"Michael Taussig's new book, Corpse Magic, is animated by the ubiquity of violence across the world. Focusing on state-sanctioned violence in Colombia in the context of gangs, guerrilla warfare, and police action, and in the US, in the form of mass shootings and the killing of Black Americans by the police, Taussig examines the effects of violence not just on its victims, but also and especially on those who inflict it, as well as those who witness and relive it through footage circulating in the media. Taussig analyzes the haunting idea that the act of killing "infects" the killer and spreads outward, and he connects this to a belief he encountered in Colombia, namely that the souls of the slain possess those of their slayers, and that magic must be used on corpses to circumvent this process. Drawing from literature, religion, and philosophy as well as anthropology, Taussig analyzes violence as contagion, one through which the killer and the killed are mutually defined. What kind of power do the dead continue to have? What kind of magic can enact vengeance? What kind, if any, can stop apparently endless cycles of violence? These are only some of the provocative questions raised in this powerful, creative work"-- Provided by publisher.

The Civil War gave the Negro formal emancipation, the right to bear arms for his country, and partial political franchise. But the postwar reaction severely curtailed the new-found political freedom and reduced Negroes to economic serfdom.

Two historians give the essential facts about the settlement and development of East and Central Africa by Europeans. They discuss the social and economic problems of an immigrant community and give a critical account of African nationalism, followed by a statement of the white man's case.

The author recounts his political and spiritual odyssey during the past ten years, discussing anti-Semitism, James Baldwin's work and legacy, video games, pollution in space, suicide, the Holocaust, and more

An Odd Man's Story recounts the life and experiences of Isidore G. Ascher. This biographical work provides a unique perspective on the author's journey, offering insights into his personal and professional life. Readers will find a compelling narrative that explores themes of identity, self-discovery, and the challenges of navigating a complex world. Through vivid storytelling, Ascher reflects on the moments that shaped his character and the lessons he learned along the way. This is more than just a memoir; it's a reflection on the human condition and the search for meaning in an ever-changing society. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Step back in time with "Pictures of Jewish Home-Life Fifty Years Ago," a captivating glimpse into 19th-century Jerusalem. Hannah Trager offers a unique window into the social life and customs of the Jewish community during this transformative era. Explore the rich tapestry of Jewish culture, traditions, and everyday existence in Jerusalem. This historical work illuminates the nuances of daily life, providing insight into the customs and social interactions that shaped the community. Immerse yourself in a world of tradition and faith as Trager meticulously documents the essence of Jewish home life. Discover the enduring spirit of Jerusalem's Jewish community through this timeless account. A valuable resource for those interested in Jewish history, religion, and the social customs of a bygone era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

made into a corollary

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Papers presented at the Adolph Lowe symposia held at the New School for Social Research in Feb. and Mar. 1968. Bibliographical footnotes.

First published in 1949, The Freedom of Necessity explores various aspects of the transformation of human society in the mid-20th century. It deals with themes like man and the world; relevance of science; science and the humanities; science and the arts; organised research for peace; science in economics and politics; the atomic age; Engels and science; Engels' dialectics of nature; and a century of Marxism. This is an important historical reference verb for students of political philosophy, political theory and philosophy.

Jew Made in England is a Rake's Progress by one of the great eccentrics and, without doubt, one of the most innovative and idiosyncratic publishers of the twentieth century. Charismatic, daring and outrageous, Anthony Blond harvested talents as diverse as Harold Robbins and Jean Genet, Spike Milligan and Graham Greene. An inveterate promoter of the young, he gave over seventy writers their first chance. Although Blond's various publishing enterprises all came to assorted grief, he left behind a legacy of brilliance which few others will ever match. Along the way Blond encountered many of the great and not so good of our times, providing him with a treasure chest of wonderfully entertaining anecdotes about figures as illustrious as John Betjeman, as notorious as Robert Maxwell and as obscure as Sir Anthony de Hoghton, a wealthy profligate who ended up a beggar in Sloane Square, in sharp contrast to the fate of fellow Blond cronies Jimmy Goldsmith, John Aspinall and Alan Clark.

Ithiel de Sola Pool was a distinguished scholar of the political process, and one of the most original thinkers in the development of an integrated social science. This volume focuses upon his contributions to the development of research methods that deepen our understanding of human behaviour. The book is divided into five parts treating the analysis of communications, computer simulation, forecasting, network theory, and the social sciences in political contexts. The first part considers the problems and possibilities of analysis raised by the unprecedented quantity of data made available by widespread and improved communications technology; what should be counted and how should inferences be made. Part two explores computer simulation in the study of presidential election patterns and how it can provide in-depth analyses of crisis situations in history. Part three focuses on strategies for predicting the future of international politics and methods to forecast the impacts of new communications technologies, while part four offers a rigorous analysis of domestic and global contact networks and the so-called "small world" phenomenon. Part five is concerned with external challenges to the use of social science to create more humane politics, including the question of value neutrality, ideology, "deconstructive" critical theory, and threats by government to the health of universities. In a concluding essay Lloyd Etheredge draws upon Pool's work to discuss several new ways in which the methods treated in this volume can be applied to contemporary social change.

Alfred Schutz was born in Vienna on April 13, 1899, and died in New York City on May 20, 1959. The year 1969, then, marks the seventieth anniversary of his birth and the tenth year of his death. The essays which follow are offered not only as a tribute to an irreplaceable friend, colleague, and teacher, but as evidence of the contributors' conviction of the eminence of his work. No special pleading is needed here to support that claim, for it is widely acknowledged that his ideas have had a significant impact on present-day philosophy and phenomenology of the social sciences. In place of either argument or evaluation, I choose to restrict myself to some bi~ graphical information and a fragmentary memoir. * The only child of Johanna and Otto Schutz (an executive in a private bank in Vienna), Alfred attended the Esterhazy Gymnasium in Vienna, an academic high school whose curriculum included eight years of Latin and Greek. He graduated at seventeen - in time to spend one year of service in the Austrian army in the First World War. For bravery at the front on the battlefield in Italy, he was decorated by his country. After the war ended, he entered the University of Vienna, completing a four year curriculum in only two and one half years and receiving his doctorate in Law.

Why do we use prisons so much more than most of our European neighbours and why do we expand a system that does little good and costs so much? Such questions as these are examined in this study of the British prison system and how it operates.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In the 1990s when I was watching reruns of The Fugitive on the Arts and Entertainment Network twice a day, I couldn't take my eyes off it. . . . No one in The Fugitive ever relaxes as you watch and you can't relax either, even though for long stretches absolutely nothing happens. It was the combination of nonstop tension with the (relative) absence of slam-bang action that attracted me, and as I now reflect on it, the same combination characterizes the literary works I have been reading and writing about for more than forty-five years."—Stanley Fish, from the Introduction In the stark television drama The Fugitive , Dr. Richard Kimble, an innocent man convicted of murder, is on the run from the police and in pursuit of the real killer. The award-winning show, which aired on ABC from 1963 to 1967 and inspired a 1993 blockbuster movie, still has many devoted fans, none more passionate than literary and legal theorist and intellectual provocateur Stanley Fish. In The Fugitive in Flight , Fish examines the moral structure of the long-running series and explains why he thinks this may well be the greatest show ever aired on American network television. Analyzing key episodes, The Fugitive in Flight goes beyond plot summaries and behind-the-scenes stories. For Fish, the real action of The Fugitive takes place in confined spaces where the men and women Richard Kimble encounters are forced to choose what kind of person they will be for the rest of their lives. Kimble is the catalyst of such choices and changes, but he himself never changes. Breaking free from the political and social problems of his time, he is always the bearer and exemplar of the very middle-class values informing the system that has misjudged him. Kimble is the perfect representative of a mid-twentieth-century liberalism that values above all independence, personal integrity, and the refusal to surrender oneself to obsessions or causes. He is so consistently faithful to his liberal vision of life that he displays both its virtues and its dark side, the side that flees attachments, entanglements, responsibilities, and human connections. Stanley Fish's Richard Kimble is the ultimate man in a gray flannel suit, even when he is wearing a windbreaker and walking down a dark, lonely road.

Argues that psychoanalysis is a valuable tool for the mental health professions and defends it against the attacks of its critics