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This Is the Bread I Baked for Ned

Crescent Dragonwagon
"This is the bread I baked for Ned baked for Ned in the morning." And so begins a delightful story narrated by Glenda, as she prepares a nice surprise for Ned -- "what a fellow!" First she bakes the bread, and then she presents the cheese, the salad, the soup, the olives, tulips in a jug, and the two soup bowls and spoons! Whew! But little does Glenda know that when Ned comes home for dinner, he'll have a special surprise of his own to share!
Simon & Schuster Children's Publishing 1999 32 pages

Masterpieces of Hebrew literature: selections from 2000 years of Jewish creativity

Curt Leviant
Masterpieces of Hebrew Literature is a true masterpiece of its own--one of the few collections in which readers can find important works of Jewish tradition and culture by such authors as Rashi, Maimonides, Judah Halevi, and Joseph Caro, all in one place. Curt Leviant includes literature that spans many genres, from fiction and poetry to legal, ethical, and midrashic works; from responsa and Biblical commentary to histories and letters. His brief introductions place the works and their authors in historical perspective.
Jewish Publication Society 2008-10-07 577 pages

Total espionage: Germany's information and disinformation apparatus, 1932-41

Riess, Curt
Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the 'Saturday Evening Post'. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations who were in touch with many who left to help organize the armies of South American countries, and in the USA there were the Friends of the New Germany. German consulates sprang up and aircraft would make unusual detours to observe interesting parts of foreign countries. News agencies and various associations dedicated to maintaining contacts with particular countries were encouraged to supply information. Film studios would send large crews abroad to shoot documentaries as well as perform acts of espionage. Foreign nationals were bribed or blackmailed; and pro-fascist groups in foreign countries were supported via the Auslandsorganization. All Germans living abroad were encouraged to report their observations to the authorities, particular attention was being focused on engineers, technicians, scientists and people in other professions who were particularly likely to obtain valuable information; however, other Germans abroad were also used, even cabaret singers, waiters, language teachers, as well as Germans traveling abroad as tourists. Germans living abroad were exempt from mobilization because of their value as spies. Foreigners were given opportunity to study in Germany, and connections with them were kept in the hope that they would one day provide useful information. All of this was Goebbels' 'Total Espionage'.
Fonthill 2016 288 pages

Legal Medicine 1985

Cyril H. Wecht
In the words of one reviewer Cyril Wecht's Legal Medicine has helped validate and develop the field which it reports. This field is the wide ranging area of medical jurisprudence. This current volume contains a variety of articles written by experts dealing with timely and relevant medical-legal subjects. Legal Medicine contains essays on such topics as blood alcohol concentrations, use of polygraph machines, artificial insemination, and antitrust laws and the physician.
Bloomsbury Academic 1985-08-15 416 pages

Reach for the moon: a portrait of my life

Ornadel, Cyril
The name of Cyril Ornadel may not be known to many outside the musical theatre. The back of his head, however, was for many years the most famous on television, for Cyril Ornadel was the conductor in the orchestra pit for ITV's immensely popular programme, Sunday Night at the London Palladium. But this efficient and unassuming man was the musical director for numerous West End 'hit' shows: Kismet, Call Me Madam, Pal Joey, Wonderful Town, The King and I and My Fair Lady, to name but a few. He is also a composer in his own right. His song 'Portrait of My Love' is a standard, known and loved by an entire generation, while 'If I Ruled the World' from Pickwick, the musical he wrote with Wolf Mankowitz and Leslie Bricusse, became a world-class hit and turned into what was virtually the late Sir Harry Secombe's theme tune. Now, in this rich and illuminating memoir, Cyril Ornadel shares the fruits of his experience in almost every aspect of the music business - theatre, films, recording, composing, orchestrating, conducting, producing. With wit, wisdom and humility he candidly discusses the triumphs and disasters of his lifelong love affair with Show Business.
Book Guild 2007-10-25 371 pages

Peanut's Legacy A Story of Joy, Heartbreak, and Healing

Dafna Michaelson Jenet
Peanut's Legacy focuses on the journey of pregnancy at 40 and loss of the baby. It is a collection of posts that tell the story of loss mostly from my perspective but include a powerful contribution from Michael, my husband, as well. The goal of the book is to open up the conversation around pregnancy loss and how we as a society must do better to support families through loss.
Authors Place Press 2017-11-05 108 pages

Folklore concepts: histories and critiques

Ben-Amos, Dan
By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own--only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
Indiana University Press 2020-09-01 234 pages