Intergalactic visions, deadly threats, and explosive standoffs between mostly good and completely evil converge in a dystopian fantasy that could only be conceived by the inimitable Walter Mosley, one of the country's most beloved and acclaimed writers Martin Just wakes up one morning after what feels like, and might actually be, a centuries-long sleep with two new innate pieces of knowledge: Humanity is a virus destined to destroy all existence. And he is the Cure. Martin begins slipping into an alternate consciousness, with new physical strengths, to violently defend his family--the only Black family in their neighborhood in the Hollywood Hills of Los Angeles-- against pure evil. Think Octavia Butler meets Jeff VanderMeer meets Jordan Peele. Expansive and innovative, sexy and satirical, Touched brilliantly imagines the ways in which human life and technological innovation threaten existence itself.

Walter Mosley's talent knows no bounds. Inside a Silver Box continues to explore the cosmic questions entertainingly discussed in his Crosstown to Oblivion . From life's meaning to the nature of good and evil, Mosley takes readers on a speculative journey beyond reality. In Inside a Silver Box , two people brought together by a horrific act are united in a common cause by the powers of the Silver Box. The two join to protect humanity from destruction by an alien race, the Laz, hell-bent on regaining control over the Silver Box, the most destructive and powerful tool in the universe. The Silver Box will stop at nothing to prevent its former master from returning to being, even if it means finishing the earth itself.

"...Enlighten me now, o Muses, Tenants of Olympian homes, For you are goddesses, inside on everything, know everything. But we mortals hear only the news, and know nothing at all...." --The Iliad, Book II 484-486 A Test of the News, published as a supplement to The New Republic in 1920, was a study by the journalists Walter Lippmann and Charles Merz into the press coverage by the New York Times of the Bolshevik revolution. They found many inaccuracies and distortions in the Times' coverage and stated that "the news about Russia is a case of seeing not what was, but what men wished to see." In addition, they established that the Times reported ninety-one occasions that the revolutionary regime was near collapse. This study supported Lippmann's belief that "the present crisis of western democracy is a crisis in journalism." Even though his statement applied to the 1920s, the same could be said in 2019 where the reliability of mainstream news and the prevalence of "fake news" is at the forefront of many discussions. A Test of the News is a must-read for journalists, historians, and all who are interested in the importance of the media and current affairs.

"Full of what you might call conversation starters: tricky propositions about morality... politics, privilege, runaway nationalist fantasies, collective guilt, and art as a force for change (or not)...It's a treat to hear him speak his curious mind."--O Magazine In these beautiful essays, Wallace Shawn takes us on a revelatory journey in which the personal and political become one. Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the "unobtrusives," the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan's cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings. He grasps contradictions, even when unpleasant, and challenges us to look, as he does, at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With a sharp wit, remarkable attention to detail, and the same acumen as a writer of prose as he is a playwright, Shawn invites us to look at the world with new eyes, the better to understand--and change it. Praise for Wallace Shawn and Essays: "Lovely, hilarious and seriously thought provoking, I enjoyed it tremendously."--Toni Morrison "Wallace Shawn writes in a style that is deceptively simple, profoundly thoughtful, fiercely honest. His vocabulary is pungent, his wit delightful, his ideas provocative."--Howard Zinn, author, A People's History of the United States "Wally Shawn's essays are both powerful and riveting. How rare to encounter someone willing to question the assumptions of class and the disparity of wealth that grows wider every year in this country. To have such a gentle and incisive soul willing to say what others may be afraid to is considerably refreshing."--Michael Moore, film-maker Shawn's language, his unmistakable, original voice, felicitous, is unadorned, elegant, immediate, true. He's also a brilliant interviewer, as everyone who's seen My Dinner With Andre (which is just about everyone) knows. And, of course, he's very funny."--Tony Kushner, playwright, Angels in America "Wallace Shawn is a bracing antidote to the op-ed dreariness of political and artistic journalism in the West. He takes you back to the days when intellectuals had the wit and concentration to formulate great questions - and to make the reader want to answer them."--David Hare, playwright Wallace Shawn Wallace Shawn is an Obie Award-winning playwright and a noted stage and screen actor (Star Trek, Gossip Girl, The Princess Bride, Toy Story). His plays The Designated Mourner and Marie and Bruce have recently been produced as films. He is co-author of the movie My Dinner with Andre and author of the plays The Fever, The Designated Mourner, Aunt Dan and Lemon, and Grasses of a Thousand Colours.

This astonishing true story is the tale of a young American man who was sent to the Soviet Union with his parents by the Ford Motor Company to set up an auto plant. He was eventually thrown into Soviet prisons and could not return to America until forty-five years later. During his life in and out of Russian prisons, he met and fell in love with a beautiful Russian gymnast who followed him into exile and lived with him and their child for a year in Siberia, in a caved chopped out under the ice. Theirs is the compelling story of a romance destined to thrive under even the most desperate conditions. It was 1938 when Victor Herman was inexplicably thrown into prison, after he had become a celebrity in the Soviet Union, having won acclaim as "the Lindbergh of Russia" for his flying and world-record-breaking parachute jumps. But what happened to him was a common nightmare during the Stalin years: those who survived imprisonment and torture were sent north to hard labor in the icy forests an

From the pages of Love & Rockets, an intimate epic from south of the border. For the first time ever, Fantagraphics is proud to present a single-volume collection of Gilbert Hernandez's "Heartbreak Soup" stories from Love & Rockets, which along with RAW magazine defined the modern literary comics movement of the post-underground generation. This massive volume collects every "Heartbreak Soup" story from 1993 to 2002 in one 500-page deluxe hardcover edition, presenting the epic for the first time as the single novel it was always intended to be. Palomar is the mythical Central American town where the "Heartbreak Soup" stories take place. The stories weave in and out of the town's entire population, crafting an intricate tapestry of Latin American experience. Hernandez's densely plotted and deeply imagined tales are often compared with magic realist authors like Gabriel Garcia Marquez and Isabel Allende (House of the Spirits). His depictions of women and Mexican-American experience have been universally lauded as the best examples the artform has to offer. Luba, the guiding spirit of Palomar since the outset, has been hailed by The Nation, Rolling Stone, and Time magazine as one of the great characters of contemporary American fiction. Hernandez's work, in addition to the obvious magic realist comparisons, shares an affinity with other Latin American and Spanish writer/artists, like Frida Kahlo, Federico Garcia Lorca and Pablo Picasso, all of whom applied a surrealist eye to what they saw and experienced. Palomar follows the lives of its residents from Luba's arrival in the town to her exit, twenty years later. Included are such classic tales as "Sopa de Gran Pena," "Ecce Homo," "An American in Palomar," "Human Diastrophism," and "Farewell, Mi Palomar." Palomar presents one of the richest accomplishments in the history of the artform in its ideal format for the first time, making it a must-have for longtime Love & Rockets fans and new readers alike. 500 pages b/w illustrations

The adventures of Sorrel, a feminist heroine in a land where women rule and men are slaves to be used for heavy work and reproduction. By the author of The Furies.

Even in our supposedly feminist society, women have found it difficult to achieve true independence -- they continue to struggle with dependency issues in their relationships with their mothers, their lovers, and themselves. Now, with a new introduction. Luise Eichenbaum and Susie Orbach offer compelling portraits and insightful case histories that explore dependency as a basic human need rather than a sign of weakness. Their conclusions will radically change women's lives and relationships for the better -- and offer a more insightful, inclusive vision of intimacy for the next millennium.

In the near future, humanity has experienced a great schism. The larger part is ruled by instinct and pleasure: they are ageless, beautiful yet wholly dependent on technology designed by previous generations to sustain them. Having no social structure or self-consciousness to speak of, to the minority they are simply known as the Others. But into this unmarked, timeless community walks Fred, the first visitor from a far-off land. His people are the N-Ps, governed by logic, revolted by the mindless, unfettered sollipsism of the Others. In all respects a model N-P, as Fred conducts his studies, he finds himself caught in an awkward relationship with his test subjects. Fred begins to feel for the childlike members of the Dwelling he observes. Embracing their gaudy, hyperreal life of screens and implants, Fred begins to be changed himself, even as he begins to affect the minds of these Others in ways that may not be to their benefit.

A unique perspective on Ontario's most powerful political leaders. >Ontario's fortunes and fates increasingly rest in the hands of the province's premier. Critics say the role of premier concentrates too much power in one person, but at least that points to the one person Ontarians, and others beyond the province's borders, ought to know all about. Few people know the modern-era premiers of Canada's most populous province the way Steve Paikin does. He has covered Queen's Park politics, discussed provincial issues from all perspectives with his TVO guests, and has interviewed the premiers one-on-one. Paikin and the Premiers offers a rare, uniform perspective on John Robarts, Bill Davis, Frank Miller, David Peterson, Bob Rae, Mike Harris, Ernie Eves, Dalton McGuinty, and Kathleen Wynne - from the vantage point of one of Canada's most astute and respected journalists.

A cult-classic gem from comics visionary Steve Gerber finally gets the Marvel Masterworks treatment! In the 1970s, Steve Gerber revolutionized comics. His innovative work on Man-Thing, The Defenders and Howard the Duck opened creative avenues that excited readers and inspired a generation of creators. So, when Marvel announced an all-new character co-created by Gerber, anticipation was fever pitch. Omega the Unknown debuted in late 1975. It featured an enigmatic approach to one of the most compelling stories: the stranger in a strange land. Jean-Michael Starling, a boy with a mysterious past, holds a curious connection to the super-powered being Omega. Their quest to understand the gritty world of New York City's reveals as much about us as it does them. As their secrets are revealed and the action unfolds in the Marvel manner, you'll come to understand why Omega holds a place as one of the most influential series of its time. COLLECTING: OMEGA THE UNKNOWN (1976) #1-10 and THE DEFENDERS (1972) #76-77

Brandeis University is the United States' only Jewish-sponsored nonsectarian university, and while only being established after World War II, it has risen to become one of the most respected universities in the nation. The faculty and alumni of the university have made exceptional contributions to myriad disciplines, but they have played a surprising formidable role in American politics. Stephen J. Whitfield makes the case for the pertinence of Brandeis University in understanding the vicissitudes of American liberalism since the mid-twentieth century. Founded to serve as a refuge for qualified professors and students haunted by academic antisemitism, Brandeis University attracted those who generally envisioned the republic as worthy of betterment. Whether as liberals or as radicals, figures associated with the university typically adopted a critical stance toward American society and sometimes acted upon their reformist or militant beliefs. This volume is not an institutional history, but instead shows how one university, over the course of seven decades, employed and taught remarkable men and women who belong in our accounts of the evolution of American politics, especially on the left. In vivid prose, Whitfield invites readers to appreciate a singular case of the linkage of political influence with the fate of a particular university in modern America.

What's it like to be a termite? Professor Mmaa's Lecture explores how a society of termites would work, and what they would think of us Homo Sapiens. A pioneering work of xenofiction. A hilarious social satire. Finally back in print! This is the English language version.

From celebrated public intellectual, New York Times bestselling author, and “America’s most famous professor” ( BookPage ) comes an urgent and sharply observed look at freedom of speech and the First Amendment offering a “ nonpartisan take on what it does and doesn’t protect and what kind of speech it should and shouldn’t regulate” ( Publishers Weekly ). How does the First Amendment really work? Is it a principle or a value? What is hate speech and should it always be banned? Are we free to declare our religious beliefs in the public square? What role, if any, should companies like Facebook play in policing the exchange of thoughts, ideas, and opinions? With clarity and power, Stanley Fish explores these complex questions in The First . From the rise of fake news, to the role of tech companies in monitoring content (including the President’s tweets), to Colin Kaepernick’s kneeling protest, First Amendment controversies continue to dominate the news cycle. Across America, college campus administrators are being forced to balance free speech against demands for safe spaces and trigger warnings. With “thoughtful, dense provocations that will require close attention” ( Kirkus Reviews ), Fish ultimately argues that freedom of speech is a double-edged concept; it frees us from constraints, but it also frees us to say and do terrible things. Urgent and controversial, The First is sure to ruffle feathers, spark dialogue, and shine new light on one of America’s most cherished—and debated—constitutional rights.

Examines the implications of angry voters for the future of American politics, discussing Americans' growing disillusionment with the political system and its inability to deal with the nation's problems. 25,000 first printing. $30,000 ad/promo. Tour.

Creativity and play erupt in the most solemn of everyday worlds as individuals reshape traditional forms in the light of changing historical circumstances. In this lively volume, fourteen distinguished anthropologists explore the life of creativity in social life across the globe and within the study of ethnography itself. Contributors include Barbara A. Babcock, Edward M. Bruner, James W. Fernandez, Don Handelman, Smadar Lavie, José E. Limon, Barbara Myerhoff, Kirin Narayan, Renato Rosaldo, Richard Schechner, Edward L. Schieffelin, Marjorie Shostak, Anna Lowenhaupt Tsing, and Edith Turner.

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"Why does a disease that killed only a handful of Americans like ebola provoke panic, but the flu-which kills tens of thousands each year-is dismissed with a yawn? Why is an unarmed young black woman who knocks on a stranger's front door to ask for help after her car breaks down perceived to be so threatening that the stranger shoots her dead? In Jumping at Shadows, Sasha Abramsky sets his sights on America's most dangerous epidemic: irrational fear. In this meditation on the paralyzing terror Americans feel when confronted with something they don't understand-from foreigners to tropical viruses to universal health care-Abramsky delivers an eye-opening analysis of our misconceptions about risk and threats, and how our brains interpret them, both at a neurological level and at a conscious one. What emerges is a journey through a political and cultural landscape that is defined by our fears, which are often misplaced. Ultimately, Abramsky shows that our fears can teach us a great deal about our society, exposing our deeply ingrained racism, classism, xenophobia, and susceptibility to the toxic messages of demagogues"--

Studies the Ojibwa society from its political organization, to its family structures, to marriage traditions, and property.