Like most people, Vic Mullan, habitual drug-user, professional layabout, and amoralist extraordinaire, can remember where he was and what he was doing on the day of Princess Diana's death. Yes, he can remember it particularly well: he was at home, beginning an affair with Emma, his best friend's wife.The opening sections of David Baddiel's second novel chart the history of an intense and passionately sexual liaison set against the background of the most hysterical - in both senses of the word - time in recent memory. But as the months wear on, and life and love return to normal, so things become more complex between Vic and Emma. And then, tragedy - a real, local, small-scale tragedy, as opposed to a national, iconic, mythological one - intervenes. Part-satire, part-love story, part-whodunnit, and part-meditation on the nature of sex and death, Whatever Love Means is truly a tale for our times

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Descent , a novella published in 1920, is set against the background of Jewish life in Russia and Ukraine during the turbulent period leading up to the October Revolution of 1917, a period characterized by the rise of secularism, the rejection of old traditions, the alienation of intellectuals, and the attempt of different generations to find a place for themselves inside and out of the shtetl. The novella centers on the mystery of the suicide of a young pharmacist in Rakitne, a provincial town. Did his death have anything to do with the two women who loved him? Was it the result of despair or an act of protest? And if protest, against what? His old friend seeks answers but finds none. The prose is immaculately crafted, the narrative indirect, and the mood poignant, dark, and disquieting.

Text: English, Yiddish (translation)

A collection of poems by David Bergman that deal with relationships, art, religion, myth, and family.

Investigating the death of a philosophy professor at a fashionable northern California university, Aaron Asherfield interrogates the radical--and somewhat ridiculous--racial, sexual and intellectual factions at the college, each of which harbors a secret about the dead man.

"Over the course of ten years, poet and critic David Biespiel published a brief, dazzling essay on poetry every month in what became the longest-running newspaper column on poetry in the United States. Collected here for the first time, these enormously popular essays, many of which have been revised and expanded, offer a fresh and refreshing approach to the reading and writing of poetry. With passion, wit, and common sense, they articulate a profound and entertaining statement about the mysteries of poetry and about poetry's essential role in our civic and cultural lives. A Long High Whistle discusses the work of nearly a hundred poets from ancient times to the present, in English and in translation--among them Catullus, Ovid, John Keats, Walt Whitman, Emily Dickinson, W. B. Yeats, Osip Mandelstam, Robert Hayden, Muriel Rukeyser, Pablo Neruda, Elizabeth Bishop, Seamus Heaney, Tomas Tranströmer, Inger Christensen, Natasha Trethewey, and many others. This collection will provide anyone, from the beginning poet to the mature writer to the lover of literature, with insights into what inspires poets, how poems are written and read, and how poetry situates itself in American life."--

The imagination in David Biespiel's Shatterin Air is as luminous as the hear is generous.--Stanley Plumly

David Biespiel's energetic language, so varied and musical and precise, is quite unmatched by that of other contemporary poets. The Book of Men and Women is his second collection in the Pacific Northwest Poetry Series, and as always he is the master of the long line, his words strung across its reach as tightly as beads. But new poems in this book explore the intimacies of the shorter line as well and display Biespiel's formal inventiveness and emotional range. The Book of Men and Women addresses our time and human condition in ways both domestic and global. The first section of the book is filled with the wonderful agitation of spell-making language. The poems are connected to the social and historical world, and yet at the same time, they prepare us for the mythic story about men and women that is promised in the book's title. The second section is more formally restrained and as such imbues the speaker with the distinction and melancholy gravitas that characterize the collection. We see this in the remarkable and fully imagined tour de force, "William Clark's Sonnets." The book concludes with a series of autobiographical poems that confront the frailties of love and desire with unflinching intimacy and gratitude. These last poems, composed during an intense three-month period of writing, as well as the other poems in this remarkable volume, showcase Biespiel at the very top of his form.

David Biespiel's long poetic lines crackle with rhythmic energy and a jazzy, bittersweet richness of language. Rolling out across the page like darkly luminous highways, his innovative, nine-line "American sonnets" promise adventure, offering a variant on the sonnet form that is both lyric and dramatic and bringing his masterful formal inventiveness to free verse. "I've come to imagine the nine-line sonnet to be like one of those classic Thunderbirds," says Biespiel, "something distinctly American: wide, roomy, and with a robust engine." The vastly varied voices within the poems are united by a wonderfully limber diction. Using with revelatory precision the vocabularies of history, science, art, sport, philosophy, religion, literature, government, and domestic life, Biespiel has crafted a hip, melodic, elastic language that travels the registers of expression: lush and coarse, gaudy and austere, pliant and rigidly tough. The civility of the poems is the form; the wildness is the bristling energy of the language. Passionate, resilient, rich with wit and word play, these poems affirm David Biespiel's increasing stature as a poet of remarkable accomplishment and promise. David Biespiel teaches English at Oregon State University and is Writer in Residence at The Attic in Portland, Oregon. His honors include a Stegner Fellowship in Poetry and the National Endowment for the Arts Fellowship in Literature. He is the author of Shattering Air. "Like microprocessors, the poems in Wild Civility deliver an almost incalculable amount of information instantaneously. As a result, they demonstrate the pure and powerful recombinant energy of language that is the essence of lyric poetry." - Michael Collier, Bread Loaf Writers' Conference "Wild in its imaginative thrust, civil in its formal command, this glowing new sequence represents David Biespiel's best poetry to date." - Stanley Plumly

Mr. Cohen tells how crime is the one big growth area in South Africa 10 years after apartheid. His does a study of 2 businesses on Jules Street. He tells how the new 2 owners have to use humor, cunning and salesmen's instincts to counter the criminals who threaten their business and lives.

Hard Times in the Hollow- The story of the Avery's, a farming family in Cattaraugus County, New York, and the struggles they endure through war, prohibition and the Great Depression. As their difficulties mount family matriarch Iris pushes the family to extremes in her quest to keep them together and their farm afloat. Her grandson, Adam, is at first an observer and then an unwilling participant. How far would one family go to ensure their survival?

xiv 257p hardback with green dustjacket, nice clean copy, edges a little dusty

This book "is an abridged edition of the best-selling 'Penguin encyclopedia'. With over 22,000 entries and nearly 1-6 million words, and fully updated for its second edition, it is an invaluable and up-to-date source of information on subjects as diverse as current affairs and history, science and philosophy, and sport and music, written in a clear, direct style that illuminates even the most intricate concepts." -- back cover.