Shipped from UK, please allow 10 to 21 business days for arrival. Fair, Book very good; jacket has some tears to edges.

Oswaldo Pay was seven years old when Fidel Castro seized power, promising to create a 'free, democratic, and just Cuba'. But Castro instead created an authoritarian regime and crushed all dissent. The dream of democracy became Pay's life work. Sent to Castro's forced labour camps, he could not stay silent, and formed a pro-democracy movement. After receiving multiple death threats, Pay was killed in a suspicious car accident in 2012. Democracy is in retreat all over the world. Oswaldo Pay showed how to fight for it. His battle was waged from the streets of Havana but carried universal truths. Pulitzer Prize-winner David E. Hoffman, author of the acclaimed The Billion Dollar Spy, tells the compelling story of a courageous dissident in action.

“Laws are like sausages,” Otto von Bismarck is said to have remarked. “It is better not to see them being made.” Even among sausage factories, New York State’s legislature is notoriously dysfunctional, but as Tales from the Sausage Factory reminds us, this was not always the case. Indeed, in the early 1980s, New York’s legislature was a model of professionalism. Cowritten by former state legislator Daniel Feldman and political scientist Gerald Benjamin, Tales from the Sausage Factory offers an up-close look at how law and public policy are made in New York State. Drawing on Feldman’s experiences as a member of the New York State Assembly from 1981 to 1998, the book focuses on four major battles over public safety policy in the 1980s and 1990s—organized crime control, the Rockefeller drug laws, sex offender notification, and gun control. Not afraid to name names along the way, Feldman and Benjamin show how politics works in New York State and how major public policy questions are decided (both in the legislature and the courts), as well as how New York’s legislature might rise above its present dysfunction to recover the professionalism it once had. At a time when frustration with at state government is at an all-time high, Tales from the Sausage Factory is a much-needed reminder of what we can—and should—expect from our state legislators.

The name of Cyril Ornadel may not be known to many outside the musical theatre. The back of his head, however, was for many years the most famous on television, for Cyril Ornadel was the conductor in the orchestra pit for ITV's immensely popular programme, Sunday Night at the London Palladium. But this efficient and unassuming man was the musical director for numerous West End 'hit' shows: Kismet, Call Me Madam, Pal Joey, Wonderful Town, The King and I and My Fair Lady, to name but a few. He is also a composer in his own right. His song 'Portrait of My Love' is a standard, known and loved by an entire generation, while 'If I Ruled the World' from Pickwick, the musical he wrote with Wolf Mankowitz and Leslie Bricusse, became a world-class hit and turned into what was virtually the late Sir Harry Secombe's theme tune. Now, in this rich and illuminating memoir, Cyril Ornadel shares the fruits of his experience in almost every aspect of the music business - theatre, films, recording, composing, orchestrating, conducting, producing. With wit, wisdom and humility he candidly discusses the triumphs and disasters of his lifelong love affair with Show Business.

When Cosmo Landesman's American parents decided to move their young family to London in the swinging sixties, it was not to pursue a quieter life on this side of the pond. Quite the reverse: it was out of unbridled, unashamed lust for fame and fortune. But things did not go according to plan, and as a child Cosmo found himself charged with raising his starstruck parents and trying to cope with the publicity stunt of their 'open marriage'. Over the years he wrote press releases, blurbs and proposals for their plays, film treatments, novels, book ideas and demo tapes. He found himself playing the roll of creative midwife, personal manager, publicist, psychoanalyst and apologist. Not any more. In this hilarious memoir he finally lays bare his extraordinary childhood and the twists and turns of his parents' bizarre desire for the spotlight - and how they were always doomed to failure.

"An autobiographical narrative of the career of British author, bookseller, and book collector Colin Franklin, discussing his life and experiences in the book world. Includes essays on figures in the book trade who have influenced and fascinated Franklin. Illustrated in color and black and white"--

The profiles of five men that culminated in the establishment of the State of Israel.

Piri is a city girl, but every year she goes to visit her grandmother Babi on her farm in the country... The nine stories in this book were inspired by Aranka Siegal's own experiences with her grandmother in the Ukrainian village of Komjaty.

Anthony Blond moves away from the idea of the Roman emperors as noble rulers and instead paints a scandalous picture. The book focuses on six emperors and also devotes sections to Roman society and to the city itself.

Allen Ginsberg (1926-1997) kept a journal his entire life, beginning at the age of eleven. In these first journals the most important and formative years of the poet's storied life are captured, his inner thoughts detailed in what the San Francisco Chronicle calls a “vivid first-person account...Ginsberg's unmistakable voice coming into its own for the first time.” Ginsberg's journals-so candid he insisted they be published only after his death-document his complex, fascinating relationships with such figures of Beat lore as Jack Kerouac and William S. Burroughs, and reveal a growing self-awareness about himself, his sexuality, and his identity as a poet. Illustrated with never-before-seen photos and bolstered by an appendix of his earliest poems, The Book of Martyrdom and Artifice is a major literary event.

The stirring collection of essays, talks and extracts by activists and former judge Albie Sachs marks more than 25 years of thinking about constitution making and non-racialism. Following the Constitutional Court's landmark Nkandla ruling in March 2016, it serves as a powerful reminder of the tenets of the Constitution, the rule of law and the continuous struggle to uphold democratic rights and freedoms. We, the People offers an intimate, insider's view of South Africa's Constitution by a writer who has been deeply entrenched in its historical journey from the depths of apartheid right up to the politically contested present. As a second-year law student at the University of Cape Town, Sachs took part in the Defiance Campaign and went on to attend the Congress of the People in Kliptown, where the Freedom Charter was adopted in 1955. Three decades later, shortly after the bomb attack in Maputo that cost him his arm and the sight in one eye, he was called on by the Constitutional Committee of the African National Congress to co-draft (with Kader Asmal) the first outline of a Bill of Rights for a new democratic South Africa. In 1994, he was appointed by Nelson Mandela to the Constitutional Court, where he served as a judge until 2009. We, the People consists of some of Sachs' most memorable public talks and writings, in which he takes us back to the broad-based popular foundations of the Constitution in the Freedom Charter. He picks up on Oliver Tambo's original vision of a non-racial future for South Africa, rather than one based on institutionalised power-sharing between the races. He explores the tension between perfectibility and corruptibility, hope and mistrust, at the centre of all the constitutions. Sachs deals with the enforcement of social and economic rights and the building of the Constitutional Court in the heart of the Old Fort Prison as a mechanism for reconciling the past and the future. Subjective experience and objective analysis interact powerfully in a personalised narrative that reasserts the value of constitutionality not just for South Africans, but for people striving to advance human dignity, equality and freedom across the planet today -- Amazon.--