Preface Introduction Part I. Models in Kabbalah and Hasidism 1. The Weakening of the Lurianic Kabbalah in the Eighteenth Century 2. Models in Jewish Mysticism 3. The Mystico-Magical Model Part II. Drawing Down 4. Mystical and Magical Prayer in Hasidism 5. Mystical and Magical Study in Hasidism 6. Zaddiq as "Vessel" and "Channel" in Hasidism Concluding Remarks Appendix A: Psychologization of Theosophy in Kabbalah and Hasidism Appendix B: Rabbi Yisrael of Ryzhin Who Cries Appendix C: On Intentional Transmission of Power Abbreviations Notes Bibliography Appendix of Hebrew Quotes Subject Index Index of Works Cited Author Index

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"We have long since lost our faith in the idea that human beings could achieve human happiness in some future ideal state, a state that Thomas More, writing five centuries ago, tied to a topos, a fixed place, a land, an island, a sovereign state under a wise and benevolent ruler. But while we have lost our faith in utopias of all hues, the human aspiration that made this vision so compelling has not died. Instead it is re-emerging today as a vision focused not on the future but on the past, not on a future-to-be-created but on an abandoned and undead past that we could call retrotopia. The emergence of retrotopia is interwoven with the deepening gulf between power and politics that is a defining feature of our contemporary liquid modern world ? the gulf between the ability to get things done and the capability of deciding what things need to be done, a capability once vested with the territorially sovereign state. This deepening gulf has rendered nation-states unable to deliver on their promises, giving rise to a widespread disenchantment with the idea that the future will improve the human condition and a mistrust in the ability of nation-states to make this happen. True to the utopian spirit, retrotopia derives its stimulus from the urge to rectify the failings of the present human condition - though now by resurrecting the failed and forgotten potentials of the past. Imagined aspects of the past, genuine or putative, serve as the main landmarks today in drawing the road-map to a better world. Having lost all faith in the idea of building an alternative society of the future, many turn instead to the grand ideas of the past, buried but not yet dead. Such is retrotopia, the contours of which are examined by Zygmunt Bauman in this sharp dissection of our contemporary romance with the past"--

" . . . a chronicle of man's bestiality to man, and therefore the few exceptional instances of courage and humanity shine forth with particular brightness." —The Russian Review "Essential reading for any holocaust course." —Religious Studies Review Bitter Legacy collects scholarship from America, Israel, Russia, Germany, and the Ukraine on the perpetration of the Holocaust in the Soviet Union and its lasting consequences from the postwar period through post-Soviet times. Newly accessible wartime archives in the former Soviet Union provide chilling details of what happened, of collaboration with the Nazis, and of rescue efforts, too.

Haymarket Books proudly brings back into print Winona LaDuke's seminal work of Native resistance to oppression. This thoughtful, in-depth account of Native struggles against environmental and cultural degradation features chapters on the Seminoles, the Anishinaabeg, the Innu, the Northern Cheyenne, and the Mohawks, among others. Filled with inspiring testimonies of struggles for survival, each page of this volume speaks forcefully for self-determination and community. Winona LaDuke was named by Time in 1994 as one of America's fifty most promising leaders under forty. In 1996 and 2000, LaDuke served as Ralph Nader's vice presidential running mate in the Green Party.

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Karma is perhaps the most famous concept in Indian philosophy, but this is the first comprehensive study of its various meanings and philosophical implications. Karma and Rebirth in Classical Indian Traditions offers a harmony of approach and an underlying set of methodological assumptions: a corpus of definitions of karma, a dialectic between abstract theory and historical explanation, and an awareness of logical oppositions in theories of karma. No “solution” to the paradox of karma is offered, but the volume as a whole presents a consistent and encompassing approach to the many different, often conflicting, Indian statements of the problem. Broad in scope and richly detailed, this book demonstrates the impossibility of speaking of “ the theory of karma” and supplies the basis for further study. Exploring methodological issues arising in the study of a non-Western system of soteriology and rebirth, the contributors question the interaction of medical and philosophical models of the human body, the incorporation of philosophical theories into practical religions with which they are logically incompatible, and the problem of historical reconstruction of a complex theory of human life. This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Set against the backdrop of the Dutch invasion of Bali just over a century ago, and the resulting "mass suicides" of the Balinese royalty, the moving story unfolds of the peasant Pak and his family and friends, and the tragedy that is their shared fate. Written within living memory of the bloody events called the puputan (the "ending"), Love and Death in Bali is the story of a passionate yet peaceful and deeply spiritual people who defy the Dutch imperial forces through an act that would bring them certain death—and certain rebirth. The looting of a Chinese trading ship gives the Dutch colonial forces the perfect excuse to intervene in island affairs, but they encounter astonishing resistance. In the battle of Badung, wave upon wave of Balinese clothed in white ceremonial garb charged into the blazing Dutch guns, kris daggers in hand, prepared to die. Who among them will survive, and how will their lives be forever changed? Love and Death in Bali , first published in German in 1937, is considered by many to be the finest novel ever written about this island paradise where everyone, regardless of caste or position, is woven into the fabric of an ancient culture, connected by customs and, above all, by strong religious beliefs. now reissued in a completely re-edited edition under its original title, with an introduction by anthropologist and award-winning author Nigel Barkley.

Colorfully illustrated text reveals that African tribes of long ago knew and practiced the techniques of smelting iron, casting bronze, irrigating crops, and making and mixing paints and dyes.

(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.

Die Geschichte findet Mitte des sechzehnten Jahrhunderts in Antwerpen statt. Ein reicher und frommer Mann will ein Gemälde seine Kirche schenken aus Dankbarkeit für die wundersame Heilung seiner Mutter. Bereits in dieser frühen Arbeit sind viele Themen von Stefan Zweig vorhanden: die Beleuchtung eines unwahrscheinlichen Begegnung, der Sinn des Lebens, der Religion und eine große Vorliebe für Geschichte. Aus dem Buch: Einige Wochen gingen seit jener Unterredung dahin, in welcher der Maler seinem Freunde die Vollendung des Bildes für den Altar der Gottesmutter zugesagt hatte, und noch immer blickte die unberührte Leinwand vorwurfsvoll den alten Meister an, der sie beinahe zu fürchten begann und die Stunden immer lieber auf der Straße zubrachte, um nicht die grausame Mahnung und den schweigenden Vorwurf seiner Mutlosigkeit fühlen zu müssen.

'Robert Wilson''s theatre is the stuff of legend. He has taught theatre-goers to see the world with different eyes. Stefan Brecht''s book provides detailed documentation and analysis of a number of Wilson''s earliest groundbreaking works including The Life of Sigmund Freud, Deafman Glance and Einstein on the Beach. ''Never since I was born have I seen anything more beautiful on this earth, never ever has there been another performance to equal this one, because it is simultaneously life at its most vivid and life with its eyes closed, reality mixed with dreaming, the inexplicability of everything in a deaf man''s glance.'' (Louis Aragon Open Letter to Andre Breton) ''His theatre is a world of its own'' (Heiner Muller)'

In 1931, Simone Weil read an article by Louis Roubaud in the Petit Parisien that exposed the Yen Bay massacre in Indochina. That article opened Weil's eyes, and from then until her death in exile in 1943, she cared most deeply about the French colonial situation. Weil refused to accept the contradiction between the image of France as champion of the rights of man and the reality of France's exploitation and oppression of the peoples in its territories. Weil wrote thirteen articles or letters about the situation, writings originally published in French journals or in French collections of her work. J. P. Little's fluid and clear translations finally introduce to English-speaking scholars and students this important element of Weil's political consciousness.

Book by Lens, Sidney

Brighton, 1956: When Mirabelle's on-off boyfriend, Superintendent Alan McGregor, is taken off a gruesome murder case, she steps in to unravel the tangle of poisoned gin, prostitutes and high-stakes gambling that surrounds the death. It isn't long before McGregor's integrity is called into question, and Mirabelle finds herself doubting him. So when a wartime hero's body turns up on the Sussex Downs, she is glad that he is caught up in a mystery of his own as Brighton's establishment close ranks. Mirabelle is in a dangerous situation, though, and she doesn't have McGregor watching her back on this one. And when the dead man on the Downs turns out to have been a member of a deadly thrill-seekers club, related to the earlier murder, Mirabelle is determined to uncover the truth...