In this classic of natural history, National Medal of Science winner May Berenbaum weaves a web of spellbinding portraits that acquaints readers with the multitudes sharing our world and, alas, our kitchen. Go small or go home as Berenbaum reveals: Why the "Jesus bug" can walk on water How the katydid's nighttime noise inspired romantic poetry The trapping prowess of the hungry antlion That disgusting thing chiggers do to eat your skin A witty and educational guide that's as accessible as the container of flour you should have closed more tightly, Ninety-nine Gnats, Nits, and Nibblers is the fascinating story of our million closest neighbors.

A bold new approach to writing (and reading) poetry based on great poetry of the past. Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made— in terms borrowed from the “singing school” of William Butler Yeats’s “Sailing to Byzantium.” Robert Pinsky’s headnotes for each of the 80 poems and his brief introductions to each section take a writer’s view of specific works: William Carlos Williams’s “Fine Work with Pitch and Copper” for intense verbal music; Emily Dickinson’s “Because I Could Not Stop for Death” for wild imagination in matter-of-fact language; Robert Southwell’s “The Burning Babe” for surrealist aplomb; Wallace Stevens’s “The House Was Quiet and the World Was Calm” for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets. This anthology respects poetry’s mysteries in two senses of the word: techniques of craft and strokes of the inexplicable.

In this unusual collection, poems and photographs focus on shapes in nature. Some shapes are found in familiar places: A circle is the sun and a crescent is the moon. But there are imaginative surprises too: an alligator's tooth is a triangle and a frond's shadow forms a square. Related shape words—round, halo, sphere, etc.—are scattered throughout the spreads. This collaboration captures the beauty of shapes in nature in a playful way.

This elegant edition of Susan Polis Schutz's most beloved work includes the poems and advice of earlier editions, plus new poems inspired by her daughter growing up into a young woman and leaving home. Steven Schutz's sensitive illustrations envelop Susan's poetry in an artistic expression of his love for his daughter and her mother. The result is a loving celebration of the joy and pride that all parents feel for their unique, beautiful daughters.

A revised edition of the first book of poems by Stephen Mitchell, the renowned translator of Rilke's poetry, The Book of Job, and the Tao Te Ching. --This text refers to an out of print or unavailable edition of this title.

From Pulitzer Prize–winner Mark Strand comes an exquisitely witty and poignant series of prose poems. Sometimes appearing as pure prose, sometimes as impure poetry, but always with Strand’s clarity and simplicity of style, they are like riddles, their answers vanishing just as they appear within reach. Fable, domestic satire, meditation, joke, and fantasy all come together in what is arguably the liveliest, most entertaining book that Strand has yet written.

Editor Lesléa Newman has collected the work of both well-known and emerging poets to create an anthology of some of the finest writers of any gender or sexual orientation writing poetry today. The probing fierceness of Adrienne Rich's "Love Poem," the stirring sensual incantation of Ellen Bass's "Praise," the intensely felt tenderness of Dorothy Allison's "Reason Enough to Love You," are just a few examples of the rich talent displayed in this volume. These poets have written daring confessions of love, sorrow, anger, and joy. Each poem is an elaborate confirmation of the resilience of the human spirit, and the ability to transform experience--including the struggle against the societal taboo of same-sex love--into brilliant poetry.

Beatnik poetry from the owner of City Lights Bookstore, San Francisco.

In Yiddish, khurbn is the word for "total destruction," the word for what the English-speaking world calls the Jewish "Holocaust" of World War II. In 1987, thirteen years after the publication of his book of ancestral poems, Poland/1931, Jerome Rothenberg visited Poland and the small town of Ostrow-Mazowiecka, from which his parents had emigrated in 1920. "I hadn't realized," he writes, "that it was only fifteen miles from Treblinka..." Out of the poet's confrontation with his family's annihilation came Khurbn & Other Poems. "The poems that I first began to hear at Treblinka are the clearest message I have ever gotten about why I write poetry. They are an answer also to the proposition that poetry cannot or should not be written after Auschwitz." For decades a leader of the American literary avant-garde, Rothenberg, with Khurbn & Other Poems, adds his voice to those writers, like Paul Celan and Edmond Jabes, who have sought to name the unnamable at the ruinous heart of the history of our time.

Two hundred years ago, the great rabbi, Simcha Bunim, offered a teaching. Each of us has two pockets. In one, a note reads, "For my sake was the world created"; in the other, "All I am is dust and ash." Take stock of your needs, the rabbi counseled, and reach into the appropriate pocket. In this, his long-awaited third book, Jeffrey Levine offers readers a dazzling redaction of the rabbi's advice. Emptying his innumerable pockets, Levine spills forth poems of radiant image and dialectical thinking. We need not choose between affirmation and humility, Levine argues, in tones that are at once urgent and agnostic ("The one neither, the other nor"). On the page, at least, we get to have it all: ravishing desire and feasts, prophecies, "night dreads," "a lost thought boxed within a certain light," ekphrastic poems that upend tradition. In the poems that grow out of his encounters with paintings by Caravaggio, Rembrandt, and the Scottish painter David Roberts, Levine goes far beyond the spinning out of the image that meets his eye. Poem attaches to painting like a gessoed layer, integral to the painting because integral to the poet -- a secondary self-portrait that offers a glimpse of the artist in mature command of his power both to reveal and conceal.

The first complete collection of the poetry of Delmore Schwartz, “the most underrated poet of the twentieth century" (John Berryman). When Delmore Schwartz published his first short story, “In Dreams Begin Responsibilities,” in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, “Your poetic style is beyond any doubt the first real innovation that we’ve had since Eliot and Pound,” and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work. This book brings together all of Schwartz’s poetry for the first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer’s illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, “It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life.”

In More Things in Heaven and Earth, Levy argues the fundamental unity of the arts and the sciences, pointing out the poetry that is in astronomy and the scientific references to the night sky found in many of the great poets. He illustrates his arguments with spectacular colour photographs of comets and eclipses and also with extensive quotation of and commentary on Chaucer, Shakespeare, Milton, Donne, Keats, Tennyson, Hopkins and Frost. For him the collision of the comet bearing his name with the planet Jupiter, the greatest cataclysm in the history of astronomy, is an opportunity to get a whole new generation excited about our universe in a way that has not been possible since the 1969 Moon landing.

From acclaimed author, actor, and singer-songwriter David Duchovny, a deeply personal, existential, and insightful debut poetry collection.

Allen Ginsberg, one of America's most distinguished living poets, turned 70 this year. Selected Poems 1947-1995 commemorates his brilliant career and honors a landmark birthday. Ginsberg personally chose the selections for this handy volume and has written a retrospective Apologia that places the poems from each decade in their historical and literary context. Here are well-known masterpieces such as the lyric "Howl" and the narrative "Kaddish"--Classic works of American literature - as well as more recent gems, the long dream poem "White Shroud," the visionary "After Lalon," and the political rock lyric "The Ballad of the Skeletons." The pieces included in Selected Poems 1947-1995, which span five decades of work, document Ginsberg's spiritual path during a life devoted to exploring the creative possibilities of the conscious mind. Ginsberg's verse is always raw-toned, often whimsical, in both style and content, and displays elegant technical variety from singable exact lyrics to Sapphics to Skeltonics to twelve-bar blues to projective open-form verse and "spontaneous bop prosody." Ginsberg takes readers on a tour of his intelligence as a poet, from the transcendent-themed early poems such as "Magic Psalm" (1960) and "T.V. Baby" fragments (1961), to the poetic realism of the later 1960s with which he confronted and challenged a nation at war, to the integration of song (rags, ballads, and blues) into his poetic repertoire in the early 1970s. Many long poems - including "The Fall of America" and "Iron Horse" - have been edited to reveal exquisite passages hitherto unnoticed by many readers. Ginsberg's immersion in Eastern thought and his hands-on practice of Tibetan Buddhism is reflected in poems throughout this collection. In contrast, readers will delight in highlights of his erotic narrative "Contest of Bards" (1977), at once baroque and idiosyncratic, which was inspired in great part by a marathon reading of William Blake's complete poetry. His most recent work expands on classic meditation experience, recording the recognition of rich daydream activity as conscious poetic thought. In addition to the rich and varied collection of poetry included here, Selected Poems 1947-1995 offers accessible and extensive indexes, illuminating notes to the poems, and prefaces to supplement enthusiasts in their reading of one of the wisest and most revolutionary poets of this century.

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a collections of aphorisms

"A wide-ranging anthology of ethnopoetry including origin texts, visionary texts, texts about death, texts about events--collected from Africa, the Americas, Asia, Europe and the Ancient Near East, and Oceania."--Provided by publiher.

Poems, in both the original Hebrew and English translation, deal with childhood, life in Israel, Jewish tradition, and history.

Eisen-Martin's syntax lands somewhere between Sphinx and Thelonious...through poem he makes spare, efficient, wild-eyed jazz...rubs mud and accountability into the pores of the zeros and ones in the glass and steel city. Throughout SOMEONE'S DEAD ALREADY, I return to the wonder of the writer's economy of language, how deftly the words infuse their amulet casings with blood temperature at the edge of boiling. This work is as hungry as revolution, a necessary, deadly still in these shifting times...

Recognizing the intrinsic literary merit of much of children's writing, Ruth Krauss listened to their ideas, poems, and stories and wrote them down with a professional's touch. Maurice Sendak's drawings highlight the whimsy and logic of these writings, and also stand on their own as picture-poems. The result is seventeen very funny, poignant, insightful, exuberant pieces of literature that bring out all the best of childhood imaginings.