This major collection of essays challenges many of our preconceptions about British political and social history from the late eighteenth century to the present. Inspired by the work of Gareth Stedman Jones, twelve leading scholars explore both the long-term structures - social, political and intellectual - of modern British history, and the forces that have transformed those structures at key moments. The result is a series of insightful, original essays presenting new research within a broad historical context. Subjects covered include the consequences of rapid demographic change in the eighteenth and nineteenth centuries; the forces shaping transnational networks, especially those between Britain and its empire; and the recurrent problem of how we connect cultural politics to social change. An introductory essay situates Stedman Jones's work within the broader historiographical trends of the past thirty years, drawing important conclusions about new directions for scholarship in the twenty-first century.

The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

"Year of the Fat Knight is Antony Sher's account -- splendidly supplemented by his own paintings and sketches -- of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work."--Book jacket.

Miners, Quarrymen and Saltworkers (History Workshop Series)

Elkie Brooks is a genuine national treasure. Blessed with one of the richest and most distinctive voices in showbusiness, she has been entertaining people around the world for the last five decades. Her professional debut at age 15 began a career that has spanned most musical genres and collaborations with some of the finest musicians of their generation, making her a household name. Along the way she has recorded some of the most iconic songs in rock history, including Lilac Wine, Sunshine After the Rain, Fool (If You Think It's Over) and her signature tune Pearl's A Singer. But the road to stardom was never an easy journey. Along the way she has experienced hardships that would have daunted most, and dealt with them with the same spirit, grit and determination that colours the extraordinary emotional power of her singing.

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its apparent rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare - the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.

Originally published in 1937, this book was created to provide a survey of the conditions and artistic value of design in British industries. Through interviews with manufacturers, managers of department stores and shops, principals and teachers of art schools, commercial designers, artists, and architects, principally in the Midlands area, a composite portrait is developed. This portrait emphasises the interaction of seemingly disparate elements in the production of quality design, and shows the complexity of the process whilst remaining concise and accessible. The text is also well presented, containing a large number of illustrative examples. This is a fascinating volume that will be of value to anyone with an interest in the history of British design.

Introduction -- Garden cities and colonial Africa: -- Symbolic usage of the 'garden city' concept during the French Protectorate of Morocco : from the Howardian model to garden housing estates /Charlotte Jelidi -- From metropolitan to colonial planning : Dakar between garden city and cité-jardin /Liora Bigon -- The 'plateau' in West African, French-speaking colonial towns : between garden and city /Alain Sinou -- The afterlife of the Lanchester Plan : Zanzibar as the garden city of tomorrow /Garth Andrew Myers and Makame Ali Muhajir -- Garden cities in in colonial and Mandatory Palestine (Eretz Israel): -- 'May be solved by the construction of garden cities' : German Jewish literary proposals on garden cities in Eretz Israel /Ines Sonder -- Urban development in the 'garden city' : examples from late Ottoman-era Palestine and the late British Mandate /Yossi Katz and Liora Bigon -- Garden cities and suburbs in Palestine : the case of Tel Aviv /Miki Zaidman and Ruth KarkAfterword -- Multilateral cities and colonial planning /Liora Bigon and Yossi Katz.

Book by Foner, Philip Sheldon

Eminent Anglo-Saxonist Nicholas Howe explores how the English, in the centuries before the Norman Conquest, located themselves both literally and imaginatively in the world. His elegantly written study focuses on Anglo-Saxon representations of place as revealed in a wide variety of texts in Latin and Old English, as well as in diagrams of holy sites and a single map of the known world found in British Library, Cotton Tiberius B v. The scholar's investigations are supplemented and aided by insights gleaned from his many trips to physical sites. The Anglo-Saxons possessed a remarkable body of geographical knowledge in written rather than cartographic form, Howe demonstrates. To understand fully their cultural geography, he considers Anglo-Saxon writings about the places they actually inhabited and those they imagined. He finds in Anglo-Saxon geographic images a persistent sense of being far from the center of the world, and he discusses how these migratory peoples narrowed that distance and developed ways to define themselves.

240p paperback, photographic cover, very good condition, minimal wear, binding intact, pages clear and bright, small neat bookplate to title page, a very good copy of an uncommon title, this copy published in the year 1999

Jolowicz's classic work traces the development of Roman Law historically from the earliest times until the age of Justinian. Private Law is treated at some length for the republican period, but for imperial times the emphasis is on constitutional law and the sources of law, together with the procedure and structure of the judicial system. There are also chapters on social conditions and on the general characteristics of classical and post-classical law.