Reading Shakespeare Historically is a passionate, provocative book by one of the most renowned and popular Renaissance scholars writing today. Charting ten years of critical development, these challenging, witty essays shed new light on Renaissance studies. It also raises intriguing questions about how the culture and history of the past illuminates the key social and political issues of today. Lisa Jardine re-reads Renaissance drama in its historical and cultural context, from laws of defamation in Othello to the competing loyalties of companionate marriage and male friendship in The Changeling. In doing so she reveals a wealth of new insights, sometimes surprising but always original and engrossing. At the same time, these essays also provide a fascinating account of the rise of feminist scholarship since the 1980s and the diversifying of `new historicist' approaches over the same period. Reading Shakespeare Historically will fascinate and provoke students of shakespeare and his historical age, and general readers with an urge to understand how the culture and history of our past illuminates the key scoial and political issues of today.

This work is a study of a few typical “Reform Movements” or heresies in the history of Catholicism during the Middle Ages and of Protestantism during the Reformation era. It has been undertaken with a view to describing and analyzing the contributions by Jews and Judaism to the rise and development of these movements. [The author has] selected for detailed investigation the Iconoclastic Controversy of the ninth century, the Catharist, Waldensian, Passagian and Judaizing heresies of the eleventh, twelfth and thirteenth centuries, because they typify “Reform” tendencies within Catholicism. To illustrate similar tendencies in Protestantism, [the author has] chosen the Hussite movement during the fifteenth century, the Pre-Reformation period; the Lutheran movement in Germany and the Swiss revolt led by Zwingli, both during the Reformation period; the Unitarian movement promoted by Michael Servetus during the sixteenth century, and the Puritan movement in England and America, both during the Post-Reformation era. The book aims to answer three main questions: First: Of what nature and how important is the content of the contribution of Judaism to the rise and development of Christianity? [The author has] already begun a study in connection with the preparation of this volume. Second: Have the Reform movements in Christendom arisen through the aid of Jewish literary and personal influence? This present work is an attempt in part to answer this question. Third: Is Christianity “returning to Judaism”? or: Is there a modern rapprochement between the two religions?

What does it mean to trust in God? How can man love God? If timidity is unwholesome, why does Scripture speak of the fear of God? When should a lie be told? What ought to be our attitude to warfare? Of what relevance is the ideal of holiness to men and women of this age? How can pride be conquered? Can a man love his neighbor as himself? In Jewish Values , these and many other ethical and religious questions are considered in the light of Jewish teachings. It is the author's thesis that a gap exists between traditional views as presented in the classic sources of Judaism and their application in the lives of our contemporaries, but he is convinced that this gap can be bridged. This book is a contribution to the building of such a bridge or, at least, as the author suggests, it is a surveyor's plan of part of the work to be done.

'The art of music-making', writes Michael Shmith, 'is a frighteningly intangible abstract thing that is as easy to describe as it is to contain murcury in your hand. Music, a world of sounds and symbols seperated by silences, should be different every time it is played. 'Photography is excellent at providing evidence of the physical side of [musical] interpretation ... however, to really portray the spirit of the musician, it takes an artist of fine talent, great experience and with great feelings sympathetic to his subjects and THEIR subjects.' And the late Louis Kahan was such an artist. Not many Australian artists could boast of designing clothes for Josephine Baker and Colette in Paris in the 1920s or having served in the French Foreign Legion. Australian-born, and more than 50 years in Australia, Kahan sketched and painted musicians over most of this time. He sketched Toscanini sketched in Paris 1928; Witold Malcuzynski in Perth in 1948; the young Pavarotti here in 1965; the conductors Sirs Adrian Boult and Malcolm Sargent and Igor Stravinsky - they are all here and many more. The more than 80 portraits of musicians are held in the collection of the Victorian Arts Centre for local and international visitors to see and appreciate. This book records them for a worldwide audience.

A guidebook of the terms and forms of poetry and an outline of English poetry to assit in comprehension and appreciation

Prepositions: The Collected Critical Essays, published first in 1967 and then in an expanded edition in 1981, was a definitive set of critical statements by Louis Zukofsky, one of the most important poets of the 20th century. These central expositions of Zukofsky's own poetics, and enduring examinations of the art of poetry, range over the entire length of Zukofsky's career and include sensitive and prescient readings of Henry Adams, William Carlos Williams, Marianne Moore, Ezra Pound, E. E. Cummings, and others. Prepositions + brings this essential collection back into print, and adds generous selections of Zukofsky's uncollected prose, most notably the crucial 5 Statements for Poetry. Published in a small edition in 1958 and out of print ever since, 5 Statements gathers the essays that Zukofsky felt best presented his own poetics. Among them are the three essays, in their original and expansive forms, that crystallized the "Objectivist" movement of the early 1930s. Prepositions + also includes an extended in-depth interview in which Zukofsky discusses his poetry and poetics.

2014 Reprint of Original 1960 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "Epistemological Problems" is a milestone in Ludwig von Mises' groundbreaking development of praxeology. This important work contains foundational thoughts on his theory of human action, or "logic of action," which forms the "distinctive methodology of the Austrian School... Mises was not only the major architect and elaborator of this methodology, but also the economist who most fully and successfully applied it to the construction of economic theory" (Rothbard). Mises headed the Austrian School, which "celebrates freedom and the individual, rather than determinism and the collective... and explicitly rejects the idea that the natural sciences provide the proper model for economic analysis" (Shenoy et al., Towards a Theoretical Framework, 19, 19n). In establishing the school's epistemological foundations, Mises first began working on the subject in a series of articles published in the 1920s. He "collected and published them in his seminal philosophical and methodological work, "Grundprobleme der Nationalökonimie" in 1933," which was not translated into English until this edition. Here Mises presents "economics from the point of view of the philosophy of science, and the actual economic analysis of value and inconvertible capital." The first chapter of the book, "The Task and Scope of the Science of Human Action," evolved as the core of the system "Mises had been working on for years... He argued that economic laws were true a priori, on a par with the laws of logic and mathematics... [This] remained one of his most controversial tenets," in that it frames economic theory as addressing "acts of the real world, such as the one that human beings make choices. But the facts of this sort cannot be observed... Economics is not an empirical science in this sense, but it is a science nevertheless." To Mises "the epistemology of economics was not just an idle pastime for ivory tower intellectuals. It was of direct practical relevance." "Epistemological Problems" remains fundamental in establishing the "significance of economic calculation for the architecture of economic science." It is his most powerful and comprehensive elaboration of the span of economic science, arguing that errors of socialism, institutional racism, nationalism and other aspects of human society can be seen as a revolt against the distinctive rationality of economic logic and science. A work that "has lost nothing of its importance... Epistemological Problems contains a considerable amount of discussion that cannot be found in any other of his writings... in particular his critical discussion of the works of those thinkers to whom he felt the greatest intellectual affinity and intellectual debt: Carl Menger, Eugen von Bohm-Bawerk and Max Weber" (Hülsmann, Introduction, 2002 edition, 670-671, 948, xxix, lv).

The Free Market and Its Enemies is a classic work of economic theory, written by one of the most influential economists of the 20th century. Ludwig von Mises argues that the free market is the only system that can effectively allocate resources and create prosperity, and he exposes the fallacies of socialism and other rival economic systems. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

2012 Reprint of 1962 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. If Mises has an unheralded masterpiece, "The Ultimate Foundation of Economic Science" is it. There are two senses in which this book is indeed ultimate: it deals with the very core of economics as a science, and it is the last book that he wrote. For that reason, it is a real milestone in the history of his work. In this volume, Mises argued that economics is a science because human action is a natural order of life and that it is the actions of humans that determine markets and capital decisions. Since Mises believed these links could be proven scientifically, he concluded that economics, with its basis on that human action, is indeed a science in its own right and not an ideology or a metaphysical doctrine.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Just in time for the new millennium, things are falling into place. Online advice columnist Lola Somerville lands the plummest of jobs at Ovum Inc., the hip new TV and web network promising smart programming for women. As Ovum's in-house relationships expert, Lola is now up against the pop-psych big dogs--the authors of the mega-selling The Canon: Your Only Hope For a Husband and of the pharma-memoir Xanax Planet , not to mention E. Ron Wilson, kabillionaire despot of the Men Are Pigs, Women are Nuts empire. She's also rubbing elbows with the most powerful person in the universe: the talk-show host/domestic goddess/pop singer/movie actress/anti-landmine activist Penelope. But Lola soon starts to suspect that something is rotten in Ovum's 24-hour juice bar. Are her sidekicks Kat and Ted the only people who know about her forbidden romance? Whose idea was it to change the women's sports show from "Sweat" to "Glow?" Could she--and her entire demographic--be up against forces more powerful than incompetence? The sinister, surprising truths Lola uncovers will change her, her slice of the world, and the market share of Ben and Jerry's, forever.

FDR’s Four Freedoms—Freedom of Speech, Freedom to Worship, Freedom from Want, and Freedom from Fear—were presented to the American people in his 1941 State of the Union address, and they became the inspiration for a second bill of rights, extending the New Deal and guaranteeing work, housing, medical care, and education. Although the bill never was adopted in a legal sense in this country, its principles pervaded the political landscape for an entire generation, including the War on Poverty and the Great Society reforms of the 1960s. The ideas expressed in the Four Freedoms speech inspired the Universal Declaration of Human Rights. But since the late 1970s and early 1980s, these freedoms have been under assault, from administrations of both parties, economic pressures, and finally, the alleged requirements of national security. After 9/11, this process accelerated even more rapidly. The authors address the hard questions of individual freedom versus national security that are on the minds of Americans of all political stripes. They bring together the pivotal events, leaders, policies, and fateful decisions—often pathbreaking, more often ending in folly—that have subverted our constitutional government from its founding. “You reach the inescapable conclusion,” the authors write, “that the United States is a warrior nation, has been addicted to war from the start, and is able to sustain its warfare habit only by mugging American taxpayers, and believing in its mission as God’s chosen.” The Four Freedoms Under Siege features a foreword by Barbara Ehrenreich, a journalist, activist, and the author of Nickel and Dimed: On (Not) Getting By in America.

Practical, godly career advice for those entering the workplace From the classroom to the cubicle, the transition from college to career marks one of life's biggest shifts. No more summer breaks, flexible schedules, or cutting classes. How can you prepare yourself now for the changes ahead? Will you be ready for the working world? Redefining Life: My Career sets up realistic expectations of what you can anticipate in your new career: surviving a nerve-wracking interview, handling a prickly supervisor, and most important, representing Christ through it all. You never get a second chance to make a first impression, so make the most of this opportunity.With unflinching honesty and challenge, the Redefining Life series helps young adults in their early to mid twenties ask essential, life-defining questions that will characterize their lives from this point forward. Each of these practical studies includes readings from books, magazines, and The Message Bible designed to spark lively discussion and self-reflection.

Publisher's description: At the heart of this... Mexican novel lies the search for a family history. Using ancestral recollections, flashbacks through history, and personal memory, the author traces her family roots from pre-Revolutionary Russia to contemporary Mexico. Margo Glantz's Mexico is a mysterious world-- a cultural carnival where Flash Gordon crosses paths with Columbus: a Mexico of Diego Rivera, Leon Trotsky and Frida Kahlo, hijacked by Dracula and King Kong, filled with the aromas of a kosher bakery and the echoes of jokes, some corny, some not.

Must poetic form be, as Yeats demanded, "full, sphere-like, single", or can it accommodate the "impurities" Yeats and his Modernist generation found so problematic? Sixty years later, these are still open questions, questions to which Marjorie Perloff addresses herself in the essays collected here. The first group of essays deals with Pound's own poetics as that poetics related to two of his great contemporaries, Stevens and Joyce, as well as to the visual arts of his day. The second group deals with the more technical aspects of verse and prose. In the last four essays, Perloff takes up broader issues, including the current pessimism about the state of poetry, and the work of experimental poets and conceptual poets.

What is the legacy of Brown vs. Board of Education? Well known for establishing racial equality as a central commitment of American schools, the case also inspired social movements pursuing equality in education for students across all lines of difference, including language, gender, disability, immigration status, socio-economic status, religion, and sexual orientation. Yet, more than a half-century following Brown, schools, parents and policy makers still debate whether the ruling requires all-inclusive classrooms, and today American schools appear to be more segregated than ever. School choice, once a strategy for avoiding racial integration, has emerged as a method for racial mixing in some school systems, even as magnet and pilot schools, charter schools, and vouchers for private schools enable new forms of self-separation by language, gender, disability, and ethnicity. In In Brown's Wake, Martha Minow examines the way that Brown continues to reverberate over a wide-spectrum of equality issues in public and school choice programs. She argues that the terms placed on such initiatives carry serious consequences for both the character of American education and civil society itself. Though the original promise of Brown remains more symbolic than effective, Minow demonstrates the power of its vision in the struggles for equal education regardless of students' social identity, in the United States and internationally. Further, she urges renewed commitment to the project of social integration even while identifying the complex routes necessary to achieve it. A concise introduction to Brown and its aftermath, In Brown's Wake explores surprising and widespread effects of one of the most important Supreme Court decisions of the century with elegance and economy.

In the wake of suggestions that the doctrine of the atoning death of Christ did not come into being in the earliest stages of Christianity, Martin Hengel forcefully argues with impeccable scholarship that the doctrine can be traced back to the earliest church, indeed to the sayings of Jesus himself. In the first part of this examination, Hengel explores a wide area of classical antiquity. Would it have made sense to Greeks and Romans of the first century to say that Jesus had died for them? Were there points of contact in their traditions? Surveying Greek and Latin literature, Hengel shows just how widespread the theme "dying for" actually was, from Homer, through the Greek tragedians and orators, to Plutarch, Livy, and Caesar. The second part of the book is devoted to tracing the doctrine of atonement, moving back from the letters of Paul, through the pre-Pauline tradition, to Jesus.

Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. Songs of Experience is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis―qualities that have made Martin Jay's previous books so distinctive and so successful―Songs of Experience explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history. As he explores the manifold contexts for understanding experience―epistemological, religious, aesthetic, political, and historical―Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of "experience" in modern cultures.

This book brings together significant articles and excerpts on psychoanalytic technique written by Freud's contemporaries-- analysts who provided some of the most important contributions to their field.