Approximately 200 years of Spanish history (1300-1500) are the focus of this book. Paris sketches the medieval history of the Iberian peninsula, stressing the tolerance of most of the Islamic dynasties, the relative amity between the three major religions of the area, and the flourishing culture that this relatively peaceful era nourished. The 14th century brought division within the Catholic Church itself; a plague that killed 25-30% of the population of Europe; and, in Valencia in 1391, a pogrom that gave its Jewish residents the choice of conversion or death. The "end of days" refers to the second coming of Christ, which would happen only if all the Jews were converted. Over half of the Jewish residents of Spain converted in the 14th and 15th centuries. These "conversos" were the primary target of the early Inquisition. Paris describes the early period of the Inquisition, the motives and actions of the inquisitors, and the fate of those accused. The actual expulsion of the Jews (not the conversos) in 1492 and the Moors (who were also given the opportunity to convert) in 1502 mark the climax of the events of this book.

During the quarter century between 1780 and 1806, Berlin's courtly and intellectual elites gathered in the homes of a few wealthy, cultivated Jewish women to discuss the events of the day. Princes, nobles, upwardly mobile writers, actors, and beautiful Jewish women flocked to the salons of Rahel Varnhagen, Henriette Herz, and Dorothea von Courland, creating both a new cultural institution and an example of social mixing unprecedented in the German past.

"Jiří Weil’s documentary prose poem, Lamentation for 77,297 Victims is a literary monument to the Czech Jews killed during the Holocaust. A remarkable Czech-Jewish writer who worked at Prague’s Jewish Museum during the Nazi Occupation and after – he survived the Holocaust by faking his own death – Weil wrote his Lamentation while he served as the museum’s senior librarian in the 1950s. Remarkable literary experiment opening new ways how to write about the undescribable combines a narrative of the Shoa, newspaper style accounts of individual lives destroyed by the Holocaust, and quotes from the Tanakh, each having a specific and powerful effect." -- From publisher's website.

" . . . a chronicle of man's bestiality to man, and therefore the few exceptional instances of courage and humanity shine forth with particular brightness." —The Russian Review "Essential reading for any holocaust course." —Religious Studies Review Bitter Legacy collects scholarship from America, Israel, Russia, Germany, and the Ukraine on the perpetration of the Holocaust in the Soviet Union and its lasting consequences from the postwar period through post-Soviet times. Newly accessible wartime archives in the former Soviet Union provide chilling details of what happened, of collaboration with the Nazis, and of rescue efforts, too.

For much of her career, Elfriede Jelinek has been maligned in the press for both her unrelenting critique of Austrian complicity in the Holocaust and her provocative deconstructions of pornography. Despite this, her central role in shaping contemporary literature was finally recognized in 2004 with the award of the Nobel Prize in Literature. The committee acknowledged Jelinek's groundbreaking work that offers a "musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's clichés and their subjugating power." Although she is an internationally recognized playwright, Jelinek's work is difficult to find in English, which makes this new volume, which includes Rechnitz: The Exterminating Angel and The Merchant's Contracts , all the more valuable. In Rechnitz , a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. More than a docu-drama, this work explores the very transmission of historic memory and has been called Jelinek's best performance text to date. In The Merchant's Contracts , Jelinek brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated and bearing the brunt of the economic crisis. In the age of the global economy, Jelinek turns the story of a merchant of Vienna into a universal comedy of errors, making this her most accessible work. Along with an extensive introduction by the translator that both contextualizes and analyzes the two brilliant texts, a DVD of performances of both plays accompanies this volume. Available for the first time in English, this is a collection that testifies to the power and universality of Jelinek's work.

The Jews of post-World War I Iraq saw themselves as patriots of the new state, and the Jewish intelligentsia shared ideas of Arab nationalism. Several factors made the Arab elites regard the Jews as a problematic minority and put their Iraqi identities into question: the growing popularity of Zionism, Arab nationalism, and communism, which began to spread among both Muslim and Jewish youth. In the late 1930s the anti-colonial (i.e. anti-British) struggle, growing conflation of Judaism with Zionism, and Nazi propaganda led to a rise in anti-Jewish sentiments. These erupted in the "Farhud", a series of anti-Jewish riots in Baghdad in June 1941, during which ca. 180 Jews were killed. The Baghdad riots were followed by anti-Jewish excesses in Diwaniyya, Basra, Hila, and elsewhere. The authorities suppressed the riots, and a large number of pogromists were killed. Against the background of the Jewish-Arab conflict in Palestine in 1946-51, Iraqi Muslims increasingly identified the Jews with Zionism. The situation for the Jews became unbearable because of their social ostracism and outright discrimination, restrictions, and growing antisemitism. When a new government introduced a denationalization law for the Jews who wished to emigrate; the anti-Jewish atmosphere in the country, repressions, and the hysteria of fear for their future caused a great majority of the Jews to leave.

"Though the existence of Jewish regional cultures is widely known, the origins of the most prominent groups, Ashkenaz and Sepharad, are poorly understood, and the rich variety of other regional Jewish identities is often overlooked. Yet all these subcultures emerged in the Middle Ages. Scholars contributing to the present study were invited to consider how such regional identities were fashioned, propagated, reinforced, contested, and reshaped—and to reflect on the developments, events, or encounters that made these identities manifest. They were asked to identify how subcultural identities proved to be useful, and the circumstances in which they were deployed. The resulting volume spans the ninth to the sixteenth centuries, and explores Jewish cultural developments in western Europe, the Balkans, North Africa, and Asia Minor. In its own way, each contribution considers factors—demographic, geographical, historical, economic, political, institutional, legal, intellectual, theological, cultural, and even biological—that led medieval Jews to conceive of themselves, or to be perceived by others, as bearers of a discrete Jewish regional identity. Notwithstanding the singularity of each essay, they collectively attest to the inherent dynamism of Jewish regional identities"--

"A mix of autobiography and lucid invention, this highly personal work offers a deeply affecting exploration of the meaning of identity and pedigree. With his signature blend of candor, mystery, and bewitching elusiveness, Patrick Modiano weaves together a series of interlocking stories from his family history: his parents' courtship in occupied Paris; a sinister hunting trip with his father; a chance friendship with the deposed King Farouk; a wistful affair with the daughter of a nightclub singer; and the author's life as a new parent. Filled with a coterie of dubious characters - Nazi informants, collaborationist refugees, and black-market hustlers - Modiano's riveting vignettes capture the drama that consumed Paris during World War II and its aftermath. Written in tones ranging from tender nostalgia to the blunt cruelty of youth, this is a personal and revealing book that brings the enduring significance of a complicated past to life."--Publisher.

"This is the first book describing the roles of Western Jews in South Asian political affairs, medicine, painting, architecture and religion. A time-line summarizes their contributions and those of the Indian Jews to the Indian subcontinent. Many of these foreign Jews left behind their Jewish identities. Others remained Jews, but functioned as individuals unconcerned with implementing any 'Jewish agenda'." --

EAST OF TIME is a rendezvous of history and imagination, of realities and dreams, hopes and disenchantments. This extraordinary book, by turns stark and poetic, unfolds in a succession of short reminiscences that weave together into a shimmering tapestry depicting a lost world. The setting is Lodz, Poland, in the years of the author's childhood, when he witnessed the grand belief in a just new world overtaken by the cataclysmic events of the 1930s, imprisoned between the walls of ghettos, and finally silenced at Auschwitz. The book's touchstone is the determination of an entire community to remain human, even at the last frontier of life.

Jews and the American Public Square is a study of how Jews have grappled with the presence of religion, both their own and others, in American public life. It surveys historical Jewish approaches to church-state relations and analyzes Jewish responses to the religion clauses of the First Amendment. The book also explores how the contemporary sociological and political characteristics of American Jews bear on their understanding of the public dimensions of American religion. In addition to a descriptive and analytic approach. the volume is also critical and polemical. Its contributors attack and defend prevailing views, raise critical questions about the political and intellectual positions favored by American Jews, and propose new syntheses. This book captures the current mood of the Jewish community: both committed to the separation of church and state and perplexed about its scope and application. It provides the necessary background for a principled reconsideration of the problem of religion in the public square.

To the Land of the Cattails evokes the uncanny atmosphere of Europe on the brink of the Holocaust with the same dreamlike realism that made The Age of Wonders a modern classic. In the summer of 1938, a Jewish woman living in Austria, suddenly gripped by a longing for her native land, departs with her adolescent son for the interior of Eastern Europe. As she proceeds, the landscape turns increasingly ominous and her son progressively more loutish. Just short of their goal, the young man falls into a drunken stupor. When he finally rouses himself and rushes to join his mother he is told she has been shipped off on a mysterious train to an unspecified destination. To the Land of Cattails is a haunting parable of the human spirit and an unforgettable account of the destiny of modern European Jewry.

Before the Inquisition, Spain was a tolerant and peaceful society. How, precisely, does a culture that prizes autonomy and harmony within the population descend so quickly into one of the most oppressive nations to have ever existed? Focusing on the humanity of the major historical players, Erna Paris traces the obscure origins of what was to become a brutal and enduring campaign of religious and ethnic conformity through terror and segregation. The conclusions she draws from the annals of Spanish history are enduring lessons on basic human nature, as applicable to the modern world as they are to the medieval.

This JPS Guide chronicles the extraordinary history of American Jewry. Finkelstein tells the dramatic 350-year story of the people and events that shaped the lives of today's American Jews. Divided into six time periods, American Jewish History describes Jewish life from the time of the early settlers, to the period of massive immigration that flooded the cities, to the incredible growth of Jews in positions of influence in business, politics, and the arts. This is a story of a people who affected not only the lives of Jews in the U.S. today, but also the course of American history itself. There are over 70 black and white photographs, maps, and charts and more than 120 feature boxes and biographies throughout, as well as timelines, notes, a bibliography, and index. Finkelstein has made the saga of American Jewry much more than a compilation of historical facts. This is wonderfully stimulating journey--a worthwhile adventure for readers of all ages.

From Mesopotamia to Modernity is a one volume introduction to both Jewish history and literature from its earliest times up to the present. Leading experts in each field of Jewish history and literature contribute original and comprehensive essays introducing their subjects. Beginning readers will learn the rudiments for further study, and scholars will be refreshed by the balanced, yet challenging treatments found here.These introductory essays cover most major aspects of Jewish studies from the Bible and its time up to modern Judaism. The work is designed to serve undergraduate and graduate courses in Judaism as well as Church and Synagogue adult study courses. Ideal for reading groups, this work will lead readers to further study of the varied subjects considered. Each essay covers the basic field, be it in a given era of Jewish history or in a defined area of Jewish literature. Suggestions for further reading will assist the reader in moving beyond this volume to explore a given area in further detail. The introductions range from encyclopedic detail through elegiac essay and enthusiastic appreciation of the field considered. The authors hold positions in major academic institutions throughout the United States and Israel.

A collection of articles, most of them published previously. The following deal with antisemitism:

In this new collection of essays, contemporary historians examine the ways earlier historians have framed, written, and "made" the Jewish past. Probing the ideology and methodology of their professional predecessors, American and Israeli historians offer new perspectives on some of the central figures of twentieth-century Jewish historiography, including Gershom Scholem, S. D. Goitein, Yitzhak Baer, Elias Bickerman, and Cecil Roth, as well as the Israeli "New Historians." Through their critical examinations of the construction of the Jewish past, the contributors to this volume develop important insights into current attitudes toward the dominant canons and ideals of historical scholarship and the future of historiography. They shine new light on the formation of a historical worldview and the "making" of history.

"Sepher Yosippon was written in Hebrew by a medieval historian noted by modern scholars for its eloquent style. This is the first known chronicle of Jewish history and legend from Adam to the destruction of the Second Temple, this is the first known text since the canonical histories written by Flavius Josephus in Greek and later translated by Christian scholars into Latin. Sepher Yosippon has been cited and referred to by scholars, poets, and authors as the authentic source for ancient Israel for over a millennium, until overshadowed by the twentieth-century Hebrew translations of Josephus. It is based on Pseudo Hegesippus’s fourth-century anti-Jewish summary of Josephus’s Jewish War. However, the anonymous author [a.k.a. Joseph ben Gurion Hacohen] also consulted with the Latin versions of Josephus’s works available to him. At the same time, he included a wealth of Second Temple literature as well as Roman and Christian sources. This book contains Steven Bowman’s translation of the complete text of David Flusser’s standard Hebrew edition of Sepher Yosippon, which includes the later medieval interpolations referring to Jesus. The present English edition also contains the translator’s introduction as well as a preface by the fifteenth-century publisher of the book. The anonymous author of this text remains unique for his approach to history, his use of sources, and his almost secular attitude, which challenges the modern picture of medieval Jews living in a religious age. In his influential novel, A Guest for the Night, the Nobel Laureate author Shmuel Yosef Agnon emphasized the importance of Sepher Yosippon as a valuable reading to understand human nature. Bowman’s translation of Flusser’s notes, as well as his own scholarship, offers a well-wrought story for scholars and students interested in Jewish legend and history in the medieval period, Jewish studies, medieval literature, and folklore studies." -- From publisher's website.