debbie Kruger to bring this "buried treasure" of music writing back into circulation in 2023. In the intervening time, eight of the songwriters interviewed have died and the music industry has changed dramatically. As Debbie writes in her new Foreword, the conversations she had for the book "stand as meaningful historical testaments to the times they were conducted and unique perspectives on what came before and what was to come later." This book gets inside the hearts and minds of some of our greatest musical poets and asks questions about how inspiration is sparked, whether songwriters are born or made, and where, ultimately, songs come from. In candid face-to-face interviews, these tunesmiths discuss their successful careers, share thoughts on tapping into the creative source and tell the stories behind classic songs including "Friday on My Mind", "The Real Thing", "Eagle Rock", "Khe Sanh", "Deep Water", "Hopelessly Devoted To You", "What's Love Got To Do With It", "Down Under", "Age of Reason", "Beds Are Burning", and "Truly Madly Deeply". Songwriters Speak features conversations with Harry Vanda & George Young, Ross Wilson, John Williamson, Glenn Shorrock, Richard Clapton, Tim Finn, Steve Kipner, Neil Finn, Nick Cave, Christina Amphlett, Paul Kelly, Deborah Conway, Archie Roach, Daniel Johns, Kasey Chambers and many more. Included are key members from legendary bands The Seekers, The Twilights, Masters Apprentices, Axiom, Sherbet, Little River Band, Cold Chisel, Dragon, Sports, Midnight Oil, Mental As Anything, Australian Crawl, Icehouse, INXS, Men At Work, Hunters & Collectors and Savage Garden. Songwriters interviewed are also the masterminds behind hits for Slim Dusty, John Farnham, Olivia Newton-John, John Paul Young, Cliff Richard, Tina Turner, Chicago, Robert Palmer, Christina Aguilera, Lenny Kravitz and other international performers.

David Leavitt's reputation has rested upon stories and novels that explicate a sedate, upper-middle class world of reserved emotions and sexuality. In his new collection of three novellas Arkansas, he explores new territory. Droll, surprising, and very sexy, these works often shock and startle the reader. In "The Term Paper Artist," a writer named David Leavitt writes school papers for cute undergraduates in exchange for sexual favors, and in "Saturn Street." a gay man who delivers lunches to homebound people with AIDS falls in love with one of his clients. Beautifully written and alarmingly funny, Arkansas is one of the best works of gay fiction in years.

Contains meditations on love, war, self and community, life and death, and the earth, in a volume that includes twenty-six new poems.

David Biespiel's energetic language, so varied and musical and precise, is quite unmatched by that of other contemporary poets. The Book of Men and Women is his second collection in the Pacific Northwest Poetry Series, and as always he is the master of the long line, his words strung across its reach as tightly as beads. But new poems in this book explore the intimacies of the shorter line as well and display Biespiel's formal inventiveness and emotional range. The Book of Men and Women addresses our time and human condition in ways both domestic and global. The first section of the book is filled with the wonderful agitation of spell-making language. The poems are connected to the social and historical world, and yet at the same time, they prepare us for the mythic story about men and women that is promised in the book's title. The second section is more formally restrained and as such imbues the speaker with the distinction and melancholy gravitas that characterize the collection. We see this in the remarkable and fully imagined tour de force, "William Clark's Sonnets." The book concludes with a series of autobiographical poems that confront the frailties of love and desire with unflinching intimacy and gratitude. These last poems, composed during an intense three-month period of writing, as well as the other poems in this remarkable volume, showcase Biespiel at the very top of his form.

From Booklist In this collection of stories, Gioseffi, prizewinning anthologist of Women on War (1988), brings together pieces that center on outsiders, race relations, or female sexuality. In the longest story (the novella), a former prostitute and a circus freak find love, only to be torn apart by their pasts. One group of stories deals with the problems of immigrants assimilating to the U.S. Another set deals with racism within the U.S., by and against those who have already been assimilated. Some stories have such a strong element of surprise that they border on magical realism or the supernatural. In many, the main character has or begins an active sexual life. Gioseffi's hard-hitting and guileless prose sometimes adds mystery and sometimes merely confounds. But readers interested in the politically disempowered confronting exploitation and finally having their say will find satisfaction in these parables. Kevin Grandfield Product description Book by Gioseffi, Daniela

First there was Jar Jar Binks Must Die, the Hugo-Award finalist collection of essays discussing science fiction film which Analog called "intelligent and entertaining" and F&SF called "terrific." Then came Shh! It's a Secret, the comedy science fiction novel that Publishers Weekly called "a freewheeling, laugh-out-loud satire." Now Daniel M. Kimmel is back with Time On My Hands, his quirky take on time travel, lost love, divided loyalties, and the eternal search for really good scotch. Time On My Hands investigates the myriad time travel troubles over which most science fiction readers have pondered, but it presents a fresh take on the time travel novel by adhering to the Aristotelian Unity of Time: it all takes place within a single day. In the book, Professor Price tells the story of how he came to be in possession of a time travel device (which he may or may not have invented), and how he found his future hiding in his past. But the discovery of time travel will necessitate far more than just building a really cool machine: it'll take the efforts of many people to figure out how to talk about time travel, the requirements necessary to be an ethical time traveler, and just whose office it is when my yesterday becomes your tomorrow without the courtesy of a knock on the door. Film critic and professor Daniel M. Kimmel has taught film and media classes at Emerson College, Boston University, and Suffolk University. His book on the history of FOX TV, The Fourth Network, received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team, and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies. He earned his undergraduate degree from the University of Rochester (where much of Time On My Hands is set) and his law degree from Boston University.