Describes the special days celebrated by a Jew and the Jewish community.

The Decade anthologies present the eighty-year history of science fiction in the most relevant way - by collecting the stories which have gone to make it up. Each volume, complete in itself, takes from a single decade the tales which are best, not only as history, but as entertainment.

Would you like to add columns of numbers as quickly as you can read them, or do multiplication without carrying numbers? How about doing complex subtraction or long division problems in mere seconds? Well, now anyone can become a math whiz with this amazing mathematical system that can have you solving problems in addition, subtraction, division and multiplication as fast as any calculator and with an even greater degree of precision. It's based on the same idea used in the Asian abacus, but it requires no more equipment than a pencil and paper. Now shoppers will always know if they're really getting the best deal on groceries, salespeople can compute and track their commissions with ease, and students can complete homework faster and more accurately than ever before. This system has already been proven successful for thousands the world over, and now you can put it to work for you too.

After making speculations in a television interview, Dutch author Rudolf Herter is approached by an elderly couple who reveal that they were charged with raising the son of Hitler and Eva Braun and were forced to murder him after hiding his existence for fifty years. 15,000 first printing.

Meet the residents of Gammage, NY, a town on the verge of declaring bankruptcy, when inspiration strikes. Why not go native, and open a casino? Former Saturday Night Live cast member Shearer delivers a brilliantly funny satire of greed, collusion, distrust, and betrayal in the halls of Washington and the casinos of Native America.

A naive young man meets Tarzan, Superman, goes underwater, and gets a gun in these four stories collected from Harvey Kurtzman and Will Elder's work in Help! magazine. This collection also contains introductory material about the origins of the characters, along with an account of the events that led to the suppression of Kurtzman and Elder's infamous "Goodman Goes Playboy" story.

Finalist for the National Book On the verge of receiving a vast inheritance, three brothers’ clashing aspirations turn into an all-out war Brothers Leo and Max Land came to America from Romania in 1911, but they took different paths in pursuit of the American dream. Even as they worked together, Max sought out material things while Leo made a simple, private life for himself. Now, after the death of both brothers, Leo’s three sons—the only surviving heirs—learn that they stand to inherit a fortune. As they battle for control, they come to expose their own deeply complicated visions of success in America. The Will is a stunning portrait of American idealism crushed under the weight of material desires.

A fast-paced, shoot-from-the-hip "people's history," The Last Energy War is an accessible, entertaining, and infuriating narration of how the electric power business started, how it almost bankrupted the nation, and how it is now soaking the public to pay for its trillion-dollar atomic mistake. From the electric chair to Chernobyl, from Thomas Edison to Cleveland's "boy mayor" Dennis Kucinich, this fascinating little book shows how the mega-utilities squashed solar power, how a military-utility alliance helped force atomic reactors down the public throat without a vote, and how a score of bought state legislatures have already handed corrupt utilities $200 billion in pure pork through a bogus deregulatory process. Merciless in its Robber Baron critique, The Last Energy War also builds on American heroes such as Franklin Roosevelt and George Norris to offer a blueprint for how we can take back out power supply. Relentlessly optimistic, it is the one book you must read to understand what's really happening to you when you turn on your lights—and then get the bill.

Part memoir, part commentary, Life on the Fringes charts a startling Jewish feminist journey both solitary and engaging. Haviva Ner-David draws us into the many facets of her life's story: a complex modern Orthodox childhood (including a battle with anorexia); adherence to a unique combination of Jewish observances; the emergence of her feminist commitments and support of gays and lesbians in Jewish life; a serious engagement with Jewish texts -- and now, studying for rabbinic ordination with an Orthodox rabbi in Israel, where Ner-David and her family have made their home. Over time, we see Ner-David take on both traditionally male practices -- donning a tallit and tefillin every day, wearing tzitzit at all times -- as well as those of traditional Jewish women -- covering her head, and observing in great detail the laws of niddah which govern a woman's separation from her husband in the days surrounding her menstrual period. Her personal wrestling and her halakhic analysis help us see Jewish tradition in new, more textured ways -- and lets us see new possibilities for our own lives. Writing with warmth, vision, and passion, Ner-David unwraps her often startling package of Jewish choices, inviting readers into her many worlds, even as she challenges us to examine and deepen our own allegiances and Jewish feminist journeys. No one who takes seriously the intersection of feminism and traditional Judaism will be able to ignore this book.

This collection of thoroughly annotated essays, spanning the 1920s to the early 1950s, includes Greenberg's meditations on socialism and ethics, profiles of polarizing twentieth-century figures (among them Trotsky, Lenin, and Gandhi), and several essays investigating the compatibility of socialism and communism. Greenberg always circles back, however, to the recurring question of how Jews might situate themselves in modernity, both before and after the Holocaust, and how Labor Zionist ideology might reshape the imbalances of Jewish economic life

Hedda Sterne's impressive art career began in the late 1930s when she exhibited with the Surrealists in Paris. She attained national prominence in the 1940s and 1950s, exhibiting with Abstract Expressionists such as Jackson Pollock, Willem de Kooning, Barnett Newman, and Mark Rothko, and her career continues into the present. This book documents Sterne's importance to the post-war American art scene. It highlights notable periods in her artistic career, including her Machine and Spray Roads paintings, portraits, installations, and recent drawings.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.