Now in paperback! Taking Hold of Torah Jewish Commitment and Community in America Arnold M. Eisen A personal meditation on the meaning of Judaism today and a vision for revitalizing Jewish community and tradition in America. "Arnold M. Eisen offers a personal plea for—and a vision of—the revitalizing of American Judaism through a renewed relationship to Jewish tradition and the strengthening of Jewish communities." —Jewish Book News "...required reading for Jewish communal professionals, [Taking Hold of Torah] spells out the discontents and dreams of the baby boomers and their children who are reinventing Jewish communal life for the modern world." —Jewish Exponent "Melding autobiography with biblical exegesis, philosophical speculation and a program for Jewish educational reform, the book is an unbuttoned riff on what's ailing modern Jews." —Forward "...a personal story of a modern Jew trying to make sense of Judaism in a time when Jews can choose whether and how to be Jewish...." —The Jewish Advocate Jews, like other Americans, have both benefitted and suffered from the fraying of traditional loyalties that has come to characterize modern American culture. In each of the five chapters, Arnold M. Eisen examines a major issue or theme related to his vision for the renewal of Jewish communities—in terms of one of the five books of the Torah. What is the meaning and purpose of Jewish tradition? What is the significance of faith and covenant? What are the contemporary uses of ritual? What should a new agenda for politics in American Jewish life include? What legacy is to be left to future generations? This encouraging work is essential reading for anyone concerned with questions of Jewish faith and the future of Judaism in America. Arnold M. Eisen is Professor and Chair of Religious Studies at Stanford University, a frequent speaker on issues related to contemporary Jewish life before lay and scholarly audiences throughout North America, and an active participant in communal discussions concerning the future of American Judaism. His publications include The Chosen People in America (Indiana University Press) and Rethinking Modern Judaism: Ritual, Commandment, Community, winner of a Koret Jewish Book Award. The Helen and Martin Schwartz Lectures in Jewish Studies Contents: Introduction 1. Genesis: Taking on Tradition 2. Exodus: History, Faith, and Covenant 3. Leviticus: Ritual and Community 4. Numbers: Politics in the Wilderness 5. Deuteronomy: Legacies

This book addresses the rift between major philosophical factions in the United States, which the author describes as a "philosophically becalmed" three-legged creature made up of analytic philosophy, continental philosophy, and pragmatism. Joseph Margolis offers a modified pragmatism as the best way out of this stalemate. Whether he is examining Heidegger or rethinking the foibles of Dewey, Rorty, and Peirce, much of nineteenth- and twentieth-century Western philosophy comes into play as Margolis presents his history of philosophy's evolution and defends his views. He does not, however, mean for philosophy to turn to the pragmatism of yore or even to its revival in the 1970s. Rather, he finds in recent approaches to pragmatism a middle ground between analytic philosophy's scientism (and its disinterest in analyzing human nature)and continental philosophy's reliance on attributing transcendental powers to mere mortals.

In the Fall of 1992, Millennium Approaches, the first part of Tony Kushner's Angels in America, won England's prestigious Evening Standard award as the season's Best Play. By the Spring of 1993, Millennium had come to Broadway and won its highest honor, the Tony Award for Best Play, and the distinguished Pulitzer Prize for drama as well. Through its epic theatrical panorama of the intimate and political dynamics that arise when individuals, histories, and cultures intersect, Millennium captured the imagination and the conscience of all who saw it. Its ability to deeply move the audience in personal, communal, and political ways was admirably (and astoundingly) matched by the subsequent production of the play's second part, Perestroika, which brought Kushner yet another Evening Standard award and Tony Award for Best Play (1994). Tony Kushner has, almost overnight, become the premier American male playwright to "represent" the 1990s, as David Mamet and August Wilson dominated critical attention in the 1980s. The phenomenally positive response to Angels in America was matched by the equally enthusiastic reception of its young, politically engaged playwright, who impressed journalists and scholars with his eloquent intellect, wit, and moral convictions. Kushner spoke for a younger generation of American artists and activists whose art is intimately connected to social vision and "revolutionary" possibilities in the public and private sectors. His role as a generational (read "national," "liberal," "socialist," "Jewish," "queer") spokesman has provided him with a public platform from which to address concerns that lie at the center of national debate. In a short time Kushner has capturedand retained a nation's fascination, and his opinions are widely sought out on a wide range of topics. And, most often, the platform from which Kushner expresses his ideas is the personal interview, in which he boldly confronts Americans to rethink, even to reinvent, themselves as the Millennium approaches. Tony Kushner in Conversation is the first book to compile Kushner's most significant interviews of the past decade, tracing his career from its early years to his maturing artistic and political visions. The collection includes pieces that first appeared in an amazingly broad range of periodicals as well as interviews not previously published, such as his appearance on PBS on The Charlie Rose Show. In addition to Angels in America, Tony Kushner is author of Slavs! and is currently finishing work on Henry Box Brown, scheduled to have its world premiere at the Royal National Theatre in the summer of 1997. Robert Vorlicky is Associate Professor of Drama at Tisch School of the Arts, New York University.

Is Faith Darwin Asbury really Grace Paley? Or is it coincidental that the personal history, politics, and relationships of the fictional Asbury seem to mirror those of the well-known author? And do other characters in Paley's stories represent individuals she has known, in scenes and entire episodes she has experienced? A writer who translates her life into art not only saves her own life, according to Paley, but offers others the revelation of its meaning. That idea is at the core of Judith Arcana's biographical reading of this strongly autobiographical writer. Grace Paley's Life Stories interweaves details about Paley with critical discussions of her works, examining her as a woman, mother, activist, and Jew. Arcana visited and interviewed Paley at her homes in Vermont and New York over a period of several years. She also interviewed Paley's family, friends, and colleagues. Such extensive research is unmatched in Paley scholarship; Arcana's focus on the political crucible of Paley's consciousness is rare in contemporary literary criticism.

The Pulitzer Prize-winning poet writes about her life, the creative process, and the work of other poets.

New forms of Jewish philosophic inquiry in response to the Holocaust, the American Jewish experience, and the establishment of the State of Israel, present a necessity for a clear and comprehensive framework in which contemporary Jewish thought may be studied. This is what William E. Kaufman has done in "Contemporary Jewish Philosophies". Examining the present parameters of Jewish thought – Existentialism, naturalism, supernaturalism, and transnaturalism – he formulates the criteria for dealing with modern Jewish thinking. He traces the effects of this new philosophic vocabulary through the writings of such established luminaries as Franz Rosenzweig, Martin Buber, Leo Baeck, and Mordecai Kaplan as well as seeking the sources of the thought of such contemporary figures as Emil Fackenheim, Jacob Agus, Arthur Cohen, Eugene Borowitz, Richard Rubenstein, and Abraham Joshua Heschel in the traditional roots of covenant, salvation, and transcendence. Dr. Kaufman deals in depth with the age-old questions: What conception of God can I accept? What is the relation of God to the universe? How shall we concieve the relation of man to God? But he goes further still. What is salvation in light of the Holocaust and the establishment of Israel? Can we find an analogue in the past to the situation of Jews today? Probing these questions, along with the primary concerns of Jewish philosophy, he illumines and enlivens the complex dialogues which from the basis of Jewish philosophic thought. Each philosopher is analyzed and critiqued, utilizing a a uniform criteria which focuses the key concerns and commentaries of each in relation to the entire realm of Jewish thought today. "Contemporary Jewish Philosophies" in essential not only to the student of philosophy but to the reader who is seriously concerned with confronting today's problems with today's sensibility. --

. . . Mr. Itzkoff places most of the blame for America's alleged intellectual decline on what he sees as an economically and intellectually elite cast of misguided liberals. They have isolated themselves from American society, he says, by their paternalistic treatment of the underclass, by discounting the importance of traditional family values and by failing to raise enough bright children to sustain national competence. The New York Times Book Review Few doubt that the United States has slipped from its longstanding eminence as the world's wealthiest and most productive nation. The problem for the past 30 years has been the diagnosis of both the decline and then the cure. Literally trillions of dollars have been expended in futile programs to stanch the hemorrhaging of our economic wealth, jobs, educational achievement, and cultural elan. Itzkoff argues that we will never stop the fall until we understand our real national dilemma. This is the decline in our national intelligence profile: fewer citizens of high intelligence, educational potential, and economic productivity. These ideas are taboo. Itzkoff, however, insists that these are the facts, and they must be examined. In this book, he lays out the available evidence for our social disintegration and suggests a rational program of policy initiatives that would begin to restore us to what we were as recently as 1955--the great hope of the world.

This book brings together an inter-disciplinary group of Palestinian, Israeli, American, British and Irish scholars who theorise 'the question of Palestine'. Critically committed to supporting the Palestinian quest for self determination, they present new theoretical ways of thinking about Palestine. These include the 'Palestinization' of ethnic and racial conflicts, the theorization of Palestine as camp, ghetto and prison, the tourist/activist gaze, the role of gendered resistance, the centrality of the memory of the 1948 Nakba (catastrophe) to the contemporary understanding of the conflict, and the historic roots of the contemporary discourse on Palestine. The book offers a novel examination of how the Palestinian experience of being governed under what Giorgio Agamben names a 'state of exception' may be theorised as paradigmatic for new forms of global governance. An indispensable read for any serious scholar.

"I have been a Jew during Fascism, a bourgeois under Communism, a rebel defeated in an uprising, a refugee among the free, and a have-not amid plenty. This book contains over 60 stories that range from my youth in Hungary, the ordeal of a death march and concentration camps, the oppression of the Communist dictatorship, the promise and defeat of the Hungarian Revolution and, finally, my American years"--Preminary pages

"In the fall of 1959, Harper's Magazine published a special supplement on the state of writing and the American literary scene. The supplement was greeted with a broadside of commendation and a fusillade of cavil, and has since become recognized as the most useful brief survey of the contemporary state of the American writing arts and of their fellow travelers, the spoken word, the typescript word, the filmed and televised word, and the publishing memorandum. In this newly reissued volume in the Rutgers University Press Classics Imprint, Writing in America proves to be as stimulating as it was in 1960. Here, writers including Robert Brustein, Stanley Kunitz, and C.P. Snow examine the state of writing in American novels, films, and television candidly and critically. The result is a collection of essays that showcase a first-rate and highly entertaining piece of reporting on the American literary scene that resonate in 2017"--

"In Gilligan Unbound, a distinguished Shakespeare scholar and literary critic proves once and for all that popular culture can be every bit as complex, meaningful, and provocative as the most celebrated works of literature - and a lot more fun. Paul Cantor analyzes and interprets a wide variety of classic television programs with the same seriousness, care, and creativity he would Hamlet or Macbeth to reveal how dramatically America's image of itself has evolved from the 1960s to the present." "Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America." -- From publisher's website.

The Last Half-Century represents the culmination of a lifetime of scholarship by Morris Janowitz. In this comprehensive and systematic analysis of the major trends in American society during the past fifty years, he probes the weakening of popular party affiliations and the increased inability of elected representatives to rule. Centering his work on the crucial concept of social control, Janowitz orders and assesses a vast amount of empirical research to clarify the failure of basic social institutions to resolve our chronic conflicts. For Janowitz, social control denotes a society's capacity to regulate itself within a moral framework that transcends simple self-interest. He poses urgent questions: Why has social control been so drastically weakened in our advanced industrial society? And what strategies can we use to strengthen it again? The expanation rests in part on the changes in social structure which make it more and more complicated for citizens to calculate their political self-interest. At the same time, complex economic and defense problems also strain an already overburdened legislative system, making effective, responsive political rule increasingly difficult. Janowitz concludes by assessing the response of the social sciences to the pressing problem of social control and asserts that new forms of citizen participation in the government must be found.

Stavans (Latin American and Latino culture, Amherst College, Massachusetts) offers an extended essay on Mexican poet and intellectual Paz (1914-98). Earlier versions have been published in a variety of periodicals and anthologies. Annotation copyrighted by Book News, Inc., Portland, OR

Elias Canetti originally intended Party in the Blitz to capture an image of his time in post-war London. Well known throughout Europe, Canetti scorned British intellectuals who weren't familiar with his work. By force of will alone he accumulated English followers, but not before being christened "the godmonster of Hampstead." Canetti's memories of various people in his social circle are brief and scathing brimstone sketches. T.S. Eliot, Iris Murdoch, Wittgenstein, Herbert Read, Bertrand Russell-Canetti rakes them all over the coals. To Canetti, T.S. Eliot was nothing more than an American emigrant trying desperately to act British, and Canetti's portrayal of Iris Murdoch, with whom he had an affair, is nothing short of brutal. Michael Hofmann's translation pulls no punches, delivering the goods on Canetti's searing injection: "when you write down your life, every page should contain something no one has ever heard about."

Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the 'Saturday Evening Post'. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations who were in touch with many who left to help organize the armies of South American countries, and in the USA there were the Friends of the New Germany. German consulates sprang up and aircraft would make unusual detours to observe interesting parts of foreign countries. News agencies and various associations dedicated to maintaining contacts with particular countries were encouraged to supply information. Film studios would send large crews abroad to shoot documentaries as well as perform acts of espionage. Foreign nationals were bribed or blackmailed; and pro-fascist groups in foreign countries were supported via the Auslandsorganization. All Germans living abroad were encouraged to report their observations to the authorities, particular attention was being focused on engineers, technicians, scientists and people in other professions who were particularly likely to obtain valuable information; however, other Germans abroad were also used, even cabaret singers, waiters, language teachers, as well as Germans traveling abroad as tourists. Germans living abroad were exempt from mobilization because of their value as spies. Foreigners were given opportunity to study in Germany, and connections with them were kept in the hope that they would one day provide useful information. All of this was Goebbels' 'Total Espionage'.

'An exuberant, breathless sprint through London in the fifties, sixties and seventies... It's bright, boisterous and extremely funny' Tatler 'Clancy's scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests ... Marvellous' Spectator 'If you're searching for something to keep you on the edge of your sun lounger this summer, look no further' Daily Mail If Fielding's Tom Jones were alive in postwar England he might be Clancy Sigal, the American author of this restlessly curious memoir. Honest and devious, faithful and lustful, a mass of plucky contradictions, Clancy first arrived in London in 1957. He was broke, homeless and, according to his FBI file, a dangerous 'subversive'. Over the next three decades, Clancy was to wander the soot-stained streets of London, devouring as much as life could offer him. From the birth of the CND and his affair with Lessing, to therapy with R. D. Laing and wondering whether the entire world was on acid, Clancy details it all to illuminating effect. Underneath all of these encounters is the character of Clancy himself: funny, hapless, warm-hearted and a self-professed 'crazy American'. Call it luck, charm or sheer lack of good sense, he escaped with a cracking good story.

In The Unveiling of the National Icons, Albert Boime analyses the creation and reception of several American national monuments as a means of understanding the politics of memory and national icons. In engaging, 'behind the scenes' accounts of several highly visible symbols, such as the American flag, the Statue of Liberty, and Mount Rushmore, among others, he demonstrates how these icons have been manipulated for patriotic purposes. Boime also shows how these monuments express individual and collective needs and how they are subject to contested readings, despite their origins in the creative imaginations of conservatives and privileged members of America. Examining these symbols as a group for the first time, this book is also the first serious investigation of visual artifacts that are too often taken for granted.

This collection of essays probes the values in a variety of authors who have had in common the fact of popularity and erstwhile reputation. Why were they esteemed? Who esteemed them? And what has become of their reputations, to readers, to the critic himself? No writer here has been asked to justify the work of his subject, and reports and conclusions about this wide variety of creative writers vary, sometimes emphasizing what the critic believes to be enduring qualities in the subject, in several cases finding limitations in what that writer has to offer us today.

In contemporary philosophical debates in the United States "redefining pragmatism" has become the conventional way to flag significant philosophical contests and to launch large conceptual and programmatic changes. This book analyzes the contributions of such developments in light of the classic formulations of Charles S. Peirce and John Dewey and the interaction between pragmatism and analytic philosophy. American pragmatism was revived quite unexpectedly in the 1970s by Richard Rorty's philosophical heterodoxy and his running dispute with Hilary Putnam, who, like Rorty, is a professed Deweyan. Reinventing Pragmatism examines the force of the new pragmatisms, from the emergence of Rorty's and Putnam's basic disagreements of the 1970s until the turn of the century. Joseph Margolis considers the revival of a movement generally thought to have ended by the 1950s as both a surprise and a turn of great importance. The quarrel between Rorty and Putnam obliged American philosophers, and eventually Eurocentric philosophy as a whole, to reconsider the direction of American and European philosophy, for instance in terms of competing accounts of realism and naturalism.