"The Renaissance in National Context" aims to dispel the commonly held view that the great efflorescence of art, learning and culture in the period from around 1350 to 1550 was solely or even primarily an Italian phenomenon. A team of distinguished scholars addresses the development of art, literacy and humanism across the length and breadth of Europe--from Rome to the Netherlands, from Poland to France. The book demonstrates that the revival of letters, and the generation of new currents in artistic expression, had many sources independent of Italy, meeting numerous local needs, and serving various local functions, specific to the political, economic, social and religious climates of particular regions and principalities. In particular the authors emphasize that while the Renaissance was in a fashion backward looking, recovering the culture of Greece and Rome, it nevertheless served as the springboard for many specifically modern developments, including the diplomacy of the 'new princes, ' the spread of education and printing, the growth of nationalist feeling and the birth of the 'new science'. Bridges of cultural transmission are given equal emphasis with the barriers which were to generate increased separation of linguistic and cultural domains. Three essays on major Italian centres do moreover demonstrate that the diversity of the Renaissance applies to the peninsula no less than to the rest of Europe.

Born in New York in 1909, Milton Rogovin has been photographing coal miners since 1962, working first in Appalachia and later, in the 1980s, in Europe, Asia, South Africa, China, Mexico, and Cuba. Particularly in these later portraits he concentrated on the lives of miners as revealed at work and at home. Men and women portrayed at a mine entrance or in a changing room, covered in coal dust, are barely recognizable in the accompanying photographs, where they proudly stand in their living rooms or backyards, holding a pet or posing with their families, surrounded by their cherished belongings. Milton Rogovin: The Mining Photographs presents more than one hundred of these direct and powerful images, usually in pairings that reveal Rogovin's unsentimental regard for men and women whose dangerous work is shown to be only one part of their complex lives. With an introductory essay by Judith Keller, associate curator of photographs at the Getty Museum; a chronology of Rogovin's life and career and a selected bibliography are provided by Melanie Herzog.

1990 Menorahs, Mezuzas, and Other Jewish Symbols (P) by Miriam Chaikin / Illustrated by Erika Weihs ***ISBN-13: 9780395947487 ***Pages: 102

A narrative version of the Old Testament passages describing how the Jewish Sabbath came to be.

Product Description The mutual interaction of philosophy and Roman political and cultural life has aroused more and more interest in recent years among students of classical literature, Roman history, and ancient philosophy. In this volume, which gathers together some of the papers originally delivered at aseries of seminars in the University of Oxford, scholars from all three disciplines explore the role of Platonism and Aristotelianism in Roman intellectual, cultural, and political life from the second century BC to the third century AD. Review Praise for Philosophia Togata I: "An invaluable contribution to the long-overdue exploration of an important but neglected area".--Greece & Rome About the Author Miriam Griffin, Tutorial Fellow in Ancient History, Somerville College, Oxford.

Miriam Waddington's career as a writer began in the 1940s. In the years since, she has produced a body of work that has made her one of the most widely read poets in Canada. Her ninth collection-the first since Driving Home in 1972-is about light and silence, about places, and, most importantly, about solitude without loneliness, space without emptiness, death without fear. Her verbal discipline, imagery, warmth, toughness, and humour; her multicultural sympathies; her optimism and honesty-all are qualities that make her poetry fresh and intimate.

New York isn't what it used to be, so why haven't New York's photographers and photographic books caught up with reality? Why do picture-makers continue to mimic the gritty glamour and aggression of William Klein's "New York images," or stalk up and down Fifth and Madison Avenues paying peculiar homage to Garry Winogrand, or struggle to rediscover the romance of Nan Goldin's "Lower East Side," on streets now clogged with Starbucks and designers' tenement-scaled emporia? What makes Mitch Epstein's most recent book, "The City," particularly interesting is witnessing Epstein's attempt to breathe life back into a classic, albeit tired, genre. Instead of the usual raucous juxtapositions of visual cliches--pictures crammed with street corner sturm und drang and urban gargoyles--"The City"'s elliptical narrative unfolds quietly. There's a meditative, almost medicated calmness to the book's color still lifes and cityscapes: the droll display of overwrought deli cakes; a street festival shooting gallery's targets, featuring the faces of Timothy McVeigh, Amy Fisher and Hitler, offering discounted prices for kids; the sports jacket, carefully folded and placed on the grass in Central Park, whose banal but eerie presence suggests anything from a lunchtime nap to murder. To complicate matters, these images are interspersed with black-and-white portraits--of Epstein's wife, daughter, friends and acquaintances--that are equally enigmatic. Some subjects smile; some look into the distance. Still others stare back--with willful intent, or unable or uninterested in hiding their vulnerability--through the camera's lens. As complex and beautiful as Epstein's photographs of New York situations are, as intimate as his portraits might be, "The City" ultimately creates something surprising; the opportunity to ponder what photography can and cannot reveal about our public lives and our most private selves.By Marvin Heiferman

"Through the local children's imaginative fantasy of a pretend war, tells the story of the day-to-day survival of Jews in Porto Alegre, Brazil, during World War II. The first novel by Brazilian-Jewish author Moacyr Scliar; translated by David William Foster"--Provided by publisher.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Winner - KOALA Children's Choice Awards 2011 - Fiction for Years 7-9 Winner - YABBA Children's Choice Awards 2011 - Hall of Fame Shortlisted - REAL Children's Choice Awards 2011 - Fiction for Years 7-9 Bridget wants a quiet life. Including, if possible, keeping her parents out of prison. Then a boy called Menzies makes her an offer she can't refuse, and they set off on a job of their own. It's a desperate, daring plan - to rescue two kids, Jamal and Bibi, from a desert detention centre. Can Bridget and Menzies pull off their very first jail break, or will they end up behind bars too? Sometimes, to help a friend, you have to dig deep . With its themes of friendship, perseverance and the power of standing up for what's right, Girl Underground is a must-read for anyone who loved Boy Overboard and wants to continue following Jamal and Bibi's journey through the eyes of all new, but every bit as endearing, characters. ------------------ PRAISE FOR MORRIS GLEITZMAN 'Readers can't get enough of him.' The Independent 'A brilliantly funny writer' Sunday Telegraph 'A virtuoso demonstration of how you can make comedy out of the most unlikely subject' Sunday Times 'He is one of the finest examples of a writer who can make humour stem from the things that really matter in life.' The Guardian

Limpy’s family reckons humans don’t hate cane toads, but Limpy knows otherwise. He’s spotted the signs: the cross looks, the unkind comments, the way they squash cane toads with their cars. Limpy is desperate to save his species from ending up as pancakes. Somehow he must make humans see how fabulous cane toads really are. Risking everything, he sets off on a wart-tinglingly dangerous and daring journey to . . . the Olympics? This is the epic story of a slightly squashed young cane toad’s quest for the truth.

Contrary to the many who praise the efficiency and economy of bigness, it is argued here that bigness is not inherently evil but it can destroy individual and social values.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Morgenstunden Oder Vorlesungen Uber Das Daseyn Gottes Moses Mendelssohn Voss und Sohn, 1785

Abraham Abulafia, the founder of the ecstatic Kabbalah, exposed a mysticism that includes a deep interest in language as a universe in itself, to be studied as the philosophers study nature, in order to attain higher knowledge than natural science and speculative philosophy. The status of Hebrew as the natural, intellectual, and primordial language is discussed against the background of the medieval speculations regarding this topic.Abulafia proposed an elaborate hermeneutical system, unique in the whole Kabbalistic literature, for both its systematic exposition and the eccentric exegetical devices it describes. Various versions of this sevenfold system occur in several manuscripts that are collected and analyzed here in detail for the first time.Torah was regarded by Abulafia as the most important text, reflecting the constitution of the intellectual world and being identical with the Active intellect and even to God Himself. On the other hand, Torah was interpreted in Abulafia’s Kabbalah as an allegory to the psychological processes of the mystic, an approach different from the regular Kabbalistic interpretation of this text as a symbolic corpus reflecting the divine intrasefirotic life.