In lively and accessible essays of literary criticism, this book approaches literature from classical times through the present with an emphasis on the place and treatment of the human body in the Western textual tradition. The work serves the double purpose of providing new, original, and provocative readings of familiar texts by applying the latest innovations in theory to specific works. Topics range from Sappho's fragments through cross-dressing in medieval romance to mutilation in Kathy Acker's Great Expectations. Together the essays illustrate changing definitions of bodily limits, integrity, transgression, sexuality, and violation in the history of the Western canon.

“Cynthia†is a poignant novel by Leonard Merrick, showcasing his talent for crafting compelling narratives and memorable characters. Set against the backdrop of early 20th-century London, the story follows the intertwined lives of individuals navigating love, loss, and societal expectations. Merrick's elegant prose and keen observations create a rich tapestry of human experience, inviting readers to reflect on the complexities of relationships and the enduring power of the human spirit. This edition of “Cynthia†offers readers a chance to rediscover a classic work of British literature, celebrated for its insightful portrayal of human emotions and its timeless themes. Leonard Merrick's ability to capture the nuances of human interaction makes “Cynthia†a rewarding read for those who appreciate finely crafted literary fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"A survey of modernist poetry" by renowned authors Robert Graves and Laura Riding stands as a seminal work in literary criticism, offering an indispensable examination of 20th-century poetic innovation. This landmark text provides a comprehensive and critical look at the rise of modernism in literature, delving into the foundational principles and varied expressions that shaped the movement. Graves and Riding meticulously analyze the historical trajectory of modernist poetry, tracing its evolution, identifying key figures, and exploring the profound shifts in form and content. This authoritative survey is essential for anyone interested in the history of poetry, the development of free verse, and the broader impact of modernism. It dissects the stylistic shifts and theoretical underpinnings that defined one of the most transformative periods in literary history, offering deep insights into the craft and intellectual currents of the era. "A survey of modernist poetry" remains a vital resource, offering profound understanding of the complex landscape of 20th-century poetry and the enduring legacy of modernism. As a carefully prepared print republication, it continues to serve as a cornerstone for students, scholars, and enthusiasts seeking clarity on a pivotal era of literary change. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Since World War II, Jewish-American novelists have significantly contributed to the world of literature. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definition of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources of information. Since World War II, Jewish-American novelists have made numerous significant contributions to contemporary literature. Authors of earlier generations would frequently write about the troubles and successes of Jewish immigrants to America, and their works would reflect the world of European Jewish culture. But like other immigrant groups, Jewish-Americans have become increasingly assimilated into mainstream American culture. Many feel the loss of their heritage and long for something to replace the lost values of the old world. This reference book includes alphabetically arranged entries for more than 75 Jewish-American novelists whose major works were largely written after World War II. Included are entries for both well-known and relatively obscure novelists, many of whom are just becoming established as significant literary figures. While the volume profiles major canonical figures such as Saul Bellow, Norman Mailer, and Bernard Malamud, it also aims to be more inclusive than other works on contemporary Jewish-American writers. Thus there are entries for gay and lesbian novelists such as Lev Raphael and Judith Katz, whose works challenge the more orthodox definitions of Jewish religious and cultural traditions; Art Speigelman, whose controversial ^IMaus^R established a new genre by combining elements of the comic book and the conventional novel; and newcomers such as Steve Stern and Max Apple, who have become more prominent within the last decade. Each entry includes a brief biography, a discussion of major works and themes, an overview of the novelist's critical reception, and a bibliography of primary and secondary sources. A thoughtful introduction summarizes Jewish-American fiction after World War II, and a selected, general bibliography lists additional sources for information.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

History provides one way of marking time. But there are others, and the Judaism of the dual Torah, set forth in the Rabbinic literature from the Mishnah through the Talmud of Babylonia, ca. 200-600 C.E., defines one such alternative. This book tells the story of how a historical way of thinking about past, present, and future, time and eternity, the here and now in relationship to the ages, « that is, Scripture's way of thinking » gave way to another mode of thought altogether. This other model Neusner calls a paradigm, because a pattern imposed meaning and order on things that happened. Paradigmatic modes of thought took the place of historical ones. Thinking through paradigms, with a conception of time that elides past and present and removes all barriers between them, in fact governs the reception of Scripture in Judaism until nearly our own time. Neusner here explains through the single case of Rabbinic Judaism, precisely how that other way of reading Scripture did its work, and why, for so many centuries, that reading of the heritage of ancient Israel governed. At stake are [1] a conception of time different from the historical one and [2] premises on how to take the measure of time that form a legitimate alternative to those that define the foundations of the historical way of measuring time. Fully exposed, those alternative premises may prove as logical and compelling as the historical ones. The approach follows the documentary history of ideas, and individual chapters describe the treatment of historical topics in the Mishnah, the Talmud of the Land of Israel (a.k.a., the Yerushalmi), Genesis Rabbah, that is, ca. 200, 400, and 450 CE, and Pesiqta deRab Kahana, ca. 500 CE.

While the rabbinic literature is often seen as a collection of miscellaneous responses to questions arising from study of the Hebrew Bible and its application to contemporary life, Neusner sees a system behind and embodied in the various writings. He discusses the ways in which the divine thought, and the human thinking that sought faithfully to interpret it, actually came to expression and treats what he calls the grammar of the divine self-expression in order to help us see the theological structure that it implies. Then he shows how this implicit system is expressed in the rules for the life of the people that God has chosen as his own. --from publisher description.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Explore the rich tapestry of early 20th-century literature with “Works of Israel Zangwill, Volume 8.†This collection showcases the insightful and often poignant writings of Israel Zangwill, a prominent voice in Jewish literature and a keen observer of European society. Zangwillâ€(TM)s works delve into themes of identity, assimilation, and the immigrant experience, offering a compelling glimpse into a rapidly changing world. This volume promises to be a valuable addition to any literary collection, providing both historical context and timeless narratives that resonate with contemporary readers. Discover the enduring appeal of Zangwillâ€(TM)s storytelling and his contribution to the literary landscape. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The literature on Nathanael West by this time is larger, no doubt, than his entire output—less than 450pages in the one-volume complete edition. Yet West’s four short novels, all written in the 1930s and surrounded by his reputation as a Hollywood script writer, continue to fascinate readers, who still look for sign and symbol of the books’ importance. Irving Malin, a frequent contributor to this series, has taken a new approach to West’s novels. Rather than an examination of sources, his new book provides, for the first time, a chronological, chapter-by-chapter examination of the novels. This detailed textual explication shows the novels’ designs, which create their powerful effects by the accumulation of significant recurring details.

Fascinated by the idea of Western civilization as being a sequence of numerous misinterpretations and misrepresentations, these nineteen essays cover a broad range of topics with the unifying theme being the crossroads where politics and the imagination meet. An essay on linguistics and culture discusses the shaping of Latin America's collective identity; Peru's modern history is approached as a bloody battle between enlightenment and darkness; and in critiques of Octavio Paz and Gabriel García Márquez, Stavans reflects on the dichotomy between pen and sword in the Hispanic world. In 'Letter to a German Friend', Stavans returns to his fate as a Jew in the Southern Hemisphere, and in 'The First Book,' he connects his passion for literature to his initiation into Jewishness. Finally, in a meditation on Columbus's afterlife, he reflects on the many ways in which we reinvent ourselves in order to make sense of the chaotic world that surrounds us.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Title: Estelle. By the author of "Four Messengers," etc. [Emily Marion Harris.] Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Marion Harris, Emily; 1878. 2 vol. ; 8º. 12641.e.1.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.