Based on the life of Mary, Queen, consort of Louis XII, King of France.

Despite the growing assimilation of the Jews with Czech language and culture in the late 19th-early 20th centuries, many sectors of the Czech national movement regarded the Jews as a Germanizing element. Ch. 8 (pp. 181-197), "Death and the Nation: Ritual Murder as Political Discourse in the Czech Lands" [an earlier version appeared in "Jewish History" 10 (1996)], describes cases of blood libels in 1892-1902 and reflects on the role played by ritual murder discourse in the rhetoric of Czech nationalism. Concludes that the ritual murder accusation against the Jews, as well as belief in their sexual licentiousness, added psychological dimensions to the rhetoric of economic nationalism - e.g. accusations of economic exploitation and "linguistic treason." Ch. 9 (pp. 198-216), "Masaryk and Czech Jewry: The Ambiguities of Friendship, " disputes the myth of Masaryk as a staunch opponent of antisemitism. Throughout his career Masaryk could not overcome antisemitic prejudices adopted in his childhood; he paradoxically combined support for the Jews of Bohemia with expressions of resentment and distrust.

How We Write: The Varieties of Writing Experience is based on the series of "How I Write" public conversations with faculty and other advanced writers conducted by Hilton Obenzinger at Stanford University since 2002. These conversations explored the nuts and bolts, pleasures and pains, of all types of writing. "How I Write" conversations were informal, with no pretense of plumbing the depths of anyone's scholarly expertise or art, although much was revealed. Rather, these talks probed what the writing part of these scholars' and artists' work entailed-whether their field was physics or anthropology or fiction-in an easygoing fashion. Participants included such authors as Pulitzer Prize-winning novelist Adam Johnson and historian David Kennedy, physicist Leonard Susskind, poets Evan Boland, Gwyneth Lewis, and Diane di Prima, literary critics and biographers Arnold Rampersad and Diane Middlebrook, novelists Abraham Verghese, Valerie Miner and Irvin Yalom, playwrights David Henry Hwang and Amy Freed, philosopher Richard Rorty, historian Ian Morris, environmental scientist Terry Root, cultural critic Rebecca Solnit, anthropologist Renato Rosaldo, and neuroscientist Robert Sapolsky. The chapters of How We Write follow the major line of topics that came up in the conversations: Chapter One, the different ways people learned how to write; Chapter Two, their attitudes and feelings toward writing and what motivates them; Chapter Three, what happens when a writer gets blocked; Chapter Four, the different ways people work-their physical environment and how they handle time, relationships, and more; Chapter Five, how writers get ideas and how they launch into a project; Chapter Six, the ways writers fashion arguments or create ideas, images, and stories; Chapter Seven, how style is driven by field or genre; Chapter Eight, how research connects to style; Chapter Nine, the different approaches writers employ to revise their work; and Chapter Ten, a final reflection. How We Write: The Varieties of Writing Experience is not a textbook or a handbook on how to become a writer. It's primarily a conversation, a medley of voices celebrating a craft that delights and dismays each of us, and a conversation the reader is invited to join.

Article 44 of The Constitution of India, provides that 'The State shall endeavour to secure for the citizens a Uniform Civil Code throughout the territory of India'. Even after more than six decades, this anticipated code has not been developed or implemented. This book provides a blueprint for alternative frameworks and courses of action, drawing on lessons from comparative context to develop a Uniform Civil Code for India.

Originally published in 1973. This final collection of thought by founder of the New School for Social Research in New York, Horace M. Kallen, touches on topics from language to death and from freedom to value. The author's treatise explores his understanding of logic and existence.

Seven people--part of a group of civilians representing a broad spectrum of society--embark on a journey aboard the NASA space shuttle as they seek a new future and an escape from the past

A tattoo is a bugle call, a summoning that lingers in the ear. Although Hortense Calisher's family eventually migrated north to New York City, the echoes of their days as a slave-owning family in the South still resonate with this acclaimed author, who uncovers a part of history never before so strongly and tenderly revealed. Calisher traces her family's years in the South and their transformative move up north, beautifully evoking the mood and texture of the early twentieth century. Her family was an eccentric combination of traditions and tragedies. Her Virginia-born father, a perfume manufacturer, was twenty-two years older than her German-born mother. Marked by longer-than-normal gaps between the generations and conflicts between the mercantile and the scholarly, the "American" and the emigre, her family is characterized by Calisher as "volcanic to meditative to fruitfully dull, and bound to produce someone interested in character, society, and time." "

No outer book jacket. As-new condition.

Originally published in 1941, The Last Frontier is the story of the Cheyenne Indians in the 1870s, and their bitter struggle to flee from the Indian Territory in Oklahoma back to their home in Wyoming and Montana. Some 300 Indians, led by Little Wolf, fought against General Crook and 10,000 troops, with only 60 finally making it through to freedom. Fast extensively researched this book in the late 1930s, visiting and speaking with Cheyenne experts in Norman, Oklahoma. This was the first of Fast's many books to gain a wide popular audience; it was eventually made by John Ford into the classic film Cheyenne Autumn (1964).

Barney Fugleman has two major preoccupations in life: sex and literature. He is obsessed by the life and work of a man hailed by many as a genius of the nineteenth century - and by Barney as a 'prurient little Victorian ratbag'. This curious propulsion drives him out of Finchley, and out of the life he shares with Sharon and her 'rampant marvellings', to Cornwall. There he offends serious ramblers with his slip-on snakeskin shoes, fur coat and antagonism to all things green and growing as he stomps the wild Atlantic cliffs on long, morbid walks, tampering with the truth, tangling with the imperious Camilla - and telling a riotous tale. By the winner of the Man Booker Prize and author of The Finkler Question .

This book presents a series of studies that cover a wide range of issues relating to Maimonides' political thought, including the basis for political and ethical knowledge; the notion of the "good"; imitatio Dei; apparent contradictions in his position on ethics; the conception of God that he attempts to inculcate to Jewish society at large; and his novel approach to the love and fear of God. Taking into account his medieval Aristotelian and Jewish sources, these explorations also deal with some of the opposing considerations that Maimonides had to balance in developing and presenting his positions on such subjects as the nature of divine law, the static vs. dynamic dimensions of Mosaic law, prophetic and rabbinic authority within Judaism, the reasons for the commandments, and martyrdom. A close reading of the manner in which he formulates his views, in light of their literary and intellectual-historical contexts, allows us a better glimpse of how profound and subtle Maimonides is as a thinker and an educator.