A brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. The Rainy Season, Amy Wilentz’s award-winning 1989 portrait of Haiti after the fall of Jean-Claude Duvalier, was praised in the New York Times Book Review as “a remarkable account of a journalist’s transformation by her subject.” In her relationship with the country since then, Wilentz has witnessed more than one magical transformation. Now, with Farewell, Fred Voodoo , she gives us a vivid portrayal of the extraordinary people living in this stark place. Wilentz traces the country’s history from its slave plantations through its turbulent revolutionary history, its kick-up-the-dirt guerrilla movements, its totalitarian dynasty that ruled for decades, and its long and always troubled relationship with the United States. Yet through a history of hardship shines Haiti’s creative culture—its African traditions, its French inheritance, and its uncanny resilience, a strength that is often confused with resignation. Haiti emerged from the dust of the 2010 earthquake like a powerful spirit, and this stunning book describes the country’s day-to-day struggle and its relationship to outsiders who come to help out. There are human-rights reporters gone awry, movie stars turned aid workers, priests and musicians running for president, doctors turned diplomats. A former U.S. president works as a house builder and voodoo priests try to control elections. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the essence of this beautiful and confounding land into its darkest and brightest corners. Farewell, Fred Voodoo is a spiritual journey into the heart of the human soul, and Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.

Anthropologists discuss how pastoralists are coping and changing as the societies they inhabit change at an unprecedented rate. Joseph Ginat is the author of "Blood Revenge: Family Honor, Mediation and Outcasting", and Anatoly M. Khazanov is the author of "Nomads and the Outside World".

The story begins in the aftermath of a nuclear war that has reduced our world to ashes. Luckily, a few found their way to the stars and into immortality. In the year 3000, nostalgic for the past, they return to Earth in an effort to reconstruct the lives of the people who lived there.

Beloved NPR commentator and popular author Andrei Codrescu makes a stunning return to historical fiction, detailing the adventurous life and erotic times of the famed illuminist Giacomo Casanova. In his national bestseller The Blood Countess, Andrei Codrescu brought to life the bloodthirsty royal Elizabeth Bathory, who embodied nearly all the contradictions of the seventeenth century. Now he depicts the astonishing life of the legendary Casanova, as the old adventurer relives his life while writing his memoirs in a provincial Bohemian castle at the end of the eighteenth century. Far from being defeated by age, Casanova delights in the maidservants, reacts with intellectual vigor to the unfolding of the French Revolution, and collaborates with Mozart on Don Giovanni. Long considered the rhapsodist of an age of aristocratic mirth, scandal, and innumerable affairs, Casanova was also a first-rate intellect who corresponded and argued with Voltaire and Rousseau. His published work, besides the celebrated History of My Life, includes a multivolume fantasy fiction novel that predates and anticipates Jules Verne; translations of Italian classics into French; and a number of plays that were produced on the great stages of Europe. Casanova's romantic legend overshadowed his literary work, which was, for the most part, not published until 1960. The fate of his writings was nearly as fabulous and intriguing as that of their author. Still, even in abridged, bowdlerized, and fragmentary form, Casanova's memoirs have inspired writers as diverse as Flaubert, Stendhal, Hermann Hesse, and now, Andrei Codrescu. Codrescu's vivid fictional account illuminates the interest we still have in this uncompromising and magical libertine, while it imagines how his life would have continued if Casanova's immortality had extended beyond the literary. In Codrescu's retelling of the Casanova legend, readers are introduced to an age far less inhibited than our own, and far more interesting in its vices. At once a libertine, a defender of women, a reactionary, a revolutionary, a brilliant observer, and a visionary, Casanova was a man ahead of his time both in thought and in action. Finally, in this inventive and absorbing work, Casanova is given due credit for his writings, his philosophies, and, of course, for the amorous magic that has been made known to so many.

Raconteur, poet, and NPR commentator Andrei Codrescu delivers in his inimitable, irreverent style a collection that traverses subjects from aging to consumerism and religion to mass media. Brilliantly funny yet deeply insightful, these poems illuminate Codrescu's acerbic tone and outsized personality and capture the best of his oeuvre. Andrei Codrescu was born in Sibiu, Romania in 1946, and immigrated to the United States in 1966. The author of more than thirty-five books, Codrescu has edited the literary magazine Exquisite Corpse , and his provocative commentary is featured regularly on National Public Radio's All Things Considered . Codrescu currently resides in Arkansas.

"The Poetry Lesson is a must-have manual for emerging poetry-monsters; a book of caveats for the peddlers of "creative" snake oil; an archaeo-psychological scan of instantly obsolete technology; the memoir of a professor relectantly abandoning his sex fantasies; the collected portrait of deluded youth about to find out something horrific; an affectionate treatise on poetry as a cure of hubris; and a de profundis moan of flesh turning into fortune cookies" --Cover, p. 4.

Presents an inventory of the images of the Jew, mainly in Romanian culture. Focuses on popular beliefs, while illustrating ties with more elite political imagery. Groups anti-Jewish stereotypes into various "portraits": physical, occupational, moral and intellectual, mythical and magic, and religious. Some physical images of the Jew, like red hair and "Jewish" freckles were associated with the devil. Another negative feature, one not exclusive to Romanian folk culture, was a belief in the existence of an unplesant Jewish smell considered to be a punishment for deicide that could be, alleviated only by the blood of Christians. Occupational stereotypes often related to materialism and dishonesty, contrasting the Jewish tradesman with the nature connected Romanian peasant. Jewish tavern-keepers were also associated with the devil. Characteristics that could be viewed as positive, like intelligence, were often linked to negative Jewish stereotypes, like craftiness. Some anti-Jewish stereotypes derived from early Christian views, e.g. of the Jews as blind to the "truths" of Christianity. Other images, like that of the Jew as a rain-maker, reflect traditional East European peasant views. An apparently positive image may have negative connotations, e.g. the positive omen of meeting a Jew at the beginning of a trip is based on the idea of the Jew as a "lightning-rod" for attracting the devil away from Christians. The religious portrait combines traditional universal Christian images of the Jew as deicide with local legends of the Jews as responsible for martyring a Christian saint and defacing a revered local icon. As elsewhere in Europe, Jews were accused of killing Christian children. Some of these negative stereotypes were also associated with the Gypsies or other minorities.

In this major new book, Andre Gorz expands on the political implications of his prescient and influential Paths to Paradise and Critique of Economic Reason . Against the background of technological developments which have transformed the nature of work and the structure of the workforce, Gorz explores the new political agendas facing both left and right. Each is in disarray: the right, torn between the demands of capital and the 'traditional values' of its supporters, can only offer illusory solutions, while the left either capitulates to these or remains tempted by regressive, 'fundamentalist' projects inappropriate to complex modern societies. Identifying the grave risks posed by a dual society with a hyperactive minority of full-time workers confronting a silenced majority who are, at best, precariously employed, Gorz proposes a new definition of a key social conflict within Western societies in terms of the distribution of work and the form and content of non-working time. Taking into account changing cultural attitudes to work, he re-examines socialism's historical project—which, he contends, has always properly been to lay down the rules and limits within which economic raitonality may be permitted to function, not to create some statist, productivist countersystem. Above all, he offers a vital fresh perspective for the left, whose objective, in his view, must be to extend the sphere to autonomous human activity, and increase the possibilities for individual self-fulfilment.

Barcelona. 23 cm. 271 p., [6] h. de lám. lám. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Colección 'Las nieves de ayer', numero coleccion(4). Maurois, André 1885-1967. Traducción de María Luz Morales. Lyautey, Hubert. 1854-1934. Biografías. Morales, María Luz. 1889-1980 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario.