This Modern Library collection presents seven novellas that brilliantly showcase the range and depth of the talent of Hortense Calisher, a writer hailed by the Saturday Review as "among the most literate practitioners of modern American fiction, a stylist wholly committed to the exploitation of language." Featured is "Women Men Don't Talk About," a new story, published here for the first time. The novellas are characterized by their unfailing intelligence and by the technical sure-handedness and acuity of the writing. Each has a strong sense of place--New York City, the Hudson Valley, Saratoga Springs--and an eclectic cast of characters who inhabit regions where our most acute hopes, fears, and anxieties coexist. The respectable lawyer of "Tale for the Mirror" attempts to oust an unconventional Hindu healer from his community, only to wonder whether the doctor's trickery is any different from his own. In "The Railway Police," a journey by train occasions a social worker's sudden break with past pretenses and her kafkaesque rebirth as a vagabond. And in "Saratoga, Hot," a sharply observed tale set amid the fabled world of horse racing, a man and woman discover new strength in a love touched by tragedy. Included as well are "Extreme Magic," "The Man Who Spat Silver," and "The Last Trolley Ride." "Calisher hits at her targets at a point more vital than the usual marksman knows to exist," wrote novelist and critic Angus Wilson. And The New York Times Book Review commented, "Seen through her eyes the real world is not prosaic. Placed in lyrical, poetic spaces, it is thick and rich with implication." The Novellas of Hortense Calisher, an edition exclusive to the Modern Library, is a major collection from one of America's finest literary voices. The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

Originally published in 1942, The Unvanquished is the story of the Continental Army and George Washington in the desperate early months when the American Revolution faced defeat and disintegration. The book begins with the retreat across Manhattan's East River that saved the Continental Army after the Battle of Long Island. It ends with Washington's recrossing of the Delaware in the daring 1776 Christmas Eve raid on the Hessian camp at Trenton.

"In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction's annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback's vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback's writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback's publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction"--

This is a new presentation of the philosophy of the Talmud. The Talmud is not a work of formal philosophy, but much of what it says is relevant to philosophical enquiry, including issues explored in contemporary debates. In particular, the Talmud has original ideas about the relation between universal ethics and the ethics of a particular community. This leads into a discussion on the relation between morality and ritual, and also about the epistemological role of tradition. The book explains the paradoxes of Talmudic Judaism as arising from a philosophy of revolution, stemming from Jewish origins as a band of escaped slaves, determined not to reproduce the slave-society of Egypt. From this arises a daring humanism, and an emphasis on justice in this world rather than on other-worldly spirituality. A strong emphasis on education and the cultivation of rationality also stems from this. Governing the discussion is a theory of logic that differs significantly from Greek logic. Talmudic logic is one of analogy, not classification and is peculiarly suited to discussions of moral and legal human situations. This book will be of interest to those in the fields of philosophy, religion and the history of ideas, whether students, teachers and academics, or the interested general reader.

Hyperdream is a major new novel by celebrated French author Hélène Cixous. It is a literary tour de force, returning anew to challenge necessity itself, the most implacable of human certainties: you die in the end -- and thatʹs the end. For you, for me. But what if? What if death did not inevitably spell the end of life? Hyperdream invests this fragile, tentative suspension of disbelief with the sheer force of its poetic audacity, inventing a sort of magic telephone: a wireless lifeline against all the odds to the dearly departed. It is a book about time, age, love and the greatest loss. A book which turns on death: on the question or the moment of death, depending on it, expecting it, living off it, taking place at once before and after, but at the same time turning against it, contesting it, outwriting it hopefully, desperately, performatively, as an interruptible interruption. -- Back cover.

Love’s memories, love recalling itself in letters lost and found over an interval of forty years: Cixous’s writer-narrator advances here far into a labyrinth of passions long ago delivered and yet still arriving through the mail, through letters and literature, in other words, the poetry of the post. As for the lovers’ returning scenes, they have their addresses in Paris (rue Olivier de Serres, Avenue de Choisy, street names that endlessly feed love’s unconscious language) and in New York, but also in a lost oasis of the Egyptian desert during the Napoleonic wars, in Athens and along the shores of a great lake centuries ago in the country of myth. The lovers are poets or soldiers, philosophers or students madly in love with poetry and poets. They are as well mermaids or panthers. Panthers? Yes, for it is the passion of the animal that drives all these lovers to bare themselves, and sometimes their claws, before the beloved. Misunderstandings are often, even inevitably the result. Seconded and witnessed by her passionate, truth-telling cats, Cixous’s narrator-writer returns unerringly to moments of errancy inflicted on address and language, those errors and faults when love, perhaps, is listening only to itself, without subject or object, lover or beloved, just love itself, l’amour même, l’amour m’aime, love loving me, in the letter box of memory.

Here, Ilan Stavans, one of the foremost Latino scholars, collects his best essays into one volume. As a Mexican Jew whose native languages are Yiddish and Spanish, Stavans writes in English to limn the tensions, contradictions, and possibilities within the compex notion of a multi-cultural identity.

Text: English, German (translation)

This Is a Great Country (Hal Leonard Student Piano Library Showcase Solo Level 3/Late Elementary). Composed by Irving Berlin. Arranged by Rosemary Barrett Byers. For Piano/Keyboard. Educational Piano Solo. Late Elementary. 4 pages. Published by Hal Leonard (HL.296254). ISBN 0634041150. 9x12 inches. An arrangement for late elementary piano students. About Hal Leonard Student Piano Library A piano method with music to please students, teachers and parents! The Hal Leonard Student Piano Library is clear, concise and carefully graded. Perfect for private and group instruction.

This collection of accessible, idiosyncratic essays explores such enduring literary concepts as character, style, tone, and genre. All have their origin in Howe's passion, moral striving, and abiding faith in the common reader. Edited and with an Introduction by Nicholas Howe.

Few political figures of the twentieth century have aroused as much controversy as the Russian revolutionary Leon Trotsky. Trotsky’s extraordinary life and extensive writings have left an indelible mark on revolutionary conscience, yet there was a danger that his name would disappear from history. Originally published in 1954, Deutscher’s magisterial three-volume biography was the first major publication to counter the powerful Stalinist propaganda machine. In this definitive biography Trotsky emerges in his real stature, as the most heroic, and ultimately tragic, character of the Russian Revolution. This third volume of the trilogy, first published in 1963, is a self-contained narrative of Trotsky’s years in exile and of his murder in Mexico in 1940. Deutscher’s masterful account of the period, and of the ideological controversies ranging throughout it, forms a background against which, as he says, ‘the protagonist’s character reveals itself, while he is moving towards catastrophe.’

carefully translated according to the Massoretic text, on the basis of the English version, after the best Jewish authorities and supplied with short explanatory notes by Isaac Leeser This book, "The twenty-four books of the Holy Scriptures Volume 2", by Isaac Leeser, is a replication of a book originally published before 1853. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.

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