Text: English, German (translation)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

In acclaimed author Eva Figes's inventive reshaping of the pop psychological thriller, her fifth novel opens as Nelly Dean, a middle-aged woman suffering from amnesia, checks into a small-town hotel with a suitcase full of cash and no idea where it—or she—came from. Distrustful of everyone from the waiter who serves her lunch to a store clerk who claims to know her from grade school, Nelly fears she is part of a conspiracy, although she is strangely indifferent to the clues that might explain her puzzling circumstances. Part dark comedy, part mystery novel, Nelly's Version offers an unsettling journey into the mind of a witty, intelligent woman stuck in a pastless present.

Spine creased and leaning, cover worn, owner's inscription. Shipped from the U.K. All orders received before 3pm sent that weekday.

Dahlberg's first novel, written in 1928 and published in 1930, is the story of Lorry Lewis, of Kansas City, Missouri, whose mother sent him to an orphanage in Cleveland when he was eleven. Lorry eventually winds up riding the freights across the West to Portland, and then down to Los Angeles, having many sordid encounters along the way. Somewhere between the cold naturalism of Frank Norris and the urgent spontaneity of Jack Kerouac, the book is often classified as a proletarian novel. It gives a peek into the seamy side of life in the U.S. in the late 1920s. D. H. Lawrence wrote a strange and interesting 10-page introduction, which begins: "When we think of America, and of her huge success, we never realize how many failures have gone, and still go to build up that success. It is not till you live in America, and go a little under the surface, that you begin to see how terrible and brutal is the mass of failure that nourishes the roots of the gigantic tree of dollars." And he ends by saying, "I don't want to read any more books like this. But I am glad to have read this one, just to know what is the last word in repulsive consciousness, consciousness in a state of repulsion. It helps one to understand the world, and saves one the necessity of having to follow out the phenomenon of physical repulsion any further, for the time being."

London in the Blitz. Poppy is a mature and capable woman. She struggles to enable her family to lead normal lives. The problems they create are known to all mothers-a daughter torn between two men and a difficult and headstrong stepdaughter. It is a time of fear and uncertainty but love and passion grow amidst the devastation.

Poetry. "In the poems of CONTROLLING INTERESTS Bernstein continually reveals his desire for the concomitance of the individual and the world, of all language and experience . This book is one of the most original and imaginative in American lyric verse"--Douglas Messerli. "Bernstein presents the reader with a world in which the articulation of an individual language is all but prevented by the official discourses that bombard the consciousness from all sides . He [is] on to something important"--Marjorie Perloff. "It is writing of absolute necessity, demanding not to be appreciated, but understood"--Ron Silliman.

"Reason to Believe is veritable tour de force in defense of Orthodox Jewish faith. The author, a veteran teacher of Judaic Studies, an internationally known rabbi and dayan, faces the tough questions and perennial doubts head-on and offers compelling evidence in favor of Orthodoxy from science, philosophy, history, and Jewish tradition. A valuable and timely resource for those who seek answers, Reason to Believe will also anchor and amplify the faith of those who feel secure in their Orthodox beliefs and lifestyle"--front flap.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Benjamin Disraeli was a British politician who twice served as the Prime Minister and also became the Earl of Beaconsfield. Disraeli is noted for being influential as a politician and as a novelist.

Title: Endymion.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Disraeli, Benjamin; 1880. pp. 84. 29 cm. 12623.k.25.

IN 1941 a young Italian Jewish woman flees her country following the promulgation of Italy's so -called racial laws. She arrives in the neutral city of Lisbon and spends three days awaiting the certificate that will allow her to emigrate to the United States. During her stay she meets Juan Ruben, an anti-Fascist intellectual who coordinates a network of expatriates working to assist refugees. Although emotionally and intellectually displaced, the young woman comes to recognize her exile as a rite of passage, as an opportunity to acquire a new awareness of herself. Her experience of displacement becomes most intense during an outing to Cabo da Roca, the westernmost point in Europe, whose cliffs symbolize "the last sign of earth, the end of Europe", yet also face outward toward the Atlantic and America. With a clear and spare style, Angela Bianchini explores the theme of exile from a variety of perspectives as she offers a glimpse into Italian culture at a major historical juncture. Bianchini lives in Rome, where she was born and raised. She is the author of six novels and a frequent contributor to major Italian newspapers. Angela M. Jeannet is Charles A. Dana Professor of Romance Languages (emerita) at Franklin and Marshall College in Lancaster, Pennsylvania. She is the author of Under the Radiant Sun and the Crescent Moon: Italo Calvino's Storytelling and other works. David Castronuovo is an assistant professor of Italian at Middlebury College in Middlebury, Vermont.

In its day, Andrei Codrescu's controversial and notorious anti-literary literary magazine Exquisite Corpse was a primary source rebellion, passion and black humor. Calculated to assault, shock, intrigue and reflect our anxious millennium fill the pages of this Corpse reader. A heady invitation to enjoy one's intellectual freedom while it lasts, the volume inscribes central (and edgy) poetic controversies, eulogizes and condemns, realizes and surrealizes, translates and travels across space and time to place us in all those wild worlds visited by the bizarre legion of Corpse correspondents.

Product Description Meditations, rhapsodies, elegies, confessions, and mindful chronicle writings filling inward and outward space thru mid-Seventies decade. Mind Breaths: Australian songsticks measure oldest known poetics, broken-leg meditations march thru Six Worlds singing crazy Wisdom's hopeless suffering, the First Noble Truth, inspiring quiet Sung sunlit greybeard soliloquies, English moonlit night-gleams, ambitious mid-life fantasies, Ah crossed-legged thoughts sitting straight-spine paying attention to empty breath flowing 'round the globe;' then Dharma elegy & sharp-eyed haiku. Pederast rhapsody, exorcism of mid-East battlegods, workaday sad dust glories, American ego confession & mugging downfall Lower East Side, hospital sickness moan, hydrogen Jukebox Prophecy, Sex come-all-ye, mountain cabin flashes, Buddhist country western chord changes, Rolling Thunder snowballs, a Jersey Shaman dream, Father Death in a graveyard near Newark, Poe bones, two hot hearted love poems: Here chronicled mid Seventies' half decade inward & outward Mindfulness in many Poetries. "Allen Ginsberg's poems of the 1970's are a marvel, his new book, "Mind Breaths," presenting a half dozen poems, probably more, that are first-rate Ginsberg. . . .The poems are there-on the page, in the book. They are called "mind breaths." No need to speak of kinds, qualities, degrees, the intellect's inevitable meanderings. The poems exist. Think of all the millions of things that might have gone otherwise, so that they might not exist. Our times are bleak enough, heaven knows, but at least we have this." —Hayden Carruth, New York Times Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and school teacher, in Paterson, N.J. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote "Kaddish" 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom "Howl" is addressed, is a intuitive Bronx dadaist and prose-poet." About the Author Allen Ginsberg is also the author of Howl and Other Poems, which was originally published by City Lights Books in the fall of 1956.

"Dr. Adriaan" by Louis Couperus delves into the intricate world of family and domestic life, offering a compelling character study within the framework of psychological fiction. Couperus masterfully explores the complexities of relationships, revealing the subtle tensions and unspoken dramas that simmer beneath the surface of everyday interactions. A timeless exploration of families, this literary work offers a deep dive into the psychological landscape of its characters. Through nuanced prose, Couperus examines the enduring themes of human connection and the subtle yet powerful forces that shape our lives within the family unit. "Dr. Adriaan" remains a resonant and insightful portrayal of the human condition, showcasing the author's skill in capturing the nuances of familial bonds. This meticulously prepared edition preserves the original text for readers to experience Couperus's vision. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Small underlinings or marks on the side, see photo.

Adeena Karasick’s fourth book of poetry achieves an astonishing layered complexity and maturity. Dyssemia Sleaze is at one and the same time Karasick’s most political and most personal book to date. Its performance is that of an inter-folded language, woven (shuffled) back and forth between the perpetual absence of intimations of the thing itself and the rupture of the ever-present metamorphoses of its mediation. This tapestry of syntax, the fitting of one word to another, becomes a triumph, in this book, of the feminine sensibility over the linear, masculine, causal narrative (what used to be called ‘naive realism’). It is the feminine soul crying at the ‘Mehitzah,’ the wall that separates the male and female worshipers in the Jewish temple. It is the woman at the temple screen, impervious to anything but language, as the current post-modern heir to authenticity. This is a book of walls: defensive walls that keep people out-the garrison; and inclusive walls that keep people in-paradise. And it is a book of transgression-of messengers, both voluntary and mercenary, who pass and carry the notes and letters, both living and dead, between those who are without and those who are within those walls. At times, Karasick’s language becomes the veritable milk of life: you, the reader, the child of innocence, get whatever “mama’s eaten that day,” both “itself,” and “itself mediated,” always unpredictably. The very sensuality of its presentational style (full colour image-text collage) is at one and the same time in dire conflict with the complex austerity of its exegesis-the heartbreak of recognition illustrated in the mirror of desire. Knowing here (her) is always the illusion of the illustration of the object of desire: certainty is a fetish of bondage; knowing the opening of the mouth (wound) of the tear into substance. And the laughter, that dangerous laughter.

"The Elsewhere." Or, midbar-biblical Hebrew for both "wilderness" and "speech." A place of possession and dispossession, loss and nostalgia. But also a place that speaks. Ingeniously using a Talmudic interpretive formula about the disposition of boundaries, Newton explores narratives of "place, flight, border, and beyond." The writers of The Elsewhere are a disparate company of twentieth-century memoirists and fabulists from the Levant (Palestine/Israel, Egypt) and East Central Europe. Together, their texts-cunningly paired so as to speak to one another in mutually revelatory ways-narrate the paradox of the "near distance."