"Two Jews were traveling on a train. . . . " Many Eastern European jokes—and several of the charming and often hilarious conversations in this book—begin this way. From all regions of the world and from all walks of life, the characters are young and full of life and old and ugly; they are rabbis, matchmakers, students, and immigrants. They gossip and speak about everything from the banalities of the world to the unspeakable evils of existence all for a single purpose: to laugh and to celebrate the good luck of being alive. As Biro recounts these tales, we hear not only his voice and the voice of his father, but those of generations of storytellers who have used humor to teach about the truly important issues in life—the delicacy of love, the fragility of friendship, the pitfalls of self-righteousness, the costs of narrow-mindedness, and the unpredictability of life itself. Biro artfully spins each story, lingering on the details, guiding the reader to the inevitable—yet always unexpected—punchline. Taken individually, these stories will make you laugh out loud; taken as a whole, they form an invaluable record of the sensibilities of an entire people. Biro writes: "These Jewish stories of which not a single one happened to me, and of which I did not invent a single one, do describe me, do characterize me, do explain me. They are always my own story. And yours."

Love's Shadow (1908) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel in 1907 to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Love's Shadow is the first installment in her Little Ottleys trilogy, a series of novels exploring the romantic lives of a hilariously diverse group of friends. Edith and Bruce Ottley seem to have it all--a charming flat, a healthy child, and a group of entertaining friends. Although they are far from perfect--Bruce can be jealous and quite the hypochondriac at times--their marriage remains strong and their home remains a place of refuge to their frequently lovelorn comrades. Among a dizzying array of faces and names, Hyacinth Verney, Mrs. Eugenia Raymond, Cecil Reeve, and Lord Selsey stand out. Although Hyacinth loves Cecil, a match favored by his uncle Lord Selsey, the young man seems inexplicably smitten with the widow Eugenia, who has no interest in marrying again. Edith and Bruce do their best to make themselves hospitable while defending their home against the hostilities of love, but the hearts and minds of their eclectic guests prove difficult to assuage. Love's Shadow is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's Love's Shadow is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Paulette Cooper's ssssssscintillating 277 SECRETS YOUR SNAKE WANTS YOU TO KNOW is the follow-up to her immensely popular dog- and cat-focused titles. Prospective snake owners will find this guide an invaluable introduction, and veteran snake lovers will uncoil with laughter when they read the author's hilarious anecdotes about their favorite fork-tongued friends. For those who prefer reptiles of a different feather (er, scale), there are additional tips on lizards.

Robin Morgan's work, celebrated for its vindication of female experience and its evocation of the zeitgeist, is here intensely personal and powerful in new ways. In her sixth book of poems, prize-winning poet Robin Morgan undertakes a radical departure from her previous work, as she locates the landscape of her vision in the stark isolation of a self confronting love's aftermath, its losses, and its undeniable betrayals. In poems documenting a seven-year silence, Morgan's voice emerges markedly different, sounding a singular passage through a private hell of despair, the madness of a "Hot January," to a place of furious peace in which the artist weeps "to recognize the self I'd fled to find."

"Lupoff writes with intelligence, humor, wisdom, and a zest for life. He had a lot of fun writing this book, and it shows; because of it, we have a lot of fun reading it."Joe Gores, author of Hammett Where Memory Hides is a guided tour through the life and career of mystery and science fiction's most versatile practitioner. Richard A. Lupoff has been a professional author for six decades, and a life-time fan of everything from pulp magazines to comic books, science fiction and mystery, and more. As the extensive bibliography (included in this book) demonstrates, Lupoff's credits run the gamut of fiction, nonfiction, mainstream publishing, and fan journals. In the 1960s, he penned All In Color For a Dime , a foundation-laying work for modern comic book fandom, and Edgar Rice Burroughs: Master of Adventure , a study of Tarzan's creator. The Comic Book Killer and Marblehead are among his best-known novels. His short story 12:01 PM , filmed twice in the 1990s, added a new sub-genre to science fiction and spawned a legion of imitators. In Where Memory Hides , Lupoff regales readers with triumphs and tribulations from his six-decade plus career. He also offers insights on writing, haggling with agents, and literary criticism of authors such as Dashiell Hammett, H.P. Lovecraft, Edgar Rice Burroughs, and many others. This autobiography is available in two editions -- a standard trade paperback edition, and a paperback collector's edition with color graphics throughout. "... (Lupoff's) books and stories, I can testify, having read a great many of them and published some myself, almost unfailingly display not only his intelligence and perceptivity, but also the grace and charm of his wit, the skill of his narrative technique, and the exemplary individuality of his ideas. That is to say, he's a damned good writer."Robert Silverberg, author of The Book of Skulls "... Although in his 80s, Lupoff still writes with the enthusiasm of a young fan ..." Publisher's Weekly

Title: Robin Hood. A new musical entertainment. The Musick composed by the Society of the Temple of Apollo [or rather, Dr. Burney. The words of Moses Mendez. The words only]. Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Hood, Robin; Mendez, Moses; 1751. 8º. 643.g.17.(11.)

'The ultimate book for any Jennings or Gleitzman fan.' Kids Book Review Shortlisted - BILBY Children's Choice Awards 2002 - Prize for Writing for Young Adults Winner - KROC Children's Choice Awards 2000 - Prize for Writing for Young Adults Winner - YABBA Children's Choice Awards 1998 - Older Readers Winner - Dymock's Children's Choice Awards 1999 - Older Readers Winner - CROW Children's Choice Awards 1998 - Prize for Writing for Young Adults Winner - COOL Children's Choice Awards 1998 - Prize for Writing for Young Adults Something very weird is happening to Dawn and Rory. And it's not just their new step-family. Slurping slobberers want to suck their bones out. Strange steel sheep want to smash them to pieces. Giant frogs want to crunch them up. Cruel killer creepers want to squeeze the life out of them. Their parents can't help them. Dawn and Rory are on their own. It's wild. It's wacky. It's WICKED! With the perfect mix of humour and suspense, Wicked! will keep middle-grade readers on the edge of their seat as Rory and Dawn navigate the challenges of life, family ... and monsters! A must-read for any kid (or adult) who loves a good mix of creepy, funny and clever storytelling. ALL SIX PARTS IN ONE! Part 1- The Slobberers Part 2- Battering Rams Part 3- Croaked Part 4- Dead Ringer Part 5- The Creeper Part 6- Till Death Us Do Part ------------------ PRAISE FOR MORRIS GLEITZMAN 'Readers can't get enough of him.' The Independent 'A brilliantly funny writer' Sunday Telegraph 'A virtuoso demonstration of how you can make comedy out of the most unlikely subject' Sunday Times 'He is one of the finest examples of a writer who can make humour stem from the things that really matter in life.' The Guardian

Living in a rat-infested hotel in Franco’s post-war Spain, André Bennett, a Canadian painter, loves Toni, his girl friend, who wants him to return home. Roger Kraus, a Nazi on the run, shadows the young artist day and night. They meet on a bridge during the last night of the fiesta, and as the sky is shredded by exploding fireworks, the story draws to its violent climax. Originally published in 1954, The Acrobats marks Mordecai Richler’s stunning debut as a novelist.

Product Description Chronicles the imaginative, phantasmagorial adventures of a young woman, Raquel, the daughter of a Brazilian-Jewish parents, a prize convent-school student, and lover of Miguel From Publishers Weekly Scliar has written a tangled mysterious novel of Jewish alienation and mystic Catholic redemption. Born of Jewish-Hungarian parents, Raquel Szenes grows up amid the dogma and mysticism of the Brazilian Catholic church. She is also estranged from Jewish devotion by her ethnic isolation and enthralled by surreal visions of retribution and sublime redemption. In time, her shattered psyche attaches itself to various secular dietieslove, sex, money. Ultimately, death at the hands of the demented spectral narrator is her only release from a cycle of devotion and sudden damnation. Scliar's lean parable-like prose is by turns precise, evasive and erotic. Specific in detailing her childhood and life with her parents, Scliar is opaque and puzzling when he endows Raquel with aimless zealotry and arrogance. A sometimes fascinating, sometimes awkward novel of Brazilian ethnicity, assimilation and identity. (AugustpThe more than 75 sugar- and dairy-free desserts in this book demonstrate how much health foods have changed in recent years. No longer need dessert be a grainy-textured, carob-filled penance, reminding one with every bite of what one is missing. The desserts offered here provide a satisfying, sweet and, above all, festive touch to the end of a meal. There are simple fruit compotes, apple and strawberry mousses, almond torte with raspberry filling, ginger-peach pie, maple-walnut cookies and a Guinness spice cake that is a sure winter favorite. (Sugar-free sweetening is made possible by the use of barley syrup, fruit juices and maple syrup.) The authors are not antagonistic toward eggs but also endorse kanten, kuzu and tofu, all of which are readily available at health food stores. These recipes will be appreciated by people allergic to milk products. Copyright 1986 Reed Business Information, Inc.

Born in a displaced persons' camp two years after the end of the Holocaust, Michael Gawenda spent his childhood and teenage years in a left-wing non-Zionist Jewish youth group in Melbourne. This shaped the sort of Jew he became - a secular Jew who loved the Yiddish language and Yiddish culture. Gawenda went on to become a public figure during his 40 years as a journalist, including his role as editor-in-chief of The Age - the only Jewish editor-in-chief in the newspaper's history. Throughout this time, and since, he became dismayed and pained by the growing hostility of the left to Israel and to Jews like him who were not prepared to declare themselves as anti-Zionists. This has also forced him to examine his own Jewish identity and his relationships with his Jewish friends, and to forensically examine the basis of the critiques of Israel. At a time of rising anti-Semitism and anti-Zionism, My Life as a Jew is a controversial book. It is also a vital book. It should be read by activists for Israel and Zionism, as well as for the Palestinians. It should be read by readers of all political stripes. It should be read by journalists, as it is in part about journalism and its failings. And it should also be read by people interested in the remarkable life and career of its author, Michael Gawenda.

(Piano/Vocal/Guitar Artist Songbook). This matching folio to crooner Michael Feinstein's 2003 Concord Records release celebrates the songs of the great Jimmy Webb. It's been hailed as one of Feinstein's finest! Includes 15 tunes: Adios * After All the Loves (MacArthur Park) * All I Know * Belmont Avenue * Didn't We * Louisa Blu * Piano * Skywriter * Time Flies * Up, Up and Away * and more!

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.

Last Seen, Matt Cohen's penultimate novel, was a finalist for the Governor General's Literary Award and the Trillium Book Award. Last Seen is a darkly comic story of two brothers and a woman who brings them both back to life. Harold, the older brother, is handsome and charming but dying of cancer. Alex is bookish and a scholar in Europe. With Francine, a nurse they both once loved, Alec cares for Harold until he dies. One day, Alec goes into a bar full of Elvis impersonators and there meets Francine--and Harold. Why has Harold come back from the dead? In this fragmentary tale of obsessive grieving, Cohen mixes moments of wry humour with touching pathos. Last Seen demonstrates that it takes more than death to untie the knot between two brothers. From the eBook edition.

Few poets have so artfully confronted American life as Louis Simpson. Persona speakers struggle with everyday issues against a backdrop of larger forces, the individual’s maladjustment to a culture of materialism and brutal competition, the failure of marriage under the pressures of such a society, the failure of the American dream. Simpson wages a lover’s quarrel with the world. "Louis Simpson has perfect pitch. His poems win us first by their drama, their ways of voicing our ways . . . of making do with our lives. Then his intelligence cajoles us to the brink of a cliff of solitude and we step over into the buoyant element of true poetry."—Seamus Heaney Educated at Munro College (West Indies) and at Columbia University, Louis Simpson has taught widely, most recently at the State University of New York at Stony Brook. He is the author of seventeen books of poetry and ten works of prose. He has received fellowships from the Academy of American Poetry, the Hudson Review, the Guggenheim Foundation, and received the Pulitzer Prize for Poetry.

A woman enters a room. The phone rings. A male voice on the other end of the line seems to know everything about her, down to the most intimate details. Someone is watching. The woman has just fled her homeland, but the whereabouts of her lover, Martin, remain a mystery. Is Martin in danger? Can the voice on the phone be trusted? Is she telling the truth? Has Martin betrayed his country, or his cause, or her? A tense, political allegory that inevitably challenges our assumptions about character, the foundations of our knowledge, and the making of history, Konfidenz stands as Ariel Dorfman's most fully realized fiction to date.

An enthralling drama about the man who killed Hendrik Verwoerd, President of South Africa and the architect of South African apartheid. Written by the acclaimed actor and author of Year of the King. I.D. tells the true story of how Demetrios Tsafendas came to assassinate Verwoerd. Of mixed parentage, but classified as "White", Tsafendas is unable to marry the woman he loves because she is classified as "Coloured". Sickened by this injustice and goaded by his monstrous alter ego, Tsafendas stabs Verwoerd on the floor of the House in full view of his wife, his bodyguard and a chamber full of MPs. Antony Sher's play I.D. was first performed at the Almeida Theatre, London, in September 2003 with Sher in the role of Tsafendas. The play was inspired by the book A Mouthful of Glass by Henk van Woerden.

The hallucinatory, unforgettable account of a moment - or an eternity - in an uncertain love affair The man has actually come to tell his lover that he wants to leave her, but as soon as he walks in he realizes he won't be able to tell her. The woman rolls a joint. They smoke it. And as they drift into another state of mind, he approaches the border zones between being and nonbeing, between living and imagining, or is it between life and death? From the acclaimed author of A Book of Memories we now have this unsettling and strangely beautiful exploration of the impossibility of love. The mysterious musicality and physical intensity of the narration will be familiar to readers of Nadas's other fiction, but Love is a radical new departure.

Sixteen-year-old Heller Highland, who is living with his grandparents while his parents are away, burns rubber across Manhattan delivering bad news by bicycle, and as a summer heat wave melts the city, he is struck by first love.

Modern Jews tend to relate to the past through “history,” which relies on empirical demonstration and rational thought, rather than through “memory,” which relies on the non-rational architectures of mythology. By now “history” has surpassed “memory” as a means of relating to the past—a development that falls short in building identity and creates disconnection between Jews and their collective history. Kurtzer seeks to mend this breach. Drawing on key classical texts, he shows that “history” and “memory” are not exclusive and that the perceived dissonance between them can be healed by a selective reclamation of the past and a translation of that past into purposefulness.

"U. A. Fanthorpe and R. V. Bailey write: 'Wordsworth speaks of the spontaneous overflow of powerful feelings. This seems an apt description of these love poems. They are not important resonant pieces of writing: they simply happened when one of us felt like writing to the other other, quite often when one of us was away from home. Some of them coincided with Valentine's Days or birthdays, but that was more a matter of good luck than foresight. Quakers, rightly, maintain that Christmas Day is only one important day of all the 365 important days of the year. It's the same with love poems: they are appropriate at any time, and can be written, incidentally, to dogs, cats, etc., as well as humans. No room for Cupid. (...) The pleasant thing about writing such poems, apart from having someone to write them for, is that there is no particular restriction as to subject matter. In Christmas Poems , UA felt the draughty awareness of the diminishing cast of subjects, from donkey to Christmas tree. With love, on the other hand, the sky's the limit.'" --Back cover.