When a beautiful stranger comes to hear him preach, Pastor Daniel Vedra soon finds himself falling in love with another man's wife. With the brilliance and humanity that have made him a major figure in world literature, Ivan Klima explores the universal themes of love, adultery and God.

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

Complete book and lyrics, illustrated. The Ziegfeld Follies of 1919 opened at one of the most transitional times in American history. World War I had just ended, Prohibition was soon to take effect, and America was on the verge of the Jazz Age. The review ran for 171 performances, the longest of any Follies up to that time and is consider the best of Ziegfeld's Follies. It is primarily remembered today as the Follies that introduced Irving Berlin's "A Pretty Girl is Like a Melody" and that showcased Ziegfeld's unrequited love interest at the time, Marilyn Miller.

Vera and Roman are reunited, but as things get worse for the Blackwatch Empire there’s only one way Vera’s path can take her: to the throne or to her death. Will the allies she’s made be enough to help her seize the empire? Will her unique abilities enhanced by her implant give her the resources she needs to fight an inter-planetary army? And will Roman still stick with her now that her path is leading where neither of them wanted to go? The Matsumoto is the last book of The Matsumoto Trilogy, a thrilling YA SCI-FI series. If you like heart-pounding action, suspense, and romance, then you’ll love The Matsumoto. Vera and Roman are reunited, but as things get worse for the Blackwatch Empire there’s only one way Vera’s path can take her: to the throne or to her death. Will the allies she’s made be enough to help her seize the empire? Will her unique abilities enhanced by her implant give her the resources she needs to fight an inter-planetary army? And will Roman still stick with her now that her path is leading where neither of them wanted to go? The Matsumoto is the last book of The Matsumoto Trilogy, a thrilling YA SCI-FI series. If you like heart-pounding action, suspense, and romance, then you’ll love The Matsumoto.

The long term story of a broken love affair between Anthony and Ellen beginning in 1944, and resuming in 1956, 1963 and 1980.

In artfully crafted interlocking flashbacks set against a vividly drawn scrim of New York City, Busch lets his hapless hero tell his story of the angst-driven complications of both licit and illicit love. It was Greenwich Village in the Sixties, and Zimmer was writing copy for a sleazy PR agency. Rhona was a voluptuous Nazi-hunting librarian who taught him introductory love and guilt and drove him into the arms of the tall blonde shiksa Lillian.

"Frederic Raphael, the English novelist, screenwriter, and man of letters, and Joseph Epstein, the American essayist, short-story writer, and literary critic, exchanged e-mails sporadically over the years, usually commenting on each other's various writings. Then one day in 2009, Raphael wrote to Epstein to suggest that, since they enjoyed a benevolence toward each other unusual among literary men, they begin an exchange of e-mail correspondence on a regular basis. His thought was that, at the end of a year or so, the result might be an interesting book. Epstein, who had long admired Raphael's writing, agreed. The two men had never met, nor had they even spoken over the phone. Their friendship was conducted entirely online. Each week they exchanged e-mails of roughly 2,000 words. They discovered a great many things about each other they hadn't previously known. They shared, for example, a common birthplace in Chicago, where Raphael was born, though his family moved to England in 1938, and his education after that was exclusively English. Each man belongs to that dolorous fraternity of those who have buried a child. Their literary tastes vary, though not widely, since both grew up admiring the great modernist writers and both had an enduring love for Greek and Roman culture. Both men share a fundamental agreement about what, in artistic and intellectual realms, is serious. Raphael and Epstein are artists who happen also to be intellectuals. The result is that few subjects are off limits to them. They are of an age when they have long ceased to worry about their reputations. Wherever else they may look, it is not over their shoulders. Candor reinforced by comedy is the reigning note of Where Were We? as it was of Distant Intimacy, their earlier volume of e-mail correspondence. Writing about other writers, actors, politics, the movies, intellectual fashions, the writing life, and much else, both men say precisely what they think, and say it in high style. Readers may or may not agree with their strong views, but they will never find their thoughts other than fascinating. "--

"Century 21," a time machine in literary form, ignores the unity of time, space, and character. This tragicomical idyll of the future past mixes ancient and modern genres: Platonic dialogue and nineteenth-century romance, reportage and science fiction. At the book's core are two sisters, Ann Kar, a writer and survivor, and Carol, a suicidal artist. Considering herself a lunatic, Carol dreams about escaping from the earth to the moon (luna) and about the moon scholar, a lunar archeologist, who a thousand years after her death, while reconstructing terrestrial life, discovers the traces of her existence, falls in love with her, and begins to write about her - and his - erotic adventure. The result is a novel where Anna Karenina writes about Simone Weil, where Joseph Conrad meets Malcolm Lowry in Mexico, where Goethe presides over a literary institute made up of such members as Italo Svevo and Sextus Propertius, and where Djuna Barnes, dying from AIDS, visits Moses Maimonides in Japan. Ewa Kuryluk is fascinated by the repetition of the same situations and types, yet she's after her contemporaries who are starved for affection, lost in transit, ready to slip into somebody else's skin, and speaking in English, their second language, with a heavy accent. "Century 21" is a profoundly moving and original work.

What if you were supposed to die, but you didn’t? And what if, years later, your precious second chance didn’t turn out anything like you thought it would? That’s the journey Evan Handler experiences, and the one he explores in It’s Only Temporary: The Good News and the Bad News of Being Alive. In a collection of funny, offbeat, and poignant autobiographical essays, Handler moves beyond the supposedly "incurable” illness he triumphed over in his mid-twenties--only to tumble through his thirties and forties in search of ever elusive love and happiness. From bold attempts to rekindle his acting career to hapless efforts to run faster around New York’s Central Park reservoir, from bizarre Internet dates to twenty-seven breakups (involving only ten women), Handler careens through his against-all-odds existence. Always searching for meaning in his unlikely survival, he shares stories of sadistic junior high school gym teachers, bullying wannabe Hollywood moguls, returned engagement rings, and Europeans’ fascination with American bathroom habits. Picking up ten years after his first book, Time on Fire, Handler again uses what the New York Times calls his "laceratingly funny and revealing” storytelling skills to weave twenty-one new tales into a defiantly unconventional memoir. Consistently witty and insightful, Handler’s stories shift effortlessly from the comedic to the profound, musing with equal intensity on the existence of God and his experiences with TV stardom. Then, just when it seems he’s failed to make the most of his astonishing second chance, Handler finds his way to miracles even greater than the ones that saved his life. His memoir describes his journey from darkness to light, from yearning to gratitude, and in so doing succeeds as both a stirring love story and a classic coming-of-age tale. It’s Only Temporary celebrates the transformation of a boy to man--even if it look Handler more than forty years to get there.

Maeve begins her royal fosterage but her new companions are full of secrets and jealousy, her only friends are an elderly lady-in-waiting and Kian, the prince who rescued her kestrel, Ea, and her future promises only household management and childbearing until someone from her past brings a message about her true love.

"From Jewish-lesbian editor, activist, and author Elly Bulkin comes a book about transforming the self through language. Memory as catalyst. Dyke origins. Childhood sexual abuse. The rough and tumble of feminist politics. The break-up of a long-term relationship. Radical Jews, motherhood, the love of friends. A writer's high dive into a bucket of water"--

In the much-anticipated third entry in Edeet Ravel's delightful series, Pauline Carelli-Bloom is off to London to visit her grandmother. She's thrilled by all the different cultures she encounters in the great city -- and thrilled even more with Nigel Sivananda, a dashing young New Age devotee with, as she faithfully records in her diary, "blue eyes that pierce your soul and penetrate your thoughts." Now that her soul's been pierced and her thoughts penetrated, will Pauline also be swept completely off her feet? Will she return to her dull-but-faithful boyfriend Yoshi or escape to an ashram with Nigel in search of adventure and everlasting enlightenment? One thing is certain: Pauline's life is never boring, and neither is her journey toward self-discovery. Relating her latest adventures in life and love with quirky humor and an ever-present flair for the dramatic, Pauline presents a warm and funny snapshot of teen life, unfiltered and uncensored.

To six-year-old Dori, everything seems possible. To her family and their Peers-secular, left-leaning North American Jews-the young state of Israel seems to offer the same promise, as the starry-eyed kibbutz movement prepares the ground for their ideals of justice and cooperation to take root and flourish. They settle on Eldar in northern Galilee, determined to create a new utopia, but life on this remote hill, three kilometres from the Lebanese border, is far more complex than any of its inhabitants could have imagined. "The Last Rain" tells the story of Eldar's emergence as a kibbutz through the eyes of Dori, as well as through documentary fragments that take the reader on a labyrinthine journey through the characters' collective past. With humour, sensitivity, and a deep love for the land, "The Last Rain" follows the coming of age not only of a young girl, but also of a country in the first fraught years of its existence.

In a huge Hawaiian mansion by the sea live Jack Wolfe, ruthless millionaire, and his knockout wife, ex-hooker Nora. Weary of their marriage, Nora seduces dim-bulb aging surfer Chad to kill her husband. But then it seems as if Jack wants Chad to kill him--or rather, he wants it to look like he was killed so he can avoid legal prosecution and begin a new life. So he offers Chad a better deal. Then it gets complicated: who are allies and who are conspirators is not known. It's all observed by Hawaiian Jewish detective Dani Kahana--also in love with Nora. This complicated tale ends explosively with a hilarious and unexpected close. Martin's Press.

London in the Blitz. Poppy is a mature and capable woman. She struggles to enable her family to lead normal lives. The problems they create are known to all mothers-a daughter torn between two men and a difficult and headstrong stepdaughter. It is a time of fear and uncertainty but love and passion grow amidst the devastation.

From the Nickolas Barris film soundtrack, recorded by Joshua Bell and Marija Stroke. Einstein's dedication to the violin and his particular love for the music of Mozart and Bach, are portrayed in the film “Einstein's Light”. Contents: 1. Einstein's Light:

In these short stories, Dorfman writes of love and betrayal, of families broken apart by hope and fear, of personal lives invaded by political authority, and of men and women who long for privacy.

The last of the true believers is Sunny Mansfield, as golden a girl as WASP Connecticut can rear: her first novel just out and a fellowship waiting at Cornell. Then, she meets brilliant poet David Harvey who teaches her painful but ultimately rewarding lessons in the meaning of love.

Poetry. Cross-Genre. Literary Nonfiction. Middle Eastern Studies. THE CAIRO NOTEBOOKS, a collection of travel writing by Ammiel Alcalay, blurs the lines between fiction, poetry, and documentation. "There is in what you hear of these CAIRO NOTEBOOKS the cruelty of compassion, the pain of love, the tearing apart of fateful encounters. Here, a novel, a poem, are fused like the impossible couplings they portray. Poetry, history and fiction come together so that they can, further down, be broken into parts, again, anew. All that makes the tragic pulse of the Arab East is here charted on the map of a real and still 'ideal' city, the way it is charted on the bodies of the tortured and dead"—Etel Adnan.

Product Description Meditations, rhapsodies, elegies, confessions, and mindful chronicle writings filling inward and outward space thru mid-Seventies decade. Mind Breaths: Australian songsticks measure oldest known poetics, broken-leg meditations march thru Six Worlds singing crazy Wisdom's hopeless suffering, the First Noble Truth, inspiring quiet Sung sunlit greybeard soliloquies, English moonlit night-gleams, ambitious mid-life fantasies, Ah crossed-legged thoughts sitting straight-spine paying attention to empty breath flowing 'round the globe;' then Dharma elegy & sharp-eyed haiku. Pederast rhapsody, exorcism of mid-East battlegods, workaday sad dust glories, American ego confession & mugging downfall Lower East Side, hospital sickness moan, hydrogen Jukebox Prophecy, Sex come-all-ye, mountain cabin flashes, Buddhist country western chord changes, Rolling Thunder snowballs, a Jersey Shaman dream, Father Death in a graveyard near Newark, Poe bones, two hot hearted love poems: Here chronicled mid Seventies' half decade inward & outward Mindfulness in many Poetries. "Allen Ginsberg's poems of the 1970's are a marvel, his new book, "Mind Breaths," presenting a half dozen poems, probably more, that are first-rate Ginsberg. . . .The poems are there-on the page, in the book. They are called "mind breaths." No need to speak of kinds, qualities, degrees, the intellect's inevitable meanderings. The poems exist. Think of all the millions of things that might have gone otherwise, so that they might not exist. Our times are bleak enough, heaven knows, but at least we have this." —Hayden Carruth, New York Times Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and school teacher, in Paterson, N.J. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote "Kaddish" 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom "Howl" is addressed, is a intuitive Bronx dadaist and prose-poet." About the Author Allen Ginsberg is also the author of Howl and Other Poems, which was originally published by City Lights Books in the fall of 1956.