This book examines the far-reaching legacy of one of the great myths of classical antiquity. According to Greek legend, Antigone, daughter of Oedipus, secretly buried her brother in defiance of the orders of Creon, king of Thebes. Creon sentenced Antigone to death, but, before the order could be executed, she committed suicide. The theme of the conflict between Antigone and Creon--between the state and the individual, between young and old, between men and women--has captured the Western imagination for more than 2,000 years. Antigone and Creon are as alive in the politics and poetics of our own day as they were in ancient Athens. Here, Steiner examines the treatment of the Antigone theme in Western art, literature and thought, leading us to look again at the unique influence Greek myths exercise on twentieth-century culture. About the Author: George Steiner, Professor of English and Comparative Literature at the University of Geneva and Extraordinary Fellow of Churchill College, Cambridge

From the distinguished polymath George Steiner comes a profound and illuminating vision of the inseparability of Western philosophy and its living language. With his hallmark forceful discernment, George Steiner presents in The Poetry of Thought his magnum opus: an examination of more than two millennia of Western culture, staking out his claim for the essential oneness of great thought and great style. Sweeping yet precise, moving from essential detail to bracing illustration, Steiner spans the entire history of philosophy in the West as it entwines with literature, finding that, as Sartre stated, in all philosophy there is “a hidden literary prose.” “The poetic genius of abstract thought,” Steiner believes, “is lit, is made audible. Argument, even analytic, has its drumbeat. It is made ode. What voices the closing movements of Hegel’s Phenomenology better than Edith Piaf’s non de non, a twofold negation which Hegel would have prized? This essay is an attempt to listen more closely.”

Jazz Music History

Young people growing up in Britain today face a narrowing job market, high housing costs and the prospect of a lifetime of hard work with less reward. The ideas of social responsibility that arose after the Second World War are straining under the demands of a globalised world. Too often public debate divides Britain's youth into the 'feral rats' of the London riots and the 'posh boys' of Eton. Business leaders rail at the entitled and unemployable young people they are asked to give jobs to, politicians complain about apathetic teens and commentators devote endless column inches to the issue of a 'self-obsessed' generation. Georgia Gould travelled across the UK to uncover the values, aspirations and challenges of young Brits, from job seekers in Bradford and working-class families in Glasgow's Easterhouse estate, to student protesters at Sussex University and young entrepreneurs in London such as YouTube sensation Jamal Edwards. If we show young people that we trust them with the future of our country, we will find that they are ready to rise to the challenge. This timely work points the way towards a new social contract and gives a voice to young Britain. http://bit.ly/YoungBritain

Anthropology has neglected the study of music. Music and digital media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies.Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of an extra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max.The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory.

"[ Western Music and Its Others ] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."--Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." --Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through " Mavra" "When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level." --Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) "This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music." --Lawrence Grossberg, author of Dancing in Spite of Myself

extremely rare,very good condition

Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia, and of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields Abrahams selected his best work to make up this volume (first published in 1968), one of exceptional breadth and fascination. The subjects range from the relationship of Slavonic music to the western world, to detailed essays on figures such as Chopin, Dvorak, Rubinstein and Mussorgsky. A study of realism in Janacek's operas contains a particularly fine analysis of From a House of the Dead and there is an account of the fantastic 'erotic diary' for piano in which Zdenek Fibich, one of the finest nineteenth-century Czech symphonists, recorded the secrets of his love affair with former student and librettist Aneka Schulzova. Gerald Abraham (1904-1988) was a distinguished musicologist, among his official posts those of Professor of Music at the University of Liverpool and Assistant Controller of Music at the BBC.

Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia and in the music of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields the author has now selected his best work to make up a volume of exceptional breadth and fascination. The subjects range from the relationship of Slavonic music to the western world to detailed essays on figures such as Chopin, Dvorak, Rubinstein and Mussorgsky. There are two new unpulished essays. A study of realism in Janacek's operas contains a particularly fine analysis of 'From the House of the Dead' and there is an account of the fantastic 'erotic diary' for piano in which Fibich, one of the best, recorded the secrets of his love affair with Anezka Schulzova. This book is welcomed as much by specialists in the field as by the general reader.

The description for this book, Army, Industry, and Labor in Germany, 1914-1918, will be forthcoming.

Judaism has always taught that sons and daughters must honor their parents. First encountered in the Ten Commandments, this teaching has remained characteristic of the Jewish ethos through out the ages. Indeed, if the mores of the Jewish family merit special discussion, the responsibility of children toward parents must be isolated as a sensitive central value. This book describes and analyzes the teaching of filial responsibility and respect in Judaism. Inasmuch as the Jewish thrust has been to concretize and specify, to detail and debate, the honoring of parents was translated into the pattern and process of family life. How does one honor parents? What is expected of a son and a daughter? When is parental authority legitimate, and when is it not? What do halakhists and moralists say on the issue? And since we are dealing with a paradigm of Jewish thought and action, we must also confront the tensions between feeling and doing, loving and obeying, honoring and serving. Finally, what is the significance of this ethic? With full awareness of the historical setting and milieu, this book treats the dynamic of an idea that exists as a social reality. Honor Thy Father and Mother will be valuable for sociologists and historians, for students of ethics and law. Moreover, since the commandment to honor parents is part of Christian Scripture as well as Jewish, the significance of this book goes far beyond the Jewish community, and it should be of interest to readers of all faiths. Ultimately, in fact, the book should appeal to all men and women, for all of us are sons and daughters, and many of us are, or will be parents.

Night and the City (1938) made Gerald Kersh's reputation, but it was as a war novelist that he reached a wide readership in 1942, via a pair of books about British army recruits, led by Sergeant Bill Nelson, preparing to see service in France. This Faber Finds edition collects both books. '[ They Die With Their Boots Clean ] is a picture of life in the raw in the Coldstream Guards, with all its rigorous discipline, its humour and comradeship.' TLS [In The Nine Lives Of Bill Nelson ] the conversations are terse, ferociously slangy, full of hyperbole and outrageous wit, often irresistibly funny.' TLS [Kersh] has sure magic in taking us through the training of raw recruits... Each man's story is briefly and dramatically told, the episodes are vigorous, and Nelson holds the centre of the stage, as he leads the battered troops over 63 miles of French territory to Dunkirk...' Kirkus Reviews

If you had a complete copy of a dinosaur's DNA and the genetic code, you still would not be able to make a dinosaur—or even determine what one looked like. Why? How do animals get their shape and how does shape evolve? In this important book, Nobel laureate Gerald M. Edelman challenges the notion that an understanding of the genetic code and of cell differentiation is sufficient to answer these questions. Rather, he argues, a trio of related issues must also be investigated—the development of form, the evolution of form, and the morphological and functional bases of behavior. Topobiology presents an introduction to molecular embryology and describes a comprehensive hypothesis to account for the evolution and development of animal form.

First published in 2000, Risk Management is a two volume set, comprised of the most significant and influential articles by the leading authorities in the studies of risk management. The volumes includes a full-length introduction from the editor, an internationally recognized expert, and provides an authoritative guide to the selection of essays chosen, and to the wider field itself. The collections of essays are both international and interdisciplinary in scope and provide an entry point for investigating the myriad of study within the discipline.